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264 pages : illustrations ; 22 cm
New Haven : Yale University Press, ©2005.
Bourgeois nightmares : suburbia, 1870-1930 / Robert M. Fogelson.
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264 pages : illustrations ; 22 cm
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New Haven : Yale University Press, ©2005.
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12 unnumbered pages : color illustrations ; 27 cm
New York : Orchard Books, an imprint of Scholastic Inc., 2016.
The White House : a pop-up of our nation's home / Robert Sabuda.
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12 unnumbered pages : color illustrations ; 27 cm
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New York : Orchard Books, an imprint of Scholastic Inc., 2016.
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123 pages : illustrations (chiefly color) ; 26 cm + 1 CD-ROM (4 3/4 in.)
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven, CT : Distributed by Yale University Press, ©2005.
Art in nature : the Clark inside and out / text by Timothy Cahill.
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123 pages : illustrations (chiefly color) ; 26 cm + 1 CD-ROM (4 3/4 in.)
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Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven, CT : Distributed by Yale University Press, ©2005.
$80.00
(disponible en magasin)
Résumé:
In ''Relative Moments'', Deanna Dikeman chronicles ordinary moments of her family’s activities. From gardening to cutting cake, from filling up the bird bath to mending a piece of clothing, from mowing the lawn to picking rhubarb, one gets to discover an everyday that might otherwise go unnoticed. In this book, which was generously edited and sequenced — 200 photographs(...)
Deanna Dikeman: Relative moments
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$80.00
(disponible en magasin)
Résumé:
In ''Relative Moments'', Deanna Dikeman chronicles ordinary moments of her family’s activities. From gardening to cutting cake, from filling up the bird bath to mending a piece of clothing, from mowing the lawn to picking rhubarb, one gets to discover an everyday that might otherwise go unnoticed. In this book, which was generously edited and sequenced — 200 photographs in total — one is not only meant to see the moment shot in one photograph, but all the moments that compose the story. This project captures a visual history of the photographer family’s life, yet, there is an ongoing narrative embedded in these photographs that conveys larger, more universal truths about American culture, familiarity, and the endless source of everyday wonder that surrounds us.
Monographies photo
$39.95
(disponible sur commande)
Résumé:
Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's(...)
A critic writes : essays by Reyner Banham
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$39.95
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Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.
Théorie de l’architecture