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As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. "Event-Space" radically re-evaluates the avant garde’s(...)
Event-space: theatre architecture and the historical avant-garde
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As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. "Event-Space" radically re-evaluates the avant garde’s championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of ‘performative architecture’.
Théorie de l’architecture
livres
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303 pages : illustrations ; 25 cm
New York : Free Press, ©2001.
Saving Monticello : the Levy family's epic quest to rescue the house that Jefferson built / Marc Leepson.
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303 pages : illustrations ; 25 cm
livres
New York : Free Press, ©2001.
$54.95
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The success of any architectural project depends on the architect’s ability to depict it. Conveying architectural ideas as drawings, pictures, or models is both a critical part of the process and one that can tell us much about the design itself in a particular time or place. Over the past two decades, major new trends in architectural representation have emerged in(...)
Pictures of the floating microcosm: new representations of Japanese architecture
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The success of any architectural project depends on the architect’s ability to depict it. Conveying architectural ideas as drawings, pictures, or models is both a critical part of the process and one that can tell us much about the design itself in a particular time or place. Over the past two decades, major new trends in architectural representation have emerged in Japan, which have gained widespread attention in the western world. "Pictures of the floating microcosm" considers these trends and takes readers through their development to the present day. Olivier Meystre undertakes a critique of the design tools and mediation techniques that have been employed and reveals the very special ways of conceiving an architectural project, drawing on a wealth of new research and interviews with contemporary Japanese architects.
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In this volume, Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa. Focusing on the ''golden age'' of Israel’s diplomatic relations in and throughout the continent from 1958 to 1973, Levin finds that Israel positioned itself as a developing-nation alternative in the competition over aid and(...)
Architecture and development: Israeli construction in sub-saharan Africa 1958-1973
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In this volume, Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa. Focusing on the ''golden age'' of Israel’s diplomatic relations in and throughout the continent from 1958 to 1973, Levin finds that Israel positioned itself as a developing-nation alternative in the competition over aid and influence between global North and global South. In analyses of the design and construction of prestigious governmental projects in Nigeria, Sierra Leone, and Ethiopia, Levin details how architects, planners, and a trade union--owned construction company staged Israel as a new center of nonaligned expertise. These actors and professionals paradoxically capitalized on their settler colonial experience in Palestine, refashioning it as an alternative to Western colonial expertise. Levin traces how Israel became involved in the modernization of governance, education, and agriculture in Africa, as well as how African leaders chose to work with Israel to forge new South-South connections. In so doing, she offers new ways of understanding the role of architecture as a vehicle of postcolonial development and in the mobilization of development resources.
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309 pages : illustrations ; 24 cm
New York : New York University Press, [2014], ©2014
Lifted : a cultural history of the elevator / Andreas Bernard ; translated from German by David Dollenmayer.
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309 pages : illustrations ; 24 cm
livres
New York : New York University Press, [2014], ©2014
$39.95
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The publication Arts for Living takes a close look at the Abrons Arts Center, a community-art facility on the Lower East Side of New York, as a case study for architecture designed to address issues of public space and community life. The Center was built during the 1970's fiscal crisis and designed by Prentice, Chan and Ohlhausen as a cultural institution with new(...)
Arts for living: public architecture and architectural education
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The publication Arts for Living takes a close look at the Abrons Arts Center, a community-art facility on the Lower East Side of New York, as a case study for architecture designed to address issues of public space and community life. The Center was built during the 1970's fiscal crisis and designed by Prentice, Chan and Ohlhausen as a cultural institution with new educational facilities intended to enable, foster, and serve the everyday activities of the local low-income population. The notions of public architecture and architecture education will be framed through three topics: the architecture and urban space of the Abrons Arts Center itself; the programming and activities at the Abrons Arts Center within the context of architectural education; and a larger survey of the environment of the Lower East Side, in terms of its cultural, social, and political context.
Théorie de l’architecture
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"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless(...)
Théorie de l’architecture
octobre 2002, Cambridge, Mass.
Vitruvius: Writing the body of architecture
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"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless source of valuable metaphors. Departing from both perspectives, Indra Kagis McEwen examines the work’s meaning and significance in its own time. Vitruvius dedicated De architectura to his patron Augustus Caesar, the first Roman emperor, whose rise to power inspired its composition near the end of the first century B.C. McEwen argues that the imperial project of world dominion shaped Vitruvius’s purpose in writing what he calls "the whole body of architecture." Specifically, Vitruvius’s aim was to present his discipline as the means for making the emperor’s body congruent with the imagined body of the world he would rule.
Théorie de l’architecture
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viii, 222 pages, [6] pages folded panoramas : illustrations (some color), maps ; 27 cm
Minneapolis : University of Minnesota Press, 2011.
The first panoramas : visions of British imperialism / Denise Blake Oleksijczuk.
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viii, 222 pages, [6] pages folded panoramas : illustrations (some color), maps ; 27 cm
livres
Minneapolis : University of Minnesota Press, 2011.
$47.50
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The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. "Shadow-Makers" tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of(...)
Shadow-makers: a cultural history of shadows in architecture
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The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. "Shadow-Makers" tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of significant buildings both ancient and modern with architectural theory and art history – to reveal the key places and moments where shadows shaped architecture in distinctive and dynamic ways. It shows how shadows are used as an architectural instrument of form, composition, and visual effect, while also exploring the deeper cultural context – tracing differing conceptions of their meaning and symbolism, whether as places of refuge, devotion, terror, occult practice, sublime experience or as metaphors of the unconscious.
Théorie de l’architecture
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Architecture on Display is a research initiative that consists of interviews with each of the living directors of the Venice Biennale for Architecture. The origins of the architecture biennale are generally traced to the 1970s, when it emerged from under the umbrella of the larger Venice Biennale, which was itself established in 1895. Since then it has become one of the(...)
Architecture on display: On the history of the Venice Biennale of Architecture
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Architecture on Display is a research initiative that consists of interviews with each of the living directors of the Venice Biennale for Architecture. The origins of the architecture biennale are generally traced to the 1970s, when it emerged from under the umbrella of the larger Venice Biennale, which was itself established in 1895. Since then it has become one of the most prestigious forums for architectural discourse today, and has served as a model for a range of international exhibitions. The book explores the biennale through the directors who established its particular discourse, including Vittorio Gregotti, Paolo Portoghesi, Francesco Dal Co, Kurt W Forster, Massimiliano Fuksas, Hans Hollein, Richard Burdett, Deyan Sudjic, Aaron Betsky and Kazuyo Sejima, as well as the current president of the Venice Biennale, Paolo Barrata. These conversations do not seek to recapitulate the exhibitions themselves but rather explore the questions that these exhibitions raise, with the hope of offering a model for future curatorial endeavours.
Muséologie