7437 Résultats
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livres
livres
Titre:
Reality modeled after images
Reality modeled after images
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$63.50
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Résumé:
This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and(...)
$63.50
(disponible en magasin)
Résumé:
This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and(...)
Titre:
Reality modeled after images
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Prix:
$63.50
(disponible en magasin)
Résumé:
This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment. For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.
Reality modeled after images
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Prix:
$63.50
(disponible en magasin)
Résumé:
This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment. For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$74.00
(disponible en magasin)
Résumé:
is the story of how a structure of unprecedented size and technology was built over the East River, connecting, for the first time, the then independent cities of Brooklyn and New York, two of the most populous cities in America. This awe-inspiring bridge-built between 1869 and 1883 during an age of technological innovation-was not only a modern engineering feat of(...)
$74.00
(disponible en magasin)
Résumé:
is the story of how a structure of unprecedented size and technology was built over the East River, connecting, for the first time, the then independent cities of Brooklyn and New York, two of the most populous cities in America. This awe-inspiring bridge-built between 1869 and 1883 during an age of technological innovation-was not only a modern engineering feat of(...)
Sujet:
Structures d’ingénierie
Structures d’ingénierie
Publication:
octobre 2021
octobre 2021
Titre:
Building the Brooklyn Bridge, 1869-1883: an illustrated history, with images in 3D
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$74.00
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Résumé:
is the story of how a structure of unprecedented size and technology was built over the East River, connecting, for the first time, the then independent cities of Brooklyn and New York, two of the most populous cities in America. This awe-inspiring bridge-built between 1869 and 1883 during an age of technological innovation-was not only a modern engineering feat of extraordinary imagination, fortitude, and skill, it also was a towering beacon of human triumph. Author Jeffrey I. Richman describes in engaging detail how the Brooklyn Bridge was built and explains the function of each of its complex parts, from the anchorages and elegant towers to the massive cables, and the challenges each presented. Richman reminds us how profoundly modern and groundbreaking the bridge was.
Building the Brooklyn Bridge, 1869-1883: an illustrated history, with images in 3D
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Prix:
$74.00
(disponible en magasin)
Résumé:
is the story of how a structure of unprecedented size and technology was built over the East River, connecting, for the first time, the then independent cities of Brooklyn and New York, two of the most populous cities in America. This awe-inspiring bridge-built between 1869 and 1883 during an age of technological innovation-was not only a modern engineering feat of extraordinary imagination, fortitude, and skill, it also was a towering beacon of human triumph. Author Jeffrey I. Richman describes in engaging detail how the Brooklyn Bridge was built and explains the function of each of its complex parts, from the anchorages and elegant towers to the massive cables, and the challenges each presented. Richman reminds us how profoundly modern and groundbreaking the bridge was.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Structures d’ingénierie
Structures d’ingénierie
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livres
livres
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$27.50
(disponible en magasin)
Résumé:
This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology(...)
$27.50
(disponible en magasin)
Résumé:
This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology(...)
Titre:
Learning to look: dispatches from the art world
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$27.50
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Résumé:
This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology says about art; or the role of ethics, fakes, and copies in our experience of a work. Each essay arises out of an art encounter—in a museum, listening to records, or going to a concert. Carefully articulating the experience of each of these encounters, the book proposes that, like philosophy, art is a sort of technology for understanding ourselves.
Learning to look: dispatches from the art world
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Prix:
$27.50
(disponible en magasin)
Résumé:
This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology says about art; or the role of ethics, fakes, and copies in our experience of a work. Each essay arises out of an art encounter—in a museum, listening to records, or going to a concert. Carefully articulating the experience of each of these encounters, the book proposes that, like philosophy, art is a sort of technology for understanding ourselves.
Classification:
livres
livres
Publication:
janvier 2022
janvier 2022
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Description:
x, 446 pages : illustrations (some color) ; 25 cm.
Description:
x, 446 pages : illustrations (some color) ; 25 cm.
Auteur:
Sujet:
- Islamic art.,
- Art, Modern 19th century.,
- Art islamique.,
- Art 19e siècle.,
- Art, Modern,
- Islam,
- Islamische Kunst,
- Kunst,
- Islamitische kunst.,
- Aufsatzsammlung,
- Kongress London 2003.,
- Konferenzschrift 2003 London.
Publication:
Leiden ; Boston : Brill, 2006.
Leiden ; Boston : Brill, 2006.
Titre:
Islamic art in the 19th century : tradition, innovation, and eclecticism / edited by Doris Behrens-Abouseif and Stephen Vernoit.
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Description:
x, 446 pages : illustrations (some color) ; 25 cm.
Islamic art in the 19th century : tradition, innovation, and eclecticism / edited by Doris Behrens-Abouseif and Stephen Vernoit.
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Description:
x, 446 pages : illustrations (some color) ; 25 cm.
Classification:
livres
livres
Publication:
Leiden ; Boston : Brill, 2006.
Leiden ; Boston : Brill, 2006.
Auteur:
Sujet:
- Islamic art.,
- Art, Modern 19th century.,
- Art islamique.,
- Art 19e siècle.,
- Art, Modern,
- Islam,
- Islamische Kunst,
- Kunst,
- Islamitische kunst.,
- Aufsatzsammlung,
- Kongress London 2003.,
- Konferenzschrift 2003 London.
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livres
livres
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Description:
355 pages : color illustrations ; 24 cm.
Description:
355 pages : color illustrations ; 24 cm.
Auteur:
Sujet:
- Ménagerie du Jardin des Plantes (Paris, France),
- Parc zoologique (Paris).,
- Zoos.,
- Human-animal relationships.,
- Jardins zoologiques.,
- zoos (institutions),
- Animaux de zoo Paris 2000-....,
- Relations homme-animal 2000-....,
- Parcs zoologiques Gestion France.
Publication:
Dijon : Les presses du réel, [2025]
Dijon : Les presses du réel, [2025]
Titre:
L'animal captif et la nature sauvage : une ethnographie du Parc zoologique de Paris / Mélanie Roustan.
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Description:
355 pages : color illustrations ; 24 cm.
L'animal captif et la nature sauvage : une ethnographie du Parc zoologique de Paris / Mélanie Roustan.
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Description:
355 pages : color illustrations ; 24 cm.
Classification:
livres
livres
Publication:
Dijon : Les presses du réel, [2025]
Dijon : Les presses du réel, [2025]
Auteur:
Sujet:
- Ménagerie du Jardin des Plantes (Paris, France),
- Parc zoologique (Paris).,
- Zoos.,
- Human-animal relationships.,
- Jardins zoologiques.,
- zoos (institutions),
- Animaux de zoo Paris 2000-....,
- Relations homme-animal 2000-....,
- Parcs zoologiques Gestion France.
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livres
livres
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Prix:
$31.50
(disponible sur commande)
Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
$31.50
(disponible sur commande)
Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2006, Cambridge (MA), London
octobre 2006, Cambridge (MA), London
Titre:
Architecture in the age of divided representation : the question of creativity in the shadow of production
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Prix:
$31.50
(disponible sur commande)
Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architecture in the age of divided representation : the question of creativity in the shadow of production
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Prix:
$31.50
(disponible sur commande)
Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Classification:
livres
livres
Publication:
octobre 2006, Cambridge (MA), London
octobre 2006, Cambridge (MA), London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Prix:
$62.50
(disponible sur commande)
Résumé:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's(...)
$62.50
(disponible sur commande)
Résumé:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's(...)
Titre:
Architecture in the age of divided representation : the question of creativity in the shadow of production
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Prix:
$62.50
(disponible sur commande)
Résumé:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architecture in the age of divided representation : the question of creativity in the shadow of production
Actions:
Prix:
$62.50
(disponible sur commande)
Résumé:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Classification:
livres
livres
Publication:
juin 2004, Cambridge, Mass.
juin 2004, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Fumihiko Maki
Fumihiko Maki
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$134.95
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Résumé:
Fumihiko Maki (b.1928) is one of the most influential architects of the late 20th century, recognized internationally for his thoughtful, subtle and technologically innovative buildings Includes Maki’s own selection of over 40 of his most significant projects, including the National Museum of Art in Kyoto and the Tokyo Metropolitan Gymnasium, as well as a description of(...)
$134.95
(disponible sur commande)
Résumé:
Fumihiko Maki (b.1928) is one of the most influential architects of the late 20th century, recognized internationally for his thoughtful, subtle and technologically innovative buildings Includes Maki’s own selection of over 40 of his most significant projects, including the National Museum of Art in Kyoto and the Tokyo Metropolitan Gymnasium, as well as a description of(...)
Titre:
Fumihiko Maki
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$134.95
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Résumé:
Fumihiko Maki (b.1928) is one of the most influential architects of the late 20th century, recognized internationally for his thoughtful, subtle and technologically innovative buildings Includes Maki’s own selection of over 40 of his most significant projects, including the National Museum of Art in Kyoto and the Tokyo Metropolitan Gymnasium, as well as a description of each project and discussion of the role it played in his architectural development Features a variety of global projects such as Tower 4 at the World Trade Center, New York (scheduled to open 2011); the Media Arts and Sciences building at the Massachusetts Institute of Technology; Novartis Campus Building WSJ-174 in Basel; the Republic Polytechnic campus in Singapore and the Center for the Arts, Yerba Buena Gardens in San Francisco.
Fumihiko Maki
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Prix:
$134.95
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Résumé:
Fumihiko Maki (b.1928) is one of the most influential architects of the late 20th century, recognized internationally for his thoughtful, subtle and technologically innovative buildings Includes Maki’s own selection of over 40 of his most significant projects, including the National Museum of Art in Kyoto and the Tokyo Metropolitan Gymnasium, as well as a description of each project and discussion of the role it played in his architectural development Features a variety of global projects such as Tower 4 at the World Trade Center, New York (scheduled to open 2011); the Media Arts and Sciences building at the Massachusetts Institute of Technology; Novartis Campus Building WSJ-174 in Basel; the Republic Polytechnic campus in Singapore and the Center for the Arts, Yerba Buena Gardens in San Francisco.
Classification:
livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$36.00
(disponible sur commande)
Résumé:
In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston,(...)
$36.00
(disponible sur commande)
Résumé:
In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston,(...)
Titre:
AAA 034 : Caribbean modernist architecture
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Prix:
$36.00
(disponible sur commande)
Résumé:
In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston, Jamaica. Topics included regional and international legacies, preservation, environmental sustainability and urban planning, as they relate to modernist architectural history and contemporary practice. The presenters were leading architects and local architectural historians. This illustrated volume presents papers from this symposium by Silvia Arango, Mervyn Awon, Marcus Barinas, Carlos Brillembourg, Jackson Burnside, Jean Doucet, Belmont Freeman, David Gouverneur, Ronny Lobo, Louise Noelle, Mark Raymond, Bruno Stagno and L. Mark Taylor, in both English and Spanish.
AAA 034 : Caribbean modernist architecture
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Prix:
$36.00
(disponible sur commande)
Résumé:
In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston, Jamaica. Topics included regional and international legacies, preservation, environmental sustainability and urban planning, as they relate to modernist architectural history and contemporary practice. The presenters were leading architects and local architectural historians. This illustrated volume presents papers from this symposium by Silvia Arango, Mervyn Awon, Marcus Barinas, Carlos Brillembourg, Jackson Burnside, Jean Doucet, Belmont Freeman, David Gouverneur, Ronny Lobo, Louise Noelle, Mark Raymond, Bruno Stagno and L. Mark Taylor, in both English and Spanish.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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Description:
240 pages : illustrations (chiefly colour), facsimile, portraits (chiefly colour), photographs ; 24 x 31 cm
Description:
240 pages : illustrations (chiefly colour), facsimile, portraits (chiefly colour), photographs ; 24 x 31 cm
Auteur:
- Burtynsky, Edward, 1955-,
- Simon Schama -- Marc Mayer -- Edward Burtynsky --,
- Mayer, Marc (Marc Daniel), 1956-,
- Schama, Simon,
Sujet:
- Burtynsky, Edward, 1955- Exhibitions.,
- Burtynsky, Edward, 1955-,
- New topographics (Photography) Exhibitions.,
- Landscape photography Exhibitions.,
- Aerial photography Exhibitions.,
- Outdoor photography Exhibitions.,
- Photography, Artistic Exhibitions.,
- Environmental degradation Exhibitions.,
- Industries Environmental aspects Exhibitions.,
- Corporations Environmental aspects Exhibitions.,
- Landscape changes Exhibitions.,
- Ecocide Exhibitions.,
- Fragmented landscapes Exhibitions.,
- Cultural landscapes Exhibitions.,
- Refuse and refuse disposal Exhibitions.,
- Land cover Effect of human beings on Pictorial works.,
- Human ecology Pictorial works.,
- Photographers Canada Exhibitions.,
- Photographers.,
- Photographes.,
- New topographics (Photographie) Expositions.,
- Photographie de paysages Expositions.,
- Photographie aérienne Expositions.,
- Photographie à l'extérieur Expositions.,
- Environnement Dégradation Expositions.,
- Sociétés Aspect de l'environnement Expositions.,
- Paysages Modifications Expositions.,
- Habitat (Écologie) Fragmentation Expositions.,
- Paysages culturels Expositions.,
- Déchets Élimination Expositions.,
- Occupation du sol Effets des êtres humains sur Ouvrages illustrés.,
- Photographie artistique Expositions.,
- photographers.,
- Aerial photography,
- Corporations Environmental aspects,
- Cultural landscapes,
- Ecocide,
- Environmental degradation,
- Fragmented landscapes,
- Human ecology,
- Industries Environmental aspects,
- Landscape changes,
- Landscape photography,
- New topographics (Photography),
- Outdoor photography,
- Photography, Artistic,
- Refuse and refuse disposal,
- Canada,
- exhibition catalogs.,
- photobooks.,
- Exhibition catalogs,
- Illustrated works,
- Informational works,
- Photobooks,
- Pictures,
- Ouvrages illustrés.,
- Documents d'information.,
- Catalogues d'exposition.,
- Livres de photographies.
Publication:
Göttingen : Steidl, 2024., ©2024
Göttingen : Steidl, 2024., ©2024
Titre:
Burtynsky : extraction/abstraction / [Edward Burtynsky]
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Description:
240 pages : illustrations (chiefly colour), facsimile, portraits (chiefly colour), photographs ; 24 x 31 cm
Burtynsky : extraction/abstraction / [Edward Burtynsky]
Actions:
Exemplaires:
Description:
240 pages : illustrations (chiefly colour), facsimile, portraits (chiefly colour), photographs ; 24 x 31 cm
Classification:
livres
livres
Publication:
Göttingen : Steidl, 2024., ©2024
Göttingen : Steidl, 2024., ©2024
Auteur:
- Burtynsky, Edward, 1955-,
- Simon Schama -- Marc Mayer -- Edward Burtynsky --,
- Mayer, Marc (Marc Daniel), 1956-,
- Schama, Simon,
Sujet:
- Burtynsky, Edward, 1955- Exhibitions.,
- Burtynsky, Edward, 1955-,
- New topographics (Photography) Exhibitions.,
- Landscape photography Exhibitions.,
- Aerial photography Exhibitions.,
- Outdoor photography Exhibitions.,
- Photography, Artistic Exhibitions.,
- Environmental degradation Exhibitions.,
- Industries Environmental aspects Exhibitions.,
- Corporations Environmental aspects Exhibitions.,
- Landscape changes Exhibitions.,
- Ecocide Exhibitions.,
- Fragmented landscapes Exhibitions.,
- Cultural landscapes Exhibitions.,
- Refuse and refuse disposal Exhibitions.,
- Land cover Effect of human beings on Pictorial works.,
- Human ecology Pictorial works.,
- Photographers Canada Exhibitions.,
- Photographers.,
- Photographes.,
- New topographics (Photographie) Expositions.,
- Photographie de paysages Expositions.,
- Photographie aérienne Expositions.,
- Photographie à l'extérieur Expositions.,
- Environnement Dégradation Expositions.,
- Sociétés Aspect de l'environnement Expositions.,
- Paysages Modifications Expositions.,
- Habitat (Écologie) Fragmentation Expositions.,
- Paysages culturels Expositions.,
- Déchets Élimination Expositions.,
- Occupation du sol Effets des êtres humains sur Ouvrages illustrés.,
- Photographie artistique Expositions.,
- photographers.,
- Aerial photography,
- Corporations Environmental aspects,
- Cultural landscapes,
- Ecocide,
- Environmental degradation,
- Fragmented landscapes,
- Human ecology,
- Industries Environmental aspects,
- Landscape changes,
- Landscape photography,
- New topographics (Photography),
- Outdoor photography,
- Photography, Artistic,
- Refuse and refuse disposal,
- Canada,
- exhibition catalogs.,
- photobooks.,
- Exhibition catalogs,
- Illustrated works,
- Informational works,
- Photobooks,
- Pictures,
- Ouvrages illustrés.,
- Documents d'information.,
- Catalogues d'exposition.,
- Livres de photographies.
