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Winding its way southward through the Philadelphia communities of Chestnut Hill and Mount Airy, as well as the verdant rural countryside of Gwynedd, Whitemarsh, and Wyndmoor, the Wissahickon Creek flows through a region of both unsurpassed natural beauty and some of the nation’s most exquisite residential architecture. The marvelous landscape that attracted early(...)
septembre 2008, New York
Houses of Philadelphia: Chestnut Hill and the Wissahickon Valley 1880-1930
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Winding its way southward through the Philadelphia communities of Chestnut Hill and Mount Airy, as well as the verdant rural countryside of Gwynedd, Whitemarsh, and Wyndmoor, the Wissahickon Creek flows through a region of both unsurpassed natural beauty and some of the nation’s most exquisite residential architecture. The marvelous landscape that attracted early travelers and settlers became the setting for glorious estates that celebrated the connection between the natural and the built environment. From the mid-19th through the mid-20th century, three generations of prominent regional and national architects designed houses that have endured as magnificent examples of their own time, and remain eminently livable homes to this day.
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as(...)
Old Paris and changing New York
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project ''Changing New York''.
Monographies photo
Criticism and truth
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Written in 1966 in response to an attack on Barthes's sur Racine, this polemic answers many of the charges brought against French new criticism by conservative, academic, 19th-century-oriented critics: lack of "objectivity," fondness for "jargon," indifference to the author's intention, etc. More positively, Barthes outlines some key concerns: plurality of meanings;(...)
Criticism and truth
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Written in 1966 in response to an attack on Barthes's sur Racine, this polemic answers many of the charges brought against French new criticism by conservative, academic, 19th-century-oriented critics: lack of "objectivity," fondness for "jargon," indifference to the author's intention, etc. More positively, Barthes outlines some key concerns: plurality of meanings; analysis, based on linguistics, of the structures of possible meanings; the idea of a science of literature; and the dynamics of reading. Though some of the issues are specific to the French literary-academic situation, the bulk of this brief essay is a lively and accessible statement of an important modern critical position that is worth reading.
Théorie/ philosophie
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Since the late 19th century, the shop window has shaped the urban landscape, mediating between the promises of consumer goods and the desires of passersby. The exhibition "Fresh Window" at the Museum Tinguely, inspired by Marcel Duchamp's work "Fresh Widow," explores the window as a membrane between public space and hidden desire. Many artists not only earned a living(...)
Fresh window: The Art of Display & Display of Art
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Since the late 19th century, the shop window has shaped the urban landscape, mediating between the promises of consumer goods and the desires of passersby. The exhibition "Fresh Window" at the Museum Tinguely, inspired by Marcel Duchamp's work "Fresh Widow," explores the window as a membrane between public space and hidden desire. Many artists not only earned a living through window displays but also used this setting as a testing ground to experiment with new practices. Works by artists such as Jean Tinguely, Andy Warhol and Marina Abramovic reveal how the boundary between consumer culture and artistic experimentation is continually renegotiated—sometimes ironically, sometimes shockingly.
Théorie de l’art
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Rome, the"Eternal City", is a unique palimpsest dating back to Antiquity. However, beyond the historic center built over millennia on the famous seven hills - another Rome exists, one of large and often stunning modern neighborhoods, housing estates, schools, and public buildings. When Rome became Italy's capital in 1871, the population increased extensively and the city(...)
The other Rome: Building the modern metropolis 1870-1960
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Rome, the"Eternal City", is a unique palimpsest dating back to Antiquity. However, beyond the historic center built over millennia on the famous seven hills - another Rome exists, one of large and often stunning modern neighborhoods, housing estates, schools, and public buildings. When Rome became Italy's capital in 1871, the population increased extensively and the city exceeded its boundaries since Roman times, the Aurelian Walls. This extraordinary transformation laid the foundation for many new quarters built to accommodate civil servants and rural migrants, drawing on vernacular and ancient Roman traditions and blending past and present. This book looks at Rome's evolution and architecture from the 19th century onwards.
Architecture contemporaine
Boro: the art of necessity
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The Japanese term "boro" refers to rags and fabrics used for far longer than their expected lifespan. In order to recycle, transform, and create “new” textiles from old, various techniques are used such as patching and mending, reinforcing with simple stitch-work, or weaving from rags. Boro textiles were created throughout Japan from the 19th century into the 1950s,(...)
Boro: the art of necessity
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The Japanese term "boro" refers to rags and fabrics used for far longer than their expected lifespan. In order to recycle, transform, and create “new” textiles from old, various techniques are used such as patching and mending, reinforcing with simple stitch-work, or weaving from rags. Boro textiles were created throughout Japan from the 19th century into the 1950s, although the phenomenon can be traced far earlier. Published along with an exhibition in Stockholm, this book surveys the history of boro and examines its changing social, economic, and aesthetic status as a visual and conceptual source of inspiration for textile artists and designers, both in Japan and internationally.
Création de mode
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This volume documents and illustrates 60 projects, past and present, that key into a libertarian ethos and desire for diverse self-organised ways of building. They are what this book calls an ‘anarchist’ architecture, that is, forms of design and building that embrace the core values of traditional anarchist political theory since its divergence from the mainstream of(...)
Architecture and anarchism: building without authority
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This volume documents and illustrates 60 projects, past and present, that key into a libertarian ethos and desire for diverse self-organised ways of building. They are what this book calls an ‘anarchist’ architecture, that is, forms of design and building that embrace the core values of traditional anarchist political theory since its divergence from the mainstream of socialist politics in the 19th century. These are autonomy, voluntary association, mutual aid, and self-organisation through direct democracy. As the book shows, there are a vast range of architectural projects that can been seen to reflect some or all of these values, whether they are acknowledged as specifically anarchist or otherwise.
Architecture contemporaine
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As the slave trade entered its last, illegal phase in the 19th century, the town of Lagos on West Africa’s Bight of Benin became one of the most important port cities north of the equator. Slavery and the Birth of an African City explores the reasons for Lagos’s sudden rise to power. By linking the histories of international slave markets to those of the regional(...)
août 2010
Slavery and the birth of an African city
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As the slave trade entered its last, illegal phase in the 19th century, the town of Lagos on West Africa’s Bight of Benin became one of the most important port cities north of the equator. Slavery and the Birth of an African City explores the reasons for Lagos’s sudden rise to power. By linking the histories of international slave markets to those of the regional suppliers and slave traders, Kristin Mann shows how the African slave trade forever altered the destiny of the tiny kingdom of Lagos. This magisterial work uncovers the relationship between African slavery and the growth of one of Africa’s most vibrant cities.
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Outlining the evolution of applied art and design in Finland, from origins in the late 19th century to the outset of the 21st, this study by Pekka Korenmaa pinpoints the main underlying factors behind Finnish design today and shows how these have become an integral aspect of the country’s identity, economy and international image. From industry to culture, and training(...)
Finnish design: a concise history
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Outlining the evolution of applied art and design in Finland, from origins in the late 19th century to the outset of the 21st, this study by Pekka Korenmaa pinpoints the main underlying factors behind Finnish design today and shows how these have become an integral aspect of the country’s identity, economy and international image. From industry to culture, and training and education to designers and products, it thoroughly demonstrates how design has historically operated in the tension between art and industry, both serving and enhancing everyday life. Numerous photos, posters and illustrations portray every imaginable aspect of the rich diversity found in Finnish design.
Design, époques et styles
Francis Alÿs Fabiola
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection(...)
mars 2008, New York, New Haven, London
Francis Alÿs Fabiola
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection of Fabiola portraits, numbering in the hundreds and painted by amateurs and professionals alike, is the focus of this intriguing book. Not only does it examine the artist’s exploration of collecting practices, but the publication also offers an unusual window into aesthetic, sociological, and anthropological values of the past century. In addition to cataloguing each of the Fabiola works, the book includes Saint Jerome’s eulogy for Fabiola (the primary source for Fabiola’s biography), followed by an interpretive text on evolving hagiographies and saints’ vitae, an analysis of the role of iconographic imagery in the practice of Catholicism, and art historical essays that focus on Alÿs’s practice.