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Indigenous activism in the Americas has long focused on the symbolic reclamation of land. Drawing on interdisciplinary perspectives, contributors to this issue explore narratives of territory and origin that provide a foundation for this political practice. The contributors study Indigenous-language stories from displaced communities, analyzing the meaning and power of(...)
mai 2020
Indigenous narratives of territory and creation: hemispheric perspectives
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Indigenous activism in the Americas has long focused on the symbolic reclamation of land. Drawing on interdisciplinary perspectives, contributors to this issue explore narratives of territory and origin that provide a foundation for this political practice. The contributors study Indigenous-language stories from displaced communities, analyzing the meaning and power of these narratives in the context of diaspora and the struggle for land. Essays address topics including territorial struggle and environmentalism, Indigenous resistance to neoliberal policies of land dispossession, and alliances between academic and Indigenous knowledges and activisms. This issue brings together fruitful comparisons of theoretical frameworks and case studies in Indigenous studies across North and South America. Its contributors advance the process of returning to Indigenous knowledge, offering essential alternatives to Western epistemologies.
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional(...)
mars 2019
Shuvinai Ashoona : life & work
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional Inuit culture and mythology with influences derived from the non-Arctic world. This publication explores the world of an artist whose rich graphic imagery conveys an intricate and textured personal vision. Using pencil, pen and ink, and markers to render dense, highly imaginative drawings, Shuvinai creates art that reflects the intersection of values between the traditional and the contemporary in the North.
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Climate change is one of the major challenges facing cities in the future. Landscape architecture is particularly in demand here because it offers solutions that are characterized by complexity and interdisciplinarity and contribute to the quality of everyday life. These range from green roofs and facades to urban gardening and the landscaping of large-scale protection(...)
Resilient city: landscape architecture for climate change
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Climate change is one of the major challenges facing cities in the future. Landscape architecture is particularly in demand here because it offers solutions that are characterized by complexity and interdisciplinarity and contribute to the quality of everyday life. These range from green roofs and facades to urban gardening and the landscaping of large-scale protection works. This volume presents measures and plans of eleven major cities in North and South America, from Vancouver to Rio de Janeiro, to protect their inhabitants and their habitats against future storms, floods, landslides or long periods of heat and drought. Projects in the featured cities are analyzed in their geographic and climatic context. The author also addresses the social and cultural dimensions of resilience.
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''Tar Sands'' critically examines the frenzied development in the Canadian tar sands and the far-reaching implications for all of North America. Bitumen, the sticky stuff that ancients used to glue the Tower of Babel together, is the world’s most expensive hydrocarbon. This difficult-to-find resource has made Canada the number-one supplier of oil to the United States, and(...)
Tar sands : dirty oil and the future of the continent
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''Tar Sands'' critically examines the frenzied development in the Canadian tar sands and the far-reaching implications for all of North America. Bitumen, the sticky stuff that ancients used to glue the Tower of Babel together, is the world’s most expensive hydrocarbon. This difficult-to-find resource has made Canada the number-one supplier of oil to the United States, and every major oil company now owns a lease in the Alberta tar sands. The region has become a global Deadwood, complete with rapturous engineers, cut-throat cocaine dealers, Muslim extremists, and a huge population of homeless individuals. In this award-winning book, a Canadian bestseller, journalist Andrew Nikiforuk exposes the disastrous environmental, social, and political costs of the tar sands, arguing forcefully for change.
Ernst Logar: invisble oil
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In Invisible Oil, the artist Ernst Logar addresses the material petroleum and its importance as a basis of our modern civilization using the example of the Scottish petroleum metropolis Aberdeen. In the course of his work, the artist managed to get access to non public places of the North Sea based petroleum industry. The photographs taken and the correspondence with the(...)
Ernst Logar: invisble oil
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In Invisible Oil, the artist Ernst Logar addresses the material petroleum and its importance as a basis of our modern civilization using the example of the Scottish petroleum metropolis Aberdeen. In the course of his work, the artist managed to get access to non public places of the North Sea based petroleum industry. The photographs taken and the correspondence with the petroleum companies, which are active there, are documented as well as the numerous artistic works developed and made of the material petroleum. These objects reflect our modern civilization’s dependency on petroleum and contemplate it in a haunting manner. The book also addresses the current economic and social situation of the oil-industry-dominated city of Aberdeen and possible problematic future scenarios.
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In the mid-century era of TV dinners and suburban conformity, Russel and Mary Wright were individualists. Their home Dragon Rock at Manitoga is situated on forested woodlands, sited at an abandoned quarry located an hour north of New York City, now part of the Historic Artists' Homes and Studios program of the National Trust for Historic Preservation. Although best known(...)
Russel and Mary Wright: Dragon Rock at Manitoga
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In the mid-century era of TV dinners and suburban conformity, Russel and Mary Wright were individualists. Their home Dragon Rock at Manitoga is situated on forested woodlands, sited at an abandoned quarry located an hour north of New York City, now part of the Historic Artists' Homes and Studios program of the National Trust for Historic Preservation. Although best known for American Modern dinnerware, the Wrights rejected rigid modernism for a life that invited ambiguity. Mary's role as a partner, designer, and entrepreneur is explored here for the first time. This volume is filled with personal histories and over one hundred stunning photographs, synthesizing multiple archives and charting the innovation of their design practice, their lives, and the development of their Dragon Rock home and the Woodland Paths of Manitoga.
Architecture, monographies
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Little known among the general public, Alexander Henderson's work laid the foundations of the Canadian romantic landscape and its themes: the magic of winter, the endless lure of the country’s lakes and waterways, the metaphysical awe inspired by the vastness of its land and its great river. But Henderson also offered a colonial vision of the young North American city and(...)
Alexander Henderson: Art and nature
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Little known among the general public, Alexander Henderson's work laid the foundations of the Canadian romantic landscape and its themes: the magic of winter, the endless lure of the country’s lakes and waterways, the metaphysical awe inspired by the vastness of its land and its great river. But Henderson also offered a colonial vision of the young North American city and documented a number of Canada’s major railway projects. This publication accompanies the first exhibition devoted to Henderson’s entire oeuvre and focusses on photographs that highlight the tonalities, textures, and clarity characteristic of the prints of the period. Texts explore Henderson’s biography, the sources and forms of romanticism evident in his landscapes, and the genesis of his work as a process of adaptation to the New World in a context of British imperialism.
Monographies photo
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The 1960s and 1970s avant-garde has been likened to an ''architectural Big Bang'', such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by architectural projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound.(...)
AD Re-imagining the Avant-Garde: revisiting the architecture of the 1960s and 1970s
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The 1960s and 1970s avant-garde has been likened to an ''architectural Big Bang'', such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by architectural projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound. Highly diverse, the avant-garde cannot be defined as a single strand or tendency. It was divergent geographically – reaching from Europe to North America and Japan – and in its political, formal and cultural preoccupations. It was unified, though, as a critical and experimental force, critiquing contemporary society against the backdrop of extreme social and political upheaval: the Paris riots of May 1968, the anti-Vietnam war movement in America and the looming ecological crisis.
Théorie de l’architecture
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Originally published in 1974, this book is a critical work of Indigenous political activism that has long been out of print. George Manuel, a leader in the North American Indian movement at that time, with coauthor journalist Michael Posluns, presents a rich historical document that traces the struggle for Indigenous survival as a nation, a culture, and a reality. The(...)
The Fourth World: An Indian reality
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Originally published in 1974, this book is a critical work of Indigenous political activism that has long been out of print. George Manuel, a leader in the North American Indian movement at that time, with coauthor journalist Michael Posluns, presents a rich historical document that traces the struggle for Indigenous survival as a nation, a culture, and a reality. The authors shed light on alternatives for coexistence that would take place in the Fourth World—an alternative to the new world, the old world, and the Third World. Manuel was the first to develop this concept of the “fourth world” to describe the place occupied by Indigenous nations within colonial nation-states. Accompanied by a new introduction and afterword, this book is as poignant and provocative today as it was when first published.
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The Lebanese photographer Marie al-Khazen not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her camera by staging scenes, manipulating shadows, and superimposing negatives to produce different effects in her prints. Within her photographs, bedouins and European friends, peasants and landlords, men and women(...)
Reading Marie al-Khazen’s photographs: Gender, photography, Mandate Lebanon
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The Lebanese photographer Marie al-Khazen not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her camera by staging scenes, manipulating shadows, and superimposing negatives to produce different effects in her prints. Within her photographs, bedouins and European friends, peasants and landlords, men and women comfortably share the same space. Her photographs include an intriguing collection portraying her family and friends living their everyday lives in 1920s and '30s Zgharta, a village in the north of Lebanon. Yasmine Nachabe Taan explores these photographs, emphasizing the ways in which notions of gender and class are inscribed within them and revealing how they are charged with symbols of women's emancipation to today's viewers, through women's presence as individuals, separate from family restrictions of that time.
Théorie de la photographie