Les restes: prototype
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Du mois d’août 2001 au mois d’août 2010, l’auteur a disposé dans un tableau les suppressions effectuées lors de la correction d’œuvres en cours d’écriture – proses (fictions, notes, essais) ou poésie. Le présent ouvrage est constitué d’extraits de ce tableau. Sont ainsi retenus en un même lieu des ponctuations, des mots, des paragraphes, lambeaux textuels(...)
septembre 2014
Les restes: prototype
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Du mois d’août 2001 au mois d’août 2010, l’auteur a disposé dans un tableau les suppressions effectuées lors de la correction d’œuvres en cours d’écriture – proses (fictions, notes, essais) ou poésie. Le présent ouvrage est constitué d’extraits de ce tableau. Sont ainsi retenus en un même lieu des ponctuations, des mots, des paragraphes, lambeaux textuels initialement voués à la perte. Cet amalgame compose une œuvre de nature imprécise où se maintient, autrement, ce que l’auteur voulait effacer.
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In 2010, Kapoor's tinted "Sky Mirror" disc planted in the Serpentine lake transformed the grey London sky into a dramatic and luminous red; a fluted, conical, mirrored structure seemed to suck up the earth and siphon it into the sky. Illustrated with full-color plates of these works in situ, Turning the World Upside Down in Kensington Gardens is also the first Kapoor(...)
Anish Kapoor: Turning the world upside down in Kensington Gardens
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In 2010, Kapoor's tinted "Sky Mirror" disc planted in the Serpentine lake transformed the grey London sky into a dramatic and luminous red; a fluted, conical, mirrored structure seemed to suck up the earth and siphon it into the sky. Illustrated with full-color plates of these works in situ, Turning the World Upside Down in Kensington Gardens is also the first Kapoor monograph to offer a comprehensive overview of all of the artist's stainless steel sculptures.
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339 pages : illustrations, facsimiles ; 25 cm
Berlin : Miss Read ; Cambridge, Massachusetts : The MIT Press, [2019], ©2019
Publishing manifestos : an international anthology from artists and writers / edited by Michalis Pichler.
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339 pages : illustrations, facsimiles ; 25 cm
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Berlin : Miss Read ; Cambridge, Massachusetts : The MIT Press, [2019], ©2019
Toilet Paper n.17
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'Toilet Paper' is an artists' magazine created and produced by Maurizio Cattelan and photographer Pierpaolo Ferrari. Since the first issue, in 2010, 'Toilet Paper' has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is(...)
Toilet Paper n.17
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'Toilet Paper' is an artists' magazine created and produced by Maurizio Cattelan and photographer Pierpaolo Ferrari. Since the first issue, in 2010, 'Toilet Paper' has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.
Revues
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Studio MMX was established in 2010 as a collaborative based in Mexico City, focusing on applying a variety of design processes to projects of widely differing sizes. Founded by Jorge Arvizu, Ignacio del Río, Emmanuel Ramírez and Diego Ricalde, the studio prioritizes collaboration and works toward consolidating its experience with a participatory and collective dynamic.(...)
MMX: Architecture and territory
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Studio MMX was established in 2010 as a collaborative based in Mexico City, focusing on applying a variety of design processes to projects of widely differing sizes. Founded by Jorge Arvizu, Ignacio del Río, Emmanuel Ramírez and Diego Ricalde, the studio prioritizes collaboration and works toward consolidating its experience with a participatory and collective dynamic. The firm develops a range of projects, from designs and installations to architecture and urban planning initiatives, tackling each project as an individual physical, financial and social challenge.
Architecture, monographies
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The acclaimed geographer Denis Wood has written numerous books (including the influential bestseller The Power of Maps) that reorient his readers to our neighborhoods, homes and bodies. At the heart of Wood’s investigations is a near-legendary endeavor: the Boylan Heights maps, begun in 1982, and first presented in Everything Sings (2010). This second edition includes(...)
Denis Wood : everything sings, maps for a narrative atlas, 2nd revised edition
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The acclaimed geographer Denis Wood has written numerous books (including the influential bestseller The Power of Maps) that reorient his readers to our neighborhoods, homes and bodies. At the heart of Wood’s investigations is a near-legendary endeavor: the Boylan Heights maps, begun in 1982, and first presented in Everything Sings (2010). This second edition includes eight new maps (including one of barking dogs!), other new visual material plus original essays by Ander Monson and Albert Mobilio and an interview with Blake Butler.
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799 pages : illustrations (some color), maps (some color) ; 31 cm
New York : Rizzoli, 1996.
The Greek world : art and civilization in Magna Graecia and Sicily / edited by Giovanni Pugliese Carratelli ; [translators, Andrew Ellis [and others]].
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799 pages : illustrations (some color), maps (some color) ; 31 cm
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New York : Rizzoli, 1996.
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Lingezegen is a large park between Nijmegen and Arnhem with several functions: housing, agriculture and recreation. In Summer School Lingezegen students from different disciplines addressed the identity of the park in construction, their assignment was to stretch its social and natural boundaries. The publication reports on the three editions (2008-2010) of the summer(...)
Lingezegren park : summer school
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Lingezegen is a large park between Nijmegen and Arnhem with several functions: housing, agriculture and recreation. In Summer School Lingezegen students from different disciplines addressed the identity of the park in construction, their assignment was to stretch its social and natural boundaries. The publication reports on the three editions (2008-2010) of the summer school and gives inspiration to residents, policy makers, spatial designers and recreationists. It also serves as a guide for those who wish to to tackle comparable issues in similar areas.
Théorie de l’architecture
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The Documenta Logbook volume reveals Artistic Director Carolyn Christov-Bakargiev's working methods for the 2012 Documenta, from the earliest planning stages in 2010 right up to the opening of Documenta in 2012, in writings and photographs. A second section of photographs documents the installation of artist's works in Kassel, plus a schedule of the various public events,(...)
documenta (13) : the logbook, catalog 2/3
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The Documenta Logbook volume reveals Artistic Director Carolyn Christov-Bakargiev's working methods for the 2012 Documenta, from the earliest planning stages in 2010 right up to the opening of Documenta in 2012, in writings and photographs. A second section of photographs documents the installation of artist's works in Kassel, plus a schedule of the various public events, from concerts to performances. With its emphasis on the provisional and the processual and the provisional, the Logbook expresses Christov-Bakargiev's guiding strategy and philosophy for Documenta 13.
Jan Kempenaers: Memorials
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''Memorials'' continues the trajectory of Jan Kempenaers’ earlier publication Spomenik (ROMA 141, 2010). Comprising 255 black-and-white photographs, most of them made between 2022 and 2025, the book brings together images of brutalist war memorials in the former Yugoslavia, built between 1950 and 1980, during the socialist period. Made over the course of ten journeys(...)
Jan Kempenaers: Memorials
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''Memorials'' continues the trajectory of Jan Kempenaers’ earlier publication Spomenik (ROMA 141, 2010). Comprising 255 black-and-white photographs, most of them made between 2022 and 2025, the book brings together images of brutalist war memorials in the former Yugoslavia, built between 1950 and 1980, during the socialist period. Made over the course of ten journeys through the region—across present-day Slovenia, Croatia, Bosnia and Herzegovina, Serbia, Montenegro, and North Macedonia—the photographs trace a landscape in which sculpture, ideology, and collective memory remain deeply intertwined.