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Aux côtés des élus, les services d'urbanisme municipaux ou intercommunaux participent à la transformation d'une cité. L'observation quotidienne des jeux des acteurs et l'expérience opérationnelle éclairent les enjeux et les contraintes qui sont au cœur de l'action de l'urbaniste.
Le choix de la ville: l'urbanisme au service d'une ville partagée et créative
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Aux côtés des élus, les services d'urbanisme municipaux ou intercommunaux participent à la transformation d'une cité. L'observation quotidienne des jeux des acteurs et l'expérience opérationnelle éclairent les enjeux et les contraintes qui sont au cœur de l'action de l'urbaniste.
Théorie de l’urbanisme
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This publication presents articles refering to key portfolios of the 20th and 21st Century including works by Pierre Charreau, Peter Salter and Rural Studio. It also includes extended articles by critics, theorists, educators and designers, such as Mathias Kohler, Nevi Oxman, and Michael Stacey
AD: manufacturing the bespoke
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This publication presents articles refering to key portfolios of the 20th and 21st Century including works by Pierre Charreau, Peter Salter and Rural Studio. It also includes extended articles by critics, theorists, educators and designers, such as Mathias Kohler, Nevi Oxman, and Michael Stacey
Théorie de l’architecture
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and(...)
Tumult and order : Malcontenta, 1924-1939
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and intellectuals that ended when Italy entered World War II. Antonio Foscari recounts this lively period in the building’s history and talks about its then owner, Bertie Landsberg, and his friends Catherine de Rochegude, Baroness of Erlanger, and Paul Rodocanachi, who not only lovingly renovated the villa, but made it such a lively place for the first time. The text is complemented by numerous photographs dating from this exciting time that convey an impression of what was happening in the villa in those days.
Théorie de l’architecture
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Pourquoi reconquérir les rues ? Parce que c’est là que se joue, sans qu’on en soit toujours conscient, une grande partie de la qualité de la vie dans une ville. Il y a des rues où l’on se sent bien, des rues vivantes — sans forcément être commerçantes —, où l’on se dit qu’on aimerait bien habiter et élever nos enfants. Et puis il y a des rues qui, à l’inverse, nous(...)
Reconquérir les rues : exemples à travers le monde et pistes d'actions
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Pourquoi reconquérir les rues ? Parce que c’est là que se joue, sans qu’on en soit toujours conscient, une grande partie de la qualité de la vie dans une ville. Il y a des rues où l’on se sent bien, des rues vivantes — sans forcément être commerçantes —, où l’on se dit qu’on aimerait bien habiter et élever nos enfants. Et puis il y a des rues qui, à l’inverse, nous semblent mornes, stériles, désertes, et qui malheureusement sont devenues plutôt la norme dans notre pays. Nicolas Soulier nous montre que cette situation n’est pas inéluctable et que de nombreux exemples de reconquête fleurissent à travers le monde, mais aussi en France. De ces situations exemplaires, prises en Allemagne, en Suisse, au Canada, en Angleterre et aux USA, l’auteur tire des conclusions pratiques et propose des pistes d’action pour reconquérir nos rues.
Théorie de l’urbanisme
Weather architecture
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Further extending Jonathan Hill's investigation of authorship, this book recognizes the weather as a creative architectural force alongside the designer and user. Although acknowledging the influence of the client, contractor and engineer, the relations between the designer, user and weather are the focus of this book. Environmental discussions in architecture tend(...)
Weather architecture
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Further extending Jonathan Hill's investigation of authorship, this book recognizes the weather as a creative architectural force alongside the designer and user. Although acknowledging the influence of the client, contractor and engineer, the relations between the designer, user and weather are the focus of this book. Environmental discussions in architecture tend to focus on the practical or the poetic but here they are considered together. Rather than investigate architecture's relations to the weather in isolation, they are integrated into a wider discussion of cultural and social influences on architecture. The analysis of weather's effects on the design and experience of specific buildings and gardens is interwoven with a historical survey of changing attitudes to the weather in the arts, sciences and society, leading to a critical re-evaluation of contemporary responses to climate change.
Théorie de l’architecture
Kant for architects
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This book introduces architects to a philosopher, Immanuel Kant, whose work was constantly informed by a concern for the world as an evolving whole. According to Kant, in this interconnected and dynamic world, humans should act as mutually dependent and responsible subjects. Given his future-oriented and ethico-politically concerned thinking, Kant is a thinker who clearly(...)
Kant for architects
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This book introduces architects to a philosopher, Immanuel Kant, whose work was constantly informed by a concern for the world as an evolving whole. According to Kant, in this interconnected and dynamic world, humans should act as mutually dependent and responsible subjects. Given his future-oriented and ethico-politically concerned thinking, Kant is a thinker who clearly speaks to architects. This introduction demonstrates how his ideas bear pertinently and creatively upon the world in which we live now and for which we should care thoughtfully.
Théorie de l’architecture
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In the years of reconstruction and economic boom that followed the Second World War, the domestic sphere encountered new expectations regarding social behaviour, modes of living, and forms of dwelling. This book brings together an international group of scholars from architecture, design, urban planning, and interior design to reappraise mid-twentieth century modern life,(...)
Atomic dwelling: anxiety, domesticity, and postwar architecture
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In the years of reconstruction and economic boom that followed the Second World War, the domestic sphere encountered new expectations regarding social behaviour, modes of living, and forms of dwelling. This book brings together an international group of scholars from architecture, design, urban planning, and interior design to reappraise mid-twentieth century modern life, offering a timely reassessment of culture and the economic and political effects on civilian life. This collection contains essays that examine the material of art, objects, and spaces in the context of practices of dwelling over the long span of the postwar period. It asks what role material objects, interior spaces, and architecture played in quelling or fanning the anxieties of modernism’s ordinary denizens, and how this role informs their legacy today.
Théorie de l’architecture
Dwelling with architecture
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This book can be read in a number of ways. It is first a book about houses and particularly the theme 'dwelling and the land'. It examines the poetic and prosaic issues inherent in claiming a piece of the landscape to live on. It could also be seen as a kind of road map, full of both warnings and encouragements for all those involved with, or just interested in, the(...)
Dwelling with architecture
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This book can be read in a number of ways. It is first a book about houses and particularly the theme 'dwelling and the land'. It examines the poetic and prosaic issues inherent in claiming a piece of the landscape to live on. It could also be seen as a kind of road map, full of both warnings and encouragements for all those involved with, or just interested in, the making of houses.
Théorie de l’architecture
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"Designed for Habitat presents potent evidence of the link between design and dignity, particularly in the context of low-income housing. It captures a crucial trifecta of perspectives - Habitat for Humanity leaders, homeowners, and designers. Their powerful, sometimes explosive stories aren't sugarcoated by Hinson and Miller; the pair makes clear that these(...)
Designed for habitat : collaborations with Habitat for humanity
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"Designed for Habitat presents potent evidence of the link between design and dignity, particularly in the context of low-income housing. It captures a crucial trifecta of perspectives - Habitat for Humanity leaders, homeowners, and designers. Their powerful, sometimes explosive stories aren't sugarcoated by Hinson and Miller; the pair makes clear that these collaborations present huge challenges for often-opposing cultures, but can yield unprecedented payoffs. With America's housing in a perpetual state of crisis, such partnerships are more important than ever. This highly-instructive, landmark book is an unmatched guide for future collaborations. It communicates so clearly and so convincingly to Habitat and its homeowners that they too deserve good design; indeed, we all do." -John Cary, Author, The Power of Pro Bono; Founder & Editor, PublicInterestDesign.org
Théorie de l’architecture
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F.R. David is a journal published twice-yearly by 'de Appel' arts centre, Amsterdam,in co-edition with Will Holder, founder of 'the Werkplaats Typografie'. It focuses on the 'status' of writing in contemporary art practice. Writing as 'the core material' of a number of visual artists but equally as a mode that exists parallel to or in service of the visual. This issue is(...)
F.R. David Summer 2011 : Spin cycle
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F.R. David is a journal published twice-yearly by 'de Appel' arts centre, Amsterdam,in co-edition with Will Holder, founder of 'the Werkplaats Typografie'. It focuses on the 'status' of writing in contemporary art practice. Writing as 'the core material' of a number of visual artists but equally as a mode that exists parallel to or in service of the visual. This issue is part of a project curated by the participants of de Appel Curatorial Programme 07/08, who have hijacked the journal to encapsulate their intentions (shared, stolen or otherwise discovered). The journal explores the many intersections between circulation and storytelling.
Théorie de l’art