7378 Résultats
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livres
livres
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The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the(...)
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The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the(...)
Titre:
Klaus Kinold: Architectural photographs
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The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the documentary. Reality and represen-tation were supposed to correspond. Quoting a statement by Roland Barthes, Kinold has referred to the still "mysterious bonus of confidence given to the documentary". At a time when digital photographic and processing techniques make all sorts of manipulation possible, the now rare quality of reliability is assigned to this attitude. It was self-evident for Kinold to explore the period whose very name included the term objectivity the New Objectivity (in German: Neue Sachlichkeit).
Klaus Kinold: Architectural photographs
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The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the documentary. Reality and represen-tation were supposed to correspond. Quoting a statement by Roland Barthes, Kinold has referred to the still "mysterious bonus of confidence given to the documentary". At a time when digital photographic and processing techniques make all sorts of manipulation possible, the now rare quality of reliability is assigned to this attitude. It was self-evident for Kinold to explore the period whose very name included the term objectivity the New Objectivity (in German: Neue Sachlichkeit).
Classification:
livres
livres
Publication:
décembre 2016
décembre 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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"Good space : political, aesthetic and urban Spaces" means first of all opportunities. It is explored in this book accompanying the same-titled exhibition how the demands made on public spaces can be realized. The focus is on surprising utilizations of space and subversive artistic strategies. Questions are raised about the form and significance of public spaces –(...)
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"Good space : political, aesthetic and urban Spaces" means first of all opportunities. It is explored in this book accompanying the same-titled exhibition how the demands made on public spaces can be realized. The focus is on surprising utilizations of space and subversive artistic strategies. Questions are raised about the form and significance of public spaces –(...)
Titre:
Good space: political, aesthetic and urban spaces
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"Good space : political, aesthetic and urban Spaces" means first of all opportunities. It is explored in this book accompanying the same-titled exhibition how the demands made on public spaces can be realized. The focus is on surprising utilizations of space and subversive artistic strategies. Questions are raised about the form and significance of public spaces – regardless of whether these have actually been built or are simply utopian designs or are situated in the digital realm. With »EVERYTHING IS ARCHITECTURE: Bau Magazine from the 60s and 70s«, an exhibition by the ICA London in 2015 has been integrated into this exhibition, focusing on historical preconditions of visionary and utopian architectural and spatial concepts in the 1960s and 1970s. The book is a reader and the sum of the exhibition and the lectures during this summer 2016 at Villa Merkel.
Good space: political, aesthetic and urban spaces
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"Good space : political, aesthetic and urban Spaces" means first of all opportunities. It is explored in this book accompanying the same-titled exhibition how the demands made on public spaces can be realized. The focus is on surprising utilizations of space and subversive artistic strategies. Questions are raised about the form and significance of public spaces – regardless of whether these have actually been built or are simply utopian designs or are situated in the digital realm. With »EVERYTHING IS ARCHITECTURE: Bau Magazine from the 60s and 70s«, an exhibition by the ICA London in 2015 has been integrated into this exhibition, focusing on historical preconditions of visionary and utopian architectural and spatial concepts in the 1960s and 1970s. The book is a reader and the sum of the exhibition and the lectures during this summer 2016 at Villa Merkel.
Classification:
livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
Space between people
Space between people
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If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four(...)
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If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four(...)
Titre:
Space between people
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If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four winning projects from the first architecture competition held within the explosively popular Internet community known as Second Life. Chosen for their inventiveness and aesthetic excellence, these structures a cloud that can be inhabited; a meta-museum; an interactive sound scape; and a snow palace of discarded objects illustrate the mind-bending possibilities of digital design. In the book s final section, media artists share their real-time experiences conceptualizing and creating projects for the virtual world.
Space between people
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If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four winning projects from the first architecture competition held within the explosively popular Internet community known as Second Life. Chosen for their inventiveness and aesthetic excellence, these structures a cloud that can be inhabited; a meta-museum; an interactive sound scape; and a snow palace of discarded objects illustrate the mind-bending possibilities of digital design. In the book s final section, media artists share their real-time experiences conceptualizing and creating projects for the virtual world.
Classification:
livres
livres
Publication:
avril 2008, New York
avril 2008, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
The accident of art
The accident of art
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982(...)
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
mai 2003, Cambridge, Mass.
mai 2003, Cambridge, Mass.
Titre:
The accident of art
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982 with Pure War and continued with Crepuscular Dawn, their 2002 work on architecture and biotechnology. In The Accident of Art, Virilio and Lotringer argue that a direct relation exists between war trauma and art. Why has art failed to reinvent itself in the face of technology, unlike performing art? Why has art simply retreated into painting, or surrendered to digital technology? Accidents, Virilio claims, can free us from speed's inertia. As technological catastrophes, accidents are inventions in their own right.
The accident of art
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982 with Pure War and continued with Crepuscular Dawn, their 2002 work on architecture and biotechnology. In The Accident of Art, Virilio and Lotringer argue that a direct relation exists between war trauma and art. Why has art failed to reinvent itself in the face of technology, unlike performing art? Why has art simply retreated into painting, or surrendered to digital technology? Accidents, Virilio claims, can free us from speed's inertia. As technological catastrophes, accidents are inventions in their own right.
Classification:
livres
livres
Publication:
mai 2003, Cambridge, Mass.
mai 2003, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Index architecture
Index architecture
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$41.95
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"Index architecture" documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically(...)
$41.95
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Résumé:
"Index architecture" documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
mai 2003, Cambridge / London
mai 2003, Cambridge / London
Titre:
Index architecture
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$41.95
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Résumé:
"Index architecture" documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically altered by digital technology. Writings, interviews, and images are organized according to an alphabetical "index" of key terms. Cross-referencing allows for a rich reading of concepts currently discussed in the field. The contributing critics and theorists include Stan Allen, Karen Bausman, Lise Anne Couture, Kathryn Dean, Evan Douglis, Kenneth Frampton, Leslie Gill, Thomas Hanrahan, Laurie Hawkinson, Steven Holl, Jeffrey Kipnis, Sulan Kolatan, Greg Lynn, William MacDonald, Reinhold Martin, Mary Mcleod, Victoria Meyers, Hani Rashid, Jesse Reiser, Bernard Tschumi, Nanako Umemoto, and Mark Wigley.
Index architecture
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$41.95
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Résumé:
"Index architecture" documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically altered by digital technology. Writings, interviews, and images are organized according to an alphabetical "index" of key terms. Cross-referencing allows for a rich reading of concepts currently discussed in the field. The contributing critics and theorists include Stan Allen, Karen Bausman, Lise Anne Couture, Kathryn Dean, Evan Douglis, Kenneth Frampton, Leslie Gill, Thomas Hanrahan, Laurie Hawkinson, Steven Holl, Jeffrey Kipnis, Sulan Kolatan, Greg Lynn, William MacDonald, Reinhold Martin, Mary Mcleod, Victoria Meyers, Hani Rashid, Jesse Reiser, Bernard Tschumi, Nanako Umemoto, and Mark Wigley.
Classification:
livres
livres
Publication:
mai 2003, Cambridge / London
mai 2003, Cambridge / London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$28.95
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Résumé:
"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior(...)
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Résumé:
"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior(...)
Titre:
Out of site : fictional architectural sites
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"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior and exterior, natural and artificial, local and global. The artists in "Out of Site" have responded to these developments by re-organizing and re-articulating space using a wide range of media. The "fictional" spaces in the work in "Out of Site" point to new ways of experiencing and navigating space, both physically in our homes, workplaces, and neighborhoods as well as on the Internet, and are informed by the history of utopian proposals, science fiction, and major shifts in architectural discourse and building in recent years.
Out of site : fictional architectural sites
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Résumé:
"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior and exterior, natural and artificial, local and global. The artists in "Out of Site" have responded to these developments by re-organizing and re-articulating space using a wide range of media. The "fictional" spaces in the work in "Out of Site" point to new ways of experiencing and navigating space, both physically in our homes, workplaces, and neighborhoods as well as on the Internet, and are informed by the history of utopian proposals, science fiction, and major shifts in architectural discourse and building in recent years.
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livres
livres
Publication:
août 2002, New York
août 2002, New York
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livres
livres
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$25.95
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In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By(...)
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In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By(...)
Publication:
novembre 2002, London
novembre 2002, London
Titre:
Projected cities: cinema and urban space
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In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By examining this imagery, especially at moments of turmoil and experimentation, the author reveals how cinema has used images of cities to influence our perception of everything from history to the human body, and how cinematic images of cities have been fundamental to the ways in which the city has been imagined, formulated and remembered. The book goes on to assess the impact of media culture on the status of film and cinema spaces, and concludes by considering digital renderings of the modern city.
Projected cities: cinema and urban space
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In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By examining this imagery, especially at moments of turmoil and experimentation, the author reveals how cinema has used images of cities to influence our perception of everything from history to the human body, and how cinematic images of cities have been fundamental to the ways in which the city has been imagined, formulated and remembered. The book goes on to assess the impact of media culture on the status of film and cinema spaces, and concludes by considering digital renderings of the modern city.
Classification:
livres
livres
Publication:
novembre 2002, London
novembre 2002, London
Classification:
livres
livres
Titre:
The age of surveillance capitalism: the fight for a human future at the new frontier of power
The age of surveillance capitalism: the fight for a human future at the new frontier of power
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In this masterwork of original thinking and research, Shoshana Zuboff provides startling insights into the phenomenon that she has named surveillance capitalism. Zuboff vividly brings to life the consequences as surveillance capitalism advances from Silicon Valley into every economic sector. Vast wealth and power are accumulated in ominous new 'behavioral futures(...)
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In this masterwork of original thinking and research, Shoshana Zuboff provides startling insights into the phenomenon that she has named surveillance capitalism. Zuboff vividly brings to life the consequences as surveillance capitalism advances from Silicon Valley into every economic sector. Vast wealth and power are accumulated in ominous new 'behavioral futures(...)
Titre:
The age of surveillance capitalism: the fight for a human future at the new frontier of power
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In this masterwork of original thinking and research, Shoshana Zuboff provides startling insights into the phenomenon that she has named surveillance capitalism. Zuboff vividly brings to life the consequences as surveillance capitalism advances from Silicon Valley into every economic sector. Vast wealth and power are accumulated in ominous new 'behavioral futures markets,' where predictions about our behavior are bought and sold, and the production of goods and services is subordinated to a new 'means of behavioral modification.' The threat has shifted from a totalitarian Big Brother state to a ubiquitous digital architecture: a 'Big Other' operating in the interests of surveillance capital. Zuboff’s comprehensive and moving analysis lays bare the threats to twenty-first century society: a controlled 'hive' of total connection that seduces with promises of total certainty for maximum profit — at the expense of democracy, freedom, and our human future.
The age of surveillance capitalism: the fight for a human future at the new frontier of power
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$28.99
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Résumé:
In this masterwork of original thinking and research, Shoshana Zuboff provides startling insights into the phenomenon that she has named surveillance capitalism. Zuboff vividly brings to life the consequences as surveillance capitalism advances from Silicon Valley into every economic sector. Vast wealth and power are accumulated in ominous new 'behavioral futures markets,' where predictions about our behavior are bought and sold, and the production of goods and services is subordinated to a new 'means of behavioral modification.' The threat has shifted from a totalitarian Big Brother state to a ubiquitous digital architecture: a 'Big Other' operating in the interests of surveillance capital. Zuboff’s comprehensive and moving analysis lays bare the threats to twenty-first century society: a controlled 'hive' of total connection that seduces with promises of total certainty for maximum profit — at the expense of democracy, freedom, and our human future.
Classification:
livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Social
Social
Classification:
livres
livres
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$36.95
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Résumé:
In ''Designs for the Pluriverse'' Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design—from consumer goods and digital technologies to built environments—currently serves capitalist ends, Escobar argues(...)
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In ''Designs for the Pluriverse'' Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design—from consumer goods and digital technologies to built environments—currently serves capitalist ends, Escobar argues(...)
Titre:
Designs for the pluriverse: Radical interdependence, autonomy, and the making of world
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In ''Designs for the Pluriverse'' Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design—from consumer goods and digital technologies to built environments—currently serves capitalist ends, Escobar argues for the development of an 'autonomous design' that eschews commercial and modernizing aims in favor of more collaborative and placed-based approaches. Such design attends to questions of environment, experience, and politics while focusing on the production of human experience based on the radical interdependence of all beings. Mapping autonomous design’s principles to the history of decolonial efforts of indigenous and Afro-descended people in Latin America, Escobar shows how refiguring current design practices could lead to the creation of more just and sustainable social orders.
Designs for the pluriverse: Radical interdependence, autonomy, and the making of world
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Résumé:
In ''Designs for the Pluriverse'' Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design—from consumer goods and digital technologies to built environments—currently serves capitalist ends, Escobar argues for the development of an 'autonomous design' that eschews commercial and modernizing aims in favor of more collaborative and placed-based approaches. Such design attends to questions of environment, experience, and politics while focusing on the production of human experience based on the radical interdependence of all beings. Mapping autonomous design’s principles to the history of decolonial efforts of indigenous and Afro-descended people in Latin America, Escobar shows how refiguring current design practices could lead to the creation of more just and sustainable social orders.
Classification:
livres
livres
Publication:
mars 2018
mars 2018
Classification:
livres
livres
Titre:
Italian collage
Italian collage
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$54.95
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Résumé:
Several Italian architects have recently taken up the technique of collage again to present their ideas. The three masters of this tendency are Carmelo Baglivo, Luca Galofaro and Beniamino Servino, while the younger generation includes authors such as Davide Trabucco and robocoop. If collage has been one of the favorite techniques in Italian architecture since the(...)
$54.95
(disponible sur commande)
Résumé:
Several Italian architects have recently taken up the technique of collage again to present their ideas. The three masters of this tendency are Carmelo Baglivo, Luca Galofaro and Beniamino Servino, while the younger generation includes authors such as Davide Trabucco and robocoop. If collage has been one of the favorite techniques in Italian architecture since the(...)
Sujet:
Architecture contemporaine
Architecture contemporaine
Publication:
décembre 2020
décembre 2020
Titre:
Italian collage
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$54.95
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Résumé:
Several Italian architects have recently taken up the technique of collage again to present their ideas. The three masters of this tendency are Carmelo Baglivo, Luca Galofaro and Beniamino Servino, while the younger generation includes authors such as Davide Trabucco and robocoop. If collage has been one of the favorite techniques in Italian architecture since the nineteen sixties, the current collagists are new in ways that relate to developments in digital technology. They use software like Photoshop to create their images, recur to social media like Facebook to post their work and they can refer to the whole history of architectural and non-architectural imagery, which is instantly accessible on the Web. Their collages can be visual comments as well as daring fantasies. The book presents a rich selection of images and original texts dedicated to this phenomenon.
Italian collage
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$54.95
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Résumé:
Several Italian architects have recently taken up the technique of collage again to present their ideas. The three masters of this tendency are Carmelo Baglivo, Luca Galofaro and Beniamino Servino, while the younger generation includes authors such as Davide Trabucco and robocoop. If collage has been one of the favorite techniques in Italian architecture since the nineteen sixties, the current collagists are new in ways that relate to developments in digital technology. They use software like Photoshop to create their images, recur to social media like Facebook to post their work and they can refer to the whole history of architectural and non-architectural imagery, which is instantly accessible on the Web. Their collages can be visual comments as well as daring fantasies. The book presents a rich selection of images and original texts dedicated to this phenomenon.
Classification:
livres
livres
Publication:
décembre 2020
décembre 2020
Sujet:
Architecture contemporaine
Architecture contemporaine
