7379 Résultats
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livres
livres
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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including(...)
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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including(...)
Titre:
Constructing a new agenda: architectural theory, 1993-2009
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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including the impact of digital technologies on processes of architectural design, production, materiality, and representation; the implications of globalization and networks of information; the growing emphasis on sustainable and green architecture; and the phenomenon of the "starchitect" and iconic architecture—appear against a background colored by architectural theory, as it existed from the 1960s on, in a period of transition (if not crisis) that centers around the perceived abyss between theory and practice. Theory's transitional state persists today, rendering its immediate history particularly relevant to contemporary thought and practice.
Constructing a new agenda: architectural theory, 1993-2009
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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including the impact of digital technologies on processes of architectural design, production, materiality, and representation; the implications of globalization and networks of information; the growing emphasis on sustainable and green architecture; and the phenomenon of the "starchitect" and iconic architecture—appear against a background colored by architectural theory, as it existed from the 1960s on, in a period of transition (if not crisis) that centers around the perceived abyss between theory and practice. Theory's transitional state persists today, rendering its immediate history particularly relevant to contemporary thought and practice.
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livres
livres
Publication:
mars 2010
mars 2010
Classification:
livres
livres
Titre:
Textile tectonics
Textile tectonics
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Until recently, thanks to the unforgiving geometric rigors of modernism, biomorphism in design and architecture was seen a purely decorative feature - as in Art Nouveau, for example. This publication turns this idea on its head, offering a glimpse into the future of architectural design, in which the veins of leaves, formations of foam, Celtic knotwork and even hair(...)
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Until recently, thanks to the unforgiving geometric rigors of modernism, biomorphism in design and architecture was seen a purely decorative feature - as in Art Nouveau, for example. This publication turns this idea on its head, offering a glimpse into the future of architectural design, in which the veins of leaves, formations of foam, Celtic knotwork and even hair(...)
Titre:
Textile tectonics
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Until recently, thanks to the unforgiving geometric rigors of modernism, biomorphism in design and architecture was seen a purely decorative feature - as in Art Nouveau, for example. This publication turns this idea on its head, offering a glimpse into the future of architectural design, in which the veins of leaves, formations of foam, Celtic knotwork and even hair braiding can be transformed into viable structures through the wonders of digital design technology. For the architect and researcher Lars Spuybroek, such natural, ornamental and folkloristic pattern could entirely replace standardized geometric design to determine the structural basis and aesthetic character of tomorrow's buildings. Here, Spuybroek presents both a theoretical framework and an inspiring taxonomy of patterns and structures, followed by more than 100 illustrated designs for skyscrapers and façades based on organizational principles ranging from rose windows to knitting patterns.
Textile tectonics
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Résumé:
Until recently, thanks to the unforgiving geometric rigors of modernism, biomorphism in design and architecture was seen a purely decorative feature - as in Art Nouveau, for example. This publication turns this idea on its head, offering a glimpse into the future of architectural design, in which the veins of leaves, formations of foam, Celtic knotwork and even hair braiding can be transformed into viable structures through the wonders of digital design technology. For the architect and researcher Lars Spuybroek, such natural, ornamental and folkloristic pattern could entirely replace standardized geometric design to determine the structural basis and aesthetic character of tomorrow's buildings. Here, Spuybroek presents both a theoretical framework and an inspiring taxonomy of patterns and structures, followed by more than 100 illustrated designs for skyscrapers and façades based on organizational principles ranging from rose windows to knitting patterns.
Classification:
livres
livres
Publication:
août 2011
août 2011
Sujet:
Matériaux et éclairage
Matériaux et éclairage
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livres
livres
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$46.95
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Jack Burnham is one of the few critics and theorists alive today who can claim to have radically altered the way we think about works of art. Burnham’s use of the term “system” (borrowed from theoretical biology) in his 1968 essay “System Aesthetics” announced the relational character of conceptual art and newer research-based projects. Trained as an art historian,(...)
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Jack Burnham is one of the few critics and theorists alive today who can claim to have radically altered the way we think about works of art. Burnham’s use of the term “system” (borrowed from theoretical biology) in his 1968 essay “System Aesthetics” announced the relational character of conceptual art and newer research-based projects. Trained as an art historian,(...)
Titre:
Dissolve into comprenhension: writings and interviews, 1964-2004
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Jack Burnham is one of the few critics and theorists alive today who can claim to have radically altered the way we think about works of art. Burnham’s use of the term “system” (borrowed from theoretical biology) in his 1968 essay “System Aesthetics” announced the relational character of conceptual art and newer research-based projects. Trained as an art historian, Burnham was also a sculptor. His first book, Beyond Modern Sculpture (1968), established him as a leading commentator on art and technology. A postformalist pioneer, an influential figure in new media art history, an early champion of conceptual and ecological art, and the curator of the first exhibition of digital art, Burnham is long overdue for reevaluation. This book offers that opportunity by collecting a substantial and varied selection of his hard-to-find texts, some published here for the first time.
Dissolve into comprenhension: writings and interviews, 1964-2004
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$46.95
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Résumé:
Jack Burnham is one of the few critics and theorists alive today who can claim to have radically altered the way we think about works of art. Burnham’s use of the term “system” (borrowed from theoretical biology) in his 1968 essay “System Aesthetics” announced the relational character of conceptual art and newer research-based projects. Trained as an art historian, Burnham was also a sculptor. His first book, Beyond Modern Sculpture (1968), established him as a leading commentator on art and technology. A postformalist pioneer, an influential figure in new media art history, an early champion of conceptual and ecological art, and the curator of the first exhibition of digital art, Burnham is long overdue for reevaluation. This book offers that opportunity by collecting a substantial and varied selection of his hard-to-find texts, some published here for the first time.
Classification:
livres
livres
Publication:
août 2015
août 2015
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Who is architecture? The 2009 Domus China interviews : conversations on the borders of building
Who is architecture? The 2009 Domus China interviews : conversations on the borders of building
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Architecture is a collaborative art, calling on the efforts of not only architects but also engineers, developers, plumbers, electricians and others. The production process must balance individual empowerment and general management to allow for meaningful dialogue between diverse professionals. This publication explores these interactions through ten interviews with(...)
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Architecture is a collaborative art, calling on the efforts of not only architects but also engineers, developers, plumbers, electricians and others. The production process must balance individual empowerment and general management to allow for meaningful dialogue between diverse professionals. This publication explores these interactions through ten interviews with(...)
Titre:
Who is architecture? The 2009 Domus China interviews : conversations on the borders of building
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Architecture is a collaborative art, calling on the efforts of not only architects but also engineers, developers, plumbers, electricians and others. The production process must balance individual empowerment and general management to allow for meaningful dialogue between diverse professionals. This publication explores these interactions through ten interviews with professionals who contribute to architecture in various ways. Conducted by writer and editor Brendan McGetrick, and originally published as a series for the Chinese edition of Domus magazine, these conversations illustrate the many facets of architectural practice. Interview subjects include : Michael Rock (Founder of the graphic design firm 2x4), Lu Zhenggang (Founder of the digital rendering company Crystal CG), Barry Bergdoll (Curator of Architecture and Design at The Museum of Modern Art, New York), Mark Wigley (Dean of Columbia University's Graduate School of Architecture, Planning and Preservation) and Tan Xiaochun (Chief of Construction for China's National Stadium).
Who is architecture? The 2009 Domus China interviews : conversations on the borders of building
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$34.00
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Résumé:
Architecture is a collaborative art, calling on the efforts of not only architects but also engineers, developers, plumbers, electricians and others. The production process must balance individual empowerment and general management to allow for meaningful dialogue between diverse professionals. This publication explores these interactions through ten interviews with professionals who contribute to architecture in various ways. Conducted by writer and editor Brendan McGetrick, and originally published as a series for the Chinese edition of Domus magazine, these conversations illustrate the many facets of architectural practice. Interview subjects include : Michael Rock (Founder of the graphic design firm 2x4), Lu Zhenggang (Founder of the digital rendering company Crystal CG), Barry Bergdoll (Curator of Architecture and Design at The Museum of Modern Art, New York), Mark Wigley (Dean of Columbia University's Graduate School of Architecture, Planning and Preservation) and Tan Xiaochun (Chief of Construction for China's National Stadium).
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livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Hans Hollein
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
Publication:
avril 2012
avril 2012
Titre:
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
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livres
livres
Publication:
avril 2012
avril 2012
Classification:
périodiques
périodiques
Description:
1 online resource
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Publication:
Malden, Mass. : Blackwell Publishers, Oxford: Oxford Academic
Malden, Mass. : Blackwell Publishers, Oxford: Oxford Academic
Titre:
Biometrics : journal of the International Biometric Society.
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Description:
1 online resource
Biometrics : journal of the International Biometric Society.
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Description:
1 online resource
Classification:
périodiques
périodiques
Publication:
Malden, Mass. : Blackwell Publishers, Oxford: Oxford Academic
Malden, Mass. : Blackwell Publishers, Oxford: Oxford Academic
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livres
livres
Titre:
Robert Frank : storylines
Robert Frank : storylines
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Robert Frank is one of the most influential of all post-war photographers. Pioneering a revolutionary approach to photography and filmmaking, he combines autobiographical and poetic elements to produce straight black-and-white images that transcend the specific. Speaking of universal experience, Frank has said, "I'm trying to forget easy photo, trying to make something(...)
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Robert Frank is one of the most influential of all post-war photographers. Pioneering a revolutionary approach to photography and filmmaking, he combines autobiographical and poetic elements to produce straight black-and-white images that transcend the specific. Speaking of universal experience, Frank has said, "I'm trying to forget easy photo, trying to make something(...)
Sujet:
Monographies photo
Monographies photo
Publication:
novembre 2004, Götingen, Germany
novembre 2004, Götingen, Germany
Titre:
Robert Frank : storylines
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Robert Frank is one of the most influential of all post-war photographers. Pioneering a revolutionary approach to photography and filmmaking, he combines autobiographical and poetic elements to produce straight black-and-white images that transcend the specific. Speaking of universal experience, Frank has said, "I'm trying to forget easy photo, trying to make something from within." He adds, "Time moves on and never stops or waits." Often involving a progression through a series of images, his work is structured like a musical sequence, creating storylines that resonate beyond the frozen moment of any single photograph. "Storylines" accompanies an exhibition highlighting Frank's experimental use of narrative in photography and film. The exhibition consists of his films and photographs, including Polaroids, contact sheets, and recent digital stills. Photographs from locations as diverse as Peru, London, Wales, Coney Island, and Chicago, appear along with several artist's books.
Robert Frank : storylines
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Robert Frank is one of the most influential of all post-war photographers. Pioneering a revolutionary approach to photography and filmmaking, he combines autobiographical and poetic elements to produce straight black-and-white images that transcend the specific. Speaking of universal experience, Frank has said, "I'm trying to forget easy photo, trying to make something from within." He adds, "Time moves on and never stops or waits." Often involving a progression through a series of images, his work is structured like a musical sequence, creating storylines that resonate beyond the frozen moment of any single photograph. "Storylines" accompanies an exhibition highlighting Frank's experimental use of narrative in photography and film. The exhibition consists of his films and photographs, including Polaroids, contact sheets, and recent digital stills. Photographs from locations as diverse as Peru, London, Wales, Coney Island, and Chicago, appear along with several artist's books.
Classification:
livres
livres
Publication:
novembre 2004, Götingen, Germany
novembre 2004, Götingen, Germany
Sujet:
Monographies photo
Monographies photo
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livres
livres
Prix:
$74.00
(disponible sur commande)
Résumé:
Thanks to the digital imaging and to graphic editors such as Photoshop, Christopher Wool and Josh Smith create here artworks "for four hands". To start, one of them proposes an image representing a work from his corpus. From this basic picture, the other generates another image by reworking it, by adding and/or removing elements. A third layer is then added by one ot the(...)
$74.00
(disponible sur commande)
Résumé:
Thanks to the digital imaging and to graphic editors such as Photoshop, Christopher Wool and Josh Smith create here artworks "for four hands". To start, one of them proposes an image representing a work from his corpus. From this basic picture, the other generates another image by reworking it, by adding and/or removing elements. A third layer is then added by one ot the(...)
Publication:
décembre 2007, Brussels
décembre 2007, Brussels
Titre:
Josh Smith. Christopher Wool. Can your monkey do the dog
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$74.00
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Résumé:
Thanks to the digital imaging and to graphic editors such as Photoshop, Christopher Wool and Josh Smith create here artworks "for four hands". To start, one of them proposes an image representing a work from his corpus. From this basic picture, the other generates another image by reworking it, by adding and/or removing elements. A third layer is then added by one ot the two artists and a new "stratum" superimposed on the previous one... The absence of constraints and lack of mutual censorship regulates the alternating interventions. Only the choice to keep or not to keep the work at the end of the successive alterations is made by "common consent". Once the images have been fully reshaped, they are converted to black and white. Eventually, it becomes impossibe for the artists themselves to distinguish precisely who has done what within this pictorial triangle.
Josh Smith. Christopher Wool. Can your monkey do the dog
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$74.00
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Résumé:
Thanks to the digital imaging and to graphic editors such as Photoshop, Christopher Wool and Josh Smith create here artworks "for four hands". To start, one of them proposes an image representing a work from his corpus. From this basic picture, the other generates another image by reworking it, by adding and/or removing elements. A third layer is then added by one ot the two artists and a new "stratum" superimposed on the previous one... The absence of constraints and lack of mutual censorship regulates the alternating interventions. Only the choice to keep or not to keep the work at the end of the successive alterations is made by "common consent". Once the images have been fully reshaped, they are converted to black and white. Eventually, it becomes impossibe for the artists themselves to distinguish precisely who has done what within this pictorial triangle.
Classification:
livres
livres
Publication:
décembre 2007, Brussels
décembre 2007, Brussels
Classification:
livres
livres
Titre:
NEEN
NEEN
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$42.00
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the(...)
$42.00
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the(...)
Titre:
NEEN
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$42.00
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the birth of the term "Neen," which he had hired a California branding company to invent. Manetas, whose work includes oil paintings of computer hardware and videos of clips from games, sought to unify the burgeoning number of artists in and around digital media. If they've been understandably skittish about this unification, or if, as The New York Times bluntly observed, "it's unlikely that any sort of new coinage cooked up as a conceptual exercise will take hold," that just makes Manetas a more prominent example of Neen-ness himself.
NEEN
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Résumé:
As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the birth of the term "Neen," which he had hired a California branding company to invent. Manetas, whose work includes oil paintings of computer hardware and videos of clips from games, sought to unify the burgeoning number of artists in and around digital media. If they've been understandably skittish about this unification, or if, as The New York Times bluntly observed, "it's unlikely that any sort of new coinage cooked up as a conceptual exercise will take hold," that just makes Manetas a more prominent example of Neen-ness himself.
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livres
livres
Publication:
septembre 2006, Milan
septembre 2006, Milan
Classification:
livres
livres
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$24.00
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From all sides, we hear that computer technology, with its undeniable power to disseminate information and connect individuals, holds enormous potential for a reinvigoration of political life. But will the Internet really spark a democratic revolution? And will the changes it brings be so profound that past political thought will be of little use in helping us to(...)
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From all sides, we hear that computer technology, with its undeniable power to disseminate information and connect individuals, holds enormous potential for a reinvigoration of political life. But will the Internet really spark a democratic revolution? And will the changes it brings be so profound that past political thought will be of little use in helping us to(...)
Titre:
Prometheus wired: the hope for democracy in the age of network technology
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$24.00
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From all sides, we hear that computer technology, with its undeniable power to disseminate information and connect individuals, holds enormous potential for a reinvigoration of political life. But will the Internet really spark a democratic revolution? And will the changes it brings be so profound that past political thought will be of little use in helping us to understand them? In Prometheus Wired, Darin Barney debunks claims that a networked society will provide the infrastructure for a political revolution and shows that the resources we need for understanding and making sound judgments about this new technology are surprisingly close at hand. By looking to thinkers who grappled with the relationship of society and technology, such as Plato, Aristotle, Marx, and Heidegger, Barney critically examines such assertions about the character of digital networks. Darin Barney is assistant professor of communication at the University of Ottawa.
Prometheus wired: the hope for democracy in the age of network technology
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$24.00
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Résumé:
From all sides, we hear that computer technology, with its undeniable power to disseminate information and connect individuals, holds enormous potential for a reinvigoration of political life. But will the Internet really spark a democratic revolution? And will the changes it brings be so profound that past political thought will be of little use in helping us to understand them? In Prometheus Wired, Darin Barney debunks claims that a networked society will provide the infrastructure for a political revolution and shows that the resources we need for understanding and making sound judgments about this new technology are surprisingly close at hand. By looking to thinkers who grappled with the relationship of society and technology, such as Plato, Aristotle, Marx, and Heidegger, Barney critically examines such assertions about the character of digital networks. Darin Barney is assistant professor of communication at the University of Ottawa.
Classification:
livres
livres
Publication:
décembre 2001, Chicago
décembre 2001, Chicago
Sujet:
Épistémologie et réseau
Épistémologie et réseau
