7081 Résultats
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Since its invention, photography has always been inextricably tied up with remembrance: photographs recall family, beloved friends, special moments, trips and other events, speaking across time and place to create an emotional bond between subject and viewer. "Forget me not" focuses on this relationship between photography and memory, and explores the curious and(...)
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Since its invention, photography has always been inextricably tied up with remembrance: photographs recall family, beloved friends, special moments, trips and other events, speaking across time and place to create an emotional bond between subject and viewer. "Forget me not" focuses on this relationship between photography and memory, and explores the curious and(...)
Titre:
Forget me not : photography and remembrance
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Since its invention, photography has always been inextricably tied up with remembrance: photographs recall family, beloved friends, special moments, trips and other events, speaking across time and place to create an emotional bond between subject and viewer. "Forget me not" focuses on this relationship between photography and memory, and explores the curious and centuries-old practice of strengthening the emotional appeal of photographs by embellishing them—with text, paint, frames, embroidery, fabric, string, hair, flowers, bullets, cigar wrappers, butterfly wings, and more — to create strange and often beautiful hybrid objects. This spellbinding book features color photographs of eighty such objects, extraordinary works of art — part memento, part Joseph Cornell — created by ordinary people from the mid-19th to mid-20th century. In addition, "Forget me not" offers an alternative way to look at the history of photography, a history that effectively excludes most of the photographs — candid views, family snapshots, and the like — taken since the invention of the camera. Photography historian Geoffrey Batchen adopts a different tone in this book — a personal and speculative voice that speaks to the objects rather than about them while offering a visual treasure chest of both mysterious and beautiful images.
Forget me not : photography and remembrance
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Since its invention, photography has always been inextricably tied up with remembrance: photographs recall family, beloved friends, special moments, trips and other events, speaking across time and place to create an emotional bond between subject and viewer. "Forget me not" focuses on this relationship between photography and memory, and explores the curious and centuries-old practice of strengthening the emotional appeal of photographs by embellishing them—with text, paint, frames, embroidery, fabric, string, hair, flowers, bullets, cigar wrappers, butterfly wings, and more — to create strange and often beautiful hybrid objects. This spellbinding book features color photographs of eighty such objects, extraordinary works of art — part memento, part Joseph Cornell — created by ordinary people from the mid-19th to mid-20th century. In addition, "Forget me not" offers an alternative way to look at the history of photography, a history that effectively excludes most of the photographs — candid views, family snapshots, and the like — taken since the invention of the camera. Photography historian Geoffrey Batchen adopts a different tone in this book — a personal and speculative voice that speaks to the objects rather than about them while offering a visual treasure chest of both mysterious and beautiful images.
Classification:
livres
livres
Publication:
août 2006, New York
août 2006, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Freud for architects
Freud for architects
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''Freud for architects'' explains what Freud offers to the understanding of architectural creativity and architectural experience, with case examples from early modern architecture to the present. Freud’s observations on the human psyche and its influence on culture and social behavior have generated a great deal of discussion since the 19th century. Yet, what Freud’s(...)
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''Freud for architects'' explains what Freud offers to the understanding of architectural creativity and architectural experience, with case examples from early modern architecture to the present. Freud’s observations on the human psyche and its influence on culture and social behavior have generated a great deal of discussion since the 19th century. Yet, what Freud’s(...)
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Freud for architects
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''Freud for architects'' explains what Freud offers to the understanding of architectural creativity and architectural experience, with case examples from early modern architecture to the present. Freud’s observations on the human psyche and its influence on culture and social behavior have generated a great deal of discussion since the 19th century. Yet, what Freud’s key ideas offer to the understanding of architectural creativity and experience has received little direct attention. That is partly because Freud opened the door to a place where conventional research in architecture has little traction, the unconscious. Adding to the difficulties, Freud’s collection of work is vast and daunting. ''Freud for architects'' navigates Freud’s key ideas and bridges a chasm between architecture and psychoanalytic theory. The book highlights Freud’s ideas on the foundational developments of childhood, developments on which the adult psyche is based. It explains why and how the developmental stages could influence adult architectural preferences and preoccupations, spatial intuition, and beliefs about what is proper and right for architectural design. As such, ''Freud for architects'' will be of great interest to students, practitioners, and scholars in a range of disciplines including architecture, psychoanalysis, and philosophy.
Freud for architects
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''Freud for architects'' explains what Freud offers to the understanding of architectural creativity and architectural experience, with case examples from early modern architecture to the present. Freud’s observations on the human psyche and its influence on culture and social behavior have generated a great deal of discussion since the 19th century. Yet, what Freud’s key ideas offer to the understanding of architectural creativity and experience has received little direct attention. That is partly because Freud opened the door to a place where conventional research in architecture has little traction, the unconscious. Adding to the difficulties, Freud’s collection of work is vast and daunting. ''Freud for architects'' navigates Freud’s key ideas and bridges a chasm between architecture and psychoanalytic theory. The book highlights Freud’s ideas on the foundational developments of childhood, developments on which the adult psyche is based. It explains why and how the developmental stages could influence adult architectural preferences and preoccupations, spatial intuition, and beliefs about what is proper and right for architectural design. As such, ''Freud for architects'' will be of great interest to students, practitioners, and scholars in a range of disciplines including architecture, psychoanalysis, and philosophy.
Classification:
livres
livres
Publication:
novembre 2020
novembre 2020
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$60.95
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Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method(...)
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Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method(...)
Titre:
Time stands still : Muybridge and the instantaneous photography movement
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Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method for photographing episodes of behavior using a series of cameras, producing some of the most famous sequential photographs ever made. These pictures, the first successful photographs of rapidly moving subjects, revolutionized expectations of what photography could reveal about the natural world, and ultimately led to the invention of the motion picture in the mid-1890s. "Time stands still" is the catalogue that accompanies an exhibition celebrating Muybridge's work. Though the instantaneous photography movement stands as a crucial event in the progression of photography to motion pictures, this exhibition represents the first major organized treatment of the subject. Opening in spring 2003 at the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University and touring through 2004, it combines an examination of the artist's career in motion photography with a survey of early attempts to photograph moving subjects.
Time stands still : Muybridge and the instantaneous photography movement
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Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method for photographing episodes of behavior using a series of cameras, producing some of the most famous sequential photographs ever made. These pictures, the first successful photographs of rapidly moving subjects, revolutionized expectations of what photography could reveal about the natural world, and ultimately led to the invention of the motion picture in the mid-1890s. "Time stands still" is the catalogue that accompanies an exhibition celebrating Muybridge's work. Though the instantaneous photography movement stands as a crucial event in the progression of photography to motion pictures, this exhibition represents the first major organized treatment of the subject. Opening in spring 2003 at the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University and touring through 2004, it combines an examination of the artist's career in motion photography with a survey of early attempts to photograph moving subjects.
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livres
livres
Publication:
avril 2003, New York
avril 2003, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$81.50
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This is the first "Oxford companion" to deal with the subject of photography. It appears at a watershed in the medium's history, as digital imaging increasingly dominates the global photography scene at both amateur and professional levels. In addition to a wide range of technical information, the book encapsulates in concise and readily accessible form the mass of recent(...)
$81.50
(disponible en magasin)
Résumé:
This is the first "Oxford companion" to deal with the subject of photography. It appears at a watershed in the medium's history, as digital imaging increasingly dominates the global photography scene at both amateur and professional levels. In addition to a wide range of technical information, the book encapsulates in concise and readily accessible form the mass of recent(...)
Titre:
The Oxford companion to the photograph
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$81.50
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This is the first "Oxford companion" to deal with the subject of photography. It appears at a watershed in the medium's history, as digital imaging increasingly dominates the global photography scene at both amateur and professional levels. In addition to a wide range of technical information, the book encapsulates in concise and readily accessible form the mass of recent scholarship on photography as a social and artistic practice, organized both thematically and geographically. There are over 800 biographical entries, both on photographers and on other individuals who have significantly influenced photographic culture from the early 19th century to the present. The book's scope is worldwide. The international team of contributors is made up of leading authorities in their fields, and include: Heather Angel, Sylvie Aubenas, Quentin Bajac, Marta Braun, Clement Cheroux, Elizabeth Edwards, John Falconer, Colin Ford, Ron Graham, Sarah Greenough, Mark Haworth-Booth, Roger Hicks, Paul Hill, Jens Jaeger, Jan-Erik Lundstrom, Naomi Rosenblum, Rolf Sachsse, Martha Sandweiss, Graham Saxby, Joan Schwartz, Sara Stevenson, Roger Taylor, Regine Thiriez, John Ward, Liz Wells, and Mike Ware. The book is extensively illustrated and includes many pictures never before published. The majority of the 1600-plus entries include suggestions for further reading. But the work's usefulness is further enhanced by the inclusion of an extensive bibliography, a chronology of photographic history, a list of important websites, and an index of people.
The Oxford companion to the photograph
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$81.50
(disponible en magasin)
Résumé:
This is the first "Oxford companion" to deal with the subject of photography. It appears at a watershed in the medium's history, as digital imaging increasingly dominates the global photography scene at both amateur and professional levels. In addition to a wide range of technical information, the book encapsulates in concise and readily accessible form the mass of recent scholarship on photography as a social and artistic practice, organized both thematically and geographically. There are over 800 biographical entries, both on photographers and on other individuals who have significantly influenced photographic culture from the early 19th century to the present. The book's scope is worldwide. The international team of contributors is made up of leading authorities in their fields, and include: Heather Angel, Sylvie Aubenas, Quentin Bajac, Marta Braun, Clement Cheroux, Elizabeth Edwards, John Falconer, Colin Ford, Ron Graham, Sarah Greenough, Mark Haworth-Booth, Roger Hicks, Paul Hill, Jens Jaeger, Jan-Erik Lundstrom, Naomi Rosenblum, Rolf Sachsse, Martha Sandweiss, Graham Saxby, Joan Schwartz, Sara Stevenson, Roger Taylor, Regine Thiriez, John Ward, Liz Wells, and Mike Ware. The book is extensively illustrated and includes many pictures never before published. The majority of the 1600-plus entries include suggestions for further reading. But the work's usefulness is further enhanced by the inclusion of an extensive bibliography, a chronology of photographic history, a list of important websites, and an index of people.
Classification:
livres
livres
Publication:
janvier 2005, New York
janvier 2005, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$29.50
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This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil(...)
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This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
janvier 1999, London
janvier 1999, London
Titre:
Visions of ruin : architectural fantasies & designs for garden follies
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This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil ruins, and in Paris the great chef Antoine Carême served blancmanges in the shape of Roman ruins. John Soane represents the climax of this fascination. In the garden of his Museum at No.13 Lincoln's Inn Fields is the 'Monk's Yard', a mock-ruin assembled from medieval fragments of the Palace of Westminster. At his country house, Pitzhanger Manor in Ealing, he pretended that a mock-classical ruin was a Roman temple he had discovered at the bottom of the garden. He commemorated the completion of his masterpiece, the Bank of England, by exhibiting a series of astonishing views of the structure as if a ruin. He even wrote a narrative, "Crude Hints Towards the History of My House", in which he imagined an archaeologist of future centuries inspecting the fragments of his home. The transcribed text is reprinted in this publication. Architects and artists include Robert Adam, William Chambers, Hubert Robert, Piranesi, Clerrisseau, Richard Wilson, J. M. W. Turner, Gustave Doré and John Martin.
Visions of ruin : architectural fantasies & designs for garden follies
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Résumé:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil ruins, and in Paris the great chef Antoine Carême served blancmanges in the shape of Roman ruins. John Soane represents the climax of this fascination. In the garden of his Museum at No.13 Lincoln's Inn Fields is the 'Monk's Yard', a mock-ruin assembled from medieval fragments of the Palace of Westminster. At his country house, Pitzhanger Manor in Ealing, he pretended that a mock-classical ruin was a Roman temple he had discovered at the bottom of the garden. He commemorated the completion of his masterpiece, the Bank of England, by exhibiting a series of astonishing views of the structure as if a ruin. He even wrote a narrative, "Crude Hints Towards the History of My House", in which he imagined an archaeologist of future centuries inspecting the fragments of his home. The transcribed text is reprinted in this publication. Architects and artists include Robert Adam, William Chambers, Hubert Robert, Piranesi, Clerrisseau, Richard Wilson, J. M. W. Turner, Gustave Doré and John Martin.
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livres
livres
Publication:
janvier 1999, London
janvier 1999, London
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$99.00
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This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s(...)
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This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s(...)
Publication:
mars 2020
mars 2020
Titre:
Donald Judd spaces: Judd Foundation New York & Texas
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This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s oeuvre. From a 19th-century cast-iron building in Manhattan to an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and lands surrounding the buildings that comprise Judd’s extant living and working spaces. Readers will discover how Judd developed the concept of permanent installation at Spring Street in New York City, with artworks, furniture, and decorative objects striking a balance between the building’s historic qualities and his own architectural innovations. His buildings in Marfa, Texas, demonstrate how Judd reiterated his concept of integrative living on a larger scale, extending to the reaches of the Chinati Mountains at Ayala de Chinati, his 33,000-acre ranch south of the town. Each of the spaces was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these residences reflect Judd’s consistent aesthetic. His spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.
Donald Judd spaces: Judd Foundation New York & Texas
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This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s oeuvre. From a 19th-century cast-iron building in Manhattan to an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and lands surrounding the buildings that comprise Judd’s extant living and working spaces. Readers will discover how Judd developed the concept of permanent installation at Spring Street in New York City, with artworks, furniture, and decorative objects striking a balance between the building’s historic qualities and his own architectural innovations. His buildings in Marfa, Texas, demonstrate how Judd reiterated his concept of integrative living on a larger scale, extending to the reaches of the Chinati Mountains at Ayala de Chinati, his 33,000-acre ranch south of the town. Each of the spaces was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these residences reflect Judd’s consistent aesthetic. His spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.
Classification:
livres
livres
Publication:
mars 2020
mars 2020
Classification:
périodiques
périodiques
Titre:
Cabinet 61: Calendars
Cabinet 61: Calendars
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This description of "Cabinet issue 61" was written on 1 September 2015. Which also happens to be 17 Dhu al-Qada 1436. And 17 Elul 5775. And 19 Wu 4713. The passage of time may be immutable, but the innumerable systems (Gregorian, Islamic, Hebrew and Chinese, respectively, above) that have been used to order our experience of Earth’s transit through the solar system(...)
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This description of "Cabinet issue 61" was written on 1 September 2015. Which also happens to be 17 Dhu al-Qada 1436. And 17 Elul 5775. And 19 Wu 4713. The passage of time may be immutable, but the innumerable systems (Gregorian, Islamic, Hebrew and Chinese, respectively, above) that have been used to order our experience of Earth’s transit through the solar system(...)
Titre:
Cabinet 61: Calendars
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This description of "Cabinet issue 61" was written on 1 September 2015. Which also happens to be 17 Dhu al-Qada 1436. And 17 Elul 5775. And 19 Wu 4713. The passage of time may be immutable, but the innumerable systems (Gregorian, Islamic, Hebrew and Chinese, respectively, above) that have been used to order our experience of Earth’s transit through the solar system suggest that our methods of measuring it are not. With its roots in the Latin kalendae—meaning "the called," the word refers to the practice of Roman priests "calling" the first day of each Roman month—the calendar has long had a profound relationship to the state’s economic, religious and political power. And the common trajectory of calendars’ development during mid- to late antiquity, from empirical, flexible systems to schematic, fixed ones, also has telling parallels with shifts in broader social, scientific and technological attitudes. "Cabinet issue 61", with a special section on "Calendars," includes Sebastian Lunefeld on why so many radical political movements have tried to institute calendar reform; Joanna Dopico on 19th-century French sociologist August Comte’s positivist calendar; and Gordon Landon on why some cultures developed, and continue to use, lunar calendars. Elsewhere in the issue: David Serlin on the long history of battlefield bandages with instructions printed on them; Tom Levin on early "voicemail," messages recorded on vinyl and mailed to loved ones; and Christopher Turner on the rise and fall of scratch-and-sniff films.
Cabinet 61: Calendars
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This description of "Cabinet issue 61" was written on 1 September 2015. Which also happens to be 17 Dhu al-Qada 1436. And 17 Elul 5775. And 19 Wu 4713. The passage of time may be immutable, but the innumerable systems (Gregorian, Islamic, Hebrew and Chinese, respectively, above) that have been used to order our experience of Earth’s transit through the solar system suggest that our methods of measuring it are not. With its roots in the Latin kalendae—meaning "the called," the word refers to the practice of Roman priests "calling" the first day of each Roman month—the calendar has long had a profound relationship to the state’s economic, religious and political power. And the common trajectory of calendars’ development during mid- to late antiquity, from empirical, flexible systems to schematic, fixed ones, also has telling parallels with shifts in broader social, scientific and technological attitudes. "Cabinet issue 61", with a special section on "Calendars," includes Sebastian Lunefeld on why so many radical political movements have tried to institute calendar reform; Joanna Dopico on 19th-century French sociologist August Comte’s positivist calendar; and Gordon Landon on why some cultures developed, and continue to use, lunar calendars. Elsewhere in the issue: David Serlin on the long history of battlefield bandages with instructions printed on them; Tom Levin on early "voicemail," messages recorded on vinyl and mailed to loved ones; and Christopher Turner on the rise and fall of scratch-and-sniff films.
Classification:
périodiques
périodiques
Publication:
février 2017
février 2017
Sujet:
Revues
Revues
Classification:
livres
livres
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$34.95
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In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood.(...)
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In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood.(...)
Titre:
The aesthetic imperative: writings on art
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$34.95
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In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, epistemology, metaphysics, society, politics, anthropology and the subject.Sloterdijk explores a great variety of topics, including the Greek-Roman invention of postcards, medieval barter with purgatory and relics, the capitalist art market, the black boxes and white cubes of modernism, the rise of world’s fairs in the 19th century, the growth of museum and memorial culture, images of the city and the role of creativity. In doing so, Sloterdijk extends his characteristic method of defamiliarisation to transform the way we look at works of art and movements. His bold and original approach leads us away from the well-trodden paths of conventional art history to develop a theory of aesthetics which rejects strict categorisation, emphasising instead the crucial importance of individual subjectivity as a counter to the latent dangers of collective culture.This sustained collection of reflections, at once playful, serious and provocative, goes to the very heart of Sloterdijk’s enduring philosophical preoccupation with the aesthetic. It will be essential reading for students and scholars of philosophy and aesthetics and will appeal to anyone interested in culture and the arts more generally.
The aesthetic imperative: writings on art
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$34.95
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Résumé:
In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, epistemology, metaphysics, society, politics, anthropology and the subject.Sloterdijk explores a great variety of topics, including the Greek-Roman invention of postcards, medieval barter with purgatory and relics, the capitalist art market, the black boxes and white cubes of modernism, the rise of world’s fairs in the 19th century, the growth of museum and memorial culture, images of the city and the role of creativity. In doing so, Sloterdijk extends his characteristic method of defamiliarisation to transform the way we look at works of art and movements. His bold and original approach leads us away from the well-trodden paths of conventional art history to develop a theory of aesthetics which rejects strict categorisation, emphasising instead the crucial importance of individual subjectivity as a counter to the latent dangers of collective culture.This sustained collection of reflections, at once playful, serious and provocative, goes to the very heart of Sloterdijk’s enduring philosophical preoccupation with the aesthetic. It will be essential reading for students and scholars of philosophy and aesthetics and will appeal to anyone interested in culture and the arts more generally.
Classification:
livres
livres
Publication:
avril 2017
avril 2017
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Description:
504 pages : illustrations (chiefly color) ; 30 cm
Description:
504 pages : illustrations (chiefly color) ; 30 cm
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London : Thames & Hudson Ltd ; New York, New York : Thames & Hudson Inc., 2022., ©2022
London : Thames & Hudson Ltd ; New York, New York : Thames & Hudson Inc., 2022., ©2022
Titre:
A world history of women photographers / edited by Luce Lebart and Marie Robert ; [translated from the French Une histoire mondiale des femmes photographes by Ruth Taylor and Bethany Wright].
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504 pages : illustrations (chiefly color) ; 30 cm
A world history of women photographers / edited by Luce Lebart and Marie Robert ; [translated from the French Une histoire mondiale des femmes photographes by Ruth Taylor and Bethany Wright].
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Description:
504 pages : illustrations (chiefly color) ; 30 cm
Classification:
livres
livres
Publication:
London : Thames & Hudson Ltd ; New York, New York : Thames & Hudson Inc., 2022., ©2022
London : Thames & Hudson Ltd ; New York, New York : Thames & Hudson Inc., 2022., ©2022
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audio
audio
Description:
1 online resource.
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[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
Titre:
June 21, 2018 : Listening for Southwest Key in San Diego.
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Description:
1 online resource.
June 21, 2018 : Listening for Southwest Key in San Diego.
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Description:
1 online resource.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
Auteur:
Sujet:
