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livres
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Buildings designated brutalist in style were largely built in the 1960s and 1970s, exuding an aura of daring, uncompromising design today. It is the French term "brut,“ meaning raw or unrefined, that lent its name to this particular architectural phenomenon. Vilified for decades as the step-child of modernism, brutalist architecture is now enjoying an astonishing comeback(...)
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Buildings designated brutalist in style were largely built in the 1960s and 1970s, exuding an aura of daring, uncompromising design today. It is the French term "brut,“ meaning raw or unrefined, that lent its name to this particular architectural phenomenon. Vilified for decades as the step-child of modernism, brutalist architecture is now enjoying an astonishing comeback(...)
Titre:
Massive, expressive, sculptural: Brutalism now and then
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Buildings designated brutalist in style were largely built in the 1960s and 1970s, exuding an aura of daring, uncompromising design today. It is the French term "brut,“ meaning raw or unrefined, that lent its name to this particular architectural phenomenon. Vilified for decades as the step-child of modernism, brutalist architecture is now enjoying an astonishing comeback as the latest discovery among digital trendsetters. As well as fascinating users across social networks, brutalism is also inspiring contemporary architecture. Large-scale sculptural forms, coarsely finished materials and floor plans that defy convention merge with contemporary design to generate enthralling new creations. This book offers a sophisticated overview of post-war and contemporary brutalist buildings and of the relationship – in appearance and design, in the grand concepts and the smallest details – between brutalism today and its ancestors.
Massive, expressive, sculptural: Brutalism now and then
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Buildings designated brutalist in style were largely built in the 1960s and 1970s, exuding an aura of daring, uncompromising design today. It is the French term "brut,“ meaning raw or unrefined, that lent its name to this particular architectural phenomenon. Vilified for decades as the step-child of modernism, brutalist architecture is now enjoying an astonishing comeback as the latest discovery among digital trendsetters. As well as fascinating users across social networks, brutalism is also inspiring contemporary architecture. Large-scale sculptural forms, coarsely finished materials and floor plans that defy convention merge with contemporary design to generate enthralling new creations. This book offers a sophisticated overview of post-war and contemporary brutalist buildings and of the relationship – in appearance and design, in the grand concepts and the smallest details – between brutalism today and its ancestors.
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livres
livres
Publication:
décembre 2017
décembre 2017
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Titre:
Slow art: the experience of looking, sacred images to James Turrell
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Slow art: the experience of looking, sacred images to James Turrell
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
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livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$55.95
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume,(...)
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume,(...)
Titre:
Building: 3000 years of design, engineering and construction
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume, aimed at students and young professionals as well as general readers, explores the materials, classic texts, instruments, and theories that have propelled modern engineering, and the famous and not-so-famous buildings designed through the ages, from the Parthenon to Chartres Cathedral and the dome of St. Peter's, from eighteenth-century silk mills in England to the Crystal Palace, and on to the first Chicago high-rises, the Sydney Opera House, and the latest "green" skyscrapers.
Building: 3000 years of design, engineering and construction
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume, aimed at students and young professionals as well as general readers, explores the materials, classic texts, instruments, and theories that have propelled modern engineering, and the famous and not-so-famous buildings designed through the ages, from the Parthenon to Chartres Cathedral and the dome of St. Peter's, from eighteenth-century silk mills in England to the Crystal Palace, and on to the first Chicago high-rises, the Sydney Opera House, and the latest "green" skyscrapers.
Classification:
livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Structures d’ingénierie
Structures d’ingénierie
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livres
livres
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$12.95
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact(...)
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact(...)
Titre:
Dragan Novakovic: Manchester & Oldham 1970s
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact sheets. Thanks to digital, I saw them properly as 'enlargements' for the first time in 2012 after I had scanned the negatives and post-processed the files.'' - DN Dragan Novakovic is a Serbian photographer born in 1946. He bought his first camera in 1968 and taught himself to develop and print. He photographed London and Northern England, mostly as a hobby.
Dragan Novakovic: Manchester & Oldham 1970s
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact sheets. Thanks to digital, I saw them properly as 'enlargements' for the first time in 2012 after I had scanned the negatives and post-processed the files.'' - DN Dragan Novakovic is a Serbian photographer born in 1946. He bought his first camera in 1968 and taught himself to develop and print. He photographed London and Northern England, mostly as a hobby.
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livres
livres
Publication:
janvier 2020
janvier 2020
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$89.95
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"Living systems" surveys a wide array of innovative approaches to material technologies within the field of landscape architecture. The selected projects and materials exhibit a contemporary demand for technological landscapes and the collaboration between designers, engineers, scientists and ecologists. The book redefines the conventional boundaries of landscape(...)
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"Living systems" surveys a wide array of innovative approaches to material technologies within the field of landscape architecture. The selected projects and materials exhibit a contemporary demand for technological landscapes and the collaboration between designers, engineers, scientists and ecologists. The book redefines the conventional boundaries of landscape(...)
Sujet:
Théorie du paysage
Théorie du paysage
Publication:
mai 2007, Basel, Boston, Berlin
mai 2007, Basel, Boston, Berlin
Titre:
Living systems : innovative materials and technologies for landscape architecture
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"Living systems" surveys a wide array of innovative approaches to material technologies within the field of landscape architecture. The selected projects and materials exhibit a contemporary demand for technological landscapes and the collaboration between designers, engineers, scientists and ecologists. The book redefines the conventional boundaries of landscape materiality by focusing on growth, flow, metabolism, climate, and atmospheric phenomena. Projects and materials are cross-referenced according to performance criteria, processes, and properties. Each of the 36 international projects and 23 material technologies is presented with drawing details, construction photographs and an analysis of the various complex systems featured, such as vertical growth structures, flood prevention, stormwater infiltration, erosion control, and the integration of digital media. Projects featured include works by West8, GROSS.MAX, Weiss-Manfredi Architects, Field Operations, Kathryn Gustafson, and Vogt Landschaftarchitekten.
Living systems : innovative materials and technologies for landscape architecture
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"Living systems" surveys a wide array of innovative approaches to material technologies within the field of landscape architecture. The selected projects and materials exhibit a contemporary demand for technological landscapes and the collaboration between designers, engineers, scientists and ecologists. The book redefines the conventional boundaries of landscape materiality by focusing on growth, flow, metabolism, climate, and atmospheric phenomena. Projects and materials are cross-referenced according to performance criteria, processes, and properties. Each of the 36 international projects and 23 material technologies is presented with drawing details, construction photographs and an analysis of the various complex systems featured, such as vertical growth structures, flood prevention, stormwater infiltration, erosion control, and the integration of digital media. Projects featured include works by West8, GROSS.MAX, Weiss-Manfredi Architects, Field Operations, Kathryn Gustafson, and Vogt Landschaftarchitekten.
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livres
livres
Publication:
mai 2007, Basel, Boston, Berlin
mai 2007, Basel, Boston, Berlin
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
Titre:
Texte zur kunst #139: Sports
Texte zur kunst #139: Sports
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte(...)
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte(...)
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Texte zur kunst #139: Sports
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte zur kunst scrutinizes by comparing two of the practices Huizing approaches with his concept: art and sports. The contributions examine a variety of historical moments and cultural phenomena, including Impressionism’s revolt against the academic disciplining of art; physical-performance-focused artistic practices that dismantle misogynistic traditions; platform capitalism’s effects on the politics of the body supported by digital technology; and the use of technically generated imagery to enforce fairness in sports competition.
Texte zur kunst #139: Sports
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte zur kunst scrutinizes by comparing two of the practices Huizing approaches with his concept: art and sports. The contributions examine a variety of historical moments and cultural phenomena, including Impressionism’s revolt against the academic disciplining of art; physical-performance-focused artistic practices that dismantle misogynistic traditions; platform capitalism’s effects on the politics of the body supported by digital technology; and the use of technically generated imagery to enforce fairness in sports competition.
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livres
livres
Publication:
septembre 2025
septembre 2025
Sujet:
Revues
Revues
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livres
livres
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$60.95
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Landscape architecture is at a crossroads. The ability to draw upon interdisciplinary perspectives and generate insights from the combined vantage points of design, environmental studies, and the social sciences puts it in a prime position to address the most pressing issues of our time, such as climate change and social inequality. Its current reliance on digital and(...)
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Landscape architecture is at a crossroads. The ability to draw upon interdisciplinary perspectives and generate insights from the combined vantage points of design, environmental studies, and the social sciences puts it in a prime position to address the most pressing issues of our time, such as climate change and social inequality. Its current reliance on digital and(...)
Titre:
Landscape fieldwork: How engaging the world can change design
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Landscape architecture is at a crossroads. The ability to draw upon interdisciplinary perspectives and generate insights from the combined vantage points of design, environmental studies, and the social sciences puts it in a prime position to address the most pressing issues of our time, such as climate change and social inequality. Its current reliance on digital and technological solutions, however, has increasingly caused landscape architects to lose sight of the ways in which humans actually use spaces. And while landscapes are designed all over the world, the discipline remains inordinately centered on the Global North. ''Landscape Fieldwork'' alters that long-standing paradigm through real-life examples that provide tools for practitioners to engage more deeply with multidimensional, diverse landscapes and the communities that create, live in, and use them.
Landscape fieldwork: How engaging the world can change design
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Landscape architecture is at a crossroads. The ability to draw upon interdisciplinary perspectives and generate insights from the combined vantage points of design, environmental studies, and the social sciences puts it in a prime position to address the most pressing issues of our time, such as climate change and social inequality. Its current reliance on digital and technological solutions, however, has increasingly caused landscape architects to lose sight of the ways in which humans actually use spaces. And while landscapes are designed all over the world, the discipline remains inordinately centered on the Global North. ''Landscape Fieldwork'' alters that long-standing paradigm through real-life examples that provide tools for practitioners to engage more deeply with multidimensional, diverse landscapes and the communities that create, live in, and use them.
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livres
livres
Publication:
avril 2025
avril 2025
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
Titre:
The Polaroid book
The Polaroid book
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In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton,(...)
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In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton,(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
avril 2005, Cologne
avril 2005, Cologne
Titre:
The Polaroid book
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In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. "The Polaroid Book", a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favourite among artists for its quirky look and instantly gratifying, one-of-kind images. The book includes over 400 works from the Polaroid Collections, an essay by Barbara Hitchcock illuminating the beginnings and history of the collection, and a technical reference section featuring the various types of Polaroid cameras.
The Polaroid book
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In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. "The Polaroid Book", a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favourite among artists for its quirky look and instantly gratifying, one-of-kind images. The book includes over 400 works from the Polaroid Collections, an essay by Barbara Hitchcock illuminating the beginnings and history of the collection, and a technical reference section featuring the various types of Polaroid cameras.
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livres
livres
Publication:
avril 2005, Cologne
avril 2005, Cologne
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$76.00
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This volume addresses the widespread tendency to discard broken items rather than to refurbish them. Despite the negative ecological effects of overconsumption, overproduction and waste, the habit of replacing rather than repairing goods has persisted and even worsened over recent decades. To counteract this trend, students at the University of Applied Sciences in Munich(...)
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This volume addresses the widespread tendency to discard broken items rather than to refurbish them. Despite the negative ecological effects of overconsumption, overproduction and waste, the habit of replacing rather than repairing goods has persisted and even worsened over recent decades. To counteract this trend, students at the University of Applied Sciences in Munich(...)
Sujet:
Expositions en cours
Expositions en cours
Publication:
janvier 2023
janvier 2023
Titre:
Upgrade: Making things better
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$76.00
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This volume addresses the widespread tendency to discard broken items rather than to refurbish them. Despite the negative ecological effects of overconsumption, overproduction and waste, the habit of replacing rather than repairing goods has persisted and even worsened over recent decades. To counteract this trend, students at the University of Applied Sciences in Munich and ETH Zurich have been developing imaginative concepts for repairing a wide variety of objects, applying them both manually and by using digital techniques such as 3D printing. Beyond restoration, many projects develop and improve the repaired objects constructively, materially, or even in terms of design, lending them new value. This publication presents a variety of approaches and projects, plus essays by notable personalities from the fields of architecture, preservation, materials science, design, manufacturing and craft.
Upgrade: Making things better
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$76.00
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Résumé:
This volume addresses the widespread tendency to discard broken items rather than to refurbish them. Despite the negative ecological effects of overconsumption, overproduction and waste, the habit of replacing rather than repairing goods has persisted and even worsened over recent decades. To counteract this trend, students at the University of Applied Sciences in Munich and ETH Zurich have been developing imaginative concepts for repairing a wide variety of objects, applying them both manually and by using digital techniques such as 3D printing. Beyond restoration, many projects develop and improve the repaired objects constructively, materially, or even in terms of design, lending them new value. This publication presents a variety of approaches and projects, plus essays by notable personalities from the fields of architecture, preservation, materials science, design, manufacturing and craft.
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livres
livres
Publication:
janvier 2023
janvier 2023
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Titre:
Surface consciousness
Surface consciousness
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Rather than seeking to define a new movement, this "Surface consciousness" demonstrates that for architecture surface is now far more than a 'crust' or 'decorative strategy', setting up meaningful relationships between contemporary methods of visioning, making and fabricating. Prompted by digital advancements, surface consciousness represents a whole new way of(...)
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Rather than seeking to define a new movement, this "Surface consciousness" demonstrates that for architecture surface is now far more than a 'crust' or 'decorative strategy', setting up meaningful relationships between contemporary methods of visioning, making and fabricating. Prompted by digital advancements, surface consciousness represents a whole new way of(...)
Titre:
Surface consciousness
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Rather than seeking to define a new movement, this "Surface consciousness" demonstrates that for architecture surface is now far more than a 'crust' or 'decorative strategy', setting up meaningful relationships between contemporary methods of visioning, making and fabricating. Prompted by digital advancements, surface consciousness represents a whole new way of conceiving tectonic form. Whereas classical and even Modernist architecture polarised ornament and structure, contemporary techniques allow for an integration and blurring of the inside with the outside. In architectural terms this enables an unparalled freedom of expression and form. This is apparent in the diversity of the work featured here by those such as Herzog & de Meuron, Michael Trudgeon, Ashton Raggatt McDougall(ARM) and Lyons, in which a new delight emerges in patterning and texture as well as the sensuous and the ornamental.
Surface consciousness
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Rather than seeking to define a new movement, this "Surface consciousness" demonstrates that for architecture surface is now far more than a 'crust' or 'decorative strategy', setting up meaningful relationships between contemporary methods of visioning, making and fabricating. Prompted by digital advancements, surface consciousness represents a whole new way of conceiving tectonic form. Whereas classical and even Modernist architecture polarised ornament and structure, contemporary techniques allow for an integration and blurring of the inside with the outside. In architectural terms this enables an unparalled freedom of expression and form. This is apparent in the diversity of the work featured here by those such as Herzog & de Meuron, Michael Trudgeon, Ashton Raggatt McDougall(ARM) and Lyons, in which a new delight emerges in patterning and texture as well as the sensuous and the ornamental.
Classification:
livres
livres
Publication:
avril 2003, Chichester
avril 2003, Chichester
Sujet:
Revues, anciens numéros
Revues, anciens numéros
