Modernidad tropical
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From the nineteen-twenties on, Latin America became a suitable terrain in which to apply the ideal embodied by the Modern Movement. This period is approached in the works of the Venezuelan artist Alexander Apostol by exploring the remnants of that ideal of modernity from a critical standpoint. Through the texts by the architect Juan Herreros and the art critics and(...)
Modernidad tropical
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From the nineteen-twenties on, Latin America became a suitable terrain in which to apply the ideal embodied by the Modern Movement. This period is approached in the works of the Venezuelan artist Alexander Apostol by exploring the remnants of that ideal of modernity from a critical standpoint. Through the texts by the architect Juan Herreros and the art critics and curators Julieta Gonzalez and Cuauhtemoc Medina, various aspects of his oeuvre are analyzed alongside the context in which it arose. Whether from the perspective of architecture, art history or a political analysis of contemporary Venezuela, each author contributes to a comprehensive study of Alexander Apostol's production.
Modernisme
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This book presents a new chapter in a series of installations that different visual artists and architects from around the world created in Mies van der Rohe's emblematic building. The Chinese artist Ai Weiwei filled the pavilion's pools with two typical items that are part of our daily lives, but are completely at odds with an architectural construction: the water in the(...)
Ai Wei Wei: With milk, find something everybody can use
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This book presents a new chapter in a series of installations that different visual artists and architects from around the world created in Mies van der Rohe's emblematic building. The Chinese artist Ai Weiwei filled the pavilion's pools with two typical items that are part of our daily lives, but are completely at odds with an architectural construction: the water in the pools, one exterior and the other interior is replaced, respectively, with milk and coffee.
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The publication explores a new space for the educational work carried out by museums, and is a reflection on the teaching activities that MUSAC has been developing since its opening. This book is also a support-report for the different programmes and projects produced, with a brief description of the activities that have taken place and the concepts behind them. It is(...)
MUSAC: Working from diversity, learning experiences through art of the present
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The publication explores a new space for the educational work carried out by museums, and is a reflection on the teaching activities that MUSAC has been developing since its opening. This book is also a support-report for the different programmes and projects produced, with a brief description of the activities that have taken place and the concepts behind them. It is useful for those interested in educational and creative practice, and also for professionals working with education in contemporary art facilities.
Théorie de l’art
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The number one cause of global warming is architecture - the buildings. Buildings are responsible for 40% of the Co2 that is emitted into the atmosphere. The architects must take this responsibility and move from geopolitics towards biosphere politics. This publication is a real test of how this can be achieved. The context for the intervention is an existing historic(...)
Cloud 9: a green new deal, from geopolitics to biosphere politics
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The number one cause of global warming is architecture - the buildings. Buildings are responsible for 40% of the Co2 that is emitted into the atmosphere. The architects must take this responsibility and move from geopolitics towards biosphere politics. This publication is a real test of how this can be achieved. The context for the intervention is an existing historic building in Barcelona, the Centre of Arts Santa Monica; a building to explore the Third Industrial Revolution as the potential of a transformation towards an empathic architecture. Nature should let us show the path. Cloud 9 equipped the trees in front of Arts Santa Monica with sensors that capture data on temperature, humidity and light energy to inform the building. The intervention is an installation on the facade that produces energy from the environment, like the sun and wind. It is an additional skin which allows control of natural light and regulates solar radiation.
Architecture écologique
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The growing urbanization of the planet, visible in the fact that by the middle of this century some 70% percent of the population will live in cities, situates the urban question as a key issue for global sustainability. Many of the causes generating the huge environmental crises, climate change for instance, have their rationale in the metabolic inefficiency of our(...)
A new urban metabolism : Barcelona / Lugano
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The growing urbanization of the planet, visible in the fact that by the middle of this century some 70% percent of the population will live in cities, situates the urban question as a key issue for global sustainability. Many of the causes generating the huge environmental crises, climate change for instance, have their rationale in the metabolic inefficiency of our cities. Greater metabolic efficiency contributes to the energy rationalization of urban system and also contributes to greater urban competitiveness. Urban metabolic analysis demonstrates efficiency that small and medium-sized cities can have in the new neo-tertiary context, and could be used as a test to previously evaluate the functional and ecological consequences of future urban transformations.
Théorie de l’urbanisme
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This book is an account of the highly productive decade of architectural experimentation in Croatia lodged between the violent break-up of Yugoslavia and their slow integration into the EU. Ivan Rupnik guides the reader through the emergence of this bizarre and fascinating architectural scene on the very edge of united Europe, utilizing Ljubo Karaman's theory of the(...)
A peripheral moment: Croatia 1990-2010
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This book is an account of the highly productive decade of architectural experimentation in Croatia lodged between the violent break-up of Yugoslavia and their slow integration into the EU. Ivan Rupnik guides the reader through the emergence of this bizarre and fascinating architectural scene on the very edge of united Europe, utilizing Ljubo Karaman's theory of the periphery as a distinct space of artistic production from that of the center or province, Manfredo Tafuri's concept of architectural experimentation, as well contemporary notions of agency. The account is framed using a variety of different lenses, including the observations of this moment by renowned writers, through the atmosphere of the period as defined by Croatia's complex post-socialist/postwar identity and the subsequent positioning of the architectural profession vis-a-vis that context, the practices that emerged , and through a series of discussions with some of the peripheral moment's primary agent provocateurs: 3LHD, njiric +, Randic - Turato, and STUDIO UP.
GSD platform 3
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Whether exploring the potential of a new technology, redefining a typology, or engaging a community on the other side of the globe, the lines of inquiry beginning at the GSD consistently indicate relevance to larger social, cultural, and spatial questions. To understand the scope of this potential impact, the work was framed with one simple question: “What can design(...)
GSD platform 3
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Whether exploring the potential of a new technology, redefining a typology, or engaging a community on the other side of the globe, the lines of inquiry beginning at the GSD consistently indicate relevance to larger social, cultural, and spatial questions. To understand the scope of this potential impact, the work was framed with one simple question: “What can design do?”. We have identified five actions that describe the ability of Architecture, Landscape Architecture, and Urban Planning and Design at the GSD to reach beyond their immediate contexts and out into the world: Instigate Evolution, Describe Identity, Construct Equality, Negotiate Growth, Imagine New Futures. The range and definition of these actions is tested through the work of a representative collection of studios, lectures, seminars, symposia, colloquia, thesis projects, and student research. The core studios are presented here in sequence.
Architecture contemporaine
Going public: e-flux journal
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If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his recent books Art Power and The Communist Postscript, in Going Public Boris Groys(...)
Going public: e-flux journal
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If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his recent books Art Power and The Communist Postscript, in Going Public Boris Groys looks to escape entrenched aesthetic and sociological understandings of art — which always assume the position of the spectator, of the consumer. Let us instead consider art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.
Théorie de l’art
Garden of mirrored flowers
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Fang’s novel tells the story of a man in the process of designing a theme park, called Garden of Mirrored Flowers, and is an adaptation and transformation of the classical Chinese novel Jin Hua Yuan, or Flowers in the Mirror, from the Qing Dynasty. Beginning as a pictorial journey through myriad advertisements and the way they allow for many different entries into(...)
Garden of mirrored flowers
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Fang’s novel tells the story of a man in the process of designing a theme park, called Garden of Mirrored Flowers, and is an adaptation and transformation of the classical Chinese novel Jin Hua Yuan, or Flowers in the Mirror, from the Qing Dynasty. Beginning as a pictorial journey through myriad advertisements and the way they allow for many different entries into reality, Fang depicts parallels between the park’s actual construction and how it has been imagined, or how it has evolved out of history. For Garden of Mirrored Flowers is less the vision of one author (Fang) and more the result of reality writing itself through this author; that is, a script, or documentary, of life. “It’s a book,” Fang states, “written by a ghost writer. Me? Just a traveler floating within the wave of globalization.” Culminating with the park’s opening ceremony, Fang creates a space where history seems to have been completely consumed and absorbed by contemporary social movements. It is both a labyrinth to get lost in and a pavilion made of reflective glass.
Théorie de l’art
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Tell Me What You Want, What You Really, Really Want brings together a selection of recent writings by art critic Jan Verwoert for the first time. Published in collaboration with Piet Zwart Institute, Willem de Kooning Academy in Rotterdam, the book galvanizes central themes Verwoert has been developing in pursuit of a language to describes art’s transformative potential(...)
Tell me what you want, what you really, really want
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Tell Me What You Want, What You Really, Really Want brings together a selection of recent writings by art critic Jan Verwoert for the first time. Published in collaboration with Piet Zwart Institute, Willem de Kooning Academy in Rotterdam, the book galvanizes central themes Verwoert has been developing in pursuit of a language to describes art’s transformative potential in conceptual, performative, and emotional terms. He analyzes the power of public gestures to constitute communities as well as the pressure to perform that governs the sphere of creative labor, in order to show how particular artists perform gestures and invoke community differently. Exploring the emotional power games that shape social relations, Verwoert looks for an alternative ethos of action and feeling, asking: How can a modernist approach to artistic form as a means of social critique be expanded to fully avow its subliminal affective undercurrents, and produce a pleasurably crooked form of criticality in art and writing?
Théorie de l’art