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Charles Correa’s A Place in the Shade explores architectural and urban issues in India, from the house as a machine for dealing with the country’s often hostile climate to the metaphysical role of architecture as a “model of the cosmos.” This provocative and eminently readable collection of essays argues that the country’s habitat must respond to the overriding parameters(...)
A place in the shade : the new landscape & other essays
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Charles Correa’s A Place in the Shade explores architectural and urban issues in India, from the house as a machine for dealing with the country’s often hostile climate to the metaphysical role of architecture as a “model of the cosmos.” This provocative and eminently readable collection of essays argues that the country’s habitat must respond to the overriding parameters of climate, culture and financial resources, and that our physical environment should accommodate both diversity and synergy. Over the last few decades, urban real estate has become the primary source of financing for political parties and the politicians who run them, and as Correa acknowledges, “you cannot look at cities without wandering into architecture on the one hand and politics on the other.” This book identifies the defining issues of the urbanization trends that are so rapidly transforming India.
Théorie du paysage
Clive Phillpot : Booktrek
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Clive Phillpot has been a tireless advocate for the artist's book for more than 40 years--both as a critic, curator and editor, and in his tenure as director at the library of The Museum of Modern Art in the late 1970s, where he built the library's collection of artist's books and mapped out the field with influential essays that traced its ancestry and distinguished it(...)
Clive Phillpot : Booktrek
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Clive Phillpot has been a tireless advocate for the artist's book for more than 40 years--both as a critic, curator and editor, and in his tenure as director at the library of The Museum of Modern Art in the late 1970s, where he built the library's collection of artist's books and mapped out the field with influential essays that traced its ancestry and distinguished it from seemingly similar genres such as the livre d'artiste. As he has delineated the genre: "Artists' books are understood to be books or booklets produced by the artist using mass-production methods, and in (theoretically) unlimited numbers, in which the artist documents or realizes art ideas or artworks."
Théorie de l’art
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In 1975, a small group of enterprising, discontented members of Quebec's art community posed the question: "What do we know about contemporary art outside of Quebec, in Canada or abroad? Do we know what contemporary art exists in Montreal? How does information about art circulate?" By way of an answer, the artistically unconventional and theoretically cutting-edge(...)
Parachute : the anthology, vol. 1
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In 1975, a small group of enterprising, discontented members of Quebec's art community posed the question: "What do we know about contemporary art outside of Quebec, in Canada or abroad? Do we know what contemporary art exists in Montreal? How does information about art circulate?" By way of an answer, the artistically unconventional and theoretically cutting-edge magazine Parachute was launched, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster, Reesa Greenberg, Serge Guilbaut and Laura Mulvey published highly pertinent essays in the journal early on in their careers. The essays collected in this volume have been selected from the first 25 years of Parachute's publication history, from 1975 to 2000.
Théorie de l’art
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As defined by the great art writer John Ruskin more than 150 years ago, "vital beauty" denotes an aesthetic of "sympathies"--that is, a beauty that embodies and demonstrates affinity with sentience in all its forms. Ruskin effectively liberated beauty from classical perfectionism by envisaging a world of currents and forces, rather than immobile ideals, and by celebrating(...)
Théorie de l’art
septembre 2012
Vital Beauty: Reclaiming aesthetics in the tangle of technology and nature
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As defined by the great art writer John Ruskin more than 150 years ago, "vital beauty" denotes an aesthetic of "sympathies"--that is, a beauty that embodies and demonstrates affinity with sentience in all its forms. Ruskin effectively liberated beauty from classical perfectionism by envisaging a world of currents and forces, rather than immobile ideals, and by celebrating nature's abundant diversity. Today, this wonderful conception requires some rethinking, since sentience now encompasses technological as well as organic entities--raising the question of how we should design our environments, our objects and even our lives. In "Vital Beauty," leading philosophers, anthropologists, theorists and artists Thierry Bardini, Joke Brouwer, Gustav Fechner, Mark Frost, George Gessert, Tim Ingold, Arjen Mulder, Daniel N. Stern, Lars Spuybroek, Caroline Van Eck, Wendy Steiner and Ruskin himself examine what this idea of beauty might mean for their respective disciplines.
Théorie de l’art
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Modernism In-Between explores the historical “in-betweenness” of Yugoslavian modernism and the strategies architects used to mediate different--sometimes directly opposed--concepts of culture and architecture. Surveyed here is a wide range of topics, from city building and state representation, to the typologies of everyday life. Also discussed is the work of Yugoslavia's(...)
Modernism in-between: the mediatory architectures of socialist Yugoslavia
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Modernism In-Between explores the historical “in-betweenness” of Yugoslavian modernism and the strategies architects used to mediate different--sometimes directly opposed--concepts of culture and architecture. Surveyed here is a wide range of topics, from city building and state representation, to the typologies of everyday life. Also discussed is the work of Yugoslavia's leading architects, who transformed their in-betweenness into a new quality: Edvard Ravnikar's seamless blending of such varied influences as Joe Plenik, Le Corbusier and Otto Wagner; Bogdan Bogdanovic's war memorials, which filtered deep-seated cultural archetypes through the lens of Surrealism; Juraj Neidhardt's efforts at forging a modern identity for Bosnia based on the vernacular Ottoman heritage; and Vjenceslav Richter's neo-avant-garde experiments, which provided some of the most convincing representations of Yugoslav socialism. Wolfgang Thaler's photographs document these and many other achievements.
Théorie de l’architecture
Intangible economies
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Treating the idea of an economy as a general system of exchange, Intangible Economies advances the idea that personal relationships are produced by economic activity, and that desire generates economic transactions. Intangible Economies, speculatively investigates the role that these “affective transactions” play in modes of representation and cultural production. The(...)
Intangible economies
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Treating the idea of an economy as a general system of exchange, Intangible Economies advances the idea that personal relationships are produced by economic activity, and that desire generates economic transactions. Intangible Economies, speculatively investigates the role that these “affective transactions” play in modes of representation and cultural production. The abstract and abstracting function of value itself becomes particularly significant in this constellation, in its relation to both capitalist economy and to ethics. First developed for a 2011 conference in Vancouver, the essays included in this anthology seek to tackle the difficult task of tracing the role of affect in economic exchanges relative to artistic production, while also enacting the unruly force of such transactions. The contributing essayists are Melanie Gilligan, Juan A. Gaitàn, Hadley + Maxwell, Candice Hopkins, Olaf Nicolai, Patricia Reed, Monika Szewczyk and Jan Verwoert.
Théorie de l’art
livres
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Artist-run initiatives in North America provided a space for the presentation and legitimization of experimental work and for the assertion of socially progressive and politically radical ideas and questions. In making such spaces available, artist-run initiatives have operated alternately as flash points for heated debates and controversies, as well as platforms for(...)
Institutions by artists: volume one
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Artist-run initiatives in North America provided a space for the presentation and legitimization of experimental work and for the assertion of socially progressive and politically radical ideas and questions. In making such spaces available, artist-run initiatives have operated alternately as flash points for heated debates and controversies, as well as platforms for social understanding and remaining for their audiences.
livres
septembre 2012
Théorie de l’art
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The first volume in a new series from Jovis on landscape architecture today, Landscape Vision Motion asks the question: what objectives can be achieved in the theoretical exchange between visual studies, digital media, film, space and motion in the field of landscape architecture? Professionals from various fields contribute.
Landscape vision motion (landscript no.1)
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The first volume in a new series from Jovis on landscape architecture today, Landscape Vision Motion asks the question: what objectives can be achieved in the theoretical exchange between visual studies, digital media, film, space and motion in the field of landscape architecture? Professionals from various fields contribute.
Théorie du paysage
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Filmic Mapping, the second volume in Jovis' new LandScript series, examines forms of land measurement, primarily in documentary and essay films of the past ten years. Contributors from a variety of disciplines weigh in on the state of contemporary landscape architecture and its visual representation.
Filmic mapping: documentary film and the visual culture of landscape architecture (landscript, no. 2)
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Filmic Mapping, the second volume in Jovis' new LandScript series, examines forms of land measurement, primarily in documentary and essay films of the past ten years. Contributors from a variety of disciplines weigh in on the state of contemporary landscape architecture and its visual representation.
Théorie du paysage
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Bright City: Ma Yansong Interviewed by Jérôme Sans is the second in a series of pocket-book interviews with key cultural figures by internationally renowned curator, cultural agitator and pioneer Jérôme Sans. Here, Sans interviews Ma Yansong (born 1975), the founder of MAD Architects and architect of “Floating Island” and Absolute World.”
Bright city: Ma Yansong interviewed by Jérôme Sans
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Bright City: Ma Yansong Interviewed by Jérôme Sans is the second in a series of pocket-book interviews with key cultural figures by internationally renowned curator, cultural agitator and pioneer Jérôme Sans. Here, Sans interviews Ma Yansong (born 1975), the founder of MAD Architects and architect of “Floating Island” and Absolute World.”
Théorie de l’architecture