733 Résultats
Classification:
livres
livres
Titre:
The taylorized beauty of the mechanical : scientific managment and rise of modernist architecture
The taylorized beauty of the mechanical : scientific managment and rise of modernist architecture
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Résumé:
The dream of scientific management was a rationalized machine world where life would approach the perfection of an assembly line. But since its early twentieth-century peak this dream has come to seem a dehumanizing nightmare. Henry Ford's assembly lines turned out a quarter of a million cars in 1914, but all of them were black. Forgotten has been the unparalleled new(...)
$37.50
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Résumé:
The dream of scientific management was a rationalized machine world where life would approach the perfection of an assembly line. But since its early twentieth-century peak this dream has come to seem a dehumanizing nightmare. Henry Ford's assembly lines turned out a quarter of a million cars in 1914, but all of them were black. Forgotten has been the unparalleled new(...)
Publication:
juillet 2006, Princeton / Oxford
juillet 2006, Princeton / Oxford
Titre:
The taylorized beauty of the mechanical : scientific managment and rise of modernist architecture
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$37.50
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Résumé:
The dream of scientific management was a rationalized machine world where life would approach the perfection of an assembly line. But since its early twentieth-century peak this dream has come to seem a dehumanizing nightmare. Henry Ford's assembly lines turned out a quarter of a million cars in 1914, but all of them were black. Forgotten has been the unparalleled new aesthetic beauty once seen in the ideas of Ford and scientific management pioneer Frederick Winslow Taylor. In "The taylorized beauty of the mechanical", Mauro Guillén recovers this history and retells the story of the emergence of modernist architecture as a romance with the ideas of scientific management - one that permanently reshaped the profession of architecture. Modernist architecture's pioneers, Guillén shows, found in scientific management the promise of a new, functional, machine-like--and beautiful--architecture, and the prospect of a new role for the architect as technical professional and social reformer. Taylor and Ford had a signal influence on Bauhaus founder Walter Gropius and on Le Corbusier and his Towards a New Architecture, the most important manifesto of modernist architecture. Architects were so enamored with the ideas of scientific management that they adopted them even when there was no functional advantage to do so. Not a traditional architectural history but rather a sociological study of the profession of architecture during its early modernist period, "The taylorized beauty of the mechanical" provides a new understanding of the degree to which modernist architecture emerged from a tradition of engineering and industrial management.
The taylorized beauty of the mechanical : scientific managment and rise of modernist architecture
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$37.50
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Résumé:
The dream of scientific management was a rationalized machine world where life would approach the perfection of an assembly line. But since its early twentieth-century peak this dream has come to seem a dehumanizing nightmare. Henry Ford's assembly lines turned out a quarter of a million cars in 1914, but all of them were black. Forgotten has been the unparalleled new aesthetic beauty once seen in the ideas of Ford and scientific management pioneer Frederick Winslow Taylor. In "The taylorized beauty of the mechanical", Mauro Guillén recovers this history and retells the story of the emergence of modernist architecture as a romance with the ideas of scientific management - one that permanently reshaped the profession of architecture. Modernist architecture's pioneers, Guillén shows, found in scientific management the promise of a new, functional, machine-like--and beautiful--architecture, and the prospect of a new role for the architect as technical professional and social reformer. Taylor and Ford had a signal influence on Bauhaus founder Walter Gropius and on Le Corbusier and his Towards a New Architecture, the most important manifesto of modernist architecture. Architects were so enamored with the ideas of scientific management that they adopted them even when there was no functional advantage to do so. Not a traditional architectural history but rather a sociological study of the profession of architecture during its early modernist period, "The taylorized beauty of the mechanical" provides a new understanding of the degree to which modernist architecture emerged from a tradition of engineering and industrial management.
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livres
livres
Publication:
juillet 2006, Princeton / Oxford
juillet 2006, Princeton / Oxford
Classification:
livres
livres
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$26.95
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Résumé:
The dream of scientific management was a rationalized machine world where life would approach the perfection of an assembly line. But since its early twentieth-century peak this dream has come to seem a dehumanizing nightmare. Henry Ford's assembly lines turned out a quarter of a million cars in 1914, but all of them were black. Forgotten has been the unparalleled new(...)
$26.95
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Résumé:
The dream of scientific management was a rationalized machine world where life would approach the perfection of an assembly line. But since its early twentieth-century peak this dream has come to seem a dehumanizing nightmare. Henry Ford's assembly lines turned out a quarter of a million cars in 1914, but all of them were black. Forgotten has been the unparalleled new(...)
Titre:
The taylorized beauty of the mechanical
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$26.95
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Résumé:
The dream of scientific management was a rationalized machine world where life would approach the perfection of an assembly line. But since its early twentieth-century peak this dream has come to seem a dehumanizing nightmare. Henry Ford's assembly lines turned out a quarter of a million cars in 1914, but all of them were black. Forgotten has been the unparalleled new aesthetic beauty once seen in the ideas of Ford and scientific management pioneer Frederick Winslow Taylor. In The Taylorized Beauty of the Mechanical, Mauro Guillén recovers this history and retells the story of the emergence of modernist architecture as a romance with the ideas of scientific management--one that permanently reshaped the profession of architecture. Modernist architecture's pioneers, Guillén shows, found in scientific management the promise of a new, functional, machine-like--and beautiful--architecture, and the prospect of a new role for the architect as technical professional and social reformer. Taylor and Ford had a signal influence on Bauhaus founder Walter Gropius and on Le Corbusier and his Towards a New Architecture, the most important manifesto of modernist architecture. Architects were so enamored with the ideas of scientific management that they adopted them even when there was no functional advantage to do so. Not a traditional architectural history but rather a sociological study of the profession of architecture during its early modernist period, The Taylorized Beauty of the Mechanical provides a new understanding of the degree to which modernist architecture emerged from a tradition of engineering and industrial management.
The taylorized beauty of the mechanical
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Prix:
$26.95
(disponible sur commande)
Résumé:
The dream of scientific management was a rationalized machine world where life would approach the perfection of an assembly line. But since its early twentieth-century peak this dream has come to seem a dehumanizing nightmare. Henry Ford's assembly lines turned out a quarter of a million cars in 1914, but all of them were black. Forgotten has been the unparalleled new aesthetic beauty once seen in the ideas of Ford and scientific management pioneer Frederick Winslow Taylor. In The Taylorized Beauty of the Mechanical, Mauro Guillén recovers this history and retells the story of the emergence of modernist architecture as a romance with the ideas of scientific management--one that permanently reshaped the profession of architecture. Modernist architecture's pioneers, Guillén shows, found in scientific management the promise of a new, functional, machine-like--and beautiful--architecture, and the prospect of a new role for the architect as technical professional and social reformer. Taylor and Ford had a signal influence on Bauhaus founder Walter Gropius and on Le Corbusier and his Towards a New Architecture, the most important manifesto of modernist architecture. Architects were so enamored with the ideas of scientific management that they adopted them even when there was no functional advantage to do so. Not a traditional architectural history but rather a sociological study of the profession of architecture during its early modernist period, The Taylorized Beauty of the Mechanical provides a new understanding of the degree to which modernist architecture emerged from a tradition of engineering and industrial management.
Classification:
livres
livres
Publication:
décembre 2008, Princeton
décembre 2008, Princeton
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$79.00
(disponible en magasin)
Résumé:
In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in(...)
$79.00
(disponible en magasin)
Résumé:
In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in(...)
Titre:
Albert Kahn Inc.: Architecture, labor, and industry, 1905-1961
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$79.00
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Résumé:
In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in other kinds of architecture and in the built environment writ large. Generally a marginal subject in histories of architecture, industrialism here exposes the expansionist modern project in Western architecture and culture, which was based on natural resource extraction and labor exploitation. With more than 140 full-color illustrations, the book combines an analysis of industrial architecture with compelling photographic evidence drawn from assorted archives.
Albert Kahn Inc.: Architecture, labor, and industry, 1905-1961
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$79.00
(disponible en magasin)
Résumé:
In "Albert Kahn Inc." Claire Zimmerman provides a history of second-wave industrialization associated with the growth and development of the United States auto industry and its global footprint. A forensic analysis of the "architects of Ford," the book theorizes how building and capitalism intersected in the case of twentieth-century industrial buildings, but also in other kinds of architecture and in the built environment writ large. Generally a marginal subject in histories of architecture, industrialism here exposes the expansionist modern project in Western architecture and culture, which was based on natural resource extraction and labor exploitation. With more than 140 full-color illustrations, the book combines an analysis of industrial architecture with compelling photographic evidence drawn from assorted archives.
Classification:
livres
livres
Publication:
août 2025
août 2025
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
périodiques
périodiques
Titre:
Africa.
Africa.
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Publication:
London : Oxford University Press, 1928-, Cambridge, UK : Cambridge University Press for the International African Institute
London : Oxford University Press, 1928-, Cambridge, UK : Cambridge University Press for the International African Institute
Classification:
périodiques
périodiques
Publication:
London : Oxford University Press, 1928-, Cambridge, UK : Cambridge University Press for the International African Institute
London : Oxford University Press, 1928-, Cambridge, UK : Cambridge University Press for the International African Institute
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Sujet:
Classification:
livres
livres
Titre:
Recording Britain
Recording Britain
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$69.00
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Résumé:
Recording Britain was an artistic documentary project sponsored by the British government in the late 1930s as the country faced the potentially devastating impact of a second world war. The resulting collection of more than 1,500 watercolors and drawings, by both well-known and amateur artists, is a rich visual record of buildings, landscapes, and livelihoods perceived(...)
$69.00
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Recording Britain was an artistic documentary project sponsored by the British government in the late 1930s as the country faced the potentially devastating impact of a second world war. The resulting collection of more than 1,500 watercolors and drawings, by both well-known and amateur artists, is a rich visual record of buildings, landscapes, and livelihoods perceived(...)
Titre:
Recording Britain
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$69.00
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Recording Britain was an artistic documentary project sponsored by the British government in the late 1930s as the country faced the potentially devastating impact of a second world war. The resulting collection of more than 1,500 watercolors and drawings, by both well-known and amateur artists, is a rich visual record of buildings, landscapes, and livelihoods perceived to be under threat. "Recording Britain "brings together highlights from this extraordinary collection at the V, vivid images of national and regional identity that often portray an idealized account of the country for which its audience, at the time, was fighting. The pictures are discussed in relation to contemporary British artists and photographers such as John Virtue, Conrad Atkinson, Richard Long, and Laura Oldfield Ford, whose work also reflects on a sense of place.
Recording Britain
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Prix:
$69.00
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Résumé:
Recording Britain was an artistic documentary project sponsored by the British government in the late 1930s as the country faced the potentially devastating impact of a second world war. The resulting collection of more than 1,500 watercolors and drawings, by both well-known and amateur artists, is a rich visual record of buildings, landscapes, and livelihoods perceived to be under threat. "Recording Britain "brings together highlights from this extraordinary collection at the V, vivid images of national and regional identity that often portray an idealized account of the country for which its audience, at the time, was fighting. The pictures are discussed in relation to contemporary British artists and photographers such as John Virtue, Conrad Atkinson, Richard Long, and Laura Oldfield Ford, whose work also reflects on a sense of place.
Classification:
livres
livres
Publication:
octobre 2011
octobre 2011
Classification:
audio
audio
Titre:
Analogue
Analogue
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Description:
1 online resource (1 audio file)
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Publication:
Storefront for Art and Architecture 2024
Storefront for Art and Architecture 2024
Classification:
audio
audio
Publication:
Storefront for Art and Architecture 2024
Storefront for Art and Architecture 2024
Sujet:
Classification:
livres
livres
Prix:
$49.95
(disponible sur commande)
Résumé:
Publié en 1930 à Moscou, et inédit en français, "Sotsgorod" est longtemps resté un livre mythique. Ce manifeste utopique russe récuse les modèles des villes traditionnelles pour développer l'hypothèse de la ville linéaire avancée par l'Espagnol Arturo Soria y Mata peu avant 1900 et les solutions pratiques des agglomérations industrielles d'Henry Ford. Le principe(...)
$49.95
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Publié en 1930 à Moscou, et inédit en français, "Sotsgorod" est longtemps resté un livre mythique. Ce manifeste utopique russe récuse les modèles des villes traditionnelles pour développer l'hypothèse de la ville linéaire avancée par l'Espagnol Arturo Soria y Mata peu avant 1900 et les solutions pratiques des agglomérations industrielles d'Henry Ford. Le principe(...)
Titre:
Sotsgorod : le problème de la construction des villes socialistes
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$49.95
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Publié en 1930 à Moscou, et inédit en français, "Sotsgorod" est longtemps resté un livre mythique. Ce manifeste utopique russe récuse les modèles des villes traditionnelles pour développer l'hypothèse de la ville linéaire avancée par l'Espagnol Arturo Soria y Mata peu avant 1900 et les solutions pratiques des agglomérations industrielles d'Henry Ford. Le principe théorique élaboré par Milioutine, dans le cadre d'un intense débat sur la structure des villes soviétiques, est appliqué à des plans pour Nijni Novgorod, Stalingrad et Magnitogorsk, accompagné par les propositions architecturales dans l'esprit de l'avant-garde russe. Les propositions radicales de "Sotsgorod" auront un impact considérable sur la réflexion des architectes modernes allemands et conduiront Le COrbusier à imaginer sa «cité linéaire industrielle». Le format original longitudinal et la mise en pages constructiviste de l'édition originale sont rigoureusement reproduits. Présenté par Jean-Louis Cohen. Traduit du russe par Elisabeth Essaïan.
Sotsgorod : le problème de la construction des villes socialistes
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$49.95
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Résumé:
Publié en 1930 à Moscou, et inédit en français, "Sotsgorod" est longtemps resté un livre mythique. Ce manifeste utopique russe récuse les modèles des villes traditionnelles pour développer l'hypothèse de la ville linéaire avancée par l'Espagnol Arturo Soria y Mata peu avant 1900 et les solutions pratiques des agglomérations industrielles d'Henry Ford. Le principe théorique élaboré par Milioutine, dans le cadre d'un intense débat sur la structure des villes soviétiques, est appliqué à des plans pour Nijni Novgorod, Stalingrad et Magnitogorsk, accompagné par les propositions architecturales dans l'esprit de l'avant-garde russe. Les propositions radicales de "Sotsgorod" auront un impact considérable sur la réflexion des architectes modernes allemands et conduiront Le COrbusier à imaginer sa «cité linéaire industrielle». Le format original longitudinal et la mise en pages constructiviste de l'édition originale sont rigoureusement reproduits. Présenté par Jean-Louis Cohen. Traduit du russe par Elisabeth Essaïan.
Classification:
livres
livres
Publication:
mai 2002, Besançon
mai 2002, Besançon
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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$199.95
(disponible sur commande)
Résumé:
This book presents 27 of the more than 600 projects and creations completed by one of the leading French contemporary architects. Some of these creations are very well known, not merely among design and interior architecture specialists but by the public at large. From inflatable structures (Kléber Colombes in the 1970s) to the headquarters of major firms (Ford, Renault,(...)
$199.95
(disponible sur commande)
Résumé:
This book presents 27 of the more than 600 projects and creations completed by one of the leading French contemporary architects. Some of these creations are very well known, not merely among design and interior architecture specialists but by the public at large. From inflatable structures (Kléber Colombes in the 1970s) to the headquarters of major firms (Ford, Renault,(...)
Titre:
Ronald Cecil Sportes : classic not plastic
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$199.95
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Résumé:
This book presents 27 of the more than 600 projects and creations completed by one of the leading French contemporary architects. Some of these creations are very well known, not merely among design and interior architecture specialists but by the public at large. From inflatable structures (Kléber Colombes in the 1970s) to the headquarters of major firms (Ford, Renault, L’Oréal, BMCE Bank, among others), Ronald Cecil Sportes has created original works representing an engagement with a sleek and strikingly modern aesthetic. Sportes has designed many furniture items (chairs, lamps, etc.), designs honored by many museums, including Cooper-Hewitt in New York, Centre Pompidou in Paris, and Victoria and Albert Museum in London, who have devoted major retrospectives to the architect (beginning in 1985). Classic Not Plastic includes a documented index that enables the reader to discover the author's profound intentions as well as investigate further into Sportes' work.
Ronald Cecil Sportes : classic not plastic
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$199.95
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Résumé:
This book presents 27 of the more than 600 projects and creations completed by one of the leading French contemporary architects. Some of these creations are very well known, not merely among design and interior architecture specialists but by the public at large. From inflatable structures (Kléber Colombes in the 1970s) to the headquarters of major firms (Ford, Renault, L’Oréal, BMCE Bank, among others), Ronald Cecil Sportes has created original works representing an engagement with a sleek and strikingly modern aesthetic. Sportes has designed many furniture items (chairs, lamps, etc.), designs honored by many museums, including Cooper-Hewitt in New York, Centre Pompidou in Paris, and Victoria and Albert Museum in London, who have devoted major retrospectives to the architect (beginning in 1985). Classic Not Plastic includes a documented index that enables the reader to discover the author's profound intentions as well as investigate further into Sportes' work.
Classification:
livres
livres
Publication:
décembre 2004, Madrid
décembre 2004, Madrid
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$39.95
(disponible sur commande)
Résumé:
Cet « atlas géopoétique » retrace trois parcours de création – Vecteur monarque (2007), Ventury (2010) et Vegas (2013) – à travers un corpus visuel et littéraire où les images dialoguent avec de la prose poétique, des essais, des témoignages et des récits de voyage. Dans Vecteur monarque, Patrick Beaulieu et Daniel Canty pistent les nuées migratoires des papillons(...)
$39.95
(disponible sur commande)
Résumé:
Cet « atlas géopoétique » retrace trois parcours de création – Vecteur monarque (2007), Ventury (2010) et Vegas (2013) – à travers un corpus visuel et littéraire où les images dialoguent avec de la prose poétique, des essais, des témoignages et des récits de voyage. Dans Vecteur monarque, Patrick Beaulieu et Daniel Canty pistent les nuées migratoires des papillons(...)
Publication:
octobre 2015
octobre 2015
Titre:
VVV: trois odyssées transfrontières
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Prix:
$39.95
(disponible sur commande)
Résumé:
Cet « atlas géopoétique » retrace trois parcours de création – Vecteur monarque (2007), Ventury (2010) et Vegas (2013) – à travers un corpus visuel et littéraire où les images dialoguent avec de la prose poétique, des essais, des témoignages et des récits de voyage. Dans Vecteur monarque, Patrick Beaulieu et Daniel Canty pistent les nuées migratoires des papillons monarques à bord de la Monarca Mobile, un camion postal transformé en observatoire et en galerie d’art ambulante du Québec au Mexique. Dans Ventury, Patrick Beaulieu et les « chercheurs de vent » Alexis Pernet, Daniel Canty et Dauphin Vincent se lancent à la poursuite des vents d’Amérique au volant du Blue Rider, un vénérable camion Ford Ranger équipé d’une manche à air et d’une girouette. Enfin, dans Vegas, nos « aventuriers du hasard » suivent le chemin de la fortune en se rendant de Las Vegas (NV) à Luck (WI), à bord de la Magic Dart, un bolide ayant sur son capot une roue de fortune constellée de symboles de l’américanité.
VVV: trois odyssées transfrontières
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Prix:
$39.95
(disponible sur commande)
Résumé:
Cet « atlas géopoétique » retrace trois parcours de création – Vecteur monarque (2007), Ventury (2010) et Vegas (2013) – à travers un corpus visuel et littéraire où les images dialoguent avec de la prose poétique, des essais, des témoignages et des récits de voyage. Dans Vecteur monarque, Patrick Beaulieu et Daniel Canty pistent les nuées migratoires des papillons monarques à bord de la Monarca Mobile, un camion postal transformé en observatoire et en galerie d’art ambulante du Québec au Mexique. Dans Ventury, Patrick Beaulieu et les « chercheurs de vent » Alexis Pernet, Daniel Canty et Dauphin Vincent se lancent à la poursuite des vents d’Amérique au volant du Blue Rider, un vénérable camion Ford Ranger équipé d’une manche à air et d’une girouette. Enfin, dans Vegas, nos « aventuriers du hasard » suivent le chemin de la fortune en se rendant de Las Vegas (NV) à Luck (WI), à bord de la Magic Dart, un bolide ayant sur son capot une roue de fortune constellée de symboles de l’américanité.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Classification:
livres
livres
Actions:
Prix:
$80.00
(disponible sur commande)
Résumé:
In twelve essays, this book examines the spatial typologies and global phenomena that have defined the office in the last half century. Topics include the return of the work club, the rise of the corporate festival, the way of the charismatic guru, the shattering of the time clock, and the design of playgrounds for work. Photographic essays by Iwan Baan provide a visual(...)
$80.00
(disponible sur commande)
Résumé:
In twelve essays, this book examines the spatial typologies and global phenomena that have defined the office in the last half century. Topics include the return of the work club, the rise of the corporate festival, the way of the charismatic guru, the shattering of the time clock, and the design of playgrounds for work. Photographic essays by Iwan Baan provide a visual(...)
Publication:
octobre 2022
octobre 2022
Titre:
The office of good intentions. Human(s) Work
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Prix:
$80.00
(disponible sur commande)
Résumé:
In twelve essays, this book examines the spatial typologies and global phenomena that have defined the office in the last half century. Topics include the return of the work club, the rise of the corporate festival, the way of the charismatic guru, the shattering of the time clock, and the design of playgrounds for work. Photographic essays by Iwan Baan provide a visual post-occupancy report on a range of canonical office projects, such as Marcel Breuer’s IBM campus in Florida and the Ford Foundation’s urban garden in Manhattan. Four intervening catalogs offer collections of experimental workplace products, augural advertisements for office building components, digital office components, and renderings of speculative workplaces; each catalog bridges the reality of the office and how we imagine its alternatives. This book is a theoretical backdrop for architects as much as it is for businesspeople and employees. With curiosity and skepticism, it looks at the spaces and solutions that have been designed for human work, tracing the transformation from work to occupation, from punch cards to “playbor,” from today’s lived experience to tomorrow’s unpredictable, imagined futures.
The office of good intentions. Human(s) Work
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Prix:
$80.00
(disponible sur commande)
Résumé:
In twelve essays, this book examines the spatial typologies and global phenomena that have defined the office in the last half century. Topics include the return of the work club, the rise of the corporate festival, the way of the charismatic guru, the shattering of the time clock, and the design of playgrounds for work. Photographic essays by Iwan Baan provide a visual post-occupancy report on a range of canonical office projects, such as Marcel Breuer’s IBM campus in Florida and the Ford Foundation’s urban garden in Manhattan. Four intervening catalogs offer collections of experimental workplace products, augural advertisements for office building components, digital office components, and renderings of speculative workplaces; each catalog bridges the reality of the office and how we imagine its alternatives. This book is a theoretical backdrop for architects as much as it is for businesspeople and employees. With curiosity and skepticism, it looks at the spaces and solutions that have been designed for human work, tracing the transformation from work to occupation, from punch cards to “playbor,” from today’s lived experience to tomorrow’s unpredictable, imagined futures.
Classification:
livres
livres
Publication:
octobre 2022
octobre 2022
