1029 Résultats
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livres
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More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A(...)
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Résumé:
More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
novembre 2005, Minneapolis, London
novembre 2005, Minneapolis, London
Titre:
Commodification and spectacle in architecture
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More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A built environment intended to seduce consumers is more likely to offer instant gratification than to invite independent thought and reflection. But how harmful, if at all, is this unprecedented commercialization of architecture? Framed with an introduction by Kenneth Frampton, the contributions to "Commodification and spectacle in architecture" stake out a variety of positions in the debate over the extent to which it is possible—or desirable—to escape from, resist, or suggest plausible alternatives to the dominant culture of consumer capitalism. Rejecting any dreamy nostalgia for an idealized present or past in which design is completely divorced from commerce—and, in some cases, celebrating the pleasures of spectacle—the individual essays range from indictments of particular architects and critiques of the profession to broader concerns about what the phenomenon of commodification means for the practice of democracy and the health of society. Bringing together an impressive and varied group of critics and practitioners, "Commodification and spectacle in architecture" will help to sharpen the discussion of how design can respond to our hypercommodified culture.
Commodification and spectacle in architecture
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Résumé:
More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A built environment intended to seduce consumers is more likely to offer instant gratification than to invite independent thought and reflection. But how harmful, if at all, is this unprecedented commercialization of architecture? Framed with an introduction by Kenneth Frampton, the contributions to "Commodification and spectacle in architecture" stake out a variety of positions in the debate over the extent to which it is possible—or desirable—to escape from, resist, or suggest plausible alternatives to the dominant culture of consumer capitalism. Rejecting any dreamy nostalgia for an idealized present or past in which design is completely divorced from commerce—and, in some cases, celebrating the pleasures of spectacle—the individual essays range from indictments of particular architects and critiques of the profession to broader concerns about what the phenomenon of commodification means for the practice of democracy and the health of society. Bringing together an impressive and varied group of critics and practitioners, "Commodification and spectacle in architecture" will help to sharpen the discussion of how design can respond to our hypercommodified culture.
Classification:
livres
livres
Publication:
novembre 2005, Minneapolis, London
novembre 2005, Minneapolis, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$62.00
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Résumé:
Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the(...)
$62.00
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Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the(...)
Titre:
Privacy and publicity : modern architecture as mass media
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$62.00
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Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. "Privacy and Publicity" questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture -- the mass media -- as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right.
Privacy and publicity : modern architecture as mass media
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Prix:
$62.00
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Résumé:
Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. "Privacy and Publicity" questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture -- the mass media -- as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right.
Classification:
livres
livres
Publication:
avril 1996, Cambridge
avril 1996, Cambridge
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$52.00
(disponible sur commande)
Résumé:
In "Chicago Architecture", Charles Waldheim and Katerina Rüedi Ray revise and offer alternatives to the archetypal story of modern architecture in Chicago. They and an esteemed group of contributors assert that the mythic status of Chicago architecture has distorted our understanding of the historical circumstances in which it was realized. This searching volume(...)
$52.00
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In "Chicago Architecture", Charles Waldheim and Katerina Rüedi Ray revise and offer alternatives to the archetypal story of modern architecture in Chicago. They and an esteemed group of contributors assert that the mythic status of Chicago architecture has distorted our understanding of the historical circumstances in which it was realized. This searching volume(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
janvier 2005, Chicago
janvier 2005, Chicago
Titre:
Chicago architecture : histories, revisions, alternatives
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$52.00
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Résumé:
In "Chicago Architecture", Charles Waldheim and Katerina Rüedi Ray revise and offer alternatives to the archetypal story of modern architecture in Chicago. They and an esteemed group of contributors assert that the mythic status of Chicago architecture has distorted our understanding of the historical circumstances in which it was realized. This searching volume illuminates the importance of photographs, books, magazines, and other media in the cultivation of an international audience for Chicago architecture; it explores the pivotal role of real estate developers, finance and insurance sectors, and speculative capital markets in the development of the city itself; and, perhaps most notably, it examines a wide variety of overlooked architectural works and their creators - individuals who did not fit into the dominant modernist narrative.
Chicago architecture : histories, revisions, alternatives
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Prix:
$52.00
(disponible sur commande)
Résumé:
In "Chicago Architecture", Charles Waldheim and Katerina Rüedi Ray revise and offer alternatives to the archetypal story of modern architecture in Chicago. They and an esteemed group of contributors assert that the mythic status of Chicago architecture has distorted our understanding of the historical circumstances in which it was realized. This searching volume illuminates the importance of photographs, books, magazines, and other media in the cultivation of an international audience for Chicago architecture; it explores the pivotal role of real estate developers, finance and insurance sectors, and speculative capital markets in the development of the city itself; and, perhaps most notably, it examines a wide variety of overlooked architectural works and their creators - individuals who did not fit into the dominant modernist narrative.
Classification:
livres
livres
Publication:
janvier 2005, Chicago
janvier 2005, Chicago
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
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$46.50
(disponible en magasin)
Résumé:
This book is both a call to reassess the architecture profession and its education, and a toolkit for graduates and working architects to untangle their skills, passions, and value from traditional architectural practice and consider alternate pathways. Written by design professionals and expert career consultants, it is informed by numerous client accounts as well as the(...)
$46.50
(disponible en magasin)
Résumé:
This book is both a call to reassess the architecture profession and its education, and a toolkit for graduates and working architects to untangle their skills, passions, and value from traditional architectural practice and consider alternate pathways. Written by design professionals and expert career consultants, it is informed by numerous client accounts as well as the(...)
Titre:
Out of architecture: the value of architects beyond traditional practice
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$46.50
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Résumé:
This book is both a call to reassess the architecture profession and its education, and a toolkit for graduates and working architects to untangle their skills, passions, and value from traditional architectural practice and consider alternate pathways. Written by design professionals and expert career consultants, it is informed by numerous client accounts as well as the authors’ own stories and routes out of architecture. A wide range of architecture students, graduates, educators, and professionals will recognize themselves within the pages of this book and find prompts to reassess their working practices, teaching styles, and the profession itself. It will be of particular value to those students skeptical of joining the architecture workforce, as well as those further along and considering a career change.
Out of architecture: the value of architects beyond traditional practice
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Prix:
$46.50
(disponible en magasin)
Résumé:
This book is both a call to reassess the architecture profession and its education, and a toolkit for graduates and working architects to untangle their skills, passions, and value from traditional architectural practice and consider alternate pathways. Written by design professionals and expert career consultants, it is informed by numerous client accounts as well as the authors’ own stories and routes out of architecture. A wide range of architecture students, graduates, educators, and professionals will recognize themselves within the pages of this book and find prompts to reassess their working practices, teaching styles, and the profession itself. It will be of particular value to those students skeptical of joining the architecture workforce, as well as those further along and considering a career change.
Classification:
livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$60.00
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Résumé:
Wittgenstein's House reads Wittgenstein's his two main philosophical texts, Tractatus Logico-Philosophicus and Philosophical Investigations, in relation to an experience that intervened between them: his design and construction of the Stonborough-Wittgenstein house in Vienna. Arguing that the practice of architecture occupies not just a historical position between(...)
$60.00
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Wittgenstein's House reads Wittgenstein's his two main philosophical texts, Tractatus Logico-Philosophicus and Philosophical Investigations, in relation to an experience that intervened between them: his design and construction of the Stonborough-Wittgenstein house in Vienna. Arguing that the practice of architecture occupies not just a historical position between(...)
Titre:
Wittgenstein's house: language, space, & architecture
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$60.00
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Wittgenstein's House reads Wittgenstein's his two main philosophical texts, Tractatus Logico-Philosophicus and Philosophical Investigations, in relation to an experience that intervened between them: his design and construction of the Stonborough-Wittgenstein house in Vienna. Arguing that the practice of architecture occupies not just a historical position between Wittgenstein's early and late philosophy, but a conceptual position as well, the book demonstrates that Wittgenstein's practice of architecture constitutes a fundamental component in the development of his philosophy of language from its early to late phases. The book advances the radical proposition that the field in which architecture and philosophy operate includes linguistic and spatial practices. It develops innovative forms of interdisciplinary analyses to demonstrate that the philosophical positions put forth by Wittgenstein's two main works are literally unthinkable outside of their respective conceptions of space: the view from above in the early work and the view from within constructed by the late work. To examine the manner in which Wittgenstein's practice of architecture insinuated itself into his philosophy, the author interweaves in-depth analyses of the spatial constructs underpinning the early and late philosophies with conceptual, formal and operative discussions of the design of the Stonborough-Wittgenstein house. Together these discussions reveal how Wittgenstein's practice of architecture engaged philosophical concepts, through which it influenced Wittgenstein's philosophy of language. At the heart of this approach is the finding that the philosophical concepts at the core of Wittgenstein's philosophy areindeed spatial ones, including his concerns with the limits of language, the boundary between showing and saying, the intricate textual numbering systems he devises, the relationship between the interiority of the subject and the publicness of language, and the formative principle of family resemblance.
Wittgenstein's house: language, space, & architecture
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Prix:
$60.00
(disponible sur commande)
Résumé:
Wittgenstein's House reads Wittgenstein's his two main philosophical texts, Tractatus Logico-Philosophicus and Philosophical Investigations, in relation to an experience that intervened between them: his design and construction of the Stonborough-Wittgenstein house in Vienna. Arguing that the practice of architecture occupies not just a historical position between Wittgenstein's early and late philosophy, but a conceptual position as well, the book demonstrates that Wittgenstein's practice of architecture constitutes a fundamental component in the development of his philosophy of language from its early to late phases. The book advances the radical proposition that the field in which architecture and philosophy operate includes linguistic and spatial practices. It develops innovative forms of interdisciplinary analyses to demonstrate that the philosophical positions put forth by Wittgenstein's two main works are literally unthinkable outside of their respective conceptions of space: the view from above in the early work and the view from within constructed by the late work. To examine the manner in which Wittgenstein's practice of architecture insinuated itself into his philosophy, the author interweaves in-depth analyses of the spatial constructs underpinning the early and late philosophies with conceptual, formal and operative discussions of the design of the Stonborough-Wittgenstein house. Together these discussions reveal how Wittgenstein's practice of architecture engaged philosophical concepts, through which it influenced Wittgenstein's philosophy of language. At the heart of this approach is the finding that the philosophical concepts at the core of Wittgenstein's philosophy areindeed spatial ones, including his concerns with the limits of language, the boundary between showing and saying, the intricate textual numbering systems he devises, the relationship between the interiority of the subject and the publicness of language, and the formative principle of family resemblance.
Classification:
livres
livres
Publication:
mai 2008, New York
mai 2008, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$20.00
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Résumé:
In 1923, the Bauhaus introduced itself to the public via an exhibition staged at an astonishing site: the Haus Am Horn, designed specifically for the show. Today, the house is the only surviving example of Bauhaus architecture in Weimar. In ''Haus Am Horn,'' editors Anke Blümm and Martina Ullrich present the at times tumultuous history of this architectural landmark.
$20.00
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Résumé:
In 1923, the Bauhaus introduced itself to the public via an exhibition staged at an astonishing site: the Haus Am Horn, designed specifically for the show. Today, the house is the only surviving example of Bauhaus architecture in Weimar. In ''Haus Am Horn,'' editors Anke Blümm and Martina Ullrich present the at times tumultuous history of this architectural landmark.
Titre:
Haus am Horn: Bauhaus architecture in Weimar
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$20.00
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Résumé:
In 1923, the Bauhaus introduced itself to the public via an exhibition staged at an astonishing site: the Haus Am Horn, designed specifically for the show. Today, the house is the only surviving example of Bauhaus architecture in Weimar. In ''Haus Am Horn,'' editors Anke Blümm and Martina Ullrich present the at times tumultuous history of this architectural landmark.
Haus am Horn: Bauhaus architecture in Weimar
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Prix:
$20.00
(disponible sur commande)
Résumé:
In 1923, the Bauhaus introduced itself to the public via an exhibition staged at an astonishing site: the Haus Am Horn, designed specifically for the show. Today, the house is the only surviving example of Bauhaus architecture in Weimar. In ''Haus Am Horn,'' editors Anke Blümm and Martina Ullrich present the at times tumultuous history of this architectural landmark.
Classification:
livres
livres
Publication:
juillet 2019
juillet 2019
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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Description:
193 pages : illustrations (some color) ; 28 cm
Description:
193 pages : illustrations (some color) ; 28 cm
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Publication:
Mantova : Corraini edizioni, [2018], ©2018
Mantova : Corraini edizioni, [2018], ©2018
Titre:
African metropolis : una città immaginaria : an imaginary city / a cura di Simon Njami e Elena Motisi = African metropolis : an imaginary city / edited by Simon Njami and Elena Motisi.
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Description:
193 pages : illustrations (some color) ; 28 cm
African metropolis : una città immaginaria : an imaginary city / a cura di Simon Njami e Elena Motisi = African metropolis : an imaginary city / edited by Simon Njami and Elena Motisi.
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Description:
193 pages : illustrations (some color) ; 28 cm
Classification:
livres
livres
Publication:
Mantova : Corraini edizioni, [2018], ©2018
Mantova : Corraini edizioni, [2018], ©2018
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livres
livres
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$59.50
(disponible sur commande)
Résumé:
Conversion, adaptation, reuse - these techniques are as old as construction itself. However, since the industrialization of the building industry and the emergence of modernism in architecture, newly constructed buildings have dominated our idea of good and progressive architecture. For decades, conversion did not play a significant role in architectural practice. Today,(...)
$59.50
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Résumé:
Conversion, adaptation, reuse - these techniques are as old as construction itself. However, since the industrialization of the building industry and the emergence of modernism in architecture, newly constructed buildings have dominated our idea of good and progressive architecture. For decades, conversion did not play a significant role in architectural practice. Today,(...)
Publication:
août 2020
août 2020
Titre:
Umbaukultur: The architecture of altering
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Prix:
$59.50
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Résumé:
Conversion, adaptation, reuse - these techniques are as old as construction itself. However, since the industrialization of the building industry and the emergence of modernism in architecture, newly constructed buildings have dominated our idea of good and progressive architecture. For decades, conversion did not play a significant role in architectural practice. Today, things have changed. The industrialization of the construction industry has led to environmental degradation, and the reform potential of modernism has been exhausted. Consequently, the existing building stock is one of the resources - perhaps even the most important resource - for the transformation of our cities. Against this backdrop, the architecture of conversion has made an unexpected comeback. Young architects in particular are providing surprising answers to the environmental and social questions of our time with their conversion projects.
Umbaukultur: The architecture of altering
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Prix:
$59.50
(disponible sur commande)
Résumé:
Conversion, adaptation, reuse - these techniques are as old as construction itself. However, since the industrialization of the building industry and the emergence of modernism in architecture, newly constructed buildings have dominated our idea of good and progressive architecture. For decades, conversion did not play a significant role in architectural practice. Today, things have changed. The industrialization of the construction industry has led to environmental degradation, and the reform potential of modernism has been exhausted. Consequently, the existing building stock is one of the resources - perhaps even the most important resource - for the transformation of our cities. Against this backdrop, the architecture of conversion has made an unexpected comeback. Young architects in particular are providing surprising answers to the environmental and social questions of our time with their conversion projects.
Classification:
livres
livres
Publication:
août 2020
août 2020
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livres
livres
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Description:
vii, 346 pages illustrations, portraits
Description:
vii, 346 pages illustrations, portraits
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Publication:
Toronto, University of Toronto Press, 1952.
Toronto, University of Toronto Press, 1952.
Titre:
A history of Victoria University.
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Description:
vii, 346 pages illustrations, portraits
A history of Victoria University.
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Description:
vii, 346 pages illustrations, portraits
Classification:
livres
livres
Publication:
Toronto, University of Toronto Press, 1952.
Toronto, University of Toronto Press, 1952.
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livres
livres
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$66.95
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Résumé:
Actes de la septième conférence internationale de DOCOMONO (Paris, 16-19 septembre 2002): "Vers une histoire culturelle de la modernité architecturale : les démarches radicales s'inscrivent souvent dans un espace transcendant. C'est ce qui est arrivé à la modernité architecturale, bien connue pour ses héros, ses icônes, ses manifestes et ses intentions sociales(...)
$66.95
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Résumé:
Actes de la septième conférence internationale de DOCOMONO (Paris, 16-19 septembre 2002): "Vers une histoire culturelle de la modernité architecturale : les démarches radicales s'inscrivent souvent dans un espace transcendant. C'est ce qui est arrivé à la modernité architecturale, bien connue pour ses héros, ses icônes, ses manifestes et ses intentions sociales(...)
Publication:
septembre 2005, Saint-Étienne
septembre 2005, Saint-Étienne
Titre:
La réception de l'architecture du Mouvement moderne : image, usage, héritage - The reception of architecture of the modern movement : image, usage, heritage
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$66.95
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Résumé:
Actes de la septième conférence internationale de DOCOMONO (Paris, 16-19 septembre 2002): "Vers une histoire culturelle de la modernité architecturale : les démarches radicales s'inscrivent souvent dans un espace transcendant. C'est ce qui est arrivé à la modernité architecturale, bien connue pour ses héros, ses icônes, ses manifestes et ses intentions sociales généreuses. Mais comment l'architecture, art de l'utilitas, aurait-elle pu se délier des contraintes du XXe siècle ? Elle est bien la fille des mythes, des contradictions, des aspirations et plus encore, des rapports de force en transformation du siècle passé." Proceedings of the seventh international conference DOCOMOMO : "radical approaches often subscribe to the notion of the transcendence of time. This assertion characterize architecural modernity, with its celebrated heroes, icons, manifestoes and noble social intentions. Yet how could architecture, the art of utilitas, have entirely freed itself from the constraints of the rwentieth century? Indeed architectural modernity emerges directly from the myths, the aspirations and, even more, the changing power relations of the century past."
La réception de l'architecture du Mouvement moderne : image, usage, héritage - The reception of architecture of the modern movement : image, usage, heritage
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Prix:
$66.95
(disponible sur commande)
Résumé:
Actes de la septième conférence internationale de DOCOMONO (Paris, 16-19 septembre 2002): "Vers une histoire culturelle de la modernité architecturale : les démarches radicales s'inscrivent souvent dans un espace transcendant. C'est ce qui est arrivé à la modernité architecturale, bien connue pour ses héros, ses icônes, ses manifestes et ses intentions sociales généreuses. Mais comment l'architecture, art de l'utilitas, aurait-elle pu se délier des contraintes du XXe siècle ? Elle est bien la fille des mythes, des contradictions, des aspirations et plus encore, des rapports de force en transformation du siècle passé." Proceedings of the seventh international conference DOCOMOMO : "radical approaches often subscribe to the notion of the transcendence of time. This assertion characterize architecural modernity, with its celebrated heroes, icons, manifestoes and noble social intentions. Yet how could architecture, the art of utilitas, have entirely freed itself from the constraints of the rwentieth century? Indeed architectural modernity emerges directly from the myths, the aspirations and, even more, the changing power relations of the century past."
Classification:
livres
livres
Publication:
septembre 2005, Saint-Étienne
septembre 2005, Saint-Étienne
