5603 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:098:012
Description:
File containing magazine clippings (and multiple photocopies) from an article appearing in the July-August 1976 issue of Artscanada, which makes references to the following projects: - Corridart (predominant); - Le trésor de Trois-Rivières [part of Une histoire...]; - Montréal... plus ou moins?; - Canadian pavillion for Expo 70 in Osaka, Japan. Original folder inscribed in graphite: ARTS CANADA / JULY-AUGUST 1976 (CORRIDART /2)
DR2012:0012:098:012
Description:
File containing magazine clippings (and multiple photocopies) from an article appearing in the July-August 1976 issue of Artscanada, which makes references to the following projects: - Corridart (predominant); - Le trésor de Trois-Rivières [part of Une histoire...]; - Montréal... plus ou moins?; - Canadian pavillion for Expo 70 in Osaka, Japan. Original folder inscribed in graphite: ARTS CANADA / JULY-AUGUST 1976 (CORRIDART /2)
Personnes et institutions:
Date:
1976
1976
Titre:
Press clippings related to Melvin Charney's projects
Actions:
DR2012:0012:098:012
Description:
File containing magazine clippings (and multiple photocopies) from an article appearing in the July-August 1976 issue of Artscanada, which makes references to the following projects: - Corridart (predominant); - Le trésor de Trois-Rivières [part of Une histoire...]; - Montréal... plus ou moins?; - Canadian pavillion for Expo 70 in Osaka, Japan. Original folder inscribed in graphite: ARTS CANADA / JULY-AUGUST 1976 (CORRIDART /2)
Press clippings related to Melvin Charney's projects
Actions:
DR2012:0012:098:012
Description:
File containing magazine clippings (and multiple photocopies) from an article appearing in the July-August 1976 issue of Artscanada, which makes references to the following projects: - Corridart (predominant); - Le trésor de Trois-Rivières [part of Une histoire...]; - Montréal... plus ou moins?; - Canadian pavillion for Expo 70 in Osaka, Japan. Original folder inscribed in graphite: ARTS CANADA / JULY-AUGUST 1976 (CORRIDART /2)
Classification:
documents textuels
documents textuels
Date:
1976
1976
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:098:014
Description:
File containing two complete copies, clippings, and photocopies of Parachute magazine, issue 13 (winter 1978), in which a French-language interview with Melvin Charney appears. Includes references to the following projects: - Memo series; - Un dictionnaire...; - Le trésor de Trois-Rivières [part of Une histoire]; - Les maisons de la rue Sherbrooke; - Fragments; - Streetwork. Original folder inscribed in graphite: PARACHUTE, no. 13, Hiver 1978.
DR2012:0012:098:014
Description:
File containing two complete copies, clippings, and photocopies of Parachute magazine, issue 13 (winter 1978), in which a French-language interview with Melvin Charney appears. Includes references to the following projects: - Memo series; - Un dictionnaire...; - Le trésor de Trois-Rivières [part of Une histoire]; - Les maisons de la rue Sherbrooke; - Fragments; - Streetwork. Original folder inscribed in graphite: PARACHUTE, no. 13, Hiver 1978.
Personnes et institutions:
Date:
1978
1978
Titre:
Press clippings related to Melvin Charney and his projects
Actions:
DR2012:0012:098:014
Description:
File containing two complete copies, clippings, and photocopies of Parachute magazine, issue 13 (winter 1978), in which a French-language interview with Melvin Charney appears. Includes references to the following projects: - Memo series; - Un dictionnaire...; - Le trésor de Trois-Rivières [part of Une histoire]; - Les maisons de la rue Sherbrooke; - Fragments; - Streetwork. Original folder inscribed in graphite: PARACHUTE, no. 13, Hiver 1978.
Press clippings related to Melvin Charney and his projects
Actions:
DR2012:0012:098:014
Description:
File containing two complete copies, clippings, and photocopies of Parachute magazine, issue 13 (winter 1978), in which a French-language interview with Melvin Charney appears. Includes references to the following projects: - Memo series; - Un dictionnaire...; - Le trésor de Trois-Rivières [part of Une histoire]; - Les maisons de la rue Sherbrooke; - Fragments; - Streetwork. Original folder inscribed in graphite: PARACHUTE, no. 13, Hiver 1978.
Classification:
documents textuels
documents textuels
Date:
1978
1978
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Personnes et institutions:
Date:
1967-1988
1967-1988
Titre:
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Niveau de description archivistique:
sub-series
sub-series
Date:
1967-1988
1967-1988
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Publications and writings
Publications and writings
Numéro de référence:
AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
Personnes et institutions:
Date:
1947-2008
1947-2008
Titre:
Publications and writings
Actions:
AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
Publications and writings
Actions:
AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
Niveau de description archivistique:
Series
Series
Date:
1947-2008
1947-2008
Personnes et institutions:
Classification:
documents textuels, photographies
documents textuels, photographies
Numéro de référence:
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
Personnes et institutions:
Date:
1963-2015
1963-2015
Titre:
Research files organized by author's last name or subject from S-U
Actions:
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
Research files organized by author's last name or subject from S-U
Actions:
AP197.S2.031
Description:
The box contains various research files organized in alphabetical order by either author's last name or subject, from S-U. The largest section in this box consists of writings that relate to technology and architecture. Other research materials include writings on Karl Teige, Guiseppe Terragni and O.M. Ungers. The slides are of technology and design history; the microfilms contain copies of the Soviet magazine, Sovremenia architectura.
Classification:
documents textuels, photographies
documents textuels, photographies
Date:
1963-2015
1963-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Reference material
Reference material
Numéro de référence:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Personnes et institutions:
Date:
circa 1947-2008
circa 1947-2008
Titre:
Reference material
Actions:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Reference material
Actions:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Niveau de description archivistique:
Series
Series
Date:
circa 1947-2008
circa 1947-2008
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
Personnes et institutions:
Date:
1970-2015
1970-2015
Titre:
Institute for Architecture and Urban Studies (IAUS) (1970-1982)
Actions:
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
Institute for Architecture and Urban Studies (IAUS) (1970-1982)
Actions:
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
Niveau de description archivistique:
Subseries
Subseries
Date:
1970-2015
1970-2015
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Le chercheur en résidence Gregorio Carboni Maestri présente sa recherche. Des années 1930 à la fin des années 1980, l’architecture portugaise s’est construite sur une relation frustrante avec la modernité, et sur un dialogue crucial avec l’Italie. Ce séminaire portera sur la façon dont l’architecture portugaise a observé les modèles italiens et y a réagi, notamment le(...)
Le chercheur en résidence Gregorio Carboni Maestri présente sa recherche. Des années 1930 à la fin des années 1980, l’architecture portugaise s’est construite sur une relation frustrante avec la modernité, et sur un dialogue crucial avec l’Italie. Ce séminaire portera sur la façon dont l’architecture portugaise a observé les modèles italiens et y a réagi, notamment le(...)
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
Gregorio Carboni Maestri, chercheur en résidence, Portugal, Tendenza
Maison Shaughnessy Mot(s)-clé(s):
Gregorio Carboni Maestri, chercheur en résidence, Portugal, Tendenza
Date:
3 août 2017, 18h
3 août 2017, 18h
Titre:
Séminaire de chercheur en résidence : Gregorio Carboni Maestri
Actions:
Description:
Le chercheur en résidence Gregorio Carboni Maestri présente sa recherche. Des années 1930 à la fin des années 1980, l’architecture portugaise s’est construite sur une relation frustrante avec la modernité, et sur un dialogue crucial avec l’Italie. Ce séminaire portera sur la façon dont l’architecture portugaise a observé les modèles italiens et y a réagi, notamment le(...)
Séminaire de chercheur en résidence : Gregorio Carboni Maestri
Actions:
Description:
Le chercheur en résidence Gregorio Carboni Maestri présente sa recherche. Des années 1930 à la fin des années 1980, l’architecture portugaise s’est construite sur une relation frustrante avec la modernité, et sur un dialogue crucial avec l’Italie. Ce séminaire portera sur la façon dont l’architecture portugaise a observé les modèles italiens et y a réagi, notamment le(...)
Classification:
événements
événements
Date:
3 août 2017
18h
3 août 2017
18h
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
Gregorio Carboni Maestri, chercheur en résidence, Portugal, Tendenza
Maison Shaughnessy Mot(s)-clé(s):
Gregorio Carboni Maestri, chercheur en résidence, Portugal, Tendenza
Classification:
né numérique, photographies
né numérique, photographies
Numéro de référence:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
Personnes et institutions:
Date:
25 February 1999 - 23 April 2007
25 February 1999 - 23 April 2007
Titre:
Publication images and animations for HypoSurface and other dECOi projects (1 of 2)
Actions:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
Publication images and animations for HypoSurface and other dECOi projects (1 of 2)
Actions:
AP170.S4.002
Description:
This directory chiefly contains images and animated GIFs for various publications related to HypoSurface and other dECOi projects, including Art and Architecture magazine and an unidentified book. Directory also includes Paul Steenhuisen audio files of modified cow sounds. Original directory name: "ftp-data". Most common file formats: Aegis Files, Tagged Image File Format, Graphics Interchange Format, Audio Interchange File Format, Exchangeable Image File Format (Compressed).
Classification:
né numérique, photographies
né numérique, photographies
Date:
25 February 1999 - 23 April 2007
25 February 1999 - 23 April 2007
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Hermann Finsterlin
Hermann Finsterlin
Numéro de référence:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
Personnes et institutions:
Date:
1919-1923
1919-1923
Titre:
Hermann Finsterlin
Actions:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
Hermann Finsterlin
Actions:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
Niveau de description archivistique:
series
series
Date:
1919-1923
1919-1923
Personnes et institutions:
