Brick: a world history
$105.00
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This architecture book follows the story of brick from 5,000 BC to its use in building today, via the vast baths and basilicas of ancient Rome, through the wonders of Gothic brick in Germany, the majestic temples of Pagan and Mughal mosques in Iran, to its modern revival. The authors have applied their expert visual and technical knowledge to more than one hundred(...)
Matériaux et éclairage
octobre 2003, London
Brick: a world history
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$105.00
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This architecture book follows the story of brick from 5,000 BC to its use in building today, via the vast baths and basilicas of ancient Rome, through the wonders of Gothic brick in Germany, the majestic temples of Pagan and Mughal mosques in Iran, to its modern revival. The authors have applied their expert visual and technical knowledge to more than one hundred themes, from bricks in ancient Egypt to their distinctive use by such modern masters as Louis Kahn, Alvar Aalto and Renzo Piano. Great works of engineering – viaducts, tunnels and bridges – are given prominence alongside cathedrals and country houses, temples and mosques, testifying to the versatility and importance of bricks and brickwork.
Matériaux et éclairage
$21.00
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In this meditation on ruins, Christopher Woodward takes us on a thousand-year journey from the plains of Troy to the monuments of ancient Rome, from the crumbling palaces of Sicily, Cuba, and Zanzibar to the rubble of the London Blitz. With an exquisite sense of romantic melancholy, we encounter the teenage Byron in the moldering Newstead Abbey, Flaubert watching the(...)
In ruins : a journey through history, art, and literature
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In this meditation on ruins, Christopher Woodward takes us on a thousand-year journey from the plains of Troy to the monuments of ancient Rome, from the crumbling palaces of Sicily, Cuba, and Zanzibar to the rubble of the London Blitz. With an exquisite sense of romantic melancholy, we encounter the teenage Byron in the moldering Newstead Abbey, Flaubert watching the buzzards on the pyramids, Henry James in the Colosseum, and Freud at Pompeii. We travel the Appian Way with Dickens and behold the Baths of Caracalla with Shelley. An exhilarating tour, at once elegant and stimulating, "In Ruins" casts an exalting spell as it explores the bewitching power of architectural remains and their persistent hold on the imagination.
Théorie de l’architecture
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Contrairement à d'autres univers culturels qui auront plutôt cherché à se faire peur, Mai 68 n'aura pas été qu'une métaphore dans la formation des architectes. Sans jamais atterrir à l'Université, alors en ébullition, « 68 » aura posé, entre Culture et Équipement, les cadres d'une nouvelle réalité : fin d'une « grande école » (des Beaux-Arts) ; extinction volontaire de(...)
Vu de droite : Le testament de mai 68 et mai 81
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Contrairement à d'autres univers culturels qui auront plutôt cherché à se faire peur, Mai 68 n'aura pas été qu'une métaphore dans la formation des architectes. Sans jamais atterrir à l'Université, alors en ébullition, « 68 » aura posé, entre Culture et Équipement, les cadres d'une nouvelle réalité : fin d'une « grande école » (des Beaux-Arts) ; extinction volontaire de traditions séculaires ; suppression du droit d'entrée (l'admission) ; disparition des avantages liés au Prix de Rome. Déjà maintes fois racontée par la bouche des vainqueurs, que reste-t-il de cette histoire dans la mémoire des vaincus ? Après Les architectes et mai 68 (2005) et Les architectes et mai 81 (2011), l'auteur cherche à éclairer les pièces aveugles de ses travaux de jeunesse...
Théorie de l’architecture
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Designed by Kenzo Tange (1913–2005), the Yoyogi National Gymnasium was completed in 1964. It is situated in an open area in Tokyo and was built for the Olympic Games held that year. The iconic structure, with its elegantly curved roofs suspended from twin masts, is an architectural marvel. Inspired by the Coliseum in Rome, as well as by the architecture of Le Corbusier(...)
Yoyogi National Gymnaisum and Kenzo Tange
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Designed by Kenzo Tange (1913–2005), the Yoyogi National Gymnasium was completed in 1964. It is situated in an open area in Tokyo and was built for the Olympic Games held that year. The iconic structure, with its elegantly curved roofs suspended from twin masts, is an architectural marvel. Inspired by the Coliseum in Rome, as well as by the architecture of Le Corbusier and Eero Saarinen, Tange adapted Western ideas to meet Japanese aesthetics. In this book, five viewpoints for evaluating the facility are examined in detail. Through the lens of Japanese modernism, it reveals how the structure was made, and how the gymnasium and swimming pool have been used and managed since.
Architecture, monographies
Piranesi as designer
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Renowned as one of the finest printmakers of the eighteenth century, Giovanni Battista Piranesi is best known for his etched views of Rome and its antiquities, as well as for his highly influential suite of drawings entitled Carceri, or Imaginary Prisons. Trained as an architect, Piranesi revolutionized architecture and design through his combination of decorative(...)
Architecture, monographies
octobre 2010
Piranesi as designer
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Renowned as one of the finest printmakers of the eighteenth century, Giovanni Battista Piranesi is best known for his etched views of Rome and its antiquities, as well as for his highly influential suite of drawings entitled Carceri, or Imaginary Prisons. Trained as an architect, Piranesi revolutionized architecture and design through his combination of decorative elements and ornamental motifs from the Egyptian, Etruscan, Greek, and Roman styles; yet his work as the designer of interiors and furnishings has been largely uncelebrated. Published in conjunction with a major exhibition at the Smithsonian s Cooper-Hewitt, National Design Museum, Piranesi as Designer explores the far-reaching impact of Piranesi s modernist style on three centuries of architecture and design.
Architecture, monographies
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Gastronomy meets art in a new series, On the Table, edited by the provocative, genre-straddling Swedish writer Charlotte Birnbaum. The first publication is a new translation of a 17th-century text describing three spectacular banquets that greeted Queen Christina of Sweden when she visited Rome in 1668. Antonio degli Effetti was on the scene, and described all three(...)
On the table : three banquets for a queen
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Gastronomy meets art in a new series, On the Table, edited by the provocative, genre-straddling Swedish writer Charlotte Birnbaum. The first publication is a new translation of a 17th-century text describing three spectacular banquets that greeted Queen Christina of Sweden when she visited Rome in 1668. Antonio degli Effetti was on the scene, and described all three feasts in their sumptuous glory, detailing the lavish preparations for the celebrations and the dining experience itself, designed by Bernini, no less! The original text, dotted with quotations from Ovid's Metamorphoses and Virgil's Aeneid, is placed in today's context by a foreword and two essays by Birnbaum. Was it dinner or was it 300-year-old performance art?
Théorie de l’art
Guillaume Gillet
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Guillaume Gillet (1912-1987) est, par son œuvre et par sa carrière, l’un des architectes les plus représentatifs des Trente Glorieuses. Premier Grand Prix de Rome, il est à la tête de l’une des principales agences françaises. Il participe à de nombreux concours, réalise d’importants aménagements urbains et programmes immobiliers. Son œuvre est marquée par le mariage de(...)
Guillaume Gillet
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Guillaume Gillet (1912-1987) est, par son œuvre et par sa carrière, l’un des architectes les plus représentatifs des Trente Glorieuses. Premier Grand Prix de Rome, il est à la tête de l’une des principales agences françaises. Il participe à de nombreux concours, réalise d’importants aménagements urbains et programmes immobiliers. Son œuvre est marquée par le mariage de l’art et de la technique en des édifices à la plastique étonnante. Les projets suivants sont ici développés : l’église Notre-Dame de Royan (1958), le pavillon de la France à l’Exposition de Bruxelles (1958), l’École nationale de la magistrature à Bordeaux (1972), le projet du Grand hôtel d’Orsay (1962), le domaine du Roy d’Espagne à Marseille (1958-1973).
Architecture, monographies
$92.00
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Renzo Piano has created some of the most emblematic buildings of our age, including the New York Times Building in New York City, the Centre Georges Pompidou in Paris, the Shard in London, and the Parco della Musica in Rome. Here, Renzo Piano himself—whose many international awards include the prestigious Pritzker Prize—presents in his own words the works on which he has(...)
Renzo Piano: the complete logbook
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Renzo Piano has created some of the most emblematic buildings of our age, including the New York Times Building in New York City, the Centre Georges Pompidou in Paris, the Shard in London, and the Parco della Musica in Rome. Here, Renzo Piano himself—whose many international awards include the prestigious Pritzker Prize—presents in his own words the works on which he has built his reputation over a span of fifty years. Over one hundred works are featured, accompanied by over one thousand images of Piano’s work around the world including new photographs, drawings, and sketches, both intimate and authoritative, all with commentaries by the architect that combine personal anecdote and technical description with original insights.
Architecture, monographies
La ville en creux
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La ville est-elle constituée par ses bâtiments ou par l'espace qu'ils déterminent et que l'auteur dit «en creux» : ses places, ses promenades, ses boulevards? Ce sont ces espaces que nous arpentons, dans lesquels nous respirons, que nous percevons avec tout notre corps. Leur complexité est à l'origine d'un processus dynamique qui donne sa forme à la ville. L'auteur(...)
La ville en creux
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La ville est-elle constituée par ses bâtiments ou par l'espace qu'ils déterminent et que l'auteur dit «en creux» : ses places, ses promenades, ses boulevards? Ce sont ces espaces que nous arpentons, dans lesquels nous respirons, que nous percevons avec tout notre corps. Leur complexité est à l'origine d'un processus dynamique qui donne sa forme à la ville. L'auteur replace dans l'histoire de la ville la lente constitution de ces espaces. Avec son expérience d'architecte, d'urbaniste et d'élu local, il en a cherché les fondements, étudiant plus particulièrement quelques espaces connus, tel le forum de Rome, notamment dans leur dimensions instrumentale et symbolique. Il donne aussi quelques clés pour que les espaces publics soient ouverts à la diversité sans perdre la nécessaire unité.
Théorie de l’urbanisme
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Hiroshi Sugimoto turns his lens on Italy's architectural masterworks to create a meditation on the potential of cultural exchange and the possibility of cultural fusion. In 1585, four Japanese youths appeared before Pope Gregory XIII, summoned to his court from the nascent Christian community in Japan to present themselves at the capital of their faith. Sugimoto follows(...)
Hiroshi Sugimoto: Gates of Paradise
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Hiroshi Sugimoto turns his lens on Italy's architectural masterworks to create a meditation on the potential of cultural exchange and the possibility of cultural fusion. In 1585, four Japanese youths appeared before Pope Gregory XIII, summoned to his court from the nascent Christian community in Japan to present themselves at the capital of their faith. Sugimoto follows in the boys' footsteps, capturing the architectural wonders of Rome, Florence, and Venice. Sugimoto's images present each chapel and theater as a marvel, imposing and dark. He contextualizes his photographs with Japanese works from the period and the decades that follow. These panels and objects attest to the impact of Western culture, specifically Jesuit Christianity, on Momoyama and Edo aesthetics as Japanese artists envisioned scenes of European life.
Monographies photo