Paul Rousteau: Seascapes
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French artist Paul Rousteau is known for his alchemic light and colour-bending approach to photography. Seascapes is a series made by Rousteau while artist-in-residence on a boat off the Coral Sea, in Australia. Inspired by the unending horizons around him, Rousteau retreated to the darkroom to invent mental topographies of his own, reducing the landscape down to the(...)
Paul Rousteau: Seascapes
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French artist Paul Rousteau is known for his alchemic light and colour-bending approach to photography. Seascapes is a series made by Rousteau while artist-in-residence on a boat off the Coral Sea, in Australia. Inspired by the unending horizons around him, Rousteau retreated to the darkroom to invent mental topographies of his own, reducing the landscape down to the barest constituent elements – water, air and light. Often saturated, interrupted or out of focus, his photographs are series of playful experiments navigating between figuration and abstraction, painting and digital art. These constructed landscapes invite us to consider the point where human imagination interacts with the landscape - how fantasies of distance, displacement and faraway places are projected onto the horizon. Existing somewhere between vision, imagination and a surreal, submerged reality, Rousteau extends this fiction through globetrotting captions and an innovative design that invites readers to rip away and reappropriate the seascapes as their own.
Monographies photo
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This publication documents an unusual project by a multidisciplinary group of architects based at the Bartlett School of Architecture, University College London and collectively known as sixteen*(makers). Composed of some of the most innovative architects in Europe, the group focuses on interactive 'intelligent' systems employing digital fabrication, robotics, and(...)
Architecture contemporaine
septembre 2011
55/02: a sixteen*(makers) project monograph
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This publication documents an unusual project by a multidisciplinary group of architects based at the Bartlett School of Architecture, University College London and collectively known as sixteen*(makers). Composed of some of the most innovative architects in Europe, the group focuses on interactive 'intelligent' systems employing digital fabrication, robotics, and distributed networks of sensors and microprocessors. The project 55/02 is a form of forest shelter that engages with the landscape and is designed to address the visitor towards the particular qualities of its unique placement. It is at once a shelter, a sculpture, a vantage point, and a geographical marker. Essays by the project's authors describe the creation/building process and speculate on the work and its significance. The project's name comes from its coordinates, (55° 11.30 N, 02° 29.23 W, '55/02'), in Northumbria, England. In 2011 the building was awarded a prize by the Royal Institute of British Architects.
Architecture contemporaine
AD: Protocell architecture
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Throughout the ages architects have attempted to capture the essence of living systems as design inspiration. However, practitioners of the built environment have had to deal with a fundamental split between the artificial urban landscape and nature owing to a technological 'gap' that means architects have been unable to make effective use of biological systems in urban(...)
AD: Protocell architecture
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Throughout the ages architects have attempted to capture the essence of living systems as design inspiration. However, practitioners of the built environment have had to deal with a fundamental split between the artificial urban landscape and nature owing to a technological 'gap' that means architects have been unable to make effective use of biological systems in urban environments. This edition of AD that shows for the first time that contemporary architects can create and construct architectures that are bottom up, synthetically biological, green and have no recourse to shallow bio-mimicry. In the next few decades, synthetic biology is set to have as much, if not more, impact on architecture as cyberspace and the digital. The key to these amazing architectural innovations is the Protocell. Contributors include: Rachel Armstrong; Martin Hanczyc; Lee Cronin; Mark Morris Architects include: Neil Spiller; Nic Clear; IwamotoScott; Paul Preissner; Omar Khan;Dan Slavinsky; Philip Beesley; Neri Oxman
Revues
Harry Gruyaert
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London,(...)
Harry Gruyaert
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London, Gruyaert created the striking series by turning the dial on a television set at random and photographing the distorted images he saw there. A later series, , portrays his ambivalent relationship with his homeland in a palette of saturated tones. In his most recent work, he embraces the possibilities of digital photography, taking further creative risks to capture light in new ways. Gruyaert’s images are autonomous, often independent of any context or thematic logic. This volume, the first retrospective of his work, is a superb overview of his personal quest for freedom of expression and the liberation of the senses.
Monographies photo
livres
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446 pages : illustrations (chiefly color), facsimile, maps, plans, portraits ; 21 cm
Berlin : Sternberg Press, [2019], ©2019
Productive universals - specific situations : critical engagements in art, architecture, and urbanism / Anne Kockelkorn, Nina Zschocke (eds.) ; with contributions by Ursula Biemann [and fifteen others].
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446 pages : illustrations (chiefly color), facsimile, maps, plans, portraits ; 21 cm
livres
Berlin : Sternberg Press, [2019], ©2019
périodiques
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1 online resource (volumes)
Tübingen : J.C.B. Mohr, 1818-
périodiques
Tübingen : J.C.B. Mohr, 1818-
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Cities, like the people that live in them, are subject to the attention economy. In ''The city authentic,'' author David A. Banks shows how cities are transforming themselves to appeal to modern desires for authentic urban living through the attention-grabbing tactics of social media influencers and reality-TV stars. Blending insightful analysis with pop culture, this(...)
The city authentic: how the attention economy builds urban America
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Cities, like the people that live in them, are subject to the attention economy. In ''The city authentic,'' author David A. Banks shows how cities are transforming themselves to appeal to modern desires for authentic urban living through the attention-grabbing tactics of social media influencers and reality-TV stars. Blending insightful analysis with pop culture, this engaging study of New York State’s Capital Region is an accessible glimpse into the social phenomena that influence contemporary cities. The rising economic fortunes of cities in the Rust Belt, Banks argues, are due in part to the markers of its previous decay—which translate into signs of urban authenticity on the internet. ''The city authentic'' unpacks the odd connection between digital media and derelict buildings, the consequences of how we think about industry and place, and the political processes that have enabled a new paradigm in urban planning. Mixing urban sociology with media and cultural studies, Banks offers a lively account of how urban life and development are changing in the twenty-first century.
Théorie de l’urbanisme
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Compiled here for the first time, the selected writings of Aria Dean (b. 1993, Los Angeles) mount a trenchant critique of representational systems. A visual artist and filmmaker, Dean has also emerged as one of the leading critical voices of her generation through a body of writing that maps the forces of aesthetic theory, image regimes, and visibility onto questions of(...)
Bad infinity: Selected writings
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Compiled here for the first time, the selected writings of Aria Dean (b. 1993, Los Angeles) mount a trenchant critique of representational systems. A visual artist and filmmaker, Dean has also emerged as one of the leading critical voices of her generation through a body of writing that maps the forces of aesthetic theory, image regimes, and visibility onto questions of race and power. Dean’s work across media has long been defined by what she calls a “fixation on the subject and its borders,” and the texts collected here filter that inquiry through digital networks, art history, and Black radical thought. Equally at home discussing artists who embrace difficulty—from Robert Morris to David Hammons, Lorna Simpson, and Ulysses Jenkins—and conceptual frameworks such as Afropessimism, Dean often contends with how theoretical positions brush against the grain of lived reality: how the Structuralism handed down from the academy, for instance, can be commingled with critiques of structural racism, or how Georges Bataille’s notion of base matter transforms through an encounter with Blackness.
Théorie de l’art
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he link between architecture and art and the sublimity it can create has a history that stretches back millennia. From cave paintings to the stained glass and saintly icons in churches and cathedrals, to the geometric and calligraphic treatments of mosques and contemporary artists channelling architecture and vice versa, and so much else. This AD is about the contemporary(...)
AD Art and architecture: A sublime synthesis
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he link between architecture and art and the sublimity it can create has a history that stretches back millennia. From cave paintings to the stained glass and saintly icons in churches and cathedrals, to the geometric and calligraphic treatments of mosques and contemporary artists channelling architecture and vice versa, and so much else. This AD is about the contemporary interactions between living artists and architects, and the artistic practices, such as poetry and abstractions, that architects adopt to develop ideas for their projects. The issue features artists, architects, curators, musicians, poets and designer craftspeople, illustrating the current rich mix of architectonic constructions, interventions and set pieces that range from musical performance to exhibition designs, glass works and digital 3D scanning. It lays out the wide spectrum and beauty of these sublime correspondences, with contributions from architects about their own artistic practices, and creative works viewed through the eyes of architectural commentators. An explosion of colour, form and creative tactics for making multifaceted work that above all is architectural, it offers a cornucopia of possibilities.
Théorie de l’architecture
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Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political(...)
Sámi media and Indigenous agency in the Arctic North
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Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sámi have used Sámi-language media—including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines—to communicate a sense of identity both within the Sámi community and within broader Nordic and international arenas. In more contemporary contexts, Sámi activists, artists, and cultural workers have used the media to undo layers of ignorance surrounding Sámi livelihoods and rights to self-determination. Downloadable songs, music festivals, films, videos, social media posts, images, and tweets are just some of the diverse media through which Sámi activists transform how Nordic majority populations view and understand Sámi minority communities and, more globally, how modern states regard and treat Indigenous populations.
Social