Making cities smarter
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More than half of the world’s population is now living in cities, and this number is predicted to rise. This means that more people than ever before will share the same urban infrastructure, and city governments around the world are heavily investing in smart city technologies to prepare. At the same time, scholars argue for a movement toward smart citizens and more(...)
Making cities smarter
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More than half of the world’s population is now living in cities, and this number is predicted to rise. This means that more people than ever before will share the same urban infrastructure, and city governments around the world are heavily investing in smart city technologies to prepare. At the same time, scholars argue for a movement toward smart citizens and more participatory approaches to city making. "Making Cities Smarter" focuses on an often-overlooked element of the smart-city discourse the interface between citizens and smart-city applications. This volume translates principles from the field of user experience design to explore city-specific challenges, such as integrating physical and digital experiences. Offering a practical perspective on the concept of the smart city, this volume is the first comprehensive publication to focus on the citizen as the end user of smart-city systems.
Théorie de l’urbanisme
White Review #20
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"The White Review #20" features interviews with the Canadian poet, artist and bookmaker Anne Carson, the French philosopher Jean-Luc Nancy, and artist Mounira Al Solh. Through the testimony of an ex-inmate, Felix Bazalgette considers state systems of control, dehumanisation, and imprisonment without trial, while J. S. Tennant describes life in Havana as Cuba adjusts to(...)
White Review #20
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"The White Review #20" features interviews with the Canadian poet, artist and bookmaker Anne Carson, the French philosopher Jean-Luc Nancy, and artist Mounira Al Solh. Through the testimony of an ex-inmate, Felix Bazalgette considers state systems of control, dehumanisation, and imprisonment without trial, while J. S. Tennant describes life in Havana as Cuba adjusts to the normalisation of relations with the United States, the death of Fidel Castro and the influx of foreign investment. Tom McCarthy’s essay ‘The Wandering Bourgeois’ drifts through the history of twentieth-century art to consider how vanguard strategies of recording, mapping and marking are now embedded in digital culture. Alongside these essays, we are pleased to present poems by Nisha Ramayya and Heather Phillipson, who also contributes an exclusive new limited edition artwork. We also feature series of artworks by Nicolas Party and John Divola.
Revues
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Life in the countryside, often perceived as either idyllic or depleted, has long been misrepresented. Challenging the stereotypes and myths that surround the idea of rurality, "Our Rural Selves" interrogates and represents individual and collective memories of childhood in rural landscapes and small towns. Drawing on visual artifacts whose origins range from the early(...)
Our rural selves: memory and the visual in Canadian childhoods
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Life in the countryside, often perceived as either idyllic or depleted, has long been misrepresented. Challenging the stereotypes and myths that surround the idea of rurality, "Our Rural Selves" interrogates and represents individual and collective memories of childhood in rural landscapes and small towns. Drawing on visual artifacts whose origins range from the early twentieth century to today, such as photographs, films, objects, picture books, and digital games, contributors offer readings of childhood that are geographically, ethnically, and culturally diverse. They examine the memories of Indigenous children, the experiences of back-to-the-land youth, and boom-or-bust childhoods within the petroleum, farming, and fishing industries. Illustrating often neglected and overlooked aspects of adolescence, this collection suggests new ways of studying social connectedness and collective futures. "Our Rural Selves" explores representation, imagination, and what it means to grow up rural in Canada.
Architecture du Canada
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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including(...)
Constructing a new agenda: architectural theory, 1993-2009
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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including the impact of digital technologies on processes of architectural design, production, materiality, and representation; the implications of globalization and networks of information; the growing emphasis on sustainable and green architecture; and the phenomenon of the "starchitect" and iconic architecture—appear against a background colored by architectural theory, as it existed from the 1960s on, in a period of transition (if not crisis) that centers around the perceived abyss between theory and practice. Theory's transitional state persists today, rendering its immediate history particularly relevant to contemporary thought and practice.
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Jack Burnham is one of the few critics and theorists alive today who can claim to have radically altered the way we think about works of art. Burnham’s use of the term “system” (borrowed from theoretical biology) in his 1968 essay “System Aesthetics” announced the relational character of conceptual art and newer research-based projects. Trained as an art historian,(...)
Dissolve into comprenhension: writings and interviews, 1964-2004
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Jack Burnham is one of the few critics and theorists alive today who can claim to have radically altered the way we think about works of art. Burnham’s use of the term “system” (borrowed from theoretical biology) in his 1968 essay “System Aesthetics” announced the relational character of conceptual art and newer research-based projects. Trained as an art historian, Burnham was also a sculptor. His first book, Beyond Modern Sculpture (1968), established him as a leading commentator on art and technology. A postformalist pioneer, an influential figure in new media art history, an early champion of conceptual and ecological art, and the curator of the first exhibition of digital art, Burnham is long overdue for reevaluation. This book offers that opportunity by collecting a substantial and varied selection of his hard-to-find texts, some published here for the first time.
Théorie de l’art
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A lively tour through experimental Chinese photography from the early 1990s to today The past thirty years were dynamic, transformative decades in Chinese photography. Artists exposed to recent work from around the globe experimented with photography in newly conceptual and expressive ways, and their art from this period offers a portrait of a country at a moment of rapid(...)
Photographie- collections
septembre 2023
A window suddenly opens: Contemporary photography in China
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A lively tour through experimental Chinese photography from the early 1990s to today The past thirty years were dynamic, transformative decades in Chinese photography. Artists exposed to recent work from around the globe experimented with photography in newly conceptual and expressive ways, and their art from this period offers a portrait of a country at a moment of rapid urbanization, globalization, and cultural foment. A Window Suddenly Opens reveals the key role that photography has played in questioning and refashioning the aesthetic and social status quo of modern Chinese society for the past three decades. Alongside prescient works by Cao Fei, Lin Tianmiao, Rong Rong, Song Dong, Wang Qingsong, Zhang Huan, Zhang Peili, and many other artists, essays and interviews by scholars and curators explore the history of experimental photography in China and the artistic transformations of the digital age.
Photographie- collections
Log 58
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From building renovations to drawing trees and planting forests; AI and air flow; exhibitions of architecture and architecture for exhibitions, Log 58 brings together articles by 18 authors, both new and established. In this 160-page open issue, Emmett Zeifman codifies “Five Points” in the work of Lacaton & Vassal and Lisa Hsieh finds kawaii qualities in Hideyuki(...)
Log 58
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From building renovations to drawing trees and planting forests; AI and air flow; exhibitions of architecture and architecture for exhibitions, Log 58 brings together articles by 18 authors, both new and established. In this 160-page open issue, Emmett Zeifman codifies “Five Points” in the work of Lacaton & Vassal and Lisa Hsieh finds kawaii qualities in Hideyuki Nakayama’s designs. Harish Krishnamoorthy explores two politicized Hong Kong museums while Cynthia Davidson studies Studio Gang’s addition to the American Museum of Natural History in New York. Mario Carpo considers the generative capacity of precedents in AI; Ian Erickson, the form-finding potential of a digital breeze; and Phillip Denny, the details of a drawing by Michelle JaJa Chang. Shiila Infriccioli recounts the aftermath of a storm in Italy, Waiko Waida storyboards an early modern movement in Japan, and Norihisa Kawashima renovates an office building.
Revues
Militant media: CRA 2
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Since its founding in 2005, the Centre for Research Architecture (CRA) at Goldsmiths, University of London, has brought together a diverse group of architects, artists, urbanists, geographers, lawyers, scientists, journalists and activists to develop research methodologies and investigative techniques to address contemporary spatial politics. Militant Media, the second(...)
Militant media: CRA 2
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Since its founding in 2005, the Centre for Research Architecture (CRA) at Goldsmiths, University of London, has brought together a diverse group of architects, artists, urbanists, geographers, lawyers, scientists, journalists and activists to develop research methodologies and investigative techniques to address contemporary spatial politics. Militant Media, the second volume in CRA’s series of publications, engages with the ethical and political implications of media and technology in relation to contemporary conflicts. In doing so, it also reflects upon the changing role of media in justice and human rights campaigns, examining a range of topics from the use of images in campaigning to the investigative potential of digital materials. In addition to critical and theoretical reflections, Militant Media offers a wide range of practice-based projects that have developed oppositional modes of representation and created new aesthetic strategies and tools.
Théorie/ philosophie
Play pen
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Once dismissed as a cozy world of teddy bears and fairies, the arrival on the scene of numerous highly original, contemporary, and "cool" graphic artists in recent years has transformed perceptions of children's book illustration. Children now grow up with a more informed and sophisticated visual diet—with cartoons, animated movies, comics, TV, and computer(...)
Play pen
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Once dismissed as a cozy world of teddy bears and fairies, the arrival on the scene of numerous highly original, contemporary, and "cool" graphic artists in recent years has transformed perceptions of children's book illustration. Children now grow up with a more informed and sophisticated visual diet—with cartoons, animated movies, comics, TV, and computer games—consuming a vast range of stylistic approaches, and illustrated books have moved to match the demands of a more discerning market. Equally, artists who in the past may not have considered the children's picture book as an appropriate vehicle for artistic expression are increasingly drawn to the area. This book showcases some of the most interesting work emerging within the genre from a range of cultural backgrounds. It examines trends in use of media—both digital and traditional—and discusses the variety of approaches to subject matter.
Illustration
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"UN Studio" is the innovative firm founded by Ben van Berkel and Caroline Bos, two Dutch designers creating some of the most ambitious and celebrated architecture of their generation. Fluidity and flexibility are hallmarks of UN Studio projects, and many of these projects have literally reinvented a number of standard building types, such as power stations, museums,(...)
Architecture, monographies
septembre 2006, New York
Un studio : design models, architecture, urbanism, infrastructure
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"UN Studio" is the innovative firm founded by Ben van Berkel and Caroline Bos, two Dutch designers creating some of the most ambitious and celebrated architecture of their generation. Fluidity and flexibility are hallmarks of UN Studio projects, and many of these projects have literally reinvented a number of standard building types, such as power stations, museums, bridges, transportation hubs, and live-work residences (including one based on a Möbius strip). UN Studio projects fuse a sophisticated understanding of digital design with a formal and material exploration that has ensured that their work reaches far beyond the "supermodernism" associated with other Dutch firms. This book presents the firm's complete body of work, including several major projects in Germany (Mercedes-Benz Museum, Stuttgart), Italy (Pierodi Pier, Genoa harbor), Switzerland (Hotel Castell, Zuoz), Korea (Galleris Hallin, Seoul) and many in the Netherlands.
Architecture, monographies