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Human obsolescence is imminent. The factories of the future will be dark, staffed by armies of tireless robots. The hospitals of the future will have fewer doctors, depending instead on cloud-based AI to diagnose patients and recommend treatments. The homes of the future will anticipate our wants and needs and provide all the entertainment, food, and distraction we could(...)
Automation and utopia: human flourishing in a world without work
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Human obsolescence is imminent. The factories of the future will be dark, staffed by armies of tireless robots. The hospitals of the future will have fewer doctors, depending instead on cloud-based AI to diagnose patients and recommend treatments. The homes of the future will anticipate our wants and needs and provide all the entertainment, food, and distraction we could ever desire. To many, this is a depressing prognosis, an image of civilization replaced by its machines. But what if an automated future is something to be welcomed rather than feared? Work is a source of misery and oppression for most people, so shouldn’t we do what we can to hasten its demise? Automation and Utopia makes the case for a world in which, free from need or want, we can spend our time inventing and playing games and exploring virtual realities that are more deeply engaging and absorbing than any we have experienced before, allowing us to achieve idealized forms of human flourishing. The idea that we should “give up” and retreat to the virtual may seem shocking, even distasteful. But John Danaher urges us to embrace the possibilities of this new existence. The rise of automating technologies presents a utopian moment for humankind, providing both the motive and the means to build a better future.
Théorie de l’architecture
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Nothing is harder to do these days than nothing. But in a world where our value is determined by our 24/7 data productivity, doing nothing may be our most important form of resistance. So argues artist and critic Jenny Odell in this field guide to doing nothing (at least as capitalism defines it). Odell sees our attention as the most precious—and overdrawn—resource we(...)
How to do nothing: resisting the attention economy
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Nothing is harder to do these days than nothing. But in a world where our value is determined by our 24/7 data productivity, doing nothing may be our most important form of resistance. So argues artist and critic Jenny Odell in this field guide to doing nothing (at least as capitalism defines it). Odell sees our attention as the most precious—and overdrawn—resource we have. Once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress. Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, ''How to do nothing'' is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism.
Théorie/ philosophie
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The design of every aspect of the urban landscape -- from streets and sidewalks to green spaces, mass transit, and housing -- fundamentally influences the health and safety of the communities who live there. It can affect people's stress levels and determine whether they walk or drive, the quality of the air they breathe, and how free they are from crime. "Changing(...)
Théorie de l’urbanisme
octobre 2019
Changing places: the science and art of new urban planning
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The design of every aspect of the urban landscape -- from streets and sidewalks to green spaces, mass transit, and housing -- fundamentally influences the health and safety of the communities who live there. It can affect people's stress levels and determine whether they walk or drive, the quality of the air they breathe, and how free they are from crime. "Changing Places" provides a compelling look at the new science and art of urban planning, showing how scientists, planners, and citizens can work together to reshape city life in measurably positive ways.
Théorie de l’urbanisme
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''Southern Exposure: The overlooked architecture of Chicago's South Side'' is the first book devoted to the South Side's rich and unfairly ignored architectural heritage. With lively, insightful text and colour photographs by noted Chicago architecture expert Lee Bey, this book documents the remarkable and largely unsung architecture of the South Side. The book features(...)
Southern exposure: the overlooked architecture of Chicago's South Side
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''Southern Exposure: The overlooked architecture of Chicago's South Side'' is the first book devoted to the South Side's rich and unfairly ignored architectural heritage. With lively, insightful text and colour photographs by noted Chicago architecture expert Lee Bey, this book documents the remarkable and largely unsung architecture of the South Side. The book features an array of landmarks-from a Space Age dry cleaners to a nineteenth-century lagoon that meanders down the middle of a working-class neighborhood street-that are largely absent from arts discourse, in no small part because they sit in a predominantly African American and Latino section of town that's better known as a place of disinvestment, abandonment, and violence.
Théorie de l’urbanisme
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In "Punctuations" Michael J. Shapiro examines how punctuation—conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility—opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to(...)
Punctuations: how the arts think the political
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In "Punctuations" Michael J. Shapiro examines how punctuation—conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility—opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization.
Théorie de l’art
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"I have a weakness for a touch of red" is a selection of essays on the art and architecture of Portugal by Yehuda Safran, who has been a professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and Pratt Institute, as well as the director of Potlach journal. Safran, who has previously written books on Adolf Loos, Mies van der(...)
I have a weakness for a touch of red: essays on architecture and Portugal
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"I have a weakness for a touch of red" is a selection of essays on the art and architecture of Portugal by Yehuda Safran, who has been a professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and Pratt Institute, as well as the director of Potlach journal. Safran, who has previously written books on Adolf Loos, Mies van der Rohe, Anthony Gormley and Anish Kapoor, is not himself Portuguese; he writes here from the perspective of a traveler, enamored with the work of major architects Alvaro Siza and Eduardo Souto de Moura and artist Pedro Cabrita Reis, among others. In an interview with the Portuguese website Virose, Safran said of Siza: “there is always a Portuguese accent to it, but he is really addressing universal architectural issues. The great poet writes normally in his own language."
Théorie de l’architecture
Urban design lab handbook: dialogue oriented urban transformation processes and practical approaches
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After North America, the second-most urbanized region in the world is Latin America and the Caribbean, 78% of whose population lives in cities. The result of five years of recent research by Vienna’s Urban Design Lab, this handbook contextualizes emergent planning issues at hand in the region, where cities are continuing to grow at considerably high rates. Case studies(...)
Urban design lab handbook: dialogue oriented urban transformation processes and practical approaches
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After North America, the second-most urbanized region in the world is Latin America and the Caribbean, 78% of whose population lives in cities. The result of five years of recent research by Vienna’s Urban Design Lab, this handbook contextualizes emergent planning issues at hand in the region, where cities are continuing to grow at considerably high rates. Case studies conducted between 2013 and 2018 in over 20 cities, accompanied by 250 color illustrations, offer a detailed survey of the issues facing Latin American and Caribbean urban planning in the 2010s. Topics covered include social participation in the planning process, the role of culture in urban transformation, “human-scale” city development, and creative reinterpretation of existing municipal structures. Several detailed examinations of specific buildings- including Panamanian and Argentinian railway stations, airports and gardens- present focused and practical accounts of these new urban strategies.
Théorie de l’urbanisme
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"Make City" collects contributions from architects, planners, landscape designers and municipal policymakers on the crises facing contemporary cities, presenting a variety of strategies to reconfigure and reimagine urban life. The intertwined problems of continuous development and rising real estate prices are rendering cities increasingly uninhabitable for many, a(...)
Make city: a compendium of urban alternatives
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"Make City" collects contributions from architects, planners, landscape designers and municipal policymakers on the crises facing contemporary cities, presenting a variety of strategies to reconfigure and reimagine urban life. The intertwined problems of continuous development and rising real estate prices are rendering cities increasingly uninhabitable for many, a situation that will continue to be exacerbated by the mounting pressure of climate change on metropolitan infrastructures. This volume proposes models of localized food production, community-centered planning and sustainable architecture design that renew and optimize existing structures in alternative models of urban economy. Developed in tandem with Berlin’s Make City festival, design proposals are displayed across over 350 colour illustrations and writings from contributors including AFF Architects, Anupama Kundoo, Michel Bouwens/P2P Foundation, Francesca Bria SESC, Tessy Britton, Bureau SLA, Marco Casagrande, Eva de Klerk, De Urbanisten, FAR frohn and Kraftwerk 1.
Théorie de l’urbanisme
City of comings and goings
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"City of Comings and Goings" explores how architectural design and planning play crucial roles in Western European cities marked by migration—such as London, Berlin or Vienna. The book collects essays by local scholars in these cities and presents 100 projects tackling the issue of migration on different scales.
City of comings and goings
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"City of Comings and Goings" explores how architectural design and planning play crucial roles in Western European cities marked by migration—such as London, Berlin or Vienna. The book collects essays by local scholars in these cities and presents 100 projects tackling the issue of migration on different scales.
Théorie de l’urbanisme
Et pourtant elle tourne
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Première édition française d'un manifeste de l'art moderne écrit par l'écrivain, poète et journaliste russe Ilya Ehrenbourg en 1921, caractérisé par le soin apporté à sa mise en page autant que par le regard singulier porté par son auteur sur le cours de l'art de son temps et l'espoir d'une union entre les créateurs du monde entier, livrant une réflexion originale sur les(...)
Et pourtant elle tourne
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Première édition française d'un manifeste de l'art moderne écrit par l'écrivain, poète et journaliste russe Ilya Ehrenbourg en 1921, caractérisé par le soin apporté à sa mise en page autant que par le regard singulier porté par son auteur sur le cours de l'art de son temps et l'espoir d'une union entre les créateurs du monde entier, livrant une réflexion originale sur les rapports entre art et politique.
Théorie de l’art