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Moderating urban density
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The architects Alfredo Brillembourg and Hubert Klumpner, over the last ten years, have developed the Caracas/Venezuela based Urban-Think Tank (UTT) into an international network to face the challenges of uncontrolled urban growth in the dense informal centers of the 21st century Mega-cities. The exhibit will include photos, videos and projects that question the notion(...)
Moderating urban density
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The architects Alfredo Brillembourg and Hubert Klumpner, over the last ten years, have developed the Caracas/Venezuela based Urban-Think Tank (UTT) into an international network to face the challenges of uncontrolled urban growth in the dense informal centers of the 21st century Mega-cities. The exhibit will include photos, videos and projects that question the notion of contemporary architecture and urbanism that pulls together some of the Urban Think Tanks most consistent propositions. UTT has moved to propose design solutions, to make that crucial passage from protest to project in an effort to make a real impact in Caracas and in Europe and North America, presenting the relevance of their ideas for the Stadtwerk in Salzburg and for a Vertical Gym in Spanish Harlem, New York. ‘Moderating Urban Density’ exhibit shows how negotiation and design can work in the interface between the social conflicts and the production of new urban infrastructures, architecture, and sustainable human environments in the so called “barrios” of the informal mega city.
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décembre 2006, Berlin
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Thomas Jefferson, third president of the United States, felt that the founding and design of the University of Virginia in 1819 was his most lasting achievement. Jefferson's Academical Village centers on the Rotunda, the Lawn, and ten neoclassical Pavilions. Today, (...)
avril 1999, New York
University of Virginia : the campus guide
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Thomas Jefferson, third president of the United States, felt that the founding and design of the University of Virginia in 1819 was his most lasting achievement. Jefferson's Academical Village centers on the Rotunda, the Lawn, and ten neoclassical Pavilions. Today, spanning 1,065 acres and the 80 buildings described in this guide, the campus features major architectural works by McKim, Mead & White, Michael Graves, Robert A.M. Stern, Hugh Stubbins, Hartman-Cox, and Tod Williams and Billie Tsien. Historians Richard Guy Wilson and Sara A. Butler take the reader on a tour of the University's heritage and recent works, from Jefferson's highly ordered nineteenth-century village to the suburban postmodern campus of the late twentieth century. Three-dimensional maps locate featured buildings on the campus and six sub-districts: The Lawn; Central Grounds; West Grounds; Health Sciences Center; Rugby Road and Carr's Hill; North Grounds; and Observatory Hill. Archival photographs and drawings recapture fragments of "lost" buildings and recall notable historic moments.
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avril 1999, New York
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Behind the scenes at the world's major art museums, the life of a curator can be thrilling, amusing, disappointing--but never boring. In these fifteen essays we encounter artists falling in and out of love, family tragedies, the creation of the Stanley Cup, the secrets of Tiffany, Antiques Roadshow, a rootless baroness, the design craze for aluminum, small Japanese(...)
Talking to a portrait: tales from an art curator
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Behind the scenes at the world's major art museums, the life of a curator can be thrilling, amusing, disappointing--but never boring. In these fifteen essays we encounter artists falling in and out of love, family tragedies, the creation of the Stanley Cup, the secrets of Tiffany, Antiques Roadshow, a rootless baroness, the design craze for aluminum, small Japanese boxes called kogos, watercolour sketchbooks of the Canadian north, a beautiful prayer room in Montreal, gondolas flying through windows in Venice, and Moscovites who love Goldfinger. Pepall's stories sparkle with clarity and leave one with a sense that art is an amazing, worthwhile, occasionally mysterious human activity. Archival black and white photographs and colour plates--including Edwin Holgate's Ludivine, one of the most beloved and recognizable Canadian portraits ever painted--make this book a must-have for art lovers, students, academics, museum-goers and readers interested in the role art plays in the creation of our lives.
Littérature et poésie
Modern theatres 1950-2020
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"Modern theatres 1950–2020" is an investigation of theatres, concert halls and opera houses in Asia, Europe, the Middle East and North and South America. The book explores in detail 30 of the most significant theatres, concert halls, opera houses and dance spaces that opened between 1950 and 2010. Each theatre is reviewed and assessed by experts in theatre buildings, such(...)
Modern theatres 1950-2020
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"Modern theatres 1950–2020" is an investigation of theatres, concert halls and opera houses in Asia, Europe, the Middle East and North and South America. The book explores in detail 30 of the most significant theatres, concert halls, opera houses and dance spaces that opened between 1950 and 2010. Each theatre is reviewed and assessed by experts in theatre buildings, such as architects, acousticians, consultants and theatre practitioners, and illustrated with full-colour photographs and comparative plans and sections. A further 20 theatres that opened from 2009 to 2020 are concisely reviewed and illustrated. An excellent resource for students of theatre planning, theatre architecture and architectural design, "Modern theatres 1950 – 2020" discusses the role of performing arts buildings in cities, explores their public and performances spaces and examines the acoustics and technologies needed in a great building. This illustrated book is also a must-read for architects, theater designers, theatre historians, and theatre practitioners.
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A glimpse into the genesis of Harun Farocki’s film Images of the World and the Inscription of War (1988), which evolved from the unrealized project ''On the history of labor'' between 1985 and 1988. The booklet contains the project draft that Farocki wrote to apply for funding in the spring of 1986, a letter to Radio Free Berlin (SFB) editors Jürgen Tomm and Bernd(...)
HaFI 013 - Harun Farocki: On the history of labor
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A glimpse into the genesis of Harun Farocki’s film Images of the World and the Inscription of War (1988), which evolved from the unrealized project ''On the history of labor'' between 1985 and 1988. The booklet contains the project draft that Farocki wrote to apply for funding in the spring of 1986, a letter to Radio Free Berlin (SFB) editors Jürgen Tomm and Bernd Schauer, a list of research locations, a short report to ''Filmbüro NRW'' (Film office North Rhine-Westphalia), a newspaper article by Farocki on the ''Technology of vision'', and a research bibliography that Farocki drew on during this period. A commentary by Volker Pantenburg outlines how ''On the history of labor'' evolved into ''Images / History'', then Images-War (1987) and finally Images of the World. Stills from Images of the World and from unused footage make palpable how the focus of the project shifted and how, in the process, the 1944 aerial photographs of Auschwitz-Birkenau taken by the Allies increasingly attracted Farocki’s attention.
Social
Public 62
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Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more(...)
Public 62
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Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more than ever before in history. Emerging designations for gender are more often embedded within a more inclusive, albeit challenging and complex web of shifting societal values around identity. To further capture this pivotal and seismic shift in the history of the human identity spectrum, guest editor Wayne Baerwaldt has invited lens-based visual artists and writers to reflect on their creative subject matter and their gender identity in any way they felt comfortable-through still and moving images, narrative text, collage, Instagram sites, audio, poetry, and so on. Each contributor was asked to examine the impact of their own evolving gender identity on their creative lens-based work.
Revues
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists(...)
mars 2010
In numbers : serial publications by artists since 1955
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists have seized on magazine and postcard formats as forms in themselves. These are not publications that print criticism, manifestos or reproductions of artworks; rather, they are themselves artworks, in large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. Dating from 1955 to the present, "In Numbers" begins with Wallace Berman's Semina and continues through Joe Brainard's C Comics, Situationist Times, Eleanor Antin's 100 Boots, Ian Hamilton Finlay's Poor.Old.Tired.Horse, Fluxus, amid contemporary examples such as North Drive Press, LTTR and Continuous Project.
Denis Wood: Everything sings
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With artful wit and rigor, cartographer Denis Wood has written numerous books (including the influential bestseller The Power of Maps) that reorient his readers not only to our neighborhoods, homes and bodies, but also to our own very human instinct to understand where we live by mapmaking. At the heart of Wood's investigations is a near-legendary endeavor: the Boylan(...)
Denis Wood: Everything sings
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With artful wit and rigor, cartographer Denis Wood has written numerous books (including the influential bestseller The Power of Maps) that reorient his readers not only to our neighborhoods, homes and bodies, but also to our own very human instinct to understand where we live by mapmaking. At the heart of Wood's investigations is a near-legendary endeavor: the Boylan Heights maps, begun in 1982, and now published in Everything Sings. Surveying his century-old, half-square mile neighborhood Boylan Heights in Raleigh, North Carolina, Wood began by paring away the inessential "map crap" (scale, orientation, street grids) and, in searching for the revelatory in the unmapped and the unmappable, he ended up plotting such phenomena as radio waves permeating the air, the light cast by street lights and Halloween pumpkins on porches. Wood's maps accumulate into a multi-layered story about one neighborhood that tells the larger story of what constitutes the places we call home. With an introduction by Ira Glass.
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This publication considers the architecture, landscape, and town plans of thirty-one counties west of Blue Mountain and north to Lake Erie, including cities and communities big and small. The first comprehensive look at the built environment in this large and varied territory, the volume spans the years from the late eighteenth century through to the first decade of the(...)
avril 2011
Buildings of Pennsylvania: Pittsburgh and western Pennsylvania
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This publication considers the architecture, landscape, and town plans of thirty-one counties west of Blue Mountain and north to Lake Erie, including cities and communities big and small. The first comprehensive look at the built environment in this large and varied territory, the volume spans the years from the late eighteenth century through to the first decade of the new millennium and reveals a range of architectural surprises. The authors discuss exemplary and everyday buildings and places — Harmonist villages, Carnegie libraries, river communities, amusement parks, farms and barns, the crossroads of Breezewood, and Frank Lloyd Wright's Fallingwater among them — and canvass the scores of bridges, railroads, and inclines that cross the region's rivers, hills, and mountains. Descriptions of close to 150 of the commonwealth's small settlements, from coal patches to pike towns, capture the intense dialogue between industry and agriculture that typifies western Pennsylvania. Close to 400 illustrations, including photographs, maps, and drawings, bring the nearly 800 entries to life.
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Vancouver photographer and video artist Stan Douglas (born 1960) has been celebrated since the late 1980s for his politically freighted retrievals of obsolete technologies and failed utopias. The emphatically narrative character of his films and photographs has made for comparisons with his Vancouver contemporary Jeff Wall, but Douglas also laces his work with a literary(...)
Stan Douglas: midcentury studio
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Vancouver photographer and video artist Stan Douglas (born 1960) has been celebrated since the late 1980s for his politically freighted retrievals of obsolete technologies and failed utopias. The emphatically narrative character of his films and photographs has made for comparisons with his Vancouver contemporary Jeff Wall, but Douglas also laces his work with a literary engagement, in references to works by Proust, Beckett and other writers. This publication sees Douglas pursue a new direction. It chronicles the burgeoning discipline of press photography in North America during the postwar period, for which Douglas assumes the role of a fictional photographer, creating a series of images hypothetically produced between 1945-1951. Douglas constructed a “mid-century studio” using authentic equipment as well as actors to produce carefully staged, black-and-white photographs that painstakingly emulate the period's obsession with crime scenes, dance, gambling and technology. This volume juxtaposes actual photographs from the era with Douglas' photo-fictions.
Monographies photo