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Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias(...)
Fair America: world's fairs in the United States
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Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias of civilization,” the expositions impressed tens of millions of fairgoers with model environments and utopian visions. Setting more than 30 world’s fairs from 1853 to 1984 in their historical context, the authors show that the expositions reflected and influenced not only the ideals but also the cultural tensions of their times. As mainstays rather than mere ornaments of American life, world’s fairs created national support for such issues as the social reunification of North and South after the Civil War, U.S. imperial expansion at the turn of the 20th-century, consumer optimism during the Great Depression, and the essential unity of humankind in a nuclear age.
livres
The spaces between buildings
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Ford begins by looking at the growth of four urban places, each representing a historical era as much as a geographic location: the Islamic medina; the city shaped by the Spanish renaissance; the nineteenth-century North American city; and the twentieth-century American city. His first(...)
The spaces between buildings
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Ford begins by looking at the growth of four urban places, each representing a historical era as much as a geographic location: the Islamic medina; the city shaped by the Spanish renaissance; the nineteenth-century North American city; and the twentieth-century American city. His first essay also discusses the evolution of the free-standing structure as a basic urban building type and the problems encountered in beautifying the often work-a-day back and side yards that have helped to create the image of the untidy American city. The second essay examines the urban trend toward viewing lawns, gardens, hedges, and trees as an essential adjunct to architecture. The final essay focuses on pedestrian and vehicular spaces. Here the author includes the landscape of the garage, sidewalks, streets, and alleys. In its exploration of how spaces become places, "The Spaces between Buildings" invites readers to see anew the spaces they encounter every day and often take for granted.
livres
août 2000, Baltimore
Théorie de l’architecture
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This text forms a critical appraisal of the place and direction of architecture and urban design in a new world order at the start of the 21st century. It defines architectural and environmental goals for the New Age by analysing recent contemporary work for its responsiveness to important social and environmental issues and comparing it to successful precedents in(...)
Architecture and the urban environment : a vision for the new age
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This text forms a critical appraisal of the place and direction of architecture and urban design in a new world order at the start of the 21st century. It defines architectural and environmental goals for the New Age by analysing recent contemporary work for its responsiveness to important social and environmental issues and comparing it to successful precedents in architecture. It argues that this new sustainable approach to architecture should be recognised as a new development of mainstream architectural history. Environmental economics is presented as a potential bridge over the divide between the expectations of the business sector and the concerns of environmental lobbies. Through examples and case studies, an accessible analysis of carefully researched data, drawn from primary sources over four continents, allows the author to outline the current urgency for architects and urban designers to respond with real commitment to current and future changing contexts. International case studies from Europe, North America, the developing world including South Africa, South America and Central Asia are included.
Théorie de l’urbanisme
Off the radar
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Architectural design is not limited by geographical, economic or political boundaries. However, the majority of the architecture brought to the world's attention tends to be concentrated in a few countries and located in the wealthier nations of Europe and North America. This "Architectural Design" title seeks to present recent architecture that is situated beyond these(...)
Off the radar
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Architectural design is not limited by geographical, economic or political boundaries. However, the majority of the architecture brought to the world's attention tends to be concentrated in a few countries and located in the wealthier nations of Europe and North America. This "Architectural Design" title seeks to present recent architecture that is situated beyond these familiar boundaries and outside the customary centres of architectural debate. It focuses on architecture that positively benefits from being at the periphery. By presenting work from countries as diverse as Iceland, Guinea, Canada, Portugal, Chile, New Zealand and India, it highlights buildings designed to respond to climatic extremes, remote sites and a broad range of social settings. It also identifies architects who are exploring the potential of materials and limited resources. This work has not only been sought out for attention, but is documented and connected through interviews with selected architects and international contributors who are designing, researching and building at the edge.
Architecture du Canada
livres
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Thomas Jefferson, third president of the United States, felt that the founding and design of the University of Virginia in 1819 was his most lasting achievement. Jefferson's Academical Village centers on the Rotunda, the Lawn, and ten neoclassical Pavilions. Today, (...)
avril 1999, New York
University of Virginia : the campus guide
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Thomas Jefferson, third president of the United States, felt that the founding and design of the University of Virginia in 1819 was his most lasting achievement. Jefferson's Academical Village centers on the Rotunda, the Lawn, and ten neoclassical Pavilions. Today, spanning 1,065 acres and the 80 buildings described in this guide, the campus features major architectural works by McKim, Mead & White, Michael Graves, Robert A.M. Stern, Hugh Stubbins, Hartman-Cox, and Tod Williams and Billie Tsien. Historians Richard Guy Wilson and Sara A. Butler take the reader on a tour of the University's heritage and recent works, from Jefferson's highly ordered nineteenth-century village to the suburban postmodern campus of the late twentieth century. Three-dimensional maps locate featured buildings on the campus and six sub-districts: The Lawn; Central Grounds; West Grounds; Health Sciences Center; Rugby Road and Carr's Hill; North Grounds; and Observatory Hill. Archival photographs and drawings recapture fragments of "lost" buildings and recall notable historic moments.
livres
avril 1999, New York
Public 62
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Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more(...)
Public 62
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Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more than ever before in history. Emerging designations for gender are more often embedded within a more inclusive, albeit challenging and complex web of shifting societal values around identity. To further capture this pivotal and seismic shift in the history of the human identity spectrum, guest editor Wayne Baerwaldt has invited lens-based visual artists and writers to reflect on their creative subject matter and their gender identity in any way they felt comfortable-through still and moving images, narrative text, collage, Instagram sites, audio, poetry, and so on. Each contributor was asked to examine the impact of their own evolving gender identity on their creative lens-based work.
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Denis Wood: Everything sings
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With artful wit and rigor, cartographer Denis Wood has written numerous books (including the influential bestseller The Power of Maps) that reorient his readers not only to our neighborhoods, homes and bodies, but also to our own very human instinct to understand where we live by mapmaking. At the heart of Wood's investigations is a near-legendary endeavor: the Boylan(...)
Denis Wood: Everything sings
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With artful wit and rigor, cartographer Denis Wood has written numerous books (including the influential bestseller The Power of Maps) that reorient his readers not only to our neighborhoods, homes and bodies, but also to our own very human instinct to understand where we live by mapmaking. At the heart of Wood's investigations is a near-legendary endeavor: the Boylan Heights maps, begun in 1982, and now published in Everything Sings. Surveying his century-old, half-square mile neighborhood Boylan Heights in Raleigh, North Carolina, Wood began by paring away the inessential "map crap" (scale, orientation, street grids) and, in searching for the revelatory in the unmapped and the unmappable, he ended up plotting such phenomena as radio waves permeating the air, the light cast by street lights and Halloween pumpkins on porches. Wood's maps accumulate into a multi-layered story about one neighborhood that tells the larger story of what constitutes the places we call home. With an introduction by Ira Glass.
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This publication considers the architecture, landscape, and town plans of thirty-one counties west of Blue Mountain and north to Lake Erie, including cities and communities big and small. The first comprehensive look at the built environment in this large and varied territory, the volume spans the years from the late eighteenth century through to the first decade of the(...)
avril 2011
Buildings of Pennsylvania: Pittsburgh and western Pennsylvania
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This publication considers the architecture, landscape, and town plans of thirty-one counties west of Blue Mountain and north to Lake Erie, including cities and communities big and small. The first comprehensive look at the built environment in this large and varied territory, the volume spans the years from the late eighteenth century through to the first decade of the new millennium and reveals a range of architectural surprises. The authors discuss exemplary and everyday buildings and places — Harmonist villages, Carnegie libraries, river communities, amusement parks, farms and barns, the crossroads of Breezewood, and Frank Lloyd Wright's Fallingwater among them — and canvass the scores of bridges, railroads, and inclines that cross the region's rivers, hills, and mountains. Descriptions of close to 150 of the commonwealth's small settlements, from coal patches to pike towns, capture the intense dialogue between industry and agriculture that typifies western Pennsylvania. Close to 400 illustrations, including photographs, maps, and drawings, bring the nearly 800 entries to life.
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Vancouver photographer and video artist Stan Douglas (born 1960) has been celebrated since the late 1980s for his politically freighted retrievals of obsolete technologies and failed utopias. The emphatically narrative character of his films and photographs has made for comparisons with his Vancouver contemporary Jeff Wall, but Douglas also laces his work with a literary(...)
Stan Douglas: midcentury studio
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Vancouver photographer and video artist Stan Douglas (born 1960) has been celebrated since the late 1980s for his politically freighted retrievals of obsolete technologies and failed utopias. The emphatically narrative character of his films and photographs has made for comparisons with his Vancouver contemporary Jeff Wall, but Douglas also laces his work with a literary engagement, in references to works by Proust, Beckett and other writers. This publication sees Douglas pursue a new direction. It chronicles the burgeoning discipline of press photography in North America during the postwar period, for which Douglas assumes the role of a fictional photographer, creating a series of images hypothetically produced between 1945-1951. Douglas constructed a “mid-century studio” using authentic equipment as well as actors to produce carefully staged, black-and-white photographs that painstakingly emulate the period's obsession with crime scenes, dance, gambling and technology. This volume juxtaposes actual photographs from the era with Douglas' photo-fictions.
Monographies photo
Dan Graham's New Jersey
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Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its(...)
Dan Graham's New Jersey
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Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its surfaces in the context of postmodern everyday culture represents an extremely important facet of his work. This publication presents new photographs by Dan Graham together with original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, as they were taken in the same locations, the same deserts of suburban streets and housing that Graham photographed in the sixties. Creating a fascinating, multilayered reference system of repetitions and differences, both spatially as well as temporally, it raises questions about architecture and public space and their function in society.
Monographies photo