Water house
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This exploration of built and yet-to-be-realized aquatic habitats shows how water has become architecture's next frontier. Whether they're floating on top, hovering over, or submerged beneath the water, each of the more than fifty structures examined here demonstrates an innovative use of water resources. Colourfully illustrated with photographs, drawings, and plans, this(...)
Architecture miniature
mai 2005, Munich
Water house
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This exploration of built and yet-to-be-realized aquatic habitats shows how water has become architecture's next frontier. Whether they're floating on top, hovering over, or submerged beneath the water, each of the more than fifty structures examined here demonstrates an innovative use of water resources. Colourfully illustrated with photographs, drawings, and plans, this global and historic sampling includes Shanghai's Bionic Tower, complete with its own lake; Biorock, an artificial reef in the Indian Ocean; an undersea hotel where scuba divers can spend a comfortable night; and Sweden's Ice Hotel, where translucent frozen walls reveal the beauty of the Northern Lights. Each of these projects demonstrates man's ability to live in the water without interfering with nature's rhythms. Together they offer reassuring proof that today's architects are finding workable and appealing solutions to the problems of shrinking resources and growing populations. Each of these projects demonstrates man's ability to live in the water without interfering with nature's rhythms. Together they offer reassuring proof that today's architects are finding workable and appealing solutions to the problems of shrinking resources and growing populations.
Architecture miniature
livres
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Located at Kop van Zuid in Rotterdam, the new Ichthus University of Professional Education is clearly inspired by the architecture of the surrounding docklands. Designed by (EEA) Erick van Egeraat associated architects, it is a supremely transparent building of glass and steel. Nor is it only the building's(...)
Ichthus University of Professional Education Rotterdam
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Located at Kop van Zuid in Rotterdam, the new Ichthus University of Professional Education is clearly inspired by the architecture of the surrounding docklands. Designed by (EEA) Erick van Egeraat associated architects, it is a supremely transparent building of glass and steel. Nor is it only the building's transparency that is extraordinary. Behind the energy-efficient glazing resides a unique construction that includes an atrium, a 'learning platform', suspended 'studyscapes' and freely subdivisible floors. The building is therefore representative not only of the architect's qualities but equally of the client's vision of an open and flexible setting for higher education. Photography by Daria Scagliola, Stijn Brakkee Design by Reynoud Homan and Robbert Zweegman
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janvier 1900, Rotterdam
Architecture, monographies
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This publication attempts to critically present and interpret the urbanisation processes of the contemporary Greek city-- a product of post-War modernisation-- through five fields/constituent conditions: poly-katoikia, poli(s)-katoikia, form-less, border-less, place-less. These are conditions of indeterminacy that seem to establish the difference and, simultaneously, the(...)
janvier 1900, Athens
The contemporary (Greek) city
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This publication attempts to critically present and interpret the urbanisation processes of the contemporary Greek city-- a product of post-War modernisation-- through five fields/constituent conditions: poly-katoikia, poli(s)-katoikia, form-less, border-less, place-less. These are conditions of indeterminacy that seem to establish the difference and, simultaneously, the challenge within the new metropolitan landscape. Bilingual publication: Greek-English.
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janvier 1900, Athens
livres
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Otto Treumann (1919-2001) is regarded as a major pioneer in the modernization of graphic design in the Netherlands. Premised on Swiss typography and the Bauhaus, Treumann's oeuvre is distinguished by an easy-to-read combination of visual elements and an iconoclastic treatment of colour. These benefit from his(...)
Otto Treumann : graphic design in the Netherlands
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Otto Treumann (1919-2001) is regarded as a major pioneer in the modernization of graphic design in the Netherlands. Premised on Swiss typography and the Bauhaus, Treumann's oeuvre is distinguished by an easy-to-read combination of visual elements and an iconoclastic treatment of colour. These benefit from his wide knowledge of printing techniques acquired during the Second World War when he forged documents for the resistance. He enjoyed a special relationship with industrial clients, invariably achieving top quality and innovation in the arena where economics meets culture. His work has proved eminently suitable for house styles and logos, including those for Wolters Noordhoff the publishers, the Kröller-Müller Museum, the Royal Institute of Dutch Architects and El Al Airlines. He also designed posters for the Industries Fair in Utrecht, the Rotterdam Ahoy' and Tattoo in Delft. The book is designed by Irma Boom.
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juin 2001, Rotterdam
livres
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The spectacularly successful transformation of Times Square has become a model for other cities. From its beginning as Longacre Square, Times Square’s commercialism, signage, cultural diversity, and social tolerance have been deeply embedded in New York City’s psyche. Its symbolic role guaranteed that any plan for its renewal would push the hot buttons of public(...)
Times Square Roulette : remaking the city icon
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The spectacularly successful transformation of Times Square has become a model for other cities. From its beginning as Longacre Square, Times Square’s commercialism, signage, cultural diversity, and social tolerance have been deeply embedded in New York City’s psyche. Its symbolic role guaranteed that any plan for its renewal would push the hot buttons of public controversy: free speech, property-taking through eminent domain, development density, tax subsidy, and historic preservation. In "Times Square Roulette", Lynne Sagalyn debunks the myth of an overnight urban miracle performed by Disney and Mayor Giuliani, to tell the far more complex and commanding tale of a twenty-year process of public controversy, nonstop litigation, and interminable delay. She tells how the troubled execution of the original redevelopment plan provided a rare opportunity to rescript it. And timing was all: the mid-1990s saw rising international corporate interest in the city as a mecca for mass-market entertainment and synergistic merchandising. Sagalyn details the complex relationship between planning and politics and the role of market forces in shaping Times Square’s redevelopment opportunities. She shows how policy was wedded to deal making and how persistent individuals and groups forged both.
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octobre 2001, Cambridge, Mass.
Théorie de l’urbanisme
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First built in Europe and grandly imported to the United States in the mid-nineteenth century, the classic multiway boulevard has been in decline for many years, victim of a narrowly focused approach to street design that views unencumbered vehicular traffic flow as the highest priority. The American preoccupation with destination and speed has made multiway boulevards(...)
Théorie de l’urbanisme
octobre 2001, Cambridge, Mass.
The boulevard book : history, evolution, design of multiway boulevards
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First built in Europe and grandly imported to the United States in the mid-nineteenth century, the classic multiway boulevard has been in decline for many years, victim of a narrowly focused approach to street design that views unencumbered vehicular traffic flow as the highest priority. The American preoccupation with destination and speed has made multiway boulevards increasingly rare as artifacts of the urban landscape. This book reintroduces the boulevard, tree-lined and with separate realms for through traffic and for slow-paced vehicular-pedestrian movement, as an important and often crucial feature of both historic and contemporary cities. It presents more than fifty boulevards—-as varied as Avenue Montaigne, in Paris; C. G. Road, in Ahmedabad, India; and The Esplanade, in Chico, California--celebrating their usefulness and beauty. It discusses their history and evolution, the misconceptions that led to their near-demise in the United States, and their potential as a modern street type. Based on wide research, "The Boulevard Book" examines the safety of these streets and offers design guidelines for professionals, scholars, and community decision makers. Extensive plans, cross sections, and perspective drawings permit visual comparisons. The book shows how multiway boulevards respond to many issues that are central to urban life, including livability, mobility, safety, interest, economic opportunity, mass transit, and open space.
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octobre 2001, Cambridge, Mass.
Théorie de l’urbanisme
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Reyner Banham (1922-88) was one of the most influential writers on architecture, design, and popular culture from the mid-1950s to the late 1980s. Trained in mechanical engineering and art history, he was convinced that technology was making society not only more exciting but more democratic. His combination of academic rigor and pop culture sensibility put him in(...)
Reyner Banham : historian of the immediate future
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Reyner Banham (1922-88) was one of the most influential writers on architecture, design, and popular culture from the mid-1950s to the late 1980s. Trained in mechanical engineering and art history, he was convinced that technology was making society not only more exciting but more democratic. His combination of academic rigor and pop culture sensibility put him in opposition to both traditionalists and orthodox Modernists, but placed him in a unique position to understand the cultural, social, and political implications of the visual arts in the postwar period. His first book, "Theory and Design in the First Machine Age", was central to the overhaul of Modernism, and it gave Futurism and Expressionism credibility amid the dynamism and change of the 1960s. This intellectual biography is the first comprehensive critical examination of Banham’s theories and ideas, not only on architecture but also on the wide variety of subjects that interested him. It covers the full range of his oeuvre and discusses the values, enthusiasms, and influences that formed his thinking.
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octobre 2001, Cambridge, MA
Théorie de l’architecture
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The gray cloth
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The German expressionist, architectural visionary, author, inventor, and artist Paul Scheerbart (1863-1915) wrote several fictional utopian narratives related to glass architecture. In "The Gray Cloth", the first of his novels to be translated into English, Scheerbart uses subtle irony and the structural simplicity of a fairy tale to present the theories of coloured glass(...)
Théorie de l’architecture
octobre 2001, Cambridge, Mass.
The gray cloth
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The German expressionist, architectural visionary, author, inventor, and artist Paul Scheerbart (1863-1915) wrote several fictional utopian narratives related to glass architecture. In "The Gray Cloth", the first of his novels to be translated into English, Scheerbart uses subtle irony and the structural simplicity of a fairy tale to present the theories of coloured glass outlined in his well-known treatise "Glass Architecture". The novel is set forward in time to the mid-twentieth century. The protagonist, a Swiss architect named Edgar Krug, circumnavigates the globe by airship with his wife, constructing wildly varied, colored-glass buildings. His projects include a high-rise and exhibition/concert hall in Chicago, a retirement complex for air pilots on the Fiji Islands, the structure for an elevated train across a zoological park in northern India, and a suspended residential villa on the Kuria Muria Islands off the coast of Oman in the Arabian Sea. Fearing that his architecture is challenged by the colourfulness of women’s clothing, Krug insists that his wife wear all gray clothing with the addition of ten percent white. This odd demand brings him notoriety and sensationalizes his international building campaign. For the reader, it underlines the confluence of architecture with fashion, gender, and global media. In his introduction John Stuart surveys Scheerbart’s career and role in German avant-garde circles, as well as his architectural and social ideas. He shows how Scheerbart strove to integrate his spiritual and romantic leanings with the modern world, often relying on glass architecture to do so. In addition to discussing the novel’s reception and its rediscovery by contemporary architects and critics, Stuart shows fiction to be a resource for the study of architecture and places "The Gray Cloth" in the context of German Expressionism.
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octobre 2001, Cambridge, Mass.
Théorie de l’architecture
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Since Greek antiquity the human body has been regarded as a microcosm of universal harmony. In this book an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body’s physical,(...)
Théorie de l’architecture
novembre 2001, Cambridge, Mass.
Body and building : essays on the changing relation of body and architecture
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Since Greek antiquity the human body has been regarded as a microcosm of universal harmony. In this book an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body’s physical, psychological, and spiritual needs and pleasures. Topics include Greek temples; the churches of Tadao Ando in Japan; Renaissance fortresses and paintings; the body, space, and dwelling in Wright’s and Schindler’s houses in North America; the corporeal dimension of Carlo Scarpa’s landscapes and gardens; theory from Vitruvius to the Renaissance and Enlightenment; and Freudian psychoanalysis. The essays are framed by an appreciation of architectural historian and theorist Joseph Rykwert’s influential work on the subject. Written for a symposium in honour of Joseph Rykwert held in March 1996 at the University of Pennsylvania.
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novembre 2001, Cambridge, Mass.
Théorie de l’architecture
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Invention of art
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In The Invention of Art, Larry Shiner argues that the category of fine art is a modern invention, and that the line drawn between art and craft resulted from key social transformations in Europe during the eighteenth century. He looks at works by Hogarth, Rousseau, Woolstonecraft, Emerson, Marx, Dewey and Benjamin to show how the modern system maintains its dominance(...)
Invention of art
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In The Invention of Art, Larry Shiner argues that the category of fine art is a modern invention, and that the line drawn between art and craft resulted from key social transformations in Europe during the eighteenth century. He looks at works by Hogarth, Rousseau, Woolstonecraft, Emerson, Marx, Dewey and Benjamin to show how the modern system maintains its dominance through the assimilation of artists and musicians who resist it, and the distinctions it draws between artists and artisans, and high art and the crafts.
livres
septembre 2001, Chicago
Théorie de l’art