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Rubbing two sticks together produces heat and light while one stick alone is just a stick. It is the friction that produces movement, action, and effect. Anthropologist Anna Lowenhaupt Tsing challenges the widespread view that globalization invariably signifies a clash of cultures, developing friction as a metaphor for the diverse and conflicting social interactions that(...)
Friction: an ethnography of global connection
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Rubbing two sticks together produces heat and light while one stick alone is just a stick. It is the friction that produces movement, action, and effect. Anthropologist Anna Lowenhaupt Tsing challenges the widespread view that globalization invariably signifies a clash of cultures, developing friction as a metaphor for the diverse and conflicting social interactions that make up our contemporary world. Tsing focuses on the rainforests of Indonesia, where in the 1980s and 1990s capitalist interests increasingly reshaped the landscape not so much through corporate design as through awkward chains of legal and illegal entrepreneurs that wrested the land from previous claimants, creating resources for distant markets. In response, environmental movements arose to defend the rainforests and the communities of people who live in them. Not confined to a village, province, or nation, the social drama of the Indonesian rainforests includes local and national environmentalists, international science, North American investors, advocates for Brazilian rubber tappers, United Nations funding agencies, mountaineers, village elders, and urban students—all drawn into unpredictable, messy misunderstandings, but misunderstandings that sometimes work out.
Théorie/ philosophie
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In a world of disruptions and seemingly endless complexity, cities have become central to thinking about the future of humanity. Yet the study of cities is fragmented among different silos of expertise, diverse genres of scholarship, and widening chasms between theory and practice. How can we do better? ''Cities Rethought'' suggests that we need to remake the way we see(...)
Théorie de l’urbanisme
janvier 2025
Cities rethought: A new urban disposition
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In a world of disruptions and seemingly endless complexity, cities have become central to thinking about the future of humanity. Yet the study of cities is fragmented among different silos of expertise, diverse genres of scholarship, and widening chasms between theory and practice. How can we do better? ''Cities Rethought'' suggests that we need to remake the way we see and know cities in order to rethink how we act and intervene within them. To this end, it offers the contours of a new urban disposition. Its normative, analytical, and operational elements offer an opportunity for scholars, practitioners, and citizens alike to approach the complexity of cities anew. Written collectively for a wide audience, the text draws from cities across the global north and south, speaks across diverse genres of ideas, and reflects on the lived experience of the authors as both researchers and practitioners. It is an essential text for anyone committed to knowing their own cities as well as finding ways to meaningfully intervene in them.
Théorie de l’urbanisme
livres
The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once(...)
The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once immensely reflective, both in its reference to history and to social or political situations of the present, and aware of its place within art history. In "The Art of Rachel Whiteread" a group of leading critics from museums and universities in Europe and North America examine the full range of Whiteread’s work, from the early domestic pieces of the late 1980s, through to her most recent public art projects such as "Monument" and "Room 101". These essays examine both the art historical legacy of post-minimalism within which Whiteread works and the historical commentaries that her site specific projects engender, and they suggest new critical approaches to what is likely to be one of the most enduring artistic projects of our time.
livres
novembre 2004, London
Communist posters
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One of the common features of communist regimes is the use of art for revolutionary means. Posters in particular have served as beacons of propaganda – vehicles of coercion, instruction, censure and debate – in every communist nation. They have promoted the authority of state and revolution, but have also been used as an effective means of protest. By their nature posters(...)
Communist posters
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One of the common features of communist regimes is the use of art for revolutionary means. Posters in particular have served as beacons of propaganda – vehicles of coercion, instruction, censure and debate – in every communist nation. They have promoted the authority of state and revolution, but have also been used as an effective means of protest. By their nature posters are ephemeral, tied to time and place, but many have had far-reaching, long-lasting impact. They are imbued with both artistic integrity and personal conviction – Bolshevik posters, for example, are among the most vibrant, passionate graphics in art history. This is the first truly global survey of the history and variety of communist poster art. Each chapter is written by an expert in the field, and examines a different region of the world: Russia, China, Mongolia, Eastern Europe, North Korea, Vietnam and Cuba. This beautifully illustrated, comprehensive survey examines the broad range of political and visual cultures of communist posters, and will appeal to a wide audience interested in art, history and politics.
Arts graphiques imprimés
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Mali, in North Africa, is home to the largest building made out of clay; the structure only took one year to complete. For the construction of Neuschwanstein Castle, 465 tons of marble were hefted to the Alps to the building site. The Atomium in Brussels boasts the longest escalators in Europe. The largest mosque in the world is as big as 56 football fields. "The(...)
The illustrated atlas of architecture and marvelous monuments
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Mali, in North Africa, is home to the largest building made out of clay; the structure only took one year to complete. For the construction of Neuschwanstein Castle, 465 tons of marble were hefted to the Alps to the building site. The Atomium in Brussels boasts the longest escalators in Europe. The largest mosque in the world is as big as 56 football fields. "The illustrated atlas of architecture and marvelous monuments" presents a world of breathtaking buildings and their incredible stories through illustrated maps and engaging factsheets. Sarah Tavernier and Alexandre Verhille have already deftly shown with "Legendary routes of the world" that they are experts in showcasing the biggest and the best. Now, for "The illustrated atlas of architecture and marvelous monuments", they researched the longest bridges, tallest towers, the most impressive cultural sites, and plenty of curiosities. Exciting facts are woven together with a myriad of architectural styles; the material feats are skillfully and artfully placed upon bold maps, situating the constructions within a geographic context.
Littérature jeunesse
livres
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For most North Americans and Europeans, the Bosnian War was played out in the brief, flickering images of television news. But another set of images, more permanent and more profound, played an active role in this war, molding public sentiment and calling attention to the plight of the Bosnian people. For three hellish years, Bosnians plastered the walls of their towns(...)
mai 2001, New York
Evil doesn't live here : posters from the Bosnian war
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For most North Americans and Europeans, the Bosnian War was played out in the brief, flickering images of television news. But another set of images, more permanent and more profound, played an active role in this war, molding public sentiment and calling attention to the plight of the Bosnian people. For three hellish years, Bosnians plastered the walls of their towns with messages of anger, frustration, desperation, resistance, and hope. These extraordinary images, the focus of this book, are juxtaposed with the hateful, divisive works of propaganda that served the most vicious practitioners of 'ethnic cleansing'. "Evil Doesn't Live Here" presents this visual battle to the rest of the world for the first time. Former Bosnian aid workers Daoud Sarhandi and Alina Boboc have gathered over 180 of the most dramatic wartime posters, largely created by Bosnian artists and graphic designers at the height of the war. Fascinating on both political and artistic levels, they provide a harrowing account of the war and put a human face on this seemingly incomprehensible conflict.
livres
mai 2001, New York
livres
Rievaulx Abbey
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Set in a beautiful tree-sided valley in England’s North York moors, the ruins of 800-year-old Rievaulx Abbey evoke a medieval world of Cistercian monks living and working, worshipping and seeking spiritual growth. This book provides an unprecedented account of Rievaulx, its 400 years as a monastery and its next 400 years, forsaken and deteriorating. Peter Fergusson(...)
Histoire jusqu’à 1900
janvier 1900, New Haven/London
Rievaulx Abbey
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Set in a beautiful tree-sided valley in England’s North York moors, the ruins of 800-year-old Rievaulx Abbey evoke a medieval world of Cistercian monks living and working, worshipping and seeking spiritual growth. This book provides an unprecedented account of Rievaulx, its 400 years as a monastery and its next 400 years, forsaken and deteriorating. Peter Fergusson and Stuart Harrison present the first comprehensive archaeological and architectural analysis of Rievaulx and the other buildings within its 92-acre walled precinct. They include extensive reconstruction drawings that bring to life the abbey and its infirmary, service buildings, water meadows, mills, and workshops. The authors describe Rievaulx’s remarkable architectural development from its early decades as home to a community of 650 men to its desertion after Henry VIII's Suppression. Fergusson and Harrison consider the buildings' context, architectural significance, iconography, and social and economic influences. Then, tracing the suppression of the monastery and changing perceptions of the ruin from the sixteenth through the twentieth centuries, the authors complete their portrait of the spectacular abbey and its meanings across time.
livres
janvier 1900, New Haven/London
Histoire jusqu’à 1900
livres
Sugimoto : architecture
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
Monographies photo
mars 2003, New York
Sugimoto : architecture
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
livres
mars 2003, New York
Monographies photo
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For some 20 years, Kunming, a provincial capital city in China - 3.2 million inhabitants - has been the twin town of the European metropolis Zurich. As a direct result of this partnership, Kunming now has the first inner-city bus line in China, the first large-scale conservation of a historical part of the town, and new concepts for urban development at a regional(...)
septembre 2002, Basel
The Kunming project : urban development in China - a dialogue
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For some 20 years, Kunming, a provincial capital city in China - 3.2 million inhabitants - has been the twin town of the European metropolis Zurich. As a direct result of this partnership, Kunming now has the first inner-city bus line in China, the first large-scale conservation of a historical part of the town, and new concepts for urban development at a regional level. This pioneering collaboration between western and Chinese planning teams, and the ways in which urban planning has been managed, are not only significant for Kunming but are of importance for all countries which are interested in sharing the expertise and knowledge of professionals whether they be from East or West, North or South, for countries which wish to benefit from western building practice whilst avoiding their mistakes. The challenge of such joint projects surely lies in the confrontation resulting from the traditional and historical background in large Asian cities together with their sense of modernity which has often surpassed the modern western world not only in terms of progress but also problems. In English and Chinese
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Featured in the 2018 film "The gardener," Les Quatre Vents in Charlevoix County, Quebec, has been acclaimed as the most aesthetically satisfying and horticulturally exciting landscape experience in North America. This twenty-acre garden seamlessly combines traditional and novel elements into a splendid composition, adorned with unexpected touches and perfectly compatible(...)
The greater perfection: The story of the gardens at Les Quatre Vents
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Featured in the 2018 film "The gardener," Les Quatre Vents in Charlevoix County, Quebec, has been acclaimed as the most aesthetically satisfying and horticulturally exciting landscape experience in North America. This twenty-acre garden seamlessly combines traditional and novel elements into a splendid composition, adorned with unexpected touches and perfectly compatible with its natural surroundings. "The greater perfection," first published in 2001, illustrates the delights, diversions, and surprises that await the garden’s visitors. Francis H. Cabot’s account of the challenges he faced in developing Les Quatre Vents reveals the fascinating process behind the creation of a world-class garden that has become a mecca for horticultural enthusiasts around the globe. Winner of the 2003 Annual Literature Award of the Council on Botanical and Horticultural Libraries and featuring stunning full-color images by five leading garden photographers, "The greater perfection" is one of the most beautiful books on gardens to appear in years. This new printing includes a foreword by Marianne Cabot Welch, Cabot’s daughter, that further contextualizes the gardens and explores how a place rooted in the past can confront the future.
Jardins