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The construction of the Stuttgart-Ulm railway line is one of the largest infrastructure projects in Europe. The centrepiece is the new Stuttgart Main Station, which replaces the former 16-track terminus station as an underground 8-track through station. As part of this, the aboveground tracks in the city centre are being removed and the areas thus freed up open up new(...)
Christoph Ingenhoven: Stuttgart Main Station
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The construction of the Stuttgart-Ulm railway line is one of the largest infrastructure projects in Europe. The centrepiece is the new Stuttgart Main Station, which replaces the former 16-track terminus station as an underground 8-track through station. As part of this, the aboveground tracks in the city centre are being removed and the areas thus freed up open up new urban-development perspectives. Stuttgart-East and Stuttgart-North – city districts previously separated by tracks – will be connected with each other again after over 150 years and travel time shortened. Christoph Ingenhoven (advised by, et al., Frei Otto) won the competition for the new design for the Stuttgart Main Station in 1997. After the financing agreement was concluded in April 2009, construction work was begun on 2 February 2010. The new main station is supposed to go into operation for the change in timetables in December 2026. Christoph Ingenhoven explains: "This project will have enormous significance for the development of Stuttgart, Baden-Württemberg, and southwest Germany. The building must also do justice to this significance with its design – must show what Stuttgart is today and will be in future."
Architecture, monographies
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The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus(...)
Erik van Lieshout: This can't go on (stay with me)
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The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus incorrectness, he provides razor-sharp comments on sociocultural truths, always seeming to wind up in unfamiliar, uncomfortable and confrontational situations. As he says: "My challenge is to lose control...Because it's only when you lose control that you have the feeling of freedom." On his way to that freedom, van Lieshout turns whomever he encounters into subject matter for social documentaries--his endless curiosity and his disarming personality encouraging strangers to share their intimate feelings and politics openly with him. In his work, van Lieshout translates this ferocious exploration of the behaviors of people he meets into aggressive, sometimes violent, sexual imagery. Born in 1968 in the Netherlands, van Lieshout's work was recently featured in the 2006 Berlin Bienniale and the 2003 Venice Biennale, among others.
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2x4, 3 Deep Design, A Practice for Everyday Life, Åbäke & Daniel Eatock, Adrian Shaughnessy, Alon Levin, &&&, Andrew Blauvelt, Angela Lorenz, Anna Gerber, Anne Burdick, Base, Bibliothèque, Bluesource, Brighten the Corners, Browns, Build, Cartlidge Levene, Catalogtree, Christos Lialios, COMA, Cornel Windlin, Coup, Cyan, Default, Design Machine, The Designers Republic,(...)
Idea 316 The conditions of graphic design
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2x4, 3 Deep Design, A Practice for Everyday Life, Åbäke & Daniel Eatock, Adrian Shaughnessy, Alon Levin, &&&, Andrew Blauvelt, Angela Lorenz, Anna Gerber, Anne Burdick, Base, Bibliothèque, Bluesource, Brighten the Corners, Browns, Build, Cartlidge Levene, Catalogtree, Christos Lialios, COMA, Cornel Windlin, Coup, Cyan, Default, Design Machine, The Designers Republic, Dmitri Siegel, Elektrosmog, EricandMarie, Event10, Experimental Jetset, Fabio Ongarato, Fons Hickmann, Fraser Muggeridge, Fuel, Giampietro+Smith, Goodwill, Graphic Thought Facility, Hanna Werning, Hyperkit, Ingo Offermanns, Jonathan Barnbrook, Jop van Bennekom, Julia Born, Julie Joliat, Juliette Cezzar, Kasia Korczak, Kerr|Noble, Laurent Fétis, Leonardo Sonnoli, Lust, M/M Paris, MadeThought, Manuel Raeder, Manuela Porceddu & Derk Reneman, Marc Atlan, Maureen Mooren & Daniël van der Velden, Mevis en Van Deursen, Morality of Objects, Muriel Paris et Alex Singer, Nick Bell, Non-Format, Norm, North, Onlab, O-R-G, Paul Elliman, Paul Sahre, Peter Bilak, Philippe Apeloig, Practise, Project Projects, RBG 6, Ruedi Baur, Rumbero Design, Sara de Bondt, Spin, Ständige Vertretung, Stefan Sagmeister, Stiletto, Struktur Design, Stuart Bailey, Will Stuart, Studio FM milano, Studio Thomson, Suburbia, Sulki & Min Choi, Surface, Tania Prill & Alberto Vieceli, Thomas Buxó, Toffe, Toko, Tom Hingston, Tomato, Universal Everything, Vier5, Why Not Associates, Winterhouse
livres
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of(...)
Mysterious skin: male bodies in contemporary cinema
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of major experts explore the treatment of masculinity and the male body in the cinemas of Africa, Australia, China, France, Germany, Great Britain, India, North America, Spain, Taiwan and Vietnam, as well as Hollywood. Their common concern is to reveal how the representation of the male body is used in films to convey a country’s anxieties about its national identity and history, as well as how it engages with questions of racial, sexual or gender politics. They discuss key actors, directors and films of these countries, from Ewan MacGregor in Peter Greenaway’s The Pillow Book, through the films of Wong Kar Wai, to Paul Hogan as Mick Dundee in Crocodile Dundee. In so doing, Mysterious Skin also provides a strong overview of important cinema produced around the world in the last twenty years.
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janvier 1900
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Legendary for his massive photographic undertaking The North American Indian, Edward Sheriff Curtis (1868-1952) recorded much more than portraits of Native American tribespeople. Among his huge body of work are numerous images of all manner of native dwellings: tipis, hogans, huts, cliff houses, adobes, and many(...)
Monographies photo
septembre 2000, San Francisco
Sites & structures : the architectural photographs of Edward S. Curtis
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Legendary for his massive photographic undertaking The North American Indian, Edward Sheriff Curtis (1868-1952) recorded much more than portraits of Native American tribespeople. Among his huge body of work are numerous images of all manner of native dwellings: tipis, hogans, huts, cliff houses, adobes, and many more that are far less familiar to the public eye. Though people are largely absent from these photographs, each image speaks volumes about the lives and lifestyles of the tribes to which they belonged. Other structures such as tombs, religious buildings, granaries, and totem poles are also featured prominently, further glimpses into ways of life that were in the process of disappearing. Taken from the Dan and Mary Solomon collection, Sites & Structures: The Architectural Photographs of Edward S. Curtis is the first book of Curtis photographs to explore these dwellings and structures, faithfully reproduced from the original prints and gravures. Curator and photography historian Rod Slemmons puts these photographs in context among Curtis's more familiar portraits and considers their anthropological and artistic importance. Reproduced in large, splendid tritones, Sites & Structures is one of the finest monographs of this American photographic master.
livres
septembre 2000, San Francisco
Monographies photo
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In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan ''Mni Wiconi''—Water is(...)
Our history is the future: Standing Rock versus the Dakota Access Pipeline, and the long tradition of indigenous resistance
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In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan ''Mni Wiconi''—Water is Life—was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anti-colonial struggle would continue. In ''Our history is the future'', Nick Estes traces traditions of Indigenous resistance leading to the #NoDAPL movement from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. While a historian by trade, Estes also draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires), making Our History is the Future at once a work of history, a personal story, and a manifesto.
Autochtone
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The 1960s and 1970s marked a period of exceptional change in Korea, propelled by rapid urbanization and modernization, and influenced by an authoritarian state at home and a globalizing world beyond. Young artists of the era were not immune to these unprecedented socioeconomic, political, and material conditions, responding with a groundbreaking and genre-defying body of(...)
octobre 2023
Only the young: Expermental art in Korea, 1960s-1970s
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The 1960s and 1970s marked a period of exceptional change in Korea, propelled by rapid urbanization and modernization, and influenced by an authoritarian state at home and a globalizing world beyond. Young artists of the era were not immune to these unprecedented socioeconomic, political, and material conditions, responding with a groundbreaking and genre-defying body of avant-garde art known broadly as ''Experimental art'' (silheom misul). Both as individuals and in collectives, these artists broke definitively with their predecessors, redefining the boundaries of traditional painting and sculpture while embracing innovative and often provocative approaches to materials and process through performance, installation, photography, and video. ''Only the Young: Experimental Art in Korea, 1960s–1970s'' accompanies the first exhibition in North America to examine this influential but understudied period. Featuring incisive new scholarship and lavish photography of works drawn from public and private collections across the globe, the volume also brings together translations of articles, artist manifestos, and other primary sources that offer a firsthand perspective on the ideas and discourses then shaping Korean art. What emerges is the story of how this generation of young Korean artists harnessed the power of art to confront and reimagine an ever-shifting present.
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid(...)
Edward Burtynsky: The great acceleration
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid rise of human impact on our planet, among them population growth, water usage, transportation, greenhouse gas emissions, resource extraction and food production, each of which Burtynsky has photographed the signs of in great detail throughout his career. From open pit mines across North America to oil derricks in Azerbaijan, from rice terraces in China to oil bunkering in Nigeria, Burtynsky has traveled the world and back again as part of his restless and seemingly inexhaustible drive to discover the ways, both old and new, that organized human activity has transformed the earth. Including many of Burtynsky's landmark images, and which have never been published, the book is an urgent call to action, inviting us to appreciate the sublimity that remains in nature while deepening our understanding of the challenges and responsibilities confronting us today.
Monographies photo
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The 200 houses showcased in this book spotlight the astounding variety seen in new residential architecture. This collection of contemporary homes comes from North America, South America, Europe, Australia/New Zealand, Asia and Africa. Some homes incorporate an intense dedication to cultural traditions, while others are on the edge of new trends. All share the need of(...)
Architecture résidentielle
septembre 2007, Buffalo, Richmond Hill
Residential Designs for the 21st century
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The 200 houses showcased in this book spotlight the astounding variety seen in new residential architecture. This collection of contemporary homes comes from North America, South America, Europe, Australia/New Zealand, Asia and Africa. Some homes incorporate an intense dedication to cultural traditions, while others are on the edge of new trends. All share the need of providing shelter. The diversity in this global inventory is vast: seaside, energy efficient, hilltop, geometrically shaped, tiny, narrow, inventive extensions, traditional materials, prefab, in-ground, slope-side, elevated, floating. Some of the distinct locations included are Oregon's rugged coastline, Australia's scorching interior, South America's mountainside cities, Finland's wintry forests, Indonesia's steamy beaches, inner city neighborhoods, outlying suburbs and rural locales. A great many of the designs respond to extremely challenging building sites with solutions that are nothing short of brilliant. Concise descriptions of each home include key features, along with floor plans and photographs showing interiors, exteriors and details. Each house is identified by name, location, year built and square footage as well as information on the architect. Profiles of 20 of the world's most creative architectural firms provide depth and background to the portfolio of designs.
Architecture résidentielle
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This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This(...)
Albers and Moholy-Nagy : from the Bauhaus to the new world
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This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This language experienced a creative explosion during their Bauhaus years, when both artists moved freely between media and disciplines. Essays by leading scholars follow the artists’ separate paths through to their emigration to the United States, where each continued to push tirelessly the conventions of artistic practice—Albers at Black Mountain College in North Carolina and then at Yale University, and Moholy-Nagy in Chicago at the New Bauhaus School and the Institute of Design. As highly influential teachers, Albers and Moholy-Nagy became important catalysts for the transmission of Modernist ideas from Europe to America. This book presents four decades of works in a variety of media, including painting, collage, glass, moving sculpture, photography, film, furniture, and graphic design. With contributions by Hal Forster, Hattula Moholy-Nagy, Terence A. Senter, Nicholas Fox Weber, and Michael White.
Modernisme