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One of the essential effects of sustainability, not only in architecture, is the consideration to the objects' life span. From the moment when a building is required to be highly efficient, it used to be an unknown dimension for architecture; the service life. However, for various reasons currently this new dimension became a part of the project variables: the buildings(...)
Rhythms, cycles, performances: ceramics in architecture
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One of the essential effects of sustainability, not only in architecture, is the consideration to the objects' life span. From the moment when a building is required to be highly efficient, it used to be an unknown dimension for architecture; the service life. However, for various reasons currently this new dimension became a part of the project variables: the buildings and their components actually live, with their own biorhythm. The progress has not only seen one direction but it's a cocktail of solutions, in which from the most progressive sorts to the most traditional ones are blended. Ceramics symbolize this historical blend embracing unlimited possible futures in one material. Ceramics represent the millennial past of the inert material. On the other hand their soft nature, hardened by subsequent processes, allows any possibility to the form and technology. That makes ceramics as competitive as any other constructive material by their durability and low maintenance.
Matériaux et éclairage
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991,(...)
Lewis Baltz: rule without exception / only Exceptions
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991, showing the range of his images of industrialised landscapes and technological sites. Each section of the book is accompanied by installation views as well as texts by distinguished writers, some newly commissioned for this edition. Only Exceptions is a new book chronicling Baltz’s work – now usually site-generated commissioned works – from 1992 to the present and is published on the occasion of an exhibition organized by the Kunstmuseum, Bonn. Only Exceptions includes Baltz’s work in California, Leipzig’s “Black Triangle”, Reggio Emilia, Groningen, Rome, Venice, and two projects with Jean Nouvel in France and Italy.
Simon Johnston: Meridian
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The Meridian project is a series of large-format black-and-white photographs taken in England on the line of zero degrees longitude. Using GPS technology to establish accurate locations, Simon Johnston took photographs on this line from coast to coast, with the camera facing either due north or due south. A vertical fluorescent orange line was then superimposed in the(...)
Simon Johnston: Meridian
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The Meridian project is a series of large-format black-and-white photographs taken in England on the line of zero degrees longitude. Using GPS technology to establish accurate locations, Simon Johnston took photographs on this line from coast to coast, with the camera facing either due north or due south. A vertical fluorescent orange line was then superimposed in the center of the photographs to represent the line of zero degrees longitude. The addition of the line transgresses the conventional purity of the photographic picture plane and makes visible that which is invisible/theoretical/conceptual, this graphic intervention mirroring the way we superimpose a rational grid over the globe, mapping and regulating space and time to better coordinate and facilitate international trade and navigation. In this way, Simon Johnston: Meridian offers both a beautiful cross-section portrait of a country and a reminder of the arbitrary nature of time, of human-constructed temporality.
Monographies photo
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Kenz Tange (1913–2005) is a peerless figure among twentieth-century Japanese architects, unmatched in his talent, influence, and versatility. A leading force of the Metabolist movement, he was the first non-Western architect whose works would be embraced as universal in value. This unique assemblage of new scholarship by an international team of experts reframes Tange(...)
Kenz Tange: architecture for the world
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Kenz Tange (1913–2005) is a peerless figure among twentieth-century Japanese architects, unmatched in his talent, influence, and versatility. A leading force of the Metabolist movement, he was the first non-Western architect whose works would be embraced as universal in value. This unique assemblage of new scholarship by an international team of experts reframes Tange according to the contingencies of Japanese modernism as well as contemporary discourses of cultural identity, technology, urbanization, and the synthesis of the arts. Case studies on celebrated works—Hiroshima, Tokyo Bay Plan, and Yoyogi Stadiums—clarify Tange’s wide-ranging interests and design methodology. Illustrated with archival drawings and period photographs, this volume provides fresh and compelling perspectives on the practices, discourses, and production contexts of Tange’s work as well as the architecture and urbanism of postwar Japan. Kenz Tange—Architecture for the World represents the most serious and comprehensive reassessment of Tange in the English language in decades.
Architecture, monographies
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The built environment is a critical factor in the climate equation. Approximately 40 percent of global emissions derive from the construction, operation, and demolition of human settlements. The 21st century must be the century of re-entanglement, where quintessential functions (housing, work, culture, recreation, etc.) are reintegrated within urban spaces; where(...)
Architecture écologique
septembre 2023
Reconstructing the future: Cities as carbon sinks
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The built environment is a critical factor in the climate equation. Approximately 40 percent of global emissions derive from the construction, operation, and demolition of human settlements. The 21st century must be the century of re-entanglement, where quintessential functions (housing, work, culture, recreation, etc.) are reintegrated within urban spaces; where socioeconomic and ecological systems form a mutually supportive network of networks; and where past, present, and future are perceived as interwoven waves in the river of time. Fortunately, opportunities exist to transform the built environment from a carbon source to a carbon sink through, e.g. timber construction high-rise buildings, circular bioeconomy methods, AI-assisted design, smart recycling technology, multifunctional land use, integrated regional resource management, and community-based urban development, to name just a few. This volume compiles the papers presented by world-renowned scientists, architects, spatial planners, activists, and policy makers at the Reconstructing the Future for People and Planet conference, held at the Vatican in June 2022.
Architecture écologique
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FUTURE is a two-part publication by Taiyo Onorato & Nico Krebs, published over the course of 3 years by Edition Patrick Frey. The first publication is entitled FUTURE MEMORIES and deals with the question of how our idea of the future has changed over the past decades, how this affects our perception of the present, and how we face the coming changes. The second(...)
Taiyo Onorato & Nico Krebs: Water Column
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FUTURE is a two-part publication by Taiyo Onorato & Nico Krebs, published over the course of 3 years by Edition Patrick Frey. The first publication is entitled FUTURE MEMORIES and deals with the question of how our idea of the future has changed over the past decades, how this affects our perception of the present, and how we face the coming changes. The second publication, titled WATER COLUMN, revolves around a place, a realm, that directly surrounds us and yet for most people is as distant and alien as only the vastness of space could be: the world beneath the surface of the water. Only through the use of elaborate technology are we able to dive ever deeper and explore these uncharted waters. But exploration inevitably leads to exploitation, and we're liable to destroy this underwater world before we even get a close look at it, let alone begin to understand it.
Monographies photo
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The iA, or Interactive Architecture, bookzine series will consist of 12 issues bi-annually, published over a period of six years under the supervision Kas Oosterhuis, director of Hyperbody at the Delft University of Technology and principal of ONL [Oosterhuis Lénárd]. The Interactive Architecture (iA), concept is based on the equal input (listening), process (thinking),(...)
ia #1 Interactive architecture
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The iA, or Interactive Architecture, bookzine series will consist of 12 issues bi-annually, published over a period of six years under the supervision Kas Oosterhuis, director of Hyperbody at the Delft University of Technology and principal of ONL [Oosterhuis Lénárd]. The Interactive Architecture (iA), concept is based on the equal input (listening), process (thinking), and output (talking) of people as well as the built components of architecture. This will be one of the first publications to document in detail this groundbreaking new development in architecture. iA will undoubtedly become the premier archive of this endeavor. The publication program will consist of scientific papers on particular aspects of iA and iA-driven MSc projects, iA-inspired case studies from practice, interviews with a renowned researcher/practitioner, and blogs by Kas Oosterhuis. The inaugural issue features contributions from Cas Aalbers, Henriette Bier, Nimish Biloria, Michael Bitterman, Sven Blokker, Sander Boer, Christian Friedrich, Hans Hubers, Xin Xia, and others.
Architecture miniature
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The design of imaginary, conceptual, or radical buildings is as old as the practice of architecture itself. For centuries, architects such as Piranesi, Ledoux, and Sant'Elia have drawn on their creative abilities to produce breathtaking works of imagination. Since World War II, technology has caught up with our imagination: there are few buildings that can be envisioned(...)
Visionary Architecture: Blueprints of the modern imagination
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The design of imaginary, conceptual, or radical buildings is as old as the practice of architecture itself. For centuries, architects such as Piranesi, Ledoux, and Sant'Elia have drawn on their creative abilities to produce breathtaking works of imagination. Since World War II, technology has caught up with our imagination: there are few buildings that can be envisioned but not built. For the past six decades, architects have created an astonishing range of constructs and urban utopias that have influenced generations of practitioners. Architects such as Libeskind, Koolhaas, Eisenman, Hadid, and many others, whose works were once considered too experimental or controversial to construct, are creating cultural icons the world over. This definitive history of experimental architecture since 1945 provides a thematic overview of the most important and far-reaching work produced in the last sixty years; a survey of contemporary experimental practices, shown through case studies; and an illustrated glossary of ideas, movements, people, and terms. 450+ illustrations, 250 in color.
Modernisme
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Amid the cultural and political ferment of 1960s France, a group of avant-garde architects, artists, writers, theorists, and critics known as "spatial urbanists" envisioned a series of urban utopias, phantom cities of a possible future. The utopian "spatial" city most often took the form of a massive grid or mesh suspended above the ground, all of its parts (and(...)
Topologies : The urban utopia in France, 1960-1970
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Amid the cultural and political ferment of 1960s France, a group of avant-garde architects, artists, writers, theorists, and critics known as "spatial urbanists" envisioned a series of urban utopias, phantom cities of a possible future. The utopian "spatial" city most often took the form of a massive grid or mesh suspended above the ground, all of its parts (and inhabitants) circulating in a smooth, synchronous rhythm, its streets and buildings constituting a gigantic work of plastic art or interactive machine. In this new urban world, technology and automation were positive forces, providing for material needs as well as time and space for leisure. In this first study of the French avant-garde tendency known as spatial urbanism, Larry Busbea analyzes projects by artists and architects (including the most famous spatial practitioner, Yona Friedman) and explores texts (many of which have never before been translated from the French) by Michel Ragon, the influential founder of the Groupe International d'Architecture Prospective (GIAP), Victor Vasarely, and others.
Théorie de l’urbanisme
livres
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Grant Jones, founding principal of the noted landscape architecture firm Jones – Jones, has practiced ecological design for more than 30 years and has been a pioneer in river planning, scenic highway design, zoo design, and landscape aesthetics. The latest addition to our successful Source Books in Landscape Architecture series, Grant Jones/Jones – Jones ILARIS, focuses(...)
Grant Jones / Jones & Jones Ilaris : the puget sound plan
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Grant Jones, founding principal of the noted landscape architecture firm Jones – Jones, has practiced ecological design for more than 30 years and has been a pioneer in river planning, scenic highway design, zoo design, and landscape aesthetics. The latest addition to our successful Source Books in Landscape Architecture series, Grant Jones/Jones – Jones ILARIS, focuses on Jones's "green print" plan for Puget Sound in Washington State. Working in collaboration with the Trust for Public Lands and using new GIS technology, Jones – Jones developed the software tool ILARIS. This CAD-like tool helps to evaluate the aesthetic resources of landscape regions and is used as a basis for future planning. The Puget Sound model can be applied to other landscapes at risk. Including an interview with Grant Jones, critical essays discussing his work, as well as numerous diagrams, plans, and photographs, Grant Jones/Jones – Jones ILARIS is a thorough study of an important project.
livres
juillet 2007, New York
Théorie du paysage