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"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven(...)
Borderwall as architecture: a manifesto for the US-Mexico boundary
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"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael’s studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.
Théorie de l’architecture
The Tao of architecture
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Frank Lloyd Wright first noted the affinity between modern Western architecture and the philosophy of the ancient Chinese writer Laotzu. In this classic work, Amos Ih Tiao Chang expands on that idea, developing the parallel with the aid of architectural drawings and Chinese paintings. Now with a new foreword by David Wang, this book reveals the vitality of intangible, or(...)
The Tao of architecture
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Frank Lloyd Wright first noted the affinity between modern Western architecture and the philosophy of the ancient Chinese writer Laotzu. In this classic work, Amos Ih Tiao Chang expands on that idea, developing the parallel with the aid of architectural drawings and Chinese paintings. Now with a new foreword by David Wang, this book reveals the vitality of intangible, or negative, elements. Chang writes that these qualities make architectonic forms "come alive, become human, naturally harmonize with one another, and enable us to experience them with human sensibility." "The Tao of architecture" continues to be essential reading for understanding the intersection between architecture and philosophy.
Théorie de l’architecture
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City and country are generally regarded as opposites. But today’s landscape architecture explores both of them as a single system, making it possible to see the mutual dependency of these supposedly opposing developments. In view of massive changes in ecological systems, as well as increasing migration and the spread of unplanned human settlements, landscape architecture(...)
Théorie du paysage
juillet 2017
Out there: landscape architecture in the global terrain
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City and country are generally regarded as opposites. But today’s landscape architecture explores both of them as a single system, making it possible to see the mutual dependency of these supposedly opposing developments. In view of massive changes in ecological systems, as well as increasing migration and the spread of unplanned human settlements, landscape architecture is also being confronted with global challenges. "Out there: landscape architecture in the global terrain" is a plea to redefine the discipline’s position. Innovative but complex approaches are presented in examples of specific projects from all over the world. Landscape architecture today commits itself to the spatial systems that will shape tomorrow’s society.
Théorie du paysage
We live in models
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The thesis of this book is that architecture is produced by models of thought, the ruins of history, and the construction of power. All acts of architecture are theoretical and political, and all ideas serve as tools; as such the aim of the book is to examine the primary generators of architecture and to re-establish political and critical positions within the discipline.(...)
We live in models
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The thesis of this book is that architecture is produced by models of thought, the ruins of history, and the construction of power. All acts of architecture are theoretical and political, and all ideas serve as tools; as such the aim of the book is to examine the primary generators of architecture and to re-establish political and critical positions within the discipline. It examines how architecture is made, establishing a strong connection between the physical organisation of the world and its political dimension, through contributions from practicing architects, academics and writers from within and without architecture. "We live in models" reintroduces writing, drawing and photography beyond their representational forms as critical vessels for making, analysing and criticising architecture.
Théorie de l’architecture
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Pour une ar(t)chitecture subtile constitue une sorte de manifeste et présente la démarche prospective d'Eric Cassar et de son agence, à travers : Une architecture à vivre, poétique, à l'échelle de l'homme. Chaque projet est une quête d'essence par les sens : sensibles (toucher les sens), intelligibles (faire sens, conceptualiser) et la poursuite d'une direction univoque :(...)
Pour une ar(t)chitecture subtile / The case for subtle ar(t)chitecture
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Pour une ar(t)chitecture subtile constitue une sorte de manifeste et présente la démarche prospective d'Eric Cassar et de son agence, à travers : Une architecture à vivre, poétique, à l'échelle de l'homme. Chaque projet est une quête d'essence par les sens : sensibles (toucher les sens), intelligibles (faire sens, conceptualiser) et la poursuite d'une direction univoque : une recherche s'inscrivant dans une lignée prenant appui dans le passé et se projetant dans un avenir ; Une architecture subtile, c'est-à-dire créatrice et coordinatrice d'espaces : des environnements connectés dans les mondes à la fois physiques et virtuels.
Théorie de l’architecture
Design is storytelling
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Design Is Storytelling explores the psychology of visual perception from a narrative point of view. Presenting dozens of tools and concepts in a lively, visual manner, this book will help any designer amplify the narrative power of their work. Use this book to stir emotions, build empathy, articulate values and convey action; to construct narrative arcs and create paths(...)
Design is storytelling
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Design Is Storytelling explores the psychology of visual perception from a narrative point of view. Presenting dozens of tools and concepts in a lively, visual manner, this book will help any designer amplify the narrative power of their work. Use this book to stir emotions, build empathy, articulate values and convey action; to construct narrative arcs and create paths through space; integrate form and language; evaluate a project’s storytelling power; and to write and deliver strong narratives.
Théorie du design
The future of public space
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In this publication Rachel Monroe challenges American preconceptions of the wild, wide-open West by addressing issues of surveillance; the series’ first fictional piece, by China Miéville, covers an under-examined area of public space under the guise of detective fiction; a study of public art by Ben Davis sheds light on the myths and stigmas that have accrued to public(...)
The future of public space
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In this publication Rachel Monroe challenges American preconceptions of the wild, wide-open West by addressing issues of surveillance; the series’ first fictional piece, by China Miéville, covers an under-examined area of public space under the guise of detective fiction; a study of public art by Ben Davis sheds light on the myths and stigmas that have accrued to public art, also asking what it can become; Christopher DeWolf shares a sensory navigation trip through a directionless Hong Kong; Michelle Nijhuis writes on the shifting ecologies of national parks; Sarah Fecht explores architecture and social life beyond Earth; while Jaron Lanier meditates on the idea of public space online, linking the prevailing, free-for-all model of the internet with a characteristically American yearning for freedom and repudiation of rules and structure. Also included are examples of public art works by Lawrence Weiner.
Théorie de l’architecture
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As the global economy has changed over the past decades, it has left an architectural legacy of abandoned factories, warehouses and docks in its wake. But these spaces need not remain empty; the history of post-industrial society is still being written. All over the world, abandoned industrial infrastructure is being creatively repurposed. RE–USA provides a toolkit for(...)
RE–USA: 20 American stories of adaptive reuse
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As the global economy has changed over the past decades, it has left an architectural legacy of abandoned factories, warehouses and docks in its wake. But these spaces need not remain empty; the history of post-industrial society is still being written. All over the world, abandoned industrial infrastructure is being creatively repurposed. RE–USA provides a toolkit for adaptive reuse grounded in practical examples. Cities and cases are selected to illustrate the power of innovative processes and projects based on private-public partnerships, bottom-up initiatives, community involvement and smart design despite difficult conditions, from declining demography to weak real estate values and scarce investment.
Théorie de l’urbanisme
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'Craft Becomes Modern: The Bauhaus in the Making' looks at the Bauhaus from the perspective of this noisy activity — handcraft. No term was more fiercely disputed there. Although conceived as “laboratories for industry,” a great deal was still done by hand in the Dessau workshops. Workshops at the Bauhaus straddled the different priorities and practical realities at play,(...)
Craft becomes modern : the Bauhaus in the making
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'Craft Becomes Modern: The Bauhaus in the Making' looks at the Bauhaus from the perspective of this noisy activity — handcraft. No term was more fiercely disputed there. Although conceived as “laboratories for industry,” a great deal was still done by hand in the Dessau workshops. Workshops at the Bauhaus straddled the different priorities and practical realities at play, falling somewhere between factory and craft business, between free experimentation and industrial contract work. From this field of tension, the Bauhaus tried to define handcraft anew as a utopian pursuit that could coexist with industrial culture. The Bauhaus’ interest in industrialization has been thoroughly studied; the persistence of craft among its teachers and students much less so. Craft Becomes Modern surveys this aspect of the Bauhaus’ teaching and work, and puts it in historical context.
Théorie du design
Desk in exile
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When the Bauhaus moved to Dessau, the desk moved with it, landing in the director’s office, where it was used as a demonstration of a vision of a modern office culture. The desk took up residence temporarily in the Lawn Road Flats in London before following Gropius to Lincoln, Massachusetts, in 1938. It has remained in Lincoln since then and is currently in the Gropius(...)
Desk in exile
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When the Bauhaus moved to Dessau, the desk moved with it, landing in the director’s office, where it was used as a demonstration of a vision of a modern office culture. The desk took up residence temporarily in the Lawn Road Flats in London before following Gropius to Lincoln, Massachusetts, in 1938. It has remained in Lincoln since then and is currently in the Gropius family’s private home. An index of the changing fortunes of the Bauhaus, Gropius’ desk itself becomes an actor in a complex history of changing locations and social environments. Desk in Exile traces the trajectory of this uniquely weighted object, offering a model of an object-based history of exile. Part of Spector Books’ series of readers on individual aspects of Bauhaus design, this volume comes out of the research and curatorial work carried out by the Bauhaus Lab 2016.
Théorie du design