981 Résultats
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Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any(...)
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Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any(...)
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American Splendor : the residential architecture of Horace Trumbauer
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Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any kind of social connections whose formal education did not extend beyond the 10th grade. Yet the supremacy of Horace Trumbauer in the field of classically-inspired residential design is acknowledged by such diverse voices as art connoisseur Joseph Duveen, modernist icon Philip Johnson, and author Aldous Huxley. "American Splendor: The Residential Architecture of Horace Trumbauer," will place the achievements of this master creator of the American Great House before a wider and more discerning public. Working with clients whose names comprise a veritable who's who of America's industrial and financial moguls, Trumbauer's prodigious body of work graced both the exclusive enclaves of Newport, Rhode Island, Long Island, Philadelphia's Main Line and Elkins Park, and the vaunted precincts of New York's Fifth Avenue and Washington DC's Embassy Row. Allied with the finest landscape designers and interior decorators of his time, Trumbauer's elegant mansions represent the ultimate expression of a nation's ambition for grandeur and supremacy since those of the Italian Renaissance. Devoid of any wish for personal fame or artistic recognition, he hoped that his work would ultimately speak for itself. As "American Splendor: The Residential Architecture of Horace Trumbauer" demonstrates, it most certainly and eloquently does. In this first monograph on Horace Trumbauer, American Splendor introduces the genius of this American master architect to the world.
American Splendor : the residential architecture of Horace Trumbauer
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Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any kind of social connections whose formal education did not extend beyond the 10th grade. Yet the supremacy of Horace Trumbauer in the field of classically-inspired residential design is acknowledged by such diverse voices as art connoisseur Joseph Duveen, modernist icon Philip Johnson, and author Aldous Huxley. "American Splendor: The Residential Architecture of Horace Trumbauer," will place the achievements of this master creator of the American Great House before a wider and more discerning public. Working with clients whose names comprise a veritable who's who of America's industrial and financial moguls, Trumbauer's prodigious body of work graced both the exclusive enclaves of Newport, Rhode Island, Long Island, Philadelphia's Main Line and Elkins Park, and the vaunted precincts of New York's Fifth Avenue and Washington DC's Embassy Row. Allied with the finest landscape designers and interior decorators of his time, Trumbauer's elegant mansions represent the ultimate expression of a nation's ambition for grandeur and supremacy since those of the Italian Renaissance. Devoid of any wish for personal fame or artistic recognition, he hoped that his work would ultimately speak for itself. As "American Splendor: The Residential Architecture of Horace Trumbauer" demonstrates, it most certainly and eloquently does. In this first monograph on Horace Trumbauer, American Splendor introduces the genius of this American master architect to the world.
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livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
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With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its(...)
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With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its(...)
Titre:
An accidental masterpiece : Mies Van Der Rohe's Barcelona-Pavillion
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With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its reputation grew steadily in the following decades, thanks in part to magnificent photographs. It was soon considered the constructed manifesto of the Modern Age, and its spatial and "ideational" ambitions were called "a milestone of Modern architecture." This comprehensively, broadly researched book portrays the building’s complex history and its political entanglement- up to and including its reconstruction according to van der Rohe’s plans at the original site between 1983 and 1986.
An accidental masterpiece : Mies Van Der Rohe's Barcelona-Pavillion
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With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its reputation grew steadily in the following decades, thanks in part to magnificent photographs. It was soon considered the constructed manifesto of the Modern Age, and its spatial and "ideational" ambitions were called "a milestone of Modern architecture." This comprehensively, broadly researched book portrays the building’s complex history and its political entanglement- up to and including its reconstruction according to van der Rohe’s plans at the original site between 1983 and 1986.
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livres
livres
Publication:
novembre 2020
novembre 2020
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$73.95
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Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the(...)
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Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
novembre 2020
novembre 2020
Titre:
Toshiko Mori Architect: Observations
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Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the Future of Cities, Mori led research and inquiry into sustainable architecture, enhancing cities' livability, and creating efficient urban services. Mori is also on the board of Dassault Systems, a company connecting technology to environment and life science. She has also founded the platform VisionArc, a think tank dedicated to exploring the role of design within complex social and environmental issues. This book will focus on TMA's projects based on research, and the impact of socially valuable projects to society. The book will illustrate how the observation of the architect operates as opposed to how the imagination of the architect manifests itself.
Toshiko Mori Architect: Observations
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Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the Future of Cities, Mori led research and inquiry into sustainable architecture, enhancing cities' livability, and creating efficient urban services. Mori is also on the board of Dassault Systems, a company connecting technology to environment and life science. She has also founded the platform VisionArc, a think tank dedicated to exploring the role of design within complex social and environmental issues. This book will focus on TMA's projects based on research, and the impact of socially valuable projects to society. The book will illustrate how the observation of the architect operates as opposed to how the imagination of the architect manifests itself.
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livres
livres
Publication:
novembre 2020
novembre 2020
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Titre:
UNStudio: transform
UNStudio: transform
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The Austrian lighting company Zumtobel Group commissioned the international architecture practice UNStudio to create its annual report for 2021/2022. Founded in 1988 by Ben van Berkel and Caroline Bos, UNStudio is one of the leading Dutch architecture offices in the world, and aims at designing healthy, sustainable cities that have an impact on our planet and a positive(...)
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The Austrian lighting company Zumtobel Group commissioned the international architecture practice UNStudio to create its annual report for 2021/2022. Founded in 1988 by Ben van Berkel and Caroline Bos, UNStudio is one of the leading Dutch architecture offices in the world, and aims at designing healthy, sustainable cities that have an impact on our planet and a positive(...)
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UNStudio: transform
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$62.00
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The Austrian lighting company Zumtobel Group commissioned the international architecture practice UNStudio to create its annual report for 2021/2022. Founded in 1988 by Ben van Berkel and Caroline Bos, UNStudio is one of the leading Dutch architecture offices in the world, and aims at designing healthy, sustainable cities that have an impact on our planet and a positive effect on people. As a collaboration with graphic design duo Bloemendaal & Dekkers, this year’s publication presents a design reflection on the theme of transformation. Using illustrations drawn from the work of UNStudio over the past 30 years, the book presents a visual investigation into the creative process, and demonstrates how ideas and concepts are developed by the practice into physical form. Through a similar thought process, the book itself is designed to undergo its own metamorphosis.
UNStudio: transform
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The Austrian lighting company Zumtobel Group commissioned the international architecture practice UNStudio to create its annual report for 2021/2022. Founded in 1988 by Ben van Berkel and Caroline Bos, UNStudio is one of the leading Dutch architecture offices in the world, and aims at designing healthy, sustainable cities that have an impact on our planet and a positive effect on people. As a collaboration with graphic design duo Bloemendaal & Dekkers, this year’s publication presents a design reflection on the theme of transformation. Using illustrations drawn from the work of UNStudio over the past 30 years, the book presents a visual investigation into the creative process, and demonstrates how ideas and concepts are developed by the practice into physical form. Through a similar thought process, the book itself is designed to undergo its own metamorphosis.
Classification:
livres
livres
Publication:
janvier 2023
janvier 2023
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Roger Boltshauser
Roger Boltshauser
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$175.00
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The act of building and its material reality play a defining role in the work of Swiss architect Roger Boltshauser. His architectural language thus develops in the context of the examination of materials and their intrinsic constructive and structural possibilities. Edited by architect and lecturer Martin Tschanz, this monograph examines how Boltshauser’s architecture is(...)
$175.00
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The act of building and its material reality play a defining role in the work of Swiss architect Roger Boltshauser. His architectural language thus develops in the context of the examination of materials and their intrinsic constructive and structural possibilities. Edited by architect and lecturer Martin Tschanz, this monograph examines how Boltshauser’s architecture is(...)
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Roger Boltshauser
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$175.00
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The act of building and its material reality play a defining role in the work of Swiss architect Roger Boltshauser. His architectural language thus develops in the context of the examination of materials and their intrinsic constructive and structural possibilities. Edited by architect and lecturer Martin Tschanz, this monograph examines how Boltshauser’s architecture is neither an implementation of a pictorial idea nor a display of a certain principle. Rather, it is integrative and open to complexity, particularly that of the act of building itself. Contrary to the abstractness of modernism and neo-modernism and the arbitrariness of free forms, his is a unique, contemporary expression.
Roger Boltshauser
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$175.00
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The act of building and its material reality play a defining role in the work of Swiss architect Roger Boltshauser. His architectural language thus develops in the context of the examination of materials and their intrinsic constructive and structural possibilities. Edited by architect and lecturer Martin Tschanz, this monograph examines how Boltshauser’s architecture is neither an implementation of a pictorial idea nor a display of a certain principle. Rather, it is integrative and open to complexity, particularly that of the act of building itself. Contrary to the abstractness of modernism and neo-modernism and the arbitrariness of free forms, his is a unique, contemporary expression.
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livres
livres
Publication:
août 2021
août 2021
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$31.50
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Résumé:
For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape.(...)
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For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape.(...)
Titre:
Postcolonial Dublin : imperial legacies and the built environment
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For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape. Andrew Kincaid illustrates how the architecture and urban planning of Dublin have been integral to debates about nationalism, modernism, and Ireland’s relationship to the rest of the world. Looking at objects such as Londonderry’s Market House, Patrick Abercrombie’s Dublin of the Future, and the urban renewal project of today’s Temple Bar, Kincaid highlights Ireland’s colonial history and the significance of architecture in the evolution of national identity. In doing so, he demonstrates how ideology “spatializes” itself. Postcolonial Dublin engages the prevailing historical representations of Irish nationalism, arguing that the evolving city reflected a debate over who would hold the reins of power. Bringing the tools of literary criticism and postcolonial theory to bear on the field of urban studies, Kincaid places Dublin at the forefront of debates over modernism, modernity, and globalization.
Postcolonial Dublin : imperial legacies and the built environment
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For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape. Andrew Kincaid illustrates how the architecture and urban planning of Dublin have been integral to debates about nationalism, modernism, and Ireland’s relationship to the rest of the world. Looking at objects such as Londonderry’s Market House, Patrick Abercrombie’s Dublin of the Future, and the urban renewal project of today’s Temple Bar, Kincaid highlights Ireland’s colonial history and the significance of architecture in the evolution of national identity. In doing so, he demonstrates how ideology “spatializes” itself. Postcolonial Dublin engages the prevailing historical representations of Irish nationalism, arguing that the evolving city reflected a debate over who would hold the reins of power. Bringing the tools of literary criticism and postcolonial theory to bear on the field of urban studies, Kincaid places Dublin at the forefront of debates over modernism, modernity, and globalization.
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livres
livres
Publication:
mai 2006, Minneapolis
mai 2006, Minneapolis
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livres
livres
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$44.95
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for(...)
$44.95
(disponible sur commande)
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for(...)
Titre:
Museum architecture : texts and projects by artists
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for how museums should be constructed. When discussing the increasing number of museums and exhibition spaces for modern art which have come into being in recent years, the deep-seated differences of opinion between architects and artists keep coming to the fore. The discussion seems to be almost exclusively dominated by the point of view of the architect and defined by his/her interests. The needs of the art itself are being widely neglected and the voice of the artist is simply not being heard. Donald Judd, the American sculptor and minimalist artist, once noted that museums are so rarely built on functional lines these days, the trend being more towards the creation of a showpiece for the architect. Why are painters and sculptors not asked for their input? The very obvious question was addressed by the Espace de l’art concret when in 1997, it asked a number of well-known artists to come up with ideas and projects for a museum for concrete art. They were invited to submit their ideal utopian suggestions as well as very concrete and architectural proposals and written statements. These are documented in this publication, supplemented with the material for the collection owned by the Kunsthaus in Bregenz and expanded with an extensive anthology of texts by artists on this subject. The résumé of the contributions presents a searing criticism of contemporary museum architecture by its most important users. Their voice will at last find an ear in the current architectural discussion about the new cathedrals of the post-industrial society.
Museum architecture : texts and projects by artists
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$44.95
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for how museums should be constructed. When discussing the increasing number of museums and exhibition spaces for modern art which have come into being in recent years, the deep-seated differences of opinion between architects and artists keep coming to the fore. The discussion seems to be almost exclusively dominated by the point of view of the architect and defined by his/her interests. The needs of the art itself are being widely neglected and the voice of the artist is simply not being heard. Donald Judd, the American sculptor and minimalist artist, once noted that museums are so rarely built on functional lines these days, the trend being more towards the creation of a showpiece for the architect. Why are painters and sculptors not asked for their input? The very obvious question was addressed by the Espace de l’art concret when in 1997, it asked a number of well-known artists to come up with ideas and projects for a museum for concrete art. They were invited to submit their ideal utopian suggestions as well as very concrete and architectural proposals and written statements. These are documented in this publication, supplemented with the material for the collection owned by the Kunsthaus in Bregenz and expanded with an extensive anthology of texts by artists on this subject. The résumé of the contributions presents a searing criticism of contemporary museum architecture by its most important users. Their voice will at last find an ear in the current architectural discussion about the new cathedrals of the post-industrial society.
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livres
livres
Publication:
janvier 1900, Cologne
janvier 1900, Cologne
Sujet:
Muséologie
Muséologie
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livres
livres
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Description:
xvi, 258 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm
Description:
xvi, 258 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm
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Publication:
Cambridge [England] ; New York : Cambridge University Press, 1994.
Cambridge [England] ; New York : Cambridge University Press, 1994.
Titre:
The decoration of the royal basilica of El Escorial / Rosemarie Mulcahy.
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Description:
xvi, 258 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm
The decoration of the royal basilica of El Escorial / Rosemarie Mulcahy.
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Description:
xvi, 258 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm
Classification:
livres
livres
Publication:
Cambridge [England] ; New York : Cambridge University Press, 1994.
Cambridge [England] ; New York : Cambridge University Press, 1994.
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livres
livres
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Endo Shuhei : paramodern
Endo Shuhei : paramodern
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Endo Shuhei, a young Japanese architect based in Osaka who attracted international attention when he won the Andrea Palladio Prize in 1993. Shuhei's architecture situates itself at the intersection of two paths: on the one hand, his experimentation with non-Euclidean geometries, an essentially three-dimensional undertaking, and on the other his researches into the use of(...)
$38.95
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Endo Shuhei, a young Japanese architect based in Osaka who attracted international attention when he won the Andrea Palladio Prize in 1993. Shuhei's architecture situates itself at the intersection of two paths: on the one hand, his experimentation with non-Euclidean geometries, an essentially three-dimensional undertaking, and on the other his researches into the use of(...)
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Endo Shuhei : paramodern
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Endo Shuhei, a young Japanese architect based in Osaka who attracted international attention when he won the Andrea Palladio Prize in 1993. Shuhei's architecture situates itself at the intersection of two paths: on the one hand, his experimentation with non-Euclidean geometries, an essentially three-dimensional undertaking, and on the other his researches into the use of particular material, galvanized sheet metal. The resulting spaces are fluid, dynamic, mobile, ambiguous, incomplete and even indeterminate. Shuhei curves, doubles, folds and twists a series of metal sheets to the point of dissolving the limits between interior and exterior, between surface and volume, between floor and roof, achieving dramatic effect with a great economy of means.
Endo Shuhei : paramodern
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Endo Shuhei, a young Japanese architect based in Osaka who attracted international attention when he won the Andrea Palladio Prize in 1993. Shuhei's architecture situates itself at the intersection of two paths: on the one hand, his experimentation with non-Euclidean geometries, an essentially three-dimensional undertaking, and on the other his researches into the use of particular material, galvanized sheet metal. The resulting spaces are fluid, dynamic, mobile, ambiguous, incomplete and even indeterminate. Shuhei curves, doubles, folds and twists a series of metal sheets to the point of dissolving the limits between interior and exterior, between surface and volume, between floor and roof, achieving dramatic effect with a great economy of means.
Classification:
livres
livres
Publication:
décembre 2002, Osaka
décembre 2002, Osaka
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$61.00
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Christ & Gantenbein Review is a new series of books edited by Swiss architects Emanuel Christ and Christoph Gantenbein, in which they explore issues and topics arising from their architectural work. Pictures From Italy, the series' initial volume, also represents Christ & Gantenbein's first architectural project after they had setup their studio in Basel. The pictures(...)
$61.00
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Christ & Gantenbein Review is a new series of books edited by Swiss architects Emanuel Christ and Christoph Gantenbein, in which they explore issues and topics arising from their architectural work. Pictures From Italy, the series' initial volume, also represents Christ & Gantenbein's first architectural project after they had setup their studio in Basel. The pictures(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
septembre 2012
septembre 2012
Titre:
Review N. 1 : Pictures from Italy
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$61.00
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Résumé:
Christ & Gantenbein Review is a new series of books edited by Swiss architects Emanuel Christ and Christoph Gantenbein, in which they explore issues and topics arising from their architectural work. Pictures From Italy, the series' initial volume, also represents Christ & Gantenbein's first architectural project after they had setup their studio in Basel. The pictures were shot during a six week journey throughout Italy in 1999. The journey itself and the images seen and taken proved to be of fundamental influence to Christ & Gantenbein's entire work since. Intending to look at historical architecture, in a quasi-unhistorical way, with the contemporary view of the 21st century, they chose Italy in search for absolute timelessness.
Review N. 1 : Pictures from Italy
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$61.00
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Résumé:
Christ & Gantenbein Review is a new series of books edited by Swiss architects Emanuel Christ and Christoph Gantenbein, in which they explore issues and topics arising from their architectural work. Pictures From Italy, the series' initial volume, also represents Christ & Gantenbein's first architectural project after they had setup their studio in Basel. The pictures were shot during a six week journey throughout Italy in 1999. The journey itself and the images seen and taken proved to be of fundamental influence to Christ & Gantenbein's entire work since. Intending to look at historical architecture, in a quasi-unhistorical way, with the contemporary view of the 21st century, they chose Italy in search for absolute timelessness.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Architecture, monographies
Architecture, monographies
