5520 Résultats
Classification:
documents textuels, périodiques
documents textuels, périodiques
Numéro de référence:
AP206.S2.075
Description:
This file consists of the following papers: "Storm in a Teacup" "Art and Habitat with reference to Corbusier's Chandigarh," 1988 "The Concept" "Managing your Own Environment" "Punjab Agricultural University Ludhiana: Some Thoughts Some Memories," published in the June 1988 issue of Advance magazine
AP206.S2.075
Description:
This file consists of the following papers: "Storm in a Teacup" "Art and Habitat with reference to Corbusier's Chandigarh," 1988 "The Concept" "Managing your Own Environment" "Punjab Agricultural University Ludhiana: Some Thoughts Some Memories," published in the June 1988 issue of Advance magazine
Personnes et institutions:
Date:
1988
1988
Titre:
Published and unpublished papers
Actions:
AP206.S2.075
Description:
This file consists of the following papers: "Storm in a Teacup" "Art and Habitat with reference to Corbusier's Chandigarh," 1988 "The Concept" "Managing your Own Environment" "Punjab Agricultural University Ludhiana: Some Thoughts Some Memories," published in the June 1988 issue of Advance magazine
Published and unpublished papers
Actions:
AP206.S2.075
Description:
This file consists of the following papers: "Storm in a Teacup" "Art and Habitat with reference to Corbusier's Chandigarh," 1988 "The Concept" "Managing your Own Environment" "Punjab Agricultural University Ludhiana: Some Thoughts Some Memories," published in the June 1988 issue of Advance magazine
Classification:
documents textuels, périodiques
documents textuels, périodiques
Date:
1988
1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Niveau de description archivistique:
Project
Project
Date:
1969-1971
1969-1971
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH273404
Description:
Press material including Time magazine (14 February 1972) and The Canadian Province (19 February 1977) with feature articles on Arthur Erickson. Also includes an exhibition catalogue for the touring exhibition "Arthur Erickson: Selected Projects 1971-1985," curated by Barbara Shapiro, 1985.
ARCH273404
Description:
Press material including Time magazine (14 February 1972) and The Canadian Province (19 February 1977) with feature articles on Arthur Erickson. Also includes an exhibition catalogue for the touring exhibition "Arthur Erickson: Selected Projects 1971-1985," curated by Barbara Shapiro, 1985.
Personnes et institutions:
Date:
1972-1985
1972-1985
Titre:
Press material with article on Arthur Erickson and his projects
Actions:
ARCH273404
Description:
Press material including Time magazine (14 February 1972) and The Canadian Province (19 February 1977) with feature articles on Arthur Erickson. Also includes an exhibition catalogue for the touring exhibition "Arthur Erickson: Selected Projects 1971-1985," curated by Barbara Shapiro, 1985.
Press material with article on Arthur Erickson and his projects
Actions:
ARCH273404
Description:
Press material including Time magazine (14 February 1972) and The Canadian Province (19 February 1977) with feature articles on Arthur Erickson. Also includes an exhibition catalogue for the touring exhibition "Arthur Erickson: Selected Projects 1971-1985," curated by Barbara Shapiro, 1985.
Classification:
documents textuels
documents textuels
Date:
1972-1985
1972-1985
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:095:036
Description:
File containing documents in German, including brochures, copies of the magazine werk und zeit, photocopies of newspaper clippings, and posters related to Melvin Charney's participation in a conference in Darmstadt, West Germany. Original folder inscribed in graphite: DOCUMENTA URBANA 1980-82 GERMANY
DR2012:0012:095:036
Description:
File containing documents in German, including brochures, copies of the magazine werk und zeit, photocopies of newspaper clippings, and posters related to Melvin Charney's participation in a conference in Darmstadt, West Germany. Original folder inscribed in graphite: DOCUMENTA URBANA 1980-82 GERMANY
Personnes et institutions:
Date:
1980
1980
Titre:
Reference materials related to the installation, The German Series
Actions:
DR2012:0012:095:036
Description:
File containing documents in German, including brochures, copies of the magazine werk und zeit, photocopies of newspaper clippings, and posters related to Melvin Charney's participation in a conference in Darmstadt, West Germany. Original folder inscribed in graphite: DOCUMENTA URBANA 1980-82 GERMANY
Reference materials related to the installation, The German Series
Actions:
DR2012:0012:095:036
Description:
File containing documents in German, including brochures, copies of the magazine werk und zeit, photocopies of newspaper clippings, and posters related to Melvin Charney's participation in a conference in Darmstadt, West Germany. Original folder inscribed in graphite: DOCUMENTA URBANA 1980-82 GERMANY
Classification:
documents textuels
documents textuels
Date:
1980
1980
Personnes et institutions:
Classification:
photographies
Quantité:
51 transparency(ies)
photographies
Quantité:
51 transparency(ies)
Titre:
Mark Seliger transparencies
Mark Seliger transparencies
Numéro de référence:
ARCH273105
Description:
This group of transparencies consists of images of Chuck Hoberman posing with some of his inventions, including the Hoberman sphere and a collapsible briefcase. The photographs were taken for an article appearing in the March 1992 issue of Discover magazine entitled, "The unfolding world of Chuck Hoberman".
ARCH273105
Description:
This group of transparencies consists of images of Chuck Hoberman posing with some of his inventions, including the Hoberman sphere and a collapsible briefcase. The photographs were taken for an article appearing in the March 1992 issue of Discover magazine entitled, "The unfolding world of Chuck Hoberman".
Personnes et institutions:
Date:
1992?
1992?
Titre:
Mark Seliger transparencies
Actions:
ARCH273105
Description:
This group of transparencies consists of images of Chuck Hoberman posing with some of his inventions, including the Hoberman sphere and a collapsible briefcase. The photographs were taken for an article appearing in the March 1992 issue of Discover magazine entitled, "The unfolding world of Chuck Hoberman".
Mark Seliger transparencies
Actions:
ARCH273105
Description:
This group of transparencies consists of images of Chuck Hoberman posing with some of his inventions, including the Hoberman sphere and a collapsible briefcase. The photographs were taken for an article appearing in the March 1992 issue of Discover magazine entitled, "The unfolding world of Chuck Hoberman".
Classification:
photographies
Quantité:
51 transparency(ies)
photographies
Quantité:
51 transparency(ies)
Date:
1992?
1992?
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH273754
Description:
Newspaper clippings related to several of Arthur Erickson's architectural projects and his death in 2009, spiral bound printed material related to the Edmonton Art Gallery and a photocopy of The Magazine of the Cambridge Society with reference to Napp Laboratories, Cambridge, England, designed by Erickson in 1979.
ARCH273754
Description:
Newspaper clippings related to several of Arthur Erickson's architectural projects and his death in 2009, spiral bound printed material related to the Edmonton Art Gallery and a photocopy of The Magazine of the Cambridge Society with reference to Napp Laboratories, Cambridge, England, designed by Erickson in 1979.
Personnes et institutions:
Date:
1986-2009
1986-2009
Titre:
Newspaper clippings related to several of Arthur Erickson's architectural projects and his death in 2009
Actions:
ARCH273754
Description:
Newspaper clippings related to several of Arthur Erickson's architectural projects and his death in 2009, spiral bound printed material related to the Edmonton Art Gallery and a photocopy of The Magazine of the Cambridge Society with reference to Napp Laboratories, Cambridge, England, designed by Erickson in 1979.
Newspaper clippings related to several of Arthur Erickson's architectural projects and his death in 2009
Actions:
ARCH273754
Description:
Newspaper clippings related to several of Arthur Erickson's architectural projects and his death in 2009, spiral bound printed material related to the Edmonton Art Gallery and a photocopy of The Magazine of the Cambridge Society with reference to Napp Laboratories, Cambridge, England, designed by Erickson in 1979.
Classification:
documents textuels
documents textuels
Date:
1986-2009
1986-2009
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH275916
Description:
2 binders - documentation of projects filed under, "Exhibition, Exposition." Includes: Canadian Pavilion, Expo '67, Canadian Pavilion, Expo '70, Habitat Pavilion, Gathering Place Expo '80. Contains project information sheets, photographic documentation, plans, photocopies of sketches, newspaper and magazine clippings and reprints.
ARCH275916
Description:
2 binders - documentation of projects filed under, "Exhibition, Exposition." Includes: Canadian Pavilion, Expo '67, Canadian Pavilion, Expo '70, Habitat Pavilion, Gathering Place Expo '80. Contains project information sheets, photographic documentation, plans, photocopies of sketches, newspaper and magazine clippings and reprints.
Personnes et institutions:
Date:
1990
1990
Titre:
Project information, photographic documentation, plans, press clippings, for various exhibitions projects
Actions:
ARCH275916
Description:
2 binders - documentation of projects filed under, "Exhibition, Exposition." Includes: Canadian Pavilion, Expo '67, Canadian Pavilion, Expo '70, Habitat Pavilion, Gathering Place Expo '80. Contains project information sheets, photographic documentation, plans, photocopies of sketches, newspaper and magazine clippings and reprints.
Project information, photographic documentation, plans, press clippings, for various exhibitions projects
Actions:
ARCH275916
Description:
2 binders - documentation of projects filed under, "Exhibition, Exposition." Includes: Canadian Pavilion, Expo '67, Canadian Pavilion, Expo '70, Habitat Pavilion, Gathering Place Expo '80. Contains project information sheets, photographic documentation, plans, photocopies of sketches, newspaper and magazine clippings and reprints.
Classification:
photographies
photographies
Date:
1990
1990
Personnes et institutions:
Classification:
documents textuels, photographies
Quantité:
4 file
documents textuels, photographies
Quantité:
4 file
Numéro de référence:
ARCH241479
Description:
Images (Anyway) - correspondence Illustrations - 35 negatives, 6 b&w photos Anyway photo research (captions and credits, permissions, etc.) - some material for the Lightness issue (issue 5 March/April 1994) of Any Magazine and some for the Anyway Journal Media Design Research / Tokyo - correspondence
ARCH241479
Description:
Images (Anyway) - correspondence Illustrations - 35 negatives, 6 b&w photos Anyway photo research (captions and credits, permissions, etc.) - some material for the Lightness issue (issue 5 March/April 1994) of Any Magazine and some for the Anyway Journal Media Design Research / Tokyo - correspondence
Personnes et institutions:
Date:
1994
1994
Titre:
Anyway Journal 1994 negatives and photographs
Actions:
ARCH241479
Description:
Images (Anyway) - correspondence Illustrations - 35 negatives, 6 b&w photos Anyway photo research (captions and credits, permissions, etc.) - some material for the Lightness issue (issue 5 March/April 1994) of Any Magazine and some for the Anyway Journal Media Design Research / Tokyo - correspondence
Anyway Journal 1994 negatives and photographs
Actions:
ARCH241479
Description:
Images (Anyway) - correspondence Illustrations - 35 negatives, 6 b&w photos Anyway photo research (captions and credits, permissions, etc.) - some material for the Lightness issue (issue 5 March/April 1994) of Any Magazine and some for the Anyway Journal Media Design Research / Tokyo - correspondence
Classification:
documents textuels, photographies
Quantité:
4 file
documents textuels, photographies
Quantité:
4 file
Date:
1994
1994
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Personnes et institutions:
Date:
between 1919 and 1920
between 1919 and 1920
Titre:
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Niveau de description archivistique:
series
series
Date:
between 1919 and 1920
between 1919 and 1920
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:102:007
Description:
File containing documents in English (predominant) and French, including clippings, drafts, and photocopies of Melvin Charney's article, "Troglai", as it appeard in Landscape magazine in spring 1963, and in translation in La Vie des Arts, spring 1964. Original folder inscribed in graphite: ESSAYS ON ROCK-CUT ARCH. + REPRINTS
DR2012:0012:102:007
Description:
File containing documents in English (predominant) and French, including clippings, drafts, and photocopies of Melvin Charney's article, "Troglai", as it appeard in Landscape magazine in spring 1963, and in translation in La Vie des Arts, spring 1964. Original folder inscribed in graphite: ESSAYS ON ROCK-CUT ARCH. + REPRINTS
Personnes et institutions:
Date:
1963-1964
1963-1964
Titre:
Clippings, drafts, and photocopies of article "Troglai"
Actions:
DR2012:0012:102:007
Description:
File containing documents in English (predominant) and French, including clippings, drafts, and photocopies of Melvin Charney's article, "Troglai", as it appeard in Landscape magazine in spring 1963, and in translation in La Vie des Arts, spring 1964. Original folder inscribed in graphite: ESSAYS ON ROCK-CUT ARCH. + REPRINTS
Clippings, drafts, and photocopies of article "Troglai"
Actions:
DR2012:0012:102:007
Description:
File containing documents in English (predominant) and French, including clippings, drafts, and photocopies of Melvin Charney's article, "Troglai", as it appeard in Landscape magazine in spring 1963, and in translation in La Vie des Arts, spring 1964. Original folder inscribed in graphite: ESSAYS ON ROCK-CUT ARCH. + REPRINTS
Classification:
documents textuels
documents textuels
Date:
1963-1964
1963-1964
Personnes et institutions:
