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'Feeling of uselessness: what are we doing here? We just walk around, take pictures randomly, try to get an image of the place where we are staying: but we seem to be lacking the whole meaning of it. The idea of making a map (not 'mapping', which seems to have been an infectious term in esthetical practices throughout the last ten years) was happily adopted, but probably(...)
gruppo A12: N33° 51.917' E130° 47.808'
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'Feeling of uselessness: what are we doing here? We just walk around, take pictures randomly, try to get an image of the place where we are staying: but we seem to be lacking the whole meaning of it. The idea of making a map (not 'mapping', which seems to have been an infectious term in esthetical practices throughout the last ten years) was happily adopted, but probably not sufficiently questioned before coming here. Maps are everywhere in Kitakyushu; we cannot avoid coming across them constantly, so the whole trick of imitating ancient explorers and geographers has soon vanished. We are experimenting while doing. The final result, if there will be any, will address issues of representation: it will be unfinished, rough and raw. We should go farther. Maybe the ones, who will come after us, can do so.'
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban(...)
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban Cabeza de Baca, Adjua Gargi Nzinga Greaves, David Johnson, Suzanne Kite, Charmaine Lee, Philip Matthews, Nat Ward, and Sara J. Winston, ''Return to the field'' assembles a dense and resonant, multi-vocal conversation threaded together by Kruis’ book-length poem, ''A Connectome.'' ''Return to the field'' is published on the occasion of Martha Tuttle's exhibition and sculptural installation, ''A stone that thinks of Enceladus,'' on view at Storm King Art Center (New Windsor, New York) from July 15, 2020 through November 8, 2021.
Littérature et poésie
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Addressing the histories and speculating on the futures of radical design and art education, "Decolonising design education" looks at the role that different institutional modes play in these endeavors. Developed in a dialogue among Regina Bittner, Katja Klaus and Philipp Sack (Bauhaus Dessau Foundation) and JJ Adibrata and farid rakun (Gudskul), the publication features(...)
Decolonising design education: Schools of departure no.1
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Addressing the histories and speculating on the futures of radical design and art education, "Decolonising design education" looks at the role that different institutional modes play in these endeavors. Developed in a dialogue among Regina Bittner, Katja Klaus and Philipp Sack (Bauhaus Dessau Foundation) and JJ Adibrata and farid rakun (Gudskul), the publication features a selection of historical case studies, conversations and in-depth reports about education practices in formerly colonized regions, shared by 10 art and design collectives. The publication is part of the Schools of Departure series, jointly published with a digital atlas mapping experiments in art and design education beyond the Bauhaus. By studying these phenomena as manifestations of "traveling concepts," which keep a wide variety of educational approaches in a process of constant exchange and motion, the publication explores routes of appropriation that move between different geographies, times and cultures.
Théorie du design
A verse map of Vancouver
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A Verse Map of Vancouver fills the gap in Vancouver’s verse geography by mapping the city, its neighbourhoods, its corner and intersections, its parks and landmarks. A Verse Map is a word ordinance survey by poets of the locality, from those whose names have a legendary place (Pat Lowther, George Woodcock) through a roster of verse surveyors — too great a list to include(...)
A verse map of Vancouver
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A Verse Map of Vancouver fills the gap in Vancouver’s verse geography by mapping the city, its neighbourhoods, its corner and intersections, its parks and landmarks. A Verse Map is a word ordinance survey by poets of the locality, from those whose names have a legendary place (Pat Lowther, George Woodcock) through a roster of verse surveyors — too great a list to include them all here — who have established themselves over the last three to four decades (John Pass, Evelyn Lau, John Donlan, Daphne Marlatt, Roy Miki, George Stanley, Linda Rogers, Tom Wayman, Meredith Quartermain, Kate Braid, Brian Brett, Bud Osborn) on through to the current generation who are etching their marks on the city (Catherine Owen, Rita Wong, Chris Hutchinson, Mark Cochrane, Russell Thornton, Kuldip Gill, Fiona Lam). Upwards of 100 poets have been gathered here accompanied by the rich city photography of Vancouver artist and designer Derek von Essen.
Architecture de Montréal
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In winter 2006, under the stewardship of philosopher Wolfgang Scheppe, a collective of students from the IUAV University in Venice fanned out to subject their city to a forensic structural mapping. Out of this fieldwork, conducted in the Situationist psychogeography tradition, there developed a three-year urban project that produced an enormous archive comprising tens of(...)
Migropolis: Venice, atlas of a global situation
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In winter 2006, under the stewardship of philosopher Wolfgang Scheppe, a collective of students from the IUAV University in Venice fanned out to subject their city to a forensic structural mapping. Out of this fieldwork, conducted in the Situationist psychogeography tradition, there developed a three-year urban project that produced an enormous archive comprising tens of thousands of photographs, case studies, movement profiles and statistic data. From this archive, Venice, sited as it is at the junction of three migration corridors, emerges as a classic instance of the increasingly globalized city in which a decimated inner-city population meets armies of tourists and a parallel economy supported by illegal immigrants. In a map that cleverly branches out into visual essays, written essays, data maps and interviews, the globalized territory of Venice is microscopically dissected and defined as an urban metaphor, the city becoming an “atlas of a global situation.”
livres
octobre 2009
Maps and dreams
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The Canadian sub-arctic is a world of forest, prairie and muskeg; of rainbow trout, moose, and caribou; of Indian hunters and trappers. It is also a world of boomtowns and bars, oil rigs and seismic soundings; of white energy speculators, ranchers and sports hunters. Hugh Brody came to this dual wold with the job of 'mapping' the lands of northwest British Columbia as(...)
Maps and dreams
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The Canadian sub-arctic is a world of forest, prairie and muskeg; of rainbow trout, moose, and caribou; of Indian hunters and trappers. It is also a world of boomtowns and bars, oil rigs and seismic soundings; of white energy speculators, ranchers and sports hunters. Hugh Brody came to this dual wold with the job of 'mapping' the lands of northwest British Columbia as well as the way of life of a small group of Beaver Indians with a viable hunting economy living in the path of a projected oil pipeline. "Maps and dreams" is his account of an extraordinary 18-month journey through the world of a people who have no intention of vanishing into the past. Brody's powerful commentary retraces the history of the ever-expanding white frontier, from the first eighteenth-century explorer to the wildest corporate energy dreams of the present day.
Architecture du Canada
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Crossover is the very first publication by the Delft School of Design (DSD), a laboratory for research and experimentation in architecture, urbanism and technologies of construction at the TU Delft. Its investigations cover a wide variety of subjects, from theoretical considerations and historical studies to urban and architectural practices and contemporary structural(...)
Théorie de l’architecture
décembre 2006, Rotterdam
Crossover : architecture, urbanism, technology
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Crossover is the very first publication by the Delft School of Design (DSD), a laboratory for research and experimentation in architecture, urbanism and technologies of construction at the TU Delft. Its investigations cover a wide variety of subjects, from theoretical considerations and historical studies to urban and architectural practices and contemporary structural design. What they all have in common is the emerging condition of architectural and urban knowledge in both the academic context and professional practice. Since its inception in 2003, the DSD has developed a strategy or field of inquiry for mapping new means of approaching the complexity of the contemporary urban and architectural conditions. Traditional approaches are seen to be increasingly inadequate in the face of this complexity. This is in part due to the nature of the information age. Yet, on the other hand, new technologies offer us the challenge and the potential to represent our world in unprecedenteded ways.
livres
décembre 2006, Rotterdam
Théorie de l’architecture
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing(...)
Architecture contemporaine
septembre 2025
The land remembers: A Collective exploration into the possibilities for regeneration
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing on the soil's memory as a testament to resilience and renewal. The format of the memory box is an archive of the land's richness, challenges, and potential, asking: How can we heal the land to build for future generations? The catalog combines expert analysis, personal stories, and diverse perspectives on destruction, regeneration, and coexistence. From ecological restoration to regenerative architecture and preservation of Lebanon's biodiversity, it underscores the urgent need for a symbiotic relationship between people and nature. By counter-mapping environmental destruction, reflecting on modern warfare's impacts, and embracing innovative solutions, this collective work envisions a legacy for future generations—one rooted in resilience, learning, and hope.
Architecture contemporaine
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This volume gathers a collection of 50 texts on book design written by designers Siri Lee Lindskrog and Amanda-Li Kollberg of Berlin-based graphic and type design studio Formal Settings. The texts are based on a selection of books from the private collection of the Hopscotch Reading Room, a conceptual bookstore and event space in Berlin. Each text centers on a single book(...)
juin 2024
Notes on book design: By formal settings
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This volume gathers a collection of 50 texts on book design written by designers Siri Lee Lindskrog and Amanda-Li Kollberg of Berlin-based graphic and type design studio Formal Settings. The texts are based on a selection of books from the private collection of the Hopscotch Reading Room, a conceptual bookstore and event space in Berlin. Each text centers on a single book from the collection, examining its visual and tactile elements—from materials to layout to binding to typography. The essays explore the role and potential of books through the lens of design, mapping what their physical forms communicate about their content. Lindskrog and Kollberg draw parallels between each book as a design object and the cultural movements, political landscapes and economic conditions under which they were created. The 50 texts are paired with an introduction by Formal Settings, a foreword by Hopscotch Reading Room and an afterword in which designer, author and educator Prem Krishnamurthy offers additional framing and perspective to the project.
livres
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"Geography of the gaze" offers a new history and theory of how the way we look at things influences what we see. Focusing on Western Europe from the seventeenth to the nineteenth century, Renzo Dibbini shows how developments in science, art, mapping, and visual epistemology affected the way natural and artificial landscapes were perceived and portrayed. He begins with(...)
Théorie du paysage
avril 2002, Chicago
Geography of the gaze : urban and rural vision in early modern Europe
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"Geography of the gaze" offers a new history and theory of how the way we look at things influences what we see. Focusing on Western Europe from the seventeenth to the nineteenth century, Renzo Dibbini shows how developments in science, art, mapping, and visual epistemology affected the way natural and artificial landscapes were perceived and portrayed. He begins with the idea of the "view" explaining its role in the invention of landscape painting and in the definition of landscape as a cultural space. Among other topics, Dubbini explores how the descriptive and pictorial techniques used in mariners' charts, view-oriented atlases, military cartography, and garden design were linked to the proliferation of highly realistic paintings of landscapes and city scenes; how the "picturesque" system for defining and composing landscapes affected not just art but also archaeology and engineering; and how the ever-changing modern cityspaces inspired new ways of seeing and representing the urban scene in Impressionist painting, photography, and stereoscopy. Transladed by Lydia G. Cochrane.
livres
avril 2002, Chicago
Théorie du paysage