7806 Résultats
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xxiii, 277 pages, 8 unnumbered pages of plates : illustrations (some color) ; 22 cm
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xxiii, 277 pages, 8 unnumbered pages of plates : illustrations (some color) ; 22 cm
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Tkaronto (Toronto) : Between the Lines, 2024., ©2024
Tkaronto (Toronto) : Between the Lines, 2024., ©2024
Titre:
When the pine needles fall : Indigenous acts of resistance / Katsi'tsakwas Ellen Gabriel ; with Sean Carleton.
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xxiii, 277 pages, 8 unnumbered pages of plates : illustrations (some color) ; 22 cm
When the pine needles fall : Indigenous acts of resistance / Katsi'tsakwas Ellen Gabriel ; with Sean Carleton.
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Description:
xxiii, 277 pages, 8 unnumbered pages of plates : illustrations (some color) ; 22 cm
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livres
livres
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Tkaronto (Toronto) : Between the Lines, 2024., ©2024
Tkaronto (Toronto) : Between the Lines, 2024., ©2024
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livres
livres
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151 pages : illustrations (chiefly color), plans ; 24 cm
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151 pages : illustrations (chiefly color), plans ; 24 cm
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München : Edition Detail, [2018]
München : Edition Detail, [2018]
Titre:
Bewohnte Natur = Living with nature / Herausgeberin/editor, Sandra Hofmeister ; Autoren/authors, Sandra Hofmeister, Jakob Schoof, Sandra Leitte (Projekttexte/project texts) ; Übersetzung/translation into English, Antoinette Aichele-Platen.
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151 pages : illustrations (chiefly color), plans ; 24 cm
Bewohnte Natur = Living with nature / Herausgeberin/editor, Sandra Hofmeister ; Autoren/authors, Sandra Hofmeister, Jakob Schoof, Sandra Leitte (Projekttexte/project texts) ; Übersetzung/translation into English, Antoinette Aichele-Platen.
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151 pages : illustrations (chiefly color), plans ; 24 cm
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livres
livres
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München : Edition Detail, [2018]
München : Edition Detail, [2018]
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livres
livres
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What's in a name? : talking about urban peripheries / edited by Richard Harris and Charlotte Vorms.
What's in a name? : talking about urban peripheries / edited by Richard Harris and Charlotte Vorms.
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x, 358 pages : illustrations ; 23 cm.
Description:
x, 358 pages : illustrations ; 23 cm.
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Toronto ; Buffalo ; London : University of Toronto Press, [2017], ©2017
Toronto ; Buffalo ; London : University of Toronto Press, [2017], ©2017
Titre:
What's in a name? : talking about urban peripheries / edited by Richard Harris and Charlotte Vorms.
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x, 358 pages : illustrations ; 23 cm.
What's in a name? : talking about urban peripheries / edited by Richard Harris and Charlotte Vorms.
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x, 358 pages : illustrations ; 23 cm.
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livres
livres
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Toronto ; Buffalo ; London : University of Toronto Press, [2017], ©2017
Toronto ; Buffalo ; London : University of Toronto Press, [2017], ©2017
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livres
livres
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96 pages : illustrations, plans ; 24 cm
Description:
96 pages : illustrations, plans ; 24 cm
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Barcelona, Spain : Gustavo Gili, S.A., 1987.
Barcelona, Spain : Gustavo Gili, S.A., 1987.
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Gustav Peichl / introducción / introduction: Massimo Scolari.
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96 pages : illustrations, plans ; 24 cm
Gustav Peichl / introducción / introduction: Massimo Scolari.
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96 pages : illustrations, plans ; 24 cm
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livres
livres
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Barcelona, Spain : Gustavo Gili, S.A., 1987.
Barcelona, Spain : Gustavo Gili, S.A., 1987.
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63 pages : color illustrations, portraits ; 25 x 31 cm
Description:
63 pages : color illustrations, portraits ; 25 x 31 cm
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[London] : Mack, [2019], ©2019
[London] : Mack, [2019], ©2019
Titre:
In Veneto 1984-89 / Guido Guidi.
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63 pages : color illustrations, portraits ; 25 x 31 cm
In Veneto 1984-89 / Guido Guidi.
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63 pages : color illustrations, portraits ; 25 x 31 cm
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livres
livres
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[London] : Mack, [2019], ©2019
[London] : Mack, [2019], ©2019
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Classification:
périodiques
périodiques
Titre:
The Modular quarterly.
The Modular quarterly.
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Description:
volumes ; 28 cm
Description:
volumes ; 28 cm
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[London] : [Modular Society]
[London] : [Modular Society]
Classification:
périodiques
périodiques
Publication:
[London] : [Modular Society]
[London] : [Modular Society]
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livres
livres
Titre:
The birth of graffiti
The birth of graffiti
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$32.00
(disponible sur commande)
Résumé:
The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark(...)
$32.00
(disponible sur commande)
Résumé:
The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark(...)
Publication:
juin 2007, Munich
juin 2007, Munich
Titre:
The birth of graffiti
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$32.00
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Résumé:
The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark body of work are brought together in a book destined to become a classic in its own right. Presented full-frame, at high resolution, and with meticulous attention to the original color, this book brings to life the gritty, exciting New York of the early 1970s and the raw visual power of early graffiti. While today graffiti is an accepted reality of city life--by turns condemned and embraced--these early photographs recall a time when subway cars and tenement walls seemed to explode overnight into bursts of color and energy. In most cases these ephemeral works survive only in Naar's masterful photographs. Sacha Jenkins, an authority on graffiti's history, puts these photographs in a broad historical context of an emerging youth culture that now reaches into every corner of art, fashion, and entertainment. At once nostalgic and inspirational, The Birth of Graffiti opens the way to a deeper appreciation of graffiti's historical and artistic significance.
The birth of graffiti
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$32.00
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Résumé:
The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark body of work are brought together in a book destined to become a classic in its own right. Presented full-frame, at high resolution, and with meticulous attention to the original color, this book brings to life the gritty, exciting New York of the early 1970s and the raw visual power of early graffiti. While today graffiti is an accepted reality of city life--by turns condemned and embraced--these early photographs recall a time when subway cars and tenement walls seemed to explode overnight into bursts of color and energy. In most cases these ephemeral works survive only in Naar's masterful photographs. Sacha Jenkins, an authority on graffiti's history, puts these photographs in a broad historical context of an emerging youth culture that now reaches into every corner of art, fashion, and entertainment. At once nostalgic and inspirational, The Birth of Graffiti opens the way to a deeper appreciation of graffiti's historical and artistic significance.
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livres
livres
Publication:
juin 2007, Munich
juin 2007, Munich
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livres
livres
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$34.50
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Résumé:
"Transmission: the art of Matta and Gordon Matta-Clark" presents the first comprehensive examination of the overlapping spheres of art and architecture in the work of two pioneering father and son artists: the Surrealist painter Matta (Roberto Sebastin Antonio Matta Echaurren) (1912-2002) and the multifaceted urban Conceptualist Gordon Matta-Clark (1943-1978). Organized(...)
$34.50
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Résumé:
"Transmission: the art of Matta and Gordon Matta-Clark" presents the first comprehensive examination of the overlapping spheres of art and architecture in the work of two pioneering father and son artists: the Surrealist painter Matta (Roberto Sebastin Antonio Matta Echaurren) (1912-2002) and the multifaceted urban Conceptualist Gordon Matta-Clark (1943-1978). Organized(...)
Titre:
Transmission : the art of Matta and Gordon Matta-Clark
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$34.50
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Résumé:
"Transmission: the art of Matta and Gordon Matta-Clark" presents the first comprehensive examination of the overlapping spheres of art and architecture in the work of two pioneering father and son artists: the Surrealist painter Matta (Roberto Sebastin Antonio Matta Echaurren) (1912-2002) and the multifaceted urban Conceptualist Gordon Matta-Clark (1943-1978). Organized by Betti-Sue Hertz, "Transmission" offers new perspectives on the impact of Matta's role in the development of late Surrealism and Matta-Clark's influence on the 1970s SoHo art scene. Both artists were originally trained as architects, and though they ostensibly rejected the profession in favor of art, each relied strongly on concepts of architectural space as they forged new practices in art. This illustrated publication compares Matta's metaphysical concepts and gestural pictorial practice with Matta-Clark's conceptually driven drawings and cut buildings; illustrates how aspects of Surrealism, especially as filtered through the work of Marcel Duchamp, were adopted by Matta-Clark and his circle; and explores the commonalities and differences in Matta's depictions of interior mindscapes and Matta-Clark's physical actions on buildings in the urban milieu. The catalogue presents essays and research by art historian Briony Fer, art critic Justo Pastor Mellado, architectural theorist Anthony Vidler, and the San Diego Museum of Art's curator of contemporary art, Betti-Sue Hertz.
Transmission : the art of Matta and Gordon Matta-Clark
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$34.50
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Résumé:
"Transmission: the art of Matta and Gordon Matta-Clark" presents the first comprehensive examination of the overlapping spheres of art and architecture in the work of two pioneering father and son artists: the Surrealist painter Matta (Roberto Sebastin Antonio Matta Echaurren) (1912-2002) and the multifaceted urban Conceptualist Gordon Matta-Clark (1943-1978). Organized by Betti-Sue Hertz, "Transmission" offers new perspectives on the impact of Matta's role in the development of late Surrealism and Matta-Clark's influence on the 1970s SoHo art scene. Both artists were originally trained as architects, and though they ostensibly rejected the profession in favor of art, each relied strongly on concepts of architectural space as they forged new practices in art. This illustrated publication compares Matta's metaphysical concepts and gestural pictorial practice with Matta-Clark's conceptually driven drawings and cut buildings; illustrates how aspects of Surrealism, especially as filtered through the work of Marcel Duchamp, were adopted by Matta-Clark and his circle; and explores the commonalities and differences in Matta's depictions of interior mindscapes and Matta-Clark's physical actions on buildings in the urban milieu. The catalogue presents essays and research by art historian Briony Fer, art critic Justo Pastor Mellado, architectural theorist Anthony Vidler, and the San Diego Museum of Art's curator of contemporary art, Betti-Sue Hertz.
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livres
livres
Publication:
octobre 2006, San Diego
octobre 2006, San Diego
Classification:
livres
livres
Titre:
Tamiko Nishimura: Journeys
Tamiko Nishimura: Journeys
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$54.95
(disponible en magasin)
Résumé:
Tamiko Nishimura (Born in Tokyo, 1948) graduated from Tokyo College of Photography (now Tokyo Visual Arts) in 1969. She emerged as part of the vibrant Japanese avant-garde scene in the early 1970s. Over the years, her work—largely based on her own journeys and experiences in Japan and abroad—conveys both a personal and beautifully theatrical perspective on the world.(...)
$54.95
(disponible en magasin)
Résumé:
Tamiko Nishimura (Born in Tokyo, 1948) graduated from Tokyo College of Photography (now Tokyo Visual Arts) in 1969. She emerged as part of the vibrant Japanese avant-garde scene in the early 1970s. Over the years, her work—largely based on her own journeys and experiences in Japan and abroad—conveys both a personal and beautifully theatrical perspective on the world.(...)
Sujet:
Monographies photo
Monographies photo
Publication:
novembre 2025
novembre 2025
Titre:
Tamiko Nishimura: Journeys
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$54.95
(disponible en magasin)
Résumé:
Tamiko Nishimura (Born in Tokyo, 1948) graduated from Tokyo College of Photography (now Tokyo Visual Arts) in 1969. She emerged as part of the vibrant Japanese avant-garde scene in the early 1970s. Over the years, her work—largely based on her own journeys and experiences in Japan and abroad—conveys both a personal and beautifully theatrical perspective on the world. Nishimura photographs in an instinctive and spontaneous way. Her visual language is poetic, spiritual, and deeply personal. While her stylistic approach to image-making, in contrasted black and white, often blurred, or grainy, is close to some of the artists associated with Provoke, her work is imbued with an introspective and haunting quality that evokes a unique and profound emotional dimension. Throughout her long and ongoing career, Nishimura has photographed women with a distinct attentiveness. The closeup of a woman’s face, her hair brushed by the wind; a woman energetically walking down the street with her grocery basket, her head turned away from the camera; the back of two women walking down a street; a girl reading on a sofa with a magazine resting on her knees; or the intimate portraits of her childhood friend. These photographs depicting women in their everyday lives are filled with a knowing and empathetic quality that stands out in the history of Japanese photography.
Tamiko Nishimura: Journeys
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$54.95
(disponible en magasin)
Résumé:
Tamiko Nishimura (Born in Tokyo, 1948) graduated from Tokyo College of Photography (now Tokyo Visual Arts) in 1969. She emerged as part of the vibrant Japanese avant-garde scene in the early 1970s. Over the years, her work—largely based on her own journeys and experiences in Japan and abroad—conveys both a personal and beautifully theatrical perspective on the world. Nishimura photographs in an instinctive and spontaneous way. Her visual language is poetic, spiritual, and deeply personal. While her stylistic approach to image-making, in contrasted black and white, often blurred, or grainy, is close to some of the artists associated with Provoke, her work is imbued with an introspective and haunting quality that evokes a unique and profound emotional dimension. Throughout her long and ongoing career, Nishimura has photographed women with a distinct attentiveness. The closeup of a woman’s face, her hair brushed by the wind; a woman energetically walking down the street with her grocery basket, her head turned away from the camera; the back of two women walking down a street; a girl reading on a sofa with a magazine resting on her knees; or the intimate portraits of her childhood friend. These photographs depicting women in their everyday lives are filled with a knowing and empathetic quality that stands out in the history of Japanese photography.
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livres
livres
Publication:
novembre 2025
novembre 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$69.95
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Résumé:
An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing(...)
$69.95
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Résumé:
An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing(...)
Titre:
Tracings: Writing art, 1975-2020
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$69.95
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An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing insights into methods of representation and the role of criticism in contemporary art. In clear and intelligent prose, Carr-Harris offers detailed studies of individual artists and exhibitions as well as theoretically informed reflections on broader cultural concerns. Whether writing about the complexities involved in the construction and transmission of knowledge, meaning, and historical narrative; discussing the material matters of government cultural funding, patronage, and artist-run centres; or describing his own process and artworks, these pieces reveal a literary love of language and a nuanced and investigative mind at work. Throughout his writing, he considers themes of identity, cultural nationalism, postcolonialism, institutionalism, the act of viewing, and relations of power. An introduction by Dan Adler situates Carr-Harris’s work within the context of his contemporaries, collaborators, and cultural environment, pointing out the mutually reinforcing qualities and relationships between his art and his writing. Covering decades of critical thought and engagement, "Tracings" confirms why Ian Carr-Harris has indelibly written himself into Canadian art.
Tracings: Writing art, 1975-2020
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$69.95
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Résumé:
An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing insights into methods of representation and the role of criticism in contemporary art. In clear and intelligent prose, Carr-Harris offers detailed studies of individual artists and exhibitions as well as theoretically informed reflections on broader cultural concerns. Whether writing about the complexities involved in the construction and transmission of knowledge, meaning, and historical narrative; discussing the material matters of government cultural funding, patronage, and artist-run centres; or describing his own process and artworks, these pieces reveal a literary love of language and a nuanced and investigative mind at work. Throughout his writing, he considers themes of identity, cultural nationalism, postcolonialism, institutionalism, the act of viewing, and relations of power. An introduction by Dan Adler situates Carr-Harris’s work within the context of his contemporaries, collaborators, and cultural environment, pointing out the mutually reinforcing qualities and relationships between his art and his writing. Covering decades of critical thought and engagement, "Tracings" confirms why Ian Carr-Harris has indelibly written himself into Canadian art.
Classification:
livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Théorie de l’art
Théorie de l’art
