7452 Résultats
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For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels,(...)
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For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels,(...)
Titre:
Canon/Archive: Studies in quantative formalism
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For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels, the geographic distribution of emotions, the nature of a sentence and a paragraph, and the evolution of bureaucratic doublespeak, descriptions emerge. The Stanford Literary Lab lets the computers provide new insights for questions from the deep tradition of two centuries of literary inquiry. Rather than, like the rest of us, letting the computers lead. The results are adventurous, witty, challenging, profound. The old questions can finally get new answers—as the prelude to new big questions. "Canon/Archive" is the fulfillment and further development of "distant reading," adding a rare, full-length monument to the piecemeal progress of the digital humanities. No student, teacher, or inquisitive reader of literature will want to be without this book—just as no one interested in the new data-attentive methods in history, criticism, and the social sciences can afford to evade its summons.
Canon/Archive: Studies in quantative formalism
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For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels, the geographic distribution of emotions, the nature of a sentence and a paragraph, and the evolution of bureaucratic doublespeak, descriptions emerge. The Stanford Literary Lab lets the computers provide new insights for questions from the deep tradition of two centuries of literary inquiry. Rather than, like the rest of us, letting the computers lead. The results are adventurous, witty, challenging, profound. The old questions can finally get new answers—as the prelude to new big questions. "Canon/Archive" is the fulfillment and further development of "distant reading," adding a rare, full-length monument to the piecemeal progress of the digital humanities. No student, teacher, or inquisitive reader of literature will want to be without this book—just as no one interested in the new data-attentive methods in history, criticism, and the social sciences can afford to evade its summons.
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livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Littérature et poésie
Littérature et poésie
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livres
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''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts,(...)
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''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts,(...)
Titre:
Since 1839...: Eleven essays on photography
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''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts, newly translated into English and published together in one volume for the first time, reflect the breadth of Chéroux’s thinking, the rigor of his approach, and his endless curiosity about photographs. In this volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.
Since 1839...: Eleven essays on photography
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''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts, newly translated into English and published together in one volume for the first time, reflect the breadth of Chéroux’s thinking, the rigor of his approach, and his endless curiosity about photographs. In this volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.
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livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$25.95
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The question of ownership is the critical fault line of our times, and during the pandemic this issue has only become more divisive. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by(...)
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The question of ownership is the critical fault line of our times, and during the pandemic this issue has only become more divisive. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by(...)
Titre:
Owning the future: Power and property in an age of crisis
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The question of ownership is the critical fault line of our times, and during the pandemic this issue has only become more divisive. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by reimagining how our economy is owned and by whom can we address the crises of our time—from the fallout of the pandemic to ecological collapse—at their roots. The authors argue that the systemic change we need hinges on a new era of democratic ownership: a reinvention of the firm as a vehicle for collective endeavour and meeting social needs; against the oligarchy of the platform giants, a digital commons that uses our data for collective good, not private profit; in place of environmental devastation, a new agenda of decommodification—of both nature and needs—with a Green New Deal and collective stewardship of the planet’s natural wealth. Together, these proposals offer a road map to owning the future and building a better world.
Owning the future: Power and property in an age of crisis
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The question of ownership is the critical fault line of our times, and during the pandemic this issue has only become more divisive. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by reimagining how our economy is owned and by whom can we address the crises of our time—from the fallout of the pandemic to ecological collapse—at their roots. The authors argue that the systemic change we need hinges on a new era of democratic ownership: a reinvention of the firm as a vehicle for collective endeavour and meeting social needs; against the oligarchy of the platform giants, a digital commons that uses our data for collective good, not private profit; in place of environmental devastation, a new agenda of decommodification—of both nature and needs—with a Green New Deal and collective stewardship of the planet’s natural wealth. Together, these proposals offer a road map to owning the future and building a better world.
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livres
livres
Publication:
juin 2022
juin 2022
Sujet:
Social
Social
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livres
livres
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Neues Museum
Neues Museum
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The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind(...)
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The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind(...)
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Architecture, monographies
Architecture, monographies
Publication:
septembre 2009
septembre 2009
Titre:
Neues Museum
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The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind the Altes Museum, the space housed the Egyptian Collection. Chipperfield's controversial plans followed a principle of conservation (or amalgamation) rather than reconstruction; he preserved the skeleton of the original building, with its elaborate finishes, attractive brickwork, frescoes and ornamentation, merging and contrasting these characteristics with his own subtle interpolations of clean white lines and quiet geometrical structures. The results are astounding, setting new standards in the field and opening up exciting possibilities for museum conversions. This volume celebrates Chipperfield's work in a series of images by the Berlin-based architectural photographer Friederike von Rauch. Von Rauch is well known for her unusual and exacting approach to architectural photography : eschewing digital technology and only using natural light, she presents a crisp and vibrant series of images that eloquently tell the story of Chipperfield's unorthodox but successful restoration.
Neues Museum
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The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind the Altes Museum, the space housed the Egyptian Collection. Chipperfield's controversial plans followed a principle of conservation (or amalgamation) rather than reconstruction; he preserved the skeleton of the original building, with its elaborate finishes, attractive brickwork, frescoes and ornamentation, merging and contrasting these characteristics with his own subtle interpolations of clean white lines and quiet geometrical structures. The results are astounding, setting new standards in the field and opening up exciting possibilities for museum conversions. This volume celebrates Chipperfield's work in a series of images by the Berlin-based architectural photographer Friederike von Rauch. Von Rauch is well known for her unusual and exacting approach to architectural photography : eschewing digital technology and only using natural light, she presents a crisp and vibrant series of images that eloquently tell the story of Chipperfield's unorthodox but successful restoration.
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livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$56.95
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During the late 1980s and throughout the 1990s, graphic design was experiencing one of its most exciting and transformative periods. The Apple Macintosh computer had been introduced, design schools were exploring French linguistic theory, the vernacular had become a serious source of study and inspiration, the design and manufacture of typefaces was suddenly opened up to(...)
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During the late 1980s and throughout the 1990s, graphic design was experiencing one of its most exciting and transformative periods. The Apple Macintosh computer had been introduced, design schools were exploring French linguistic theory, the vernacular had become a serious source of study and inspiration, the design and manufacture of typefaces was suddenly opened up to(...)
Titre:
Emigre no 70, the look back issue, selections from Emigre magazine #1 - #69
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During the late 1980s and throughout the 1990s, graphic design was experiencing one of its most exciting and transformative periods. The Apple Macintosh computer had been introduced, design schools were exploring French linguistic theory, the vernacular had become a serious source of study and inspiration, the design and manufacture of typefaces was suddenly opened up to everyone who could use a computer, and for the first time in the United States, New York City was no longer the place to look for the latest developments in graphic design. And in Berkeley, California, across the bay from Silicon Valley, Emigre magazine, like no other, recognized the significance of the events, and became both a leading participant and a keen observer of this innovative international design scene, generating a body of work and ideas that still resonate today. Fueled by Emigre s successful digital type foundry, the magazine became one of the most popular and controversial graphic design magazines of its time. 69 issues were published in a variety of formats, featuring in-depth interviews with fellow design trailblazers and critical essays by an emerging group of young design writers.
Emigre no 70, the look back issue, selections from Emigre magazine #1 - #69
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During the late 1980s and throughout the 1990s, graphic design was experiencing one of its most exciting and transformative periods. The Apple Macintosh computer had been introduced, design schools were exploring French linguistic theory, the vernacular had become a serious source of study and inspiration, the design and manufacture of typefaces was suddenly opened up to everyone who could use a computer, and for the first time in the United States, New York City was no longer the place to look for the latest developments in graphic design. And in Berkeley, California, across the bay from Silicon Valley, Emigre magazine, like no other, recognized the significance of the events, and became both a leading participant and a keen observer of this innovative international design scene, generating a body of work and ideas that still resonate today. Fueled by Emigre s successful digital type foundry, the magazine became one of the most popular and controversial graphic design magazines of its time. 69 issues were published in a variety of formats, featuring in-depth interviews with fellow design trailblazers and critical essays by an emerging group of young design writers.
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livres
livres
Publication:
novembre 2009
novembre 2009
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livres
livres
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Michiel Schwarz and Joost Elffers declare the dawn of a new cultural era, as we transition from modernity to sustainity - towards a world that is more connected, more localist, more digital and more sustainable. As the authors of this manifesto argue, "sustainism marks a shift not only in thinking and doing but in collective perception - of how we live, do business, feed(...)
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Michiel Schwarz and Joost Elffers declare the dawn of a new cultural era, as we transition from modernity to sustainity - towards a world that is more connected, more localist, more digital and more sustainable. As the authors of this manifesto argue, "sustainism marks a shift not only in thinking and doing but in collective perception - of how we live, do business, feed(...)
Titre:
Sustainism is the new modernism : a cultural manifesto for the sustainist era
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Michiel Schwarz and Joost Elffers declare the dawn of a new cultural era, as we transition from modernity to sustainity - towards a world that is more connected, more localist, more digital and more sustainable. As the authors of this manifesto argue, "sustainism marks a shift not only in thinking and doing but in collective perception - of how we live, do business, feed ourselves, design, travel and communicate, as much as how we deal with nature." In the twentieth century, whether we knew it or not, our world was shaped by modernist values, from the design of our cities to our homes, technologies and our conceptions of progress. Sustainism recasts our relationship to all of these things, binding ecological issues to a larger picture of our world. Through a series of graphically dynamic aphorisms, quotes and symbols designed for worldwide use by businesses, individuals and institutions, to signal support for sustainism, Michiel Schwarz and Joost Elffers show how the movement is already reshaping global culture, technology, food and media. With this concise manifesto, they launch the term sustainism into the public consciousness. The sustainist era has begun.
Sustainism is the new modernism : a cultural manifesto for the sustainist era
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Michiel Schwarz and Joost Elffers declare the dawn of a new cultural era, as we transition from modernity to sustainity - towards a world that is more connected, more localist, more digital and more sustainable. As the authors of this manifesto argue, "sustainism marks a shift not only in thinking and doing but in collective perception - of how we live, do business, feed ourselves, design, travel and communicate, as much as how we deal with nature." In the twentieth century, whether we knew it or not, our world was shaped by modernist values, from the design of our cities to our homes, technologies and our conceptions of progress. Sustainism recasts our relationship to all of these things, binding ecological issues to a larger picture of our world. Through a series of graphically dynamic aphorisms, quotes and symbols designed for worldwide use by businesses, individuals and institutions, to signal support for sustainism, Michiel Schwarz and Joost Elffers show how the movement is already reshaping global culture, technology, food and media. With this concise manifesto, they launch the term sustainism into the public consciousness. The sustainist era has begun.
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livres
livres
Publication:
août 2010
août 2010
Sujet:
Architecture écologique
Architecture écologique
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livres
livres
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$57.00
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With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code(...)
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With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code(...)
Titre:
Local code: 3659 proposals about data, design, and the nature of cities
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With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code is a collection of data-driven tools and design prototypes for understanding and transforming the physical, social, and ecological resilience of cities.'the book's data-driven layout arranges drawings of 3,659 digitally-tailored interventions for vacant public land in San Francisco, Los Angeles, New York City, and Venice, Italy. Between these illustrated case studies, critical essays present surprising and essential links between such designs and the seminal work of urbanist Jane Jacobs, artist Gordon Matta-Clark, and digital mapping pioneer Howard Fisher, along with the developing science of urban nature and complexity. In text and image, Local Code presents'a digitally prolific, open-ended approach to urban resilience and social and environmental justice; At once analytic and visionary, it pioneers a new field of enquiry and action at the meeting of big data and the expanding city.
Local code: 3659 proposals about data, design, and the nature of cities
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$57.00
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With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code is a collection of data-driven tools and design prototypes for understanding and transforming the physical, social, and ecological resilience of cities.'the book's data-driven layout arranges drawings of 3,659 digitally-tailored interventions for vacant public land in San Francisco, Los Angeles, New York City, and Venice, Italy. Between these illustrated case studies, critical essays present surprising and essential links between such designs and the seminal work of urbanist Jane Jacobs, artist Gordon Matta-Clark, and digital mapping pioneer Howard Fisher, along with the developing science of urban nature and complexity. In text and image, Local Code presents'a digitally prolific, open-ended approach to urban resilience and social and environmental justice; At once analytic and visionary, it pioneers a new field of enquiry and action at the meeting of big data and the expanding city.
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livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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périodiques
périodiques
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1 online resource (volumes)
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Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
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périodiques
périodiques
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Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
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périodiques
périodiques
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1 online resource
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Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
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périodiques
périodiques
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Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
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303 pages : illustrations (some color) ; 28 cm
Description:
303 pages : illustrations (some color) ; 28 cm
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Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
Titre:
Technoscape : the architecture of engineers / edited by Maristella Casciato, Pippo Ciorra ; translations: Matteo Bugiolacchi, Eugénie Antoinette Goedheeer, Valentina Moriconi.
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303 pages : illustrations (some color) ; 28 cm
Technoscape : the architecture of engineers / edited by Maristella Casciato, Pippo Ciorra ; translations: Matteo Bugiolacchi, Eugénie Antoinette Goedheeer, Valentina Moriconi.
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303 pages : illustrations (some color) ; 28 cm
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livres
livres
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Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
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