7437 Résultats
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livres
livres
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The life and work of the outstanding Catalan-Majorcan philosopher, logician, and mystic Ramon Llull continues to fascinate thinkers, artists, and scholars worldwide The primary idea of Ramon Llull’s teachings—to enable rational and therefore trustworthy dialogue between cultures and religions through a universally valid system of symbols—is today still topical and of(...)
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The life and work of the outstanding Catalan-Majorcan philosopher, logician, and mystic Ramon Llull continues to fascinate thinkers, artists, and scholars worldwide The primary idea of Ramon Llull’s teachings—to enable rational and therefore trustworthy dialogue between cultures and religions through a universally valid system of symbols—is today still topical and of(...)
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Publication:
avril 2019
avril 2019
Titre:
Dia-logos:Ramon Llull's method of thought and artistic practice
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The life and work of the outstanding Catalan-Majorcan philosopher, logician, and mystic Ramon Llull continues to fascinate thinkers, artists, and scholars worldwide The primary idea of Ramon Llull’s teachings—to enable rational and therefore trustworthy dialogue between cultures and religions through a universally valid system of symbols—is today still topical and of great relevance, especially in the tensions prevailing in globalized spaces of possibility. This book addresses Lullism as a remarkable and distinctive method of thinking and experimenting. The origins and impact of Ramon Llull’s oeuvre as a modern thinker are presented, and their interdisciplinary and intercultural implications, which continue to this day, are explored. Ars combinatoria, generative and permutative generation of texts, the epistemic and poetic power of algorithmic systems, plus the principle of unconditional dialogue between cultural groups and their individual members, are the most important coordinates of this combinatorial–dialogical media and communication theory, which appeared very early in the history of science, technology, and art. It was developed in the work of Ramon Llull during the transition from the thirteenth to the fourteenth century when Arab-Islamic, Jewish, and Christian cultures intersected.
Dia-logos:Ramon Llull's method of thought and artistic practice
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The life and work of the outstanding Catalan-Majorcan philosopher, logician, and mystic Ramon Llull continues to fascinate thinkers, artists, and scholars worldwide The primary idea of Ramon Llull’s teachings—to enable rational and therefore trustworthy dialogue between cultures and religions through a universally valid system of symbols—is today still topical and of great relevance, especially in the tensions prevailing in globalized spaces of possibility. This book addresses Lullism as a remarkable and distinctive method of thinking and experimenting. The origins and impact of Ramon Llull’s oeuvre as a modern thinker are presented, and their interdisciplinary and intercultural implications, which continue to this day, are explored. Ars combinatoria, generative and permutative generation of texts, the epistemic and poetic power of algorithmic systems, plus the principle of unconditional dialogue between cultural groups and their individual members, are the most important coordinates of this combinatorial–dialogical media and communication theory, which appeared very early in the history of science, technology, and art. It was developed in the work of Ramon Llull during the transition from the thirteenth to the fourteenth century when Arab-Islamic, Jewish, and Christian cultures intersected.
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livres
livres
Publication:
avril 2019
avril 2019
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$34.99
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The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions(...)
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The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions(...)
Titre:
Art school (propositions for the 21st century)
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The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. This book brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovi, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls.
Art school (propositions for the 21st century)
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The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. This book brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovi, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls.
Classification:
livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Neues Museum
Neues Museum
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The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind(...)
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The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
septembre 2009
septembre 2009
Titre:
Neues Museum
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$50.00
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The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind the Altes Museum, the space housed the Egyptian Collection. Chipperfield's controversial plans followed a principle of conservation (or amalgamation) rather than reconstruction; he preserved the skeleton of the original building, with its elaborate finishes, attractive brickwork, frescoes and ornamentation, merging and contrasting these characteristics with his own subtle interpolations of clean white lines and quiet geometrical structures. The results are astounding, setting new standards in the field and opening up exciting possibilities for museum conversions. This volume celebrates Chipperfield's work in a series of images by the Berlin-based architectural photographer Friederike von Rauch. Von Rauch is well known for her unusual and exacting approach to architectural photography : eschewing digital technology and only using natural light, she presents a crisp and vibrant series of images that eloquently tell the story of Chipperfield's unorthodox but successful restoration.
Neues Museum
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The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind the Altes Museum, the space housed the Egyptian Collection. Chipperfield's controversial plans followed a principle of conservation (or amalgamation) rather than reconstruction; he preserved the skeleton of the original building, with its elaborate finishes, attractive brickwork, frescoes and ornamentation, merging and contrasting these characteristics with his own subtle interpolations of clean white lines and quiet geometrical structures. The results are astounding, setting new standards in the field and opening up exciting possibilities for museum conversions. This volume celebrates Chipperfield's work in a series of images by the Berlin-based architectural photographer Friederike von Rauch. Von Rauch is well known for her unusual and exacting approach to architectural photography : eschewing digital technology and only using natural light, she presents a crisp and vibrant series of images that eloquently tell the story of Chipperfield's unorthodox but successful restoration.
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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Michiel Schwarz and Joost Elffers declare the dawn of a new cultural era, as we transition from modernity to sustainity - towards a world that is more connected, more localist, more digital and more sustainable. As the authors of this manifesto argue, "sustainism marks a shift not only in thinking and doing but in collective perception - of how we live, do business, feed(...)
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Michiel Schwarz and Joost Elffers declare the dawn of a new cultural era, as we transition from modernity to sustainity - towards a world that is more connected, more localist, more digital and more sustainable. As the authors of this manifesto argue, "sustainism marks a shift not only in thinking and doing but in collective perception - of how we live, do business, feed(...)
Titre:
Sustainism is the new modernism : a cultural manifesto for the sustainist era
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Michiel Schwarz and Joost Elffers declare the dawn of a new cultural era, as we transition from modernity to sustainity - towards a world that is more connected, more localist, more digital and more sustainable. As the authors of this manifesto argue, "sustainism marks a shift not only in thinking and doing but in collective perception - of how we live, do business, feed ourselves, design, travel and communicate, as much as how we deal with nature." In the twentieth century, whether we knew it or not, our world was shaped by modernist values, from the design of our cities to our homes, technologies and our conceptions of progress. Sustainism recasts our relationship to all of these things, binding ecological issues to a larger picture of our world. Through a series of graphically dynamic aphorisms, quotes and symbols designed for worldwide use by businesses, individuals and institutions, to signal support for sustainism, Michiel Schwarz and Joost Elffers show how the movement is already reshaping global culture, technology, food and media. With this concise manifesto, they launch the term sustainism into the public consciousness. The sustainist era has begun.
Sustainism is the new modernism : a cultural manifesto for the sustainist era
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Michiel Schwarz and Joost Elffers declare the dawn of a new cultural era, as we transition from modernity to sustainity - towards a world that is more connected, more localist, more digital and more sustainable. As the authors of this manifesto argue, "sustainism marks a shift not only in thinking and doing but in collective perception - of how we live, do business, feed ourselves, design, travel and communicate, as much as how we deal with nature." In the twentieth century, whether we knew it or not, our world was shaped by modernist values, from the design of our cities to our homes, technologies and our conceptions of progress. Sustainism recasts our relationship to all of these things, binding ecological issues to a larger picture of our world. Through a series of graphically dynamic aphorisms, quotes and symbols designed for worldwide use by businesses, individuals and institutions, to signal support for sustainism, Michiel Schwarz and Joost Elffers show how the movement is already reshaping global culture, technology, food and media. With this concise manifesto, they launch the term sustainism into the public consciousness. The sustainist era has begun.
Classification:
livres
livres
Publication:
août 2010
août 2010
Sujet:
Architecture écologique
Architecture écologique
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livres
livres
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$85.00
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German scientist and photographer Heinrich Kuhn (1866-1944) was one of the central figures in the establishment of international art photography at the turn of the twentieth century. Having studied botany and medicine, Kuhn made his first photograph in the late 1870s, dedicating himself solely to the medium within a decade. He achieved this dedication through the support(...)
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German scientist and photographer Heinrich Kuhn (1866-1944) was one of the central figures in the establishment of international art photography at the turn of the twentieth century. Having studied botany and medicine, Kuhn made his first photograph in the late 1870s, dedicating himself solely to the medium within a decade. He achieved this dedication through the support(...)
Titre:
Henrich Kühn: the perfect photograph
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German scientist and photographer Heinrich Kuhn (1866-1944) was one of the central figures in the establishment of international art photography at the turn of the twentieth century. Having studied botany and medicine, Kuhn made his first photograph in the late 1870s, dedicating himself solely to the medium within a decade. He achieved this dedication through the support of American photographers Alfred Stieglitz, Edward Steichen and others. After a meeting in 1904, Stieglitz and Kuhn initiated an almost 30-year-long correspondence, ushering in an era of pioneering experimentation with autochrome and other photographic processes. Critical to Kuhn's success was an offset process he perfected, which allowed him to deliberately dissolve the sharpness of the image and alter its brightness. The results are dreamy images full of rich, delicate color. Around 1910, Kuhn reduced the romantic cosmos of Pictorialism to the point where his compositions became almost abstract, so that only the study of light and the rendering of tonal values mattered. He later returned to exploring the photograph as objective record, concentrating mainly on writing and to experiments in photographic technology. This volume surveys the works of a revelatory photographer.
Henrich Kühn: the perfect photograph
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German scientist and photographer Heinrich Kuhn (1866-1944) was one of the central figures in the establishment of international art photography at the turn of the twentieth century. Having studied botany and medicine, Kuhn made his first photograph in the late 1870s, dedicating himself solely to the medium within a decade. He achieved this dedication through the support of American photographers Alfred Stieglitz, Edward Steichen and others. After a meeting in 1904, Stieglitz and Kuhn initiated an almost 30-year-long correspondence, ushering in an era of pioneering experimentation with autochrome and other photographic processes. Critical to Kuhn's success was an offset process he perfected, which allowed him to deliberately dissolve the sharpness of the image and alter its brightness. The results are dreamy images full of rich, delicate color. Around 1910, Kuhn reduced the romantic cosmos of Pictorialism to the point where his compositions became almost abstract, so that only the study of light and the rendering of tonal values mattered. He later returned to exploring the photograph as objective record, concentrating mainly on writing and to experiments in photographic technology. This volume surveys the works of a revelatory photographer.
Classification:
livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$88.00
(disponible en magasin)
Résumé:
Architectones, a monumental undertaking of seven exhibitions installed across three continents over a two year period, unites Veilhan's diverse interests in modernity, its histories of technology, and its cult of genius figures. Collectively titled after Kazimir Malevich's volumetric-spatial models, the art and architectural works partake in the revolutionary idealism of(...)
$88.00
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Architectones, a monumental undertaking of seven exhibitions installed across three continents over a two year period, unites Veilhan's diverse interests in modernity, its histories of technology, and its cult of genius figures. Collectively titled after Kazimir Malevich's volumetric-spatial models, the art and architectural works partake in the revolutionary idealism of(...)
Titre:
Xavier Veilhan: Architectones, art in the living environment
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Architectones, a monumental undertaking of seven exhibitions installed across three continents over a two year period, unites Veilhan's diverse interests in modernity, its histories of technology, and its cult of genius figures. Collectively titled after Kazimir Malevich's volumetric-spatial models, the art and architectural works partake in the revolutionary idealism of a period in which it was possible to imagine transforming society from the ground up by way of a new form of building. Between 2012 and 2014, Veilhan used music, light, and sculpture to activate Richard Neutra's VDL Research House in Silver Lake, Pierre Koenig's Case Study House No. 21 in the Hollywood Hills, and buildings designed by Le Corbusier and Mies Van Der Rohe, among others. The histories and legacies of the architects themselves played a prominent role in these installations, with figural sculptures and die-cut silhouettes of the looming personalities of the architects populating his installations. Architectones: Art in the Living Environment tells both a story of present and past, archiving exhibition photography as well as anecdotal and historical documents of many of the greatest domestic and private spaces of modern architecture.
Xavier Veilhan: Architectones, art in the living environment
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Architectones, a monumental undertaking of seven exhibitions installed across three continents over a two year period, unites Veilhan's diverse interests in modernity, its histories of technology, and its cult of genius figures. Collectively titled after Kazimir Malevich's volumetric-spatial models, the art and architectural works partake in the revolutionary idealism of a period in which it was possible to imagine transforming society from the ground up by way of a new form of building. Between 2012 and 2014, Veilhan used music, light, and sculpture to activate Richard Neutra's VDL Research House in Silver Lake, Pierre Koenig's Case Study House No. 21 in the Hollywood Hills, and buildings designed by Le Corbusier and Mies Van Der Rohe, among others. The histories and legacies of the architects themselves played a prominent role in these installations, with figural sculptures and die-cut silhouettes of the looming personalities of the architects populating his installations. Architectones: Art in the Living Environment tells both a story of present and past, archiving exhibition photography as well as anecdotal and historical documents of many of the greatest domestic and private spaces of modern architecture.
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livres
livres
Publication:
juillet 2015
juillet 2015
Classification:
livres
livres
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$32.95
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In "Enduring innocence", Keller Easterling tells the stories of outlaw "spatial products" -resorts, information technology campuses, retail chains, golf courses, ports, and other hybrid spaces that exist outside normal constituencies and jurisdictions, in difficult political situations around the world. These spaces -familiar commercial formulas of retail, business, and(...)
$32.95
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In "Enduring innocence", Keller Easterling tells the stories of outlaw "spatial products" -resorts, information technology campuses, retail chains, golf courses, ports, and other hybrid spaces that exist outside normal constituencies and jurisdictions, in difficult political situations around the world. These spaces -familiar commercial formulas of retail, business, and(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2007, Cambridge (MA), London
octobre 2007, Cambridge (MA), London
Titre:
Enduring innocence : global archtitecture and its political masquerades
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In "Enduring innocence", Keller Easterling tells the stories of outlaw "spatial products" -resorts, information technology campuses, retail chains, golf courses, ports, and other hybrid spaces that exist outside normal constituencies and jurisdictions, in difficult political situations around the world. These spaces -familiar commercial formulas of retail, business, and trade - aspire to be worlds unto themselves, self-reflexive and innocent of politics. But as Easterling shows, these enclaves can become political pawns and objects of contention. Jurisdictionally ambiguous, they are imbued with myths, desires, and symbolic capital. Their hilarious and dangerous masquerades often mix quite easily with the cunning of political platforms. Easterling argues that the study of such "real estate cocktails" provides vivid evidence of the market's weakness, resilience, or violence. These regimes of nonnational sovereignty, she writes, "move around the world like weather fronts"; Easterling focuses not on their blending - their global connectivity - but on their segregation and the cultural collisions that ensue. "Enduring innocence" resists the dream of one globally legible world found in many architectural discourses on globalization. Instead, Easterling's consideration of these segregated worlds provides new tools for practitioners sensitive to the political composition of urban landscapes.
Enduring innocence : global archtitecture and its political masquerades
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$32.95
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In "Enduring innocence", Keller Easterling tells the stories of outlaw "spatial products" -resorts, information technology campuses, retail chains, golf courses, ports, and other hybrid spaces that exist outside normal constituencies and jurisdictions, in difficult political situations around the world. These spaces -familiar commercial formulas of retail, business, and trade - aspire to be worlds unto themselves, self-reflexive and innocent of politics. But as Easterling shows, these enclaves can become political pawns and objects of contention. Jurisdictionally ambiguous, they are imbued with myths, desires, and symbolic capital. Their hilarious and dangerous masquerades often mix quite easily with the cunning of political platforms. Easterling argues that the study of such "real estate cocktails" provides vivid evidence of the market's weakness, resilience, or violence. These regimes of nonnational sovereignty, she writes, "move around the world like weather fronts"; Easterling focuses not on their blending - their global connectivity - but on their segregation and the cultural collisions that ensue. "Enduring innocence" resists the dream of one globally legible world found in many architectural discourses on globalization. Instead, Easterling's consideration of these segregated worlds provides new tools for practitioners sensitive to the political composition of urban landscapes.
Classification:
livres
livres
Publication:
octobre 2007, Cambridge (MA), London
octobre 2007, Cambridge (MA), London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$22.95
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In response to the contentious process surrounding the selection of a design for the World Trade Center site, the use of spectacular buildings to brand cities and institutions, and the dizzying transformations of the skylines of Shanghai and Dubai, public awareness of architecture and design has perhaps never been higher. At the same time, architecture itself is(...)
$22.95
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In response to the contentious process surrounding the selection of a design for the World Trade Center site, the use of spectacular buildings to brand cities and institutions, and the dizzying transformations of the skylines of Shanghai and Dubai, public awareness of architecture and design has perhaps never been higher. At the same time, architecture itself is(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
novembre 2007, Minneapolis
novembre 2007, Minneapolis
Titre:
The new architectural pragmatism
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In response to the contentious process surrounding the selection of a design for the World Trade Center site, the use of spectacular buildings to brand cities and institutions, and the dizzying transformations of the skylines of Shanghai and Dubai, public awareness of architecture and design has perhaps never been higher. At the same time, architecture itself is undergoing an identity crisis as it confronts fundamental issues: the effect of digital technology on design, the pervasive impact of global capitalism, and whether to embrace or resist popular media and taste. The New Architectural Pragmatism collects the most provocative, penetrating, and influential attempts by leading theorists and practitioners in the field to define what architectural practice should be at the beginning of the twenty-first century. Written in the aftermath of modernism’s utopian impulse and postmodernism’s detached playfulness, the essays gathered here express and critique a new spirit of cultural and political engagement with contemporary society. Interrogating the architect’s social responsibility, the contributors deliberate about how much we should ask of architecture and suggest that in the coming century, architecture must be at once flexible and robust, responsive and self-directed.
The new architectural pragmatism
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In response to the contentious process surrounding the selection of a design for the World Trade Center site, the use of spectacular buildings to brand cities and institutions, and the dizzying transformations of the skylines of Shanghai and Dubai, public awareness of architecture and design has perhaps never been higher. At the same time, architecture itself is undergoing an identity crisis as it confronts fundamental issues: the effect of digital technology on design, the pervasive impact of global capitalism, and whether to embrace or resist popular media and taste. The New Architectural Pragmatism collects the most provocative, penetrating, and influential attempts by leading theorists and practitioners in the field to define what architectural practice should be at the beginning of the twenty-first century. Written in the aftermath of modernism’s utopian impulse and postmodernism’s detached playfulness, the essays gathered here express and critique a new spirit of cultural and political engagement with contemporary society. Interrogating the architect’s social responsibility, the contributors deliberate about how much we should ask of architecture and suggest that in the coming century, architecture must be at once flexible and robust, responsive and self-directed.
Classification:
livres
livres
Publication:
novembre 2007, Minneapolis
novembre 2007, Minneapolis
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$54.00
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Résumé:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
$54.00
(disponible en magasin)
Résumé:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
Titre:
Ives Maes & David Campany in Conversation
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$54.00
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
Ives Maes & David Campany in Conversation
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$54.00
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Résumé:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
Classification:
livres
livres
Publication:
mars 2025
mars 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$71.95
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Résumé:
In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as(...)
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Résumé:
In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as(...)
Titre:
The soundscape of modernity : architectural acoustics and the culture of listening in America, 1900-1933
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Prix:
$71.95
(disponible sur commande)
Résumé:
In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston’s Symphony Hall, New York’s office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound--clear, direct, efficient, and nonreverberant—-had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
The soundscape of modernity : architectural acoustics and the culture of listening in America, 1900-1933
Actions:
Prix:
$71.95
(disponible sur commande)
Résumé:
In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston’s Symphony Hall, New York’s office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound--clear, direct, efficient, and nonreverberant—-had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
Classification:
livres
livres
Publication:
avril 2002, Cambridge, Mass.
avril 2002, Cambridge, Mass.
Sujet:
Matériaux et éclairage
Matériaux et éclairage
