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This publication traces the interaction between culture and politics as reflected in Canadian architecture and the infrastructure of ordinary life, from the first contacts between indigenous peoples and European missionaries to the construction of big-box shopping centres in postmodern cities. Whether focusing on Jesuit perceptions of New France, the construction of(...)
Architecture and the Canadian fabric
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This publication traces the interaction between culture and politics as reflected in Canadian architecture and the infrastructure of ordinary life, from the first contacts between indigenous peoples and European missionaries to the construction of big-box shopping centres in postmodern cities. Whether focusing on Jesuit perceptions of New France, the construction of Toronto’s St. James Cathedral or Canada’s first Parliament, Brutalism in Canadian architecture, or the ideas of Marshall McLuhan and Arthur Erickson, these essays showcase ways of thinking about the built environment that extend beyond considerations of authorship and style to address the influence of cultural politics and insights from race and gender studies and from postcolonial and spatial theory.
Architecture du Canada
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Leland and Jane Stanford built Stanford University as a memorial to their son, Leland Stanford Jr. The original 1891 campus, conceived by Frederick Law Olmsted and executed by architects Shepley, Rutan and Coolidge, balances architecture, landscapes, and the (...)
avril 1999, New York
Stanford University : the campus guide
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Leland and Jane Stanford built Stanford University as a memorial to their son, Leland Stanford Jr. The original 1891 campus, conceived by Frederick Law Olmsted and executed by architects Shepley, Rutan and Coolidge, balances architecture, landscapes, and the natural surroundings in a composition of classic formal beauty. Stanford is a model of university design, from the nineteenth-century Memorial Court and Main Quad to twentieth-century buildings and restorations that respect the historic campus while contributing to modern design. This architectural tour offers an insider's view of the most interesting buildings on campus and around town, from the historic designs of Memorial Court and Hoover Tower to twentieth-century interpretations of Stanford's red-tile-roof tradition in Antoine Predock's Allen Center for Integrated Systems and Polshek and Partners' Cantor Center for Visual Arts at Stanford University. It includes the work of Frank Lloyd Wright, Arthur Erickson, William Turnbull, James Ingo Freed, Sir Norman Foster, and Polshek.
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avril 1999, New York
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Ron Thom came of age in the mid-20th century, just as the modern movement and an impending building boom were about to reshape the country. Talented in music and art as well as design, he rejected sleek austerity in favor of modern architecture that is warm, intimate, and beautiful. He worked from coast to coast, and his most renowned buildings-Massey College, Trent(...)
Ron Thom, architect. The life of a creative modernist
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Ron Thom came of age in the mid-20th century, just as the modern movement and an impending building boom were about to reshape the country. Talented in music and art as well as design, he rejected sleek austerity in favor of modern architecture that is warm, intimate, and beautiful. He worked from coast to coast, and his most renowned buildings-Massey College, Trent University, the Shaw Festival Theatre, and landmark houses-continue to inspire generations of architects, as well as the legions of people who work, study, visit, and live in them. In this new biography, Ron Thom emerges as a complex figure, gifted with creative genius but pursued by demons. More than just the life story of one man, this book is a portrait of the society that shaped him. His world included Jack Shadbolt, Arthur Erickson, the Massey family, Barbara and Murray Frum, and many other luminaries of 20th-century Canada.
Architectes canadiens
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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research(...)
Unsettling educational modernism: Simon Fraser University
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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research group, "Guests and Hosts", formed by Bitter & Weber and Métis scholar June Scudeler including Métis scholar and student Treena Chambers, Kanien’kehá:ka Mohawk student Toni-Leah Yake, as well as Rachel Warwick and Hannah Campbell, has challenged the narrative of the radical campus, so called because it was informed by experimental concepts of learning and teaching. Using the spaces of a settler colonial institution, the project shifts perspectives by unsettling and challenging western- based concepts of pedagogy and knowledge. Combining archival photographic material, architectural photographs by the artists, and interventions into the institutional spaces by Guests and Hosts, the project performs the claim for places rather than spaces for Indigenous ways of knowing and learning.
Architectes canadiens
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Decades after gaining international recognition through the work of practitioners such as Arthur Erickson, Ron Thom, and Barry Downs, the West Coast Modern style remains widely celebrated and highly influential for residential architects in British Columbia and beyond, even as its expressions evolve and adapt to contemporary contexts. What are the contours of its legacy(...)
Reside: contemporary West Coast houses
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Decades after gaining international recognition through the work of practitioners such as Arthur Erickson, Ron Thom, and Barry Downs, the West Coast Modern style remains widely celebrated and highly influential for residential architects in British Columbia and beyond, even as its expressions evolve and adapt to contemporary contexts. What are the contours of its legacy today—and has a new Cascadia regional style emerged? To explore these questions, Clinton Cuddington, co-principal of Measured Architecture, invited dozens of B.C.-based architects to share residential projects that best exemplified their design process. Their responses range from palatial mountain chalets to cabins sitting lightly in the forest to oceanfront retreats to sensitive urban renovations. Each house is presented through full-colour photos by professional photographers including Andrew Latreille and Ema Peter, and accompanied by short essays by curator and critic Michael Prokopow that draw on visits to each house and interviews with the architects to elucidate the many aesthetic and programmatic accomplishments on display. The houses are grouped by typology within Mountain, Forest, Shore, and City sections, and followed by profiles of each firm with photos of additional work.
Architecture résidentielle
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Architecture has a powerful role in nation building and identity formation. Buildings and monuments not only constitute the built fabric of society, they reflect the intersection of culture, politics, economics, and aesthetics as these forces are played out in distinct social settings and distinct times. This extraordinary anthology traces the interaction between(...)
Architecture and the Canadian fabric
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Architecture has a powerful role in nation building and identity formation. Buildings and monuments not only constitute the built fabric of society, they reflect the intersection of culture, politics, economics, and aesthetics as these forces are played out in distinct social settings and distinct times. This extraordinary anthology traces the interaction between culture and politics as reflected in Canadian architecture and the infrastructure of ordinary life, from the first contacts between indigenous peoples and European missionaries to the construction of big-box shopping centres in postmodern cities. Whether focusing on Jesuit perceptions of New France, the construction of Toronto’s St. James Cathedral or Canada’s first Parliament, Brutalism in Canadian architecture, or the ideas of Marshall McLuhan and Arthur Erickson, these essays showcase ways of thinking about the built environment that extend beyond considerations of authorship and style to address the influence of cultural politics and insights from race and gender studies and from postcolonial and spatial theory. By coupling a national focus with a wide historical scope, Architecture and the Canadian Fabric transforms how we see the role of architecture and in doing so radically questions how we continue to live in, interact with, and interpret the fabricated world.
Architecture du Canada
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A landmark study of one of Canada’s most important architectural movements The West Coast Modern House chronicles the development of Vancouver residential architecture from the 1940’s through its continued influence on contemporary practice. The post-war era in Vancouver defined what has become popularly known as the “West Coast Style.” Through the work of seminal(...)
The West Coast modern house: Vancouver residential architecture
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A landmark study of one of Canada’s most important architectural movements The West Coast Modern House chronicles the development of Vancouver residential architecture from the 1940’s through its continued influence on contemporary practice. The post-war era in Vancouver defined what has become popularly known as the “West Coast Style.” Through the work of seminal figures such as BC Binning, Ned Pratt, Ron Thom, Fred Hollingsworth, Douglas Simpson, Barry Downs and Arthur Erickson, Vancouver architects won national awards and international recognition for their innovative house designs. This period is now seen as one of the most important in the city’s architectural history. Focusing on the years from 1940 to the mid-1960’s, The West Coast Modern House features over fifty examples of modern houses. The book is illustrated by photographs taken at the time by noted architectural photographers Graham Warrington, Selwyn Pullan and John Fulker. Essays by Greg Bellerby, Jana Tyner and Chris Macdonald elaborate on the history and innovative design strategies of the early period, through to an examination of the ways modern architectural concerns are being used by contemporary practitioners. The West Coast Modern House enables the reader to come to a greater understanding of the significance of modern residential architecture on the west coast and the persistence and relevance of its innovative design, material and construction strategies
Architecture du Canada