7452 Résultats
Classification:
livres
livres
Prix:
$90.00
(disponible sur commande)
Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through(...)
$90.00
(disponible sur commande)
Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through(...)
Publication:
mars 2006, New York
mars 2006, New York
Titre:
Things as they are : photojournalism in context since 1955
Actions:
Prix:
$90.00
(disponible sur commande)
Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through the presentation of 125 photojournalism features shot and published throughout the world. These stories are presented in context—shown on the pages of newspapers and magazines, as the public originally experienced them. In this way, "Things as they are" reveals how the events of the world, the art of photographers, and the interests of publishers and the press converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography—and a changing world. It includes photo-essays by photographers such as W. Eugene Smith, Sebastião Salgado, Mary Ellen Mark, and James Nachtwey, each accompanied by commentary. An international panel of one hundred photographers, editors, art directors, historians, and magazine collectors has made the final selections for the book. They have chosen stories that exemplify the highest quality of work published around the world during each period as well as stories that have played a key role in shaping the history of photojournalism itself, demonstrating important innovations in photography and in publishing. The book includes a preface by Michiel Munneke, director of World Press Photo; a foreword by Christian Caujolle, curator and founder of Agence Vu Press; an introduction by Mary Panzer that considers the past, present, and future of photojournalism; and a timeline of the period illustrated with iconic winners of the annual World Press Photo awards.
Things as they are : photojournalism in context since 1955
Actions:
Prix:
$90.00
(disponible sur commande)
Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through the presentation of 125 photojournalism features shot and published throughout the world. These stories are presented in context—shown on the pages of newspapers and magazines, as the public originally experienced them. In this way, "Things as they are" reveals how the events of the world, the art of photographers, and the interests of publishers and the press converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography—and a changing world. It includes photo-essays by photographers such as W. Eugene Smith, Sebastião Salgado, Mary Ellen Mark, and James Nachtwey, each accompanied by commentary. An international panel of one hundred photographers, editors, art directors, historians, and magazine collectors has made the final selections for the book. They have chosen stories that exemplify the highest quality of work published around the world during each period as well as stories that have played a key role in shaping the history of photojournalism itself, demonstrating important innovations in photography and in publishing. The book includes a preface by Michiel Munneke, director of World Press Photo; a foreword by Christian Caujolle, curator and founder of Agence Vu Press; an introduction by Mary Panzer that considers the past, present, and future of photojournalism; and a timeline of the period illustrated with iconic winners of the annual World Press Photo awards.
Classification:
livres
livres
Publication:
mars 2006, New York
mars 2006, New York
Classification:
livres
livres
Prix:
$25.95
(disponible sur commande)
Résumé:
Finally, we are learning that simplicity equals sanity. We're rebelling against technology that's too complicated, DVD players with too many menus, and software accompanied by 75-megabyte "read me" manuals. The iPod's clean gadgetry has made simplicity hip. But sometimes we find ourselves caught up in the simplicity paradox: we want something that's simple and easy to(...)
$25.95
(disponible sur commande)
Résumé:
Finally, we are learning that simplicity equals sanity. We're rebelling against technology that's too complicated, DVD players with too many menus, and software accompanied by 75-megabyte "read me" manuals. The iPod's clean gadgetry has made simplicity hip. But sometimes we find ourselves caught up in the simplicity paradox: we want something that's simple and easy to(...)
Titre:
The laws of simplicity : design, technology, business, life
Actions:
Prix:
$25.95
(disponible sur commande)
Résumé:
Finally, we are learning that simplicity equals sanity. We're rebelling against technology that's too complicated, DVD players with too many menus, and software accompanied by 75-megabyte "read me" manuals. The iPod's clean gadgetry has made simplicity hip. But sometimes we find ourselves caught up in the simplicity paradox: we want something that's simple and easy to use, but also does all the complex things we might ever want it to do. In "The laws of simplicity", John Maeda offers ten laws for balancing simplicity and complexity in business, technology, and design -guidelines for needing less and actually getting more. Maeda - a professor in MIT's Media Lab and a world-renowned graphic designer - explores the question of how we can redefine the notion of "improved" so that it doesn't always mean something more, something added on. Maeda's first law of simplicity is "Reduce." It's not necessarily beneficial to add technology features just because we can. And the features that we do have must be organized (Law 2) in a sensible hierarchy so users aren't distracted by features and functions they don't need. But simplicity is not less just for the sake of less. Skip ahead to Law 9: "Failure : accept the fact that some things can never be made simple." Maeda's concise guide to simplicity in the digital age shows us how this idea can be a cornerstone of organizations and their products -how it can drive both business and technology. We can learn to simplify without sacrificing comfort and meaning, and we can achieve the balance described in Law 10. This law, which Maeda calls "The One," tells us: "Simplicity is about subtracting the obvious, and adding the meaningful."
The laws of simplicity : design, technology, business, life
Actions:
Prix:
$25.95
(disponible sur commande)
Résumé:
Finally, we are learning that simplicity equals sanity. We're rebelling against technology that's too complicated, DVD players with too many menus, and software accompanied by 75-megabyte "read me" manuals. The iPod's clean gadgetry has made simplicity hip. But sometimes we find ourselves caught up in the simplicity paradox: we want something that's simple and easy to use, but also does all the complex things we might ever want it to do. In "The laws of simplicity", John Maeda offers ten laws for balancing simplicity and complexity in business, technology, and design -guidelines for needing less and actually getting more. Maeda - a professor in MIT's Media Lab and a world-renowned graphic designer - explores the question of how we can redefine the notion of "improved" so that it doesn't always mean something more, something added on. Maeda's first law of simplicity is "Reduce." It's not necessarily beneficial to add technology features just because we can. And the features that we do have must be organized (Law 2) in a sensible hierarchy so users aren't distracted by features and functions they don't need. But simplicity is not less just for the sake of less. Skip ahead to Law 9: "Failure : accept the fact that some things can never be made simple." Maeda's concise guide to simplicity in the digital age shows us how this idea can be a cornerstone of organizations and their products -how it can drive both business and technology. We can learn to simplify without sacrificing comfort and meaning, and we can achieve the balance described in Law 10. This law, which Maeda calls "The One," tells us: "Simplicity is about subtracting the obvious, and adding the meaningful."
Classification:
livres
livres
Publication:
septembre 2006, Cambridge (MA)
septembre 2006, Cambridge (MA)
Sujet:
Théorie du design
Théorie du design
Classification:
livres
livres
Actions:
Exemplaires:
Description:
383 pages : illustrations (chiefly color), portraits ; 28 cm.
Description:
383 pages : illustrations (chiefly color), portraits ; 28 cm.
Auteur:
- Doll, Nikola, 1970-,
- Bredekamp, Horst, 1947-,
- Schäffner, Wolfgang.,
- Ahrens-Heimer, Elisa.,
- Humboldt-Universität zu Berlin. Exzellenzcluster "Bild Wissen Gestaltung. Ein Interdisziplinäres Labor.",
- Martin-Gropius-Bau (Berlin, Germany)
Sujet:
- Design 2016,
- Design and technology 21st century Exhibitions.,
- Design Technological innovations 21st century Exhibitions.,
- Design Anthropological aspects 21st century Exhibitions.,
- Communication in design 21st century Exhibitions.,
- Industrial design 21st century Exhibitions.,
- Architectural design 21st century Exhibitions.,
- Engineering design 21st century Exhibitions.,
- Design et technologie 21e siècle Expositions.,
- Design Innovations 21e siècle Expositions.,
- Design Aspect anthropologique 21e siècle Expositions.,
- Communication en design 21e siècle Expositions.,
- Design 21e siècle Expositions.,
- Design architectural 21e siècle Expositions.,
- Conception technique 21e siècle Expositions.,
- Architectural design,
- Communication in design,
- Design and technology,
- Design Anthropological aspects,
- Design Technological innovations,
- Engineering design,
- Industrial design,
- Theorie,
- Exhibition catalogues.,
- Exhibition catalogs.,
- exhibition catalogs.,
- Catalogues d'exposition.
Publication:
Leipzig : E.A. Seemann, c2016.
Leipzig : E.A. Seemann, c2016.
Titre:
+Ultra : Gestaltung schafft Wissen / herausgegeben von Nikola Doll, Horst Bredekamp und Wolfgang Schäffner ; für den Exzellenzcluster Bild Wissen Gestaltung, ein Interdisziplinäres Labor der Humboldt-Universität zu Berlin ; Übersetzungen: Katharina Lee Chichester [and three others] ; Autoren: Elisa Ahrens-Heimer [and many others].
Actions:
Exemplaires:
Description:
383 pages : illustrations (chiefly color), portraits ; 28 cm.
+Ultra : Gestaltung schafft Wissen / herausgegeben von Nikola Doll, Horst Bredekamp und Wolfgang Schäffner ; für den Exzellenzcluster Bild Wissen Gestaltung, ein Interdisziplinäres Labor der Humboldt-Universität zu Berlin ; Übersetzungen: Katharina Lee Chichester [and three others] ; Autoren: Elisa Ahrens-Heimer [and many others].
Actions:
Exemplaires:
Description:
383 pages : illustrations (chiefly color), portraits ; 28 cm.
Classification:
livres
livres
Publication:
Leipzig : E.A. Seemann, c2016.
Leipzig : E.A. Seemann, c2016.
Auteur:
- Doll, Nikola, 1970-,
- Bredekamp, Horst, 1947-,
- Schäffner, Wolfgang.,
- Ahrens-Heimer, Elisa.,
- Humboldt-Universität zu Berlin. Exzellenzcluster "Bild Wissen Gestaltung. Ein Interdisziplinäres Labor.",
- Martin-Gropius-Bau (Berlin, Germany)
Sujet:
- Design 2016,
- Design and technology 21st century Exhibitions.,
- Design Technological innovations 21st century Exhibitions.,
- Design Anthropological aspects 21st century Exhibitions.,
- Communication in design 21st century Exhibitions.,
- Industrial design 21st century Exhibitions.,
- Architectural design 21st century Exhibitions.,
- Engineering design 21st century Exhibitions.,
- Design et technologie 21e siècle Expositions.,
- Design Innovations 21e siècle Expositions.,
- Design Aspect anthropologique 21e siècle Expositions.,
- Communication en design 21e siècle Expositions.,
- Design 21e siècle Expositions.,
- Design architectural 21e siècle Expositions.,
- Conception technique 21e siècle Expositions.,
- Architectural design,
- Communication in design,
- Design and technology,
- Design Anthropological aspects,
- Design Technological innovations,
- Engineering design,
- Industrial design,
- Theorie,
- Exhibition catalogues.,
- Exhibition catalogs.,
- exhibition catalogs.,
- Catalogues d'exposition.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
XXIII, 248 S. überw. Ill., graph. Darst. 26 cm
Description:
XXIII, 248 S. überw. Ill., graph. Darst. 26 cm
Auteur:
- Jaeggi, Annemarie 1956-,
- Ortner-Bach, Monika 1945-,
- Ortner, Rudolf 1912-1997
Sujet:
Publication:
München Holzapfel 2007
München Holzapfel 2007
Titre:
Rudolf Ortner Bauhaus-Schüler 1932 - 1933, Architekt 1936 - 1976, Maler und Fotograf 1977 - 1997 Monika Ortner-Bach. Mit Essays von Annemarie Jaeggi ...
Actions:
Exemplaires:
Description:
XXIII, 248 S. überw. Ill., graph. Darst. 26 cm
Rudolf Ortner Bauhaus-Schüler 1932 - 1933, Architekt 1936 - 1976, Maler und Fotograf 1977 - 1997 Monika Ortner-Bach. Mit Essays von Annemarie Jaeggi ...
Actions:
Exemplaires:
Description:
XXIII, 248 S. überw. Ill., graph. Darst. 26 cm
Classification:
livres
livres
Publication:
München Holzapfel 2007
München Holzapfel 2007
Auteur:
- Jaeggi, Annemarie 1956-,
- Ortner-Bach, Monika 1945-,
- Ortner, Rudolf 1912-1997
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
xiv, 234 pages : illustrations (black and white) ; 29 cm
- Bibliothèque main 43551 | 0005788; ID:89-B3295 | Disponible
- Bibliothèque main 43550 | 859; ID:89-B3295 | Disponible
Description:
xiv, 234 pages : illustrations (black and white) ; 29 cm
Auteur:
Sujet:
- Historic buildings United States Pictorial works.,
- Dwellings United States Pictorial works.,
- Villages United States Pictorial works.,
- Habitations États-Unis Ouvrages illustrés.,
- Villages États-Unis Ouvrages illustrés.,
- Dwellings,
- Historic buildings,
- Villages,
- Habitations États-Unis.,
- Villages États-Unis.,
- Architecture rurale États-Unis.,
- United States,
- illustrated books.,
- Illustrated works,
- Ouvrages illustrés.
Publication:
New York : Crown Publishers, [1955], ©1955
New York : Crown Publishers, [1955], ©1955
Titre:
The living past of America : pictorial treasury of our historic houses and villages that have been preserved and restored / by Cornelius Vanderbilt, Jr.
Actions:
Exemplaires:
Description:
xiv, 234 pages : illustrations (black and white) ; 29 cm
The living past of America : pictorial treasury of our historic houses and villages that have been preserved and restored / by Cornelius Vanderbilt, Jr.
Actions:
Exemplaires:
- Bibliothèque main 43551 | 0005788; ID:89-B3295 | Disponible
- Bibliothèque main 43550 | 859; ID:89-B3295 | Disponible
Description:
xiv, 234 pages : illustrations (black and white) ; 29 cm
Classification:
livres
livres
Publication:
New York : Crown Publishers, [1955], ©1955
New York : Crown Publishers, [1955], ©1955
Auteur:
Sujet:
- Historic buildings United States Pictorial works.,
- Dwellings United States Pictorial works.,
- Villages United States Pictorial works.,
- Habitations États-Unis Ouvrages illustrés.,
- Villages États-Unis Ouvrages illustrés.,
- Dwellings,
- Historic buildings,
- Villages,
- Habitations États-Unis.,
- Villages États-Unis.,
- Architecture rurale États-Unis.,
- United States,
- illustrated books.,
- Illustrated works,
- Ouvrages illustrés.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
395 pages, 1 unnumbered page : illustrations (chiefly color) ; 21 cm
Description:
395 pages, 1 unnumbered page : illustrations (chiefly color) ; 21 cm
Auteur:
- Linke, Armin,,
- Photographs. Selections.,
- Joerg, Bader,,
- Beitin, Andreas F.,,
- Ziegler, Philipp,,
- Azoulay, Ariella,,
- Kear, Jon,,
- Cowper, Simon,
Sujet:
- Linke, Armin Exhibitions.,
- Linke, Armin,
- Documentary photography Exhibitions.,
- Human ecology in art Exhibitions.,
- Interpretation of cultural and natural resources.,
- Picture interpretation Pictorial works.,
- Photographs Psychological aspects.,
- Photographie documentaire Expositions.,
- Écologie humaine dans l'art Expositions.,
- Interprétation du patrimoine.,
- Illustrations, images, etc. Interprétation Ouvrages illustrés.,
- Picture interpretation,
- Documentary photography,
- Human ecology in art,
- Exhibition Publications.,
- Illustrated works,
- Exhibition catalogs
Publication:
Leipzig : Spector Books, 2017., ©2017
Leipzig : Spector Books, 2017., ©2017
Titre:
Armin Linke : the appearance of that which cannot be seen / editors: Joerg Bader, Andreas Beitin, Philipp Ziegler ; texts: Ariella Azoulay, Lorraine Daston, Franco Farinelli, Bruno Latour, Peter Weibel, Jan Wenzel, Mark Wigley, Jan Zalasiewicz ; translations: Jon Kear, Simon Cowper.
Actions:
Exemplaires:
Description:
395 pages, 1 unnumbered page : illustrations (chiefly color) ; 21 cm
Armin Linke : the appearance of that which cannot be seen / editors: Joerg Bader, Andreas Beitin, Philipp Ziegler ; texts: Ariella Azoulay, Lorraine Daston, Franco Farinelli, Bruno Latour, Peter Weibel, Jan Wenzel, Mark Wigley, Jan Zalasiewicz ; translations: Jon Kear, Simon Cowper.
Actions:
Exemplaires:
Description:
395 pages, 1 unnumbered page : illustrations (chiefly color) ; 21 cm
Classification:
livres
livres
Publication:
Leipzig : Spector Books, 2017., ©2017
Leipzig : Spector Books, 2017., ©2017
Auteur:
- Linke, Armin,,
- Photographs. Selections.,
- Joerg, Bader,,
- Beitin, Andreas F.,,
- Ziegler, Philipp,,
- Azoulay, Ariella,,
- Kear, Jon,,
- Cowper, Simon,
Sujet:
- Linke, Armin Exhibitions.,
- Linke, Armin,
- Documentary photography Exhibitions.,
- Human ecology in art Exhibitions.,
- Interpretation of cultural and natural resources.,
- Picture interpretation Pictorial works.,
- Photographs Psychological aspects.,
- Photographie documentaire Expositions.,
- Écologie humaine dans l'art Expositions.,
- Interprétation du patrimoine.,
- Illustrations, images, etc. Interprétation Ouvrages illustrés.,
- Picture interpretation,
- Documentary photography,
- Human ecology in art,
- Exhibition Publications.,
- Illustrated works,
- Exhibition catalogs
Classification:
livres
livres
Actions:
Exemplaires:
Description:
91 pages : illustrations ; 24 cm
- Bibliothèque main 259852 | BIB 190772 | c. 1 | Disponible
- Bibliothèque main 261763 | BIB 190772 | c. 2 | Disponible
Description:
91 pages : illustrations ; 24 cm
Auteur:
Sujet:
- Berlage, H. P. (Hendrik Petrus), 1856-1934.,
- Cuypers, P. J. H. (Petrus Josephus Hubertus), 1827-1921.,
- Architecture Netherlands History 19th century.,
- Architecture Pays-Bas Histoire 19e siècle.,
- Architecture.,
- Netherlands.,
- Geschichte,
- History.
Publication:
Rotterdam : Uitgeverij 010, 2008.
Rotterdam : Uitgeverij 010, 2008.
Titre:
Sterrenstof : honderd jaar mythologie in de Nederlandse architectuur / Auke van der Woud.
Actions:
Exemplaires:
Description:
91 pages : illustrations ; 24 cm
Sterrenstof : honderd jaar mythologie in de Nederlandse architectuur / Auke van der Woud.
Actions:
Exemplaires:
- Bibliothèque main 259852 | BIB 190772 | c. 1 | Disponible
- Bibliothèque main 261763 | BIB 190772 | c. 2 | Disponible
Description:
91 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Rotterdam : Uitgeverij 010, 2008.
Rotterdam : Uitgeverij 010, 2008.
Auteur:
Sujet:
- Berlage, H. P. (Hendrik Petrus), 1856-1934.,
- Cuypers, P. J. H. (Petrus Josephus Hubertus), 1827-1921.,
- Architecture Netherlands History 19th century.,
- Architecture Pays-Bas Histoire 19e siècle.,
- Architecture.,
- Netherlands.,
- Geschichte,
- History.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
147 S. überw. Ill. 29 cm
Description:
147 S. überw. Ill. 29 cm
Auteur:
Sujet:
- BRT Architekten.,
- Architekturbüro Bothe, Richter, Teherani,
- Glass construction.,
- Construction en verre.,
- Glasbau,
- Glasarchitektur,
- Konstruktion,
- Glaskonstruktion,
- Transparenz,
- Transparente Architektur,
- Bothe, Richter, Teherani (Hamburg),
- GLASGEBAEUDE (ARCHITEKTUR),
- AUSSENWAENDE + AUSSENMAUERN + FASSADEN (BAUTEILE, -ELEMENTE),
- Bildband
Publication:
Hamburg Junius 2002
Hamburg Junius 2002
Titre:
Konstruktion und Poesie Glasarchitektur von Bothe Richter Teherani 1991 - 2002 Dirk Meyhöfer. [Übers.: Victor Dewsbery]
Actions:
Exemplaires:
Description:
147 S. überw. Ill. 29 cm
Konstruktion und Poesie Glasarchitektur von Bothe Richter Teherani 1991 - 2002 Dirk Meyhöfer. [Übers.: Victor Dewsbery]
Actions:
Exemplaires:
Description:
147 S. überw. Ill. 29 cm
Classification:
livres
livres
Publication:
Hamburg Junius 2002
Hamburg Junius 2002
Auteur:
Sujet:
- BRT Architekten.,
- Architekturbüro Bothe, Richter, Teherani,
- Glass construction.,
- Construction en verre.,
- Glasbau,
- Glasarchitektur,
- Konstruktion,
- Glaskonstruktion,
- Transparenz,
- Transparente Architektur,
- Bothe, Richter, Teherani (Hamburg),
- GLASGEBAEUDE (ARCHITEKTUR),
- AUSSENWAENDE + AUSSENMAUERN + FASSADEN (BAUTEILE, -ELEMENTE),
- Bildband
Classification:
livres
livres
Actions:
Exemplaires:
Description:
191 S. zahlr. Ill., Kt. 31 cm
Description:
191 S. zahlr. Ill., Kt. 31 cm
Auteur:
- Wendland, Christian 1938-,
- Unger, Georg Christian 1743-1799,
- Kirchbauverein Potsdam
Sujet:
- Unger, Georg Christian, b. 1743.,
- Unger, Georg Christian 1743-1799,
- Unger, Georg Christian.,
- Unger, Georg C. Werkverzeichnis.,
- Architektur,
- Architektur Deutschland Berlin Geschichte 1770-1800.,
- Architektur Deutschland Potsdam Geschichte 1770-1800.,
- Potsdam,
- Berlin,
- Berlin Architektur Geschichte 1770-1800.,
- Potsdam Architektur Geschichte 1770-1800.,
- KLASSIZISMUS, 18.-19. JAHRHUNDERT (ARCHITEKTUR),
- BERLIN (LAND UND STADT, DEUTSCHLAND),
- POTSDAM, STADT (DEUTSCHLAND),
- STADTGESTALTUNG + STADTBAUKUNST,
- BIOGRAPHIEN (LEBEN U. WERK),
- WERKKATALOGE + WERKVERZEICHNISSE (KUNST, ARCHITEKTUR),
- NEOCLASSICISM + GREEK REVIVAL STYLE (ARCHITECTURE),
- NÉO-CLASSICISME + STYLE NÉO-GREC (ARCHITECTURE),
- BERLIN (LAND AND CITY, GERMANY),
- BERLIN (LAND ET VILLE, ALLEMAGNE),
- POTSDAM, VILLE (ALLEMAGNE),
- POTSDAM, CITY (GERMANY),
- URBAN DESIGN,
- CONCEPTION URBAINE (URBANISME),
- BIOGRAPHIES (LIFE AND WORK),
- BIOGRAPHIES (VIE ET OEUVRE),
- CATALOGUES/RAISONNES (ARTS, ARCHITECTURE),
- CATALOGUES RAISONNES (ARTS, ARCHITECTURE),
- Werkverzeichnis
Publication:
Potsdam Strauss 2002
Potsdam Strauss 2002
Titre:
Georg Christian Unger Baumeister Friedrichs des Großen in Potsdam und Berlin Christian Wendland. Hrsg. Kirchbauverein Potsdam-Eiche e.V.
Actions:
Exemplaires:
Description:
191 S. zahlr. Ill., Kt. 31 cm
Georg Christian Unger Baumeister Friedrichs des Großen in Potsdam und Berlin Christian Wendland. Hrsg. Kirchbauverein Potsdam-Eiche e.V.
Actions:
Exemplaires:
Description:
191 S. zahlr. Ill., Kt. 31 cm
Classification:
livres
livres
Publication:
Potsdam Strauss 2002
Potsdam Strauss 2002
Auteur:
- Wendland, Christian 1938-,
- Unger, Georg Christian 1743-1799,
- Kirchbauverein Potsdam
Sujet:
- Unger, Georg Christian, b. 1743.,
- Unger, Georg Christian 1743-1799,
- Unger, Georg Christian.,
- Unger, Georg C. Werkverzeichnis.,
- Architektur,
- Architektur Deutschland Berlin Geschichte 1770-1800.,
- Architektur Deutschland Potsdam Geschichte 1770-1800.,
- Potsdam,
- Berlin,
- Berlin Architektur Geschichte 1770-1800.,
- Potsdam Architektur Geschichte 1770-1800.,
- KLASSIZISMUS, 18.-19. JAHRHUNDERT (ARCHITEKTUR),
- BERLIN (LAND UND STADT, DEUTSCHLAND),
- POTSDAM, STADT (DEUTSCHLAND),
- STADTGESTALTUNG + STADTBAUKUNST,
- BIOGRAPHIEN (LEBEN U. WERK),
- WERKKATALOGE + WERKVERZEICHNISSE (KUNST, ARCHITEKTUR),
- NEOCLASSICISM + GREEK REVIVAL STYLE (ARCHITECTURE),
- NÉO-CLASSICISME + STYLE NÉO-GREC (ARCHITECTURE),
- BERLIN (LAND AND CITY, GERMANY),
- BERLIN (LAND ET VILLE, ALLEMAGNE),
- POTSDAM, VILLE (ALLEMAGNE),
- POTSDAM, CITY (GERMANY),
- URBAN DESIGN,
- CONCEPTION URBAINE (URBANISME),
- BIOGRAPHIES (LIFE AND WORK),
- BIOGRAPHIES (VIE ET OEUVRE),
- CATALOGUES/RAISONNES (ARTS, ARCHITECTURE),
- CATALOGUES RAISONNES (ARTS, ARCHITECTURE),
- Werkverzeichnis
Classification:
livres
livres
Actions:
Prix:
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
Sujet:
Dessin d’architecture
Dessin d’architecture
Publication:
octobre 1999, New York
octobre 1999, New York
Titre:
Infinite perspectives : two thousand years of three-dimensional mapmaking
Actions:
Prix:
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
Infinite perspectives : two thousand years of three-dimensional mapmaking
Actions:
Prix:
$120.00
(disponible sur commande)
Résumé:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
Classification:
livres
livres
Publication:
octobre 1999, New York
octobre 1999, New York
Sujet:
Dessin d’architecture
Dessin d’architecture
