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While sculpture remained central to his artistic practice, Isamu Noguchi’s (1904–1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards—and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art(...)
Noguchi's gardens: landscape as sculpture
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While sculpture remained central to his artistic practice, Isamu Noguchi’s (1904–1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards—and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art should their aesthetic qualities sufficiently transcend those generated by the simple address of need. Although his gardens include several of the twentieth century’s most iconic landscape designs and have received almost universal praise, Noguchi nonetheless occupies a place removed from the normal practice of landscape architecture. As an artist he relied more on intuition—bolstered by focused study where required—than on objective analysis, and he shaped his landscapes as sculpture, with space as their primary vehicle. To Noguchi landscape design was a spatial and formal art, and from his earliest environmental projects to the works of his later maturity, he succeeded in conceiving and constructing a series of remarkable places.
Jardins
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"The Portfolio and the Diagram" is about the changing ways architects see, read, and use the words and images of architectural publications. It begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the(...)
Théorie de l’architecture
avril 2002, Cambridge, Massachusetts
The portfolio and the diagram : architecture, discourse, and modernity in America
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"The Portfolio and the Diagram" is about the changing ways architects see, read, and use the words and images of architectural publications. It begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the portfolio and the emergence of the discourse of the diagram. The Beaux Arts-trained architects had fashioned their discipline through the meticulous object-centered images of the portfolio. The discourse of the diagram provided a new range of possibility in the architect’s relation to words, images, and buildings. More than the diagram itself, more than the province of narrow-minded functionalists, the discourse of the diagram is a complex formation of texts, concepts, and modes of representation. Concerned less with constructing a new kind of modernism than with understanding the boundaries and structures of modernity, the book is a history of modern architecture as a discursive practice and its striving to become a viable discipline.
Théorie de l’architecture
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The goal of this book is to introduce designers to the many research tools that can be used to inform design as well as to ideas about how and when to deploy them effectively. The chapter authors come from diverse institutions and enterprises, including Stanford University, MIT, Intel, Maxis, Studio Anybody, Sweden?s HUMlab, and Big Blue Dot. Each has something to say(...)
Design research : methods and perspectives
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The goal of this book is to introduce designers to the many research tools that can be used to inform design as well as to ideas about how and when to deploy them effectively. The chapter authors come from diverse institutions and enterprises, including Stanford University, MIT, Intel, Maxis, Studio Anybody, Sweden?s HUMlab, and Big Blue Dot. Each has something to say about how designers make themselves better at what they do through research, and illustrates it with real world examples--case studies, anecdotes, and images. Topics of this multi-voice conversation include qualitative and quantitative methods, performance ethnography and design improvisation, trend research, cultural diversity, formal and structural research practice, tactical discussions of design research process, and case studies drawn from areas as unique as computer games, museum information systems, and movies. Interspersed throughout the book are one-page "demos," snapshots of the design research experience. Design Research charts the paths from research methods to research findings to design principles to design results and demonstrates the transformation of theory into a richly satisfying and more reliably successful practice.
Théorie de l’architecture
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The complexity and scale of the environmental problems confronting humanity today provoke a wide range of responses, from indifference to anger to creativity. Among a growing number of architects, landscape architects, and planners, however, these problems have inspired a new vision - sustainability - to guide their practices. nbsp; In Nature, Landscape, and Building for(...)
Nature, Landscape, and Building for Sustainability
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The complexity and scale of the environmental problems confronting humanity today provoke a wide range of responses, from indifference to anger to creativity. Among a growing number of architects, landscape architects, and planners, however, these problems have inspired a new vision - sustainability - to guide their practices. nbsp; In Nature, Landscape, and Building for Sustainability,a diverse group of contributors considers the concept of sustainability, both philosophically and practically. Some take a broad view of the divisions between nature and humanity, exploring the incomprehensible scale of human intervention in the natural world, the relationship between how we feelabout nature and what we doabout it, and the commodification of the natural world. Other essays focus on sustainable design practices: sustainability's roots in the American conservation tradition, its utility as a framework for future design practice, and the necessity of moving beyond demonstration projects into the mainstream. Together, these essays suggest that the gap between the promise and reality of sustainable design, although significant, can be bridged through diligence and practice.
Théorie du paysage
Carme Pinos : architectures
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Not only a complete monograph of Carme Pis architectural oeuvre, "Carme Pis : architectures" traces the development of her practice over several decades via an in-depth investigation of the recurring themes and concerns that inform her work. Through studies of significant city projects and selected works, critical contributions from Peter Smithson, Daniela Colafranceschi,(...)
Carme Pinos : architectures
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Not only a complete monograph of Carme Pis architectural oeuvre, "Carme Pis : architectures" traces the development of her practice over several decades via an in-depth investigation of the recurring themes and concerns that inform her work. Through studies of significant city projects and selected works, critical contributions from Peter Smithson, Daniela Colafranceschi, Rafael Moneo, Pedro Azura, Rafael Argullol, Francis Rambert, Juan Jose Lahuerta, Josep Quetglas, Magdelena Jaume and from Carme Pis herself, come together to elucidate the motivations of one of the most compelling figures currently working in the contemporary architectural landscape. This publication journeys from Pis early collaborations with Enric Miralles, characterised by an exploration of natural materials and forms that merge with their setting, to the evolution of her own emphatic works a striking articulation of complex shapes and spaces that maintain a clear commitment to the quality of construction while perfectly integrating with the environment, whether natural or urban. "Carme Pis : architectures" is a comprehensive overview of the atypical architectural expression of Carme Pis truly unique and intriguing practice.
Architecture, monographies
Anthony Hernandez
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail,(...)
Anthony Hernandez
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail, he has produced an unusually varied body of work united by its arresting beauty and subtle engagement with social issues. At first largely unaware of the formal traditions of the medium, Hernandez developed his own style of street photography, one uniquely attuned to the desolate allure and sprawling expanses of LA. Published to accompany the photographer’s first retrospective, Anthony Hernandez offers a comprehensive introduction to his career of more than 40 years, tracing his evolution as well as highlighting continuities across his practice. The catalogue represents the full range and breadth of Hernandez’s work, with an extensive plate section that includes many photographs that have never before been exhibited or published.
Monographies photo
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''Making space'' is a pioneering work first published in 1984 which challenges us to look at how the built environment impacts on women’s lives. It exposes the sexist assumptions on gender and sexuality that have a fundamental impact on the way buildings are designed and our cities are planned. Written collaboratively by the feminist collective Matrix, the book(...)
Making space: Women and the manmade environment
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''Making space'' is a pioneering work first published in 1984 which challenges us to look at how the built environment impacts on women’s lives. It exposes the sexist assumptions on gender and sexuality that have a fundamental impact on the way buildings are designed and our cities are planned. Written collaboratively by the feminist collective Matrix, the book provide a full blown critique of the patriarchal built environment both in the home and in public space, and outline alternative forms of practice that are still relevant today. ''Making space'' remains a path breaking book pointing to possibilities of a feminist future. Some authors worked for the London-based Matrix Feminist Architect’s collective, an architectural practice set up in 1980 seeking to establish a feminist approach to design. They worked on design projects—such as community, children and women’s centres. Others were engaged in building work, teaching and research. The new edition comes with a new introduction examining the context, process and legacy of ''Making space'' written by leading feminists in architecture.
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In the contemporary world of competitive design bids and constant pressures to cut costs, there is a tendency for design to be taken for granted as a mere series of tasks to be optimized as a means to reduce construction costs. However, the complexities of the creative process require adequate time and opportunity to succeed—with time provided to allow thoughts to build(...)
mai 2019
Thinking while doing: explorations in educational design/build
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In the contemporary world of competitive design bids and constant pressures to cut costs, there is a tendency for design to be taken for granted as a mere series of tasks to be optimized as a means to reduce construction costs. However, the complexities of the creative process require adequate time and opportunity to succeed—with time provided to allow thoughts to build and be set down, and opportunities for interdisciplinary interactions to occur in order for solutions to mature. The active engagement of architecture students in the design and construction of real projects is today an important dimension at more than 150 universities worldwide. And yet, this emerging field continues to suffer from an insubstantial scholarly foundation. An initiative of universities in North America has developed a consistent and innovative practice model, which sets a new standard for this key aspect of education and professional practice. ''Thinking while doing'' by Stephen Verderber provides the reader with insight into the design and construction process and the way in which the design/build approach informs the university-level learning experience.
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The extensive range of posters, collages, maquettes, postcards, magazines, and books featured in this exhibition catalogue attests to the enormous influence of photomontage in politics, social protest, and advertising, while also demonstrating the popularity of the technique among avant-garde artists during these two decades. Essays in this publication examine(...)
Photomontage between the wars : 1918-1939
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The extensive range of posters, collages, maquettes, postcards, magazines, and books featured in this exhibition catalogue attests to the enormous influence of photomontage in politics, social protest, and advertising, while also demonstrating the popularity of the technique among avant-garde artists during these two decades. Essays in this publication examine contemporary texts that the practice of photomontage inspired, and explore those qualities of photomontage that led to what was arguably the most important exhibition devoted to this artistic technique at the Kunstgewerbemuseum in Berlin in 1931. The present volume includes a facsimile reproduction and translation of the catalogue published on the occasion of that exhibition. In addition to a brief chronology, the interested reader will also find a selection of text - some scarcely familiar today - by authors of various nationalities that sheds further light on the practice. Produced to accompany the exhibition in Spain and available in North America for the first time, this entirely English-language publication offers an overview of the birth of the photomontage process specifically in Germany and the Soviet Union in the 1920s.
Photographie- collections
livres
Seeking spatial justice
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In Seeking Spatial Justice, Soja argues that justice has a geography and that the equitable distribution of resources, services, and access is a basic human right. Building on current concerns in critical geography and the new spatial consciousness, Soja interweaves theory and practice, offering new ways of understanding and changing the unjust geographies in which we(...)
Seeking spatial justice
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In Seeking Spatial Justice, Soja argues that justice has a geography and that the equitable distribution of resources, services, and access is a basic human right. Building on current concerns in critical geography and the new spatial consciousness, Soja interweaves theory and practice, offering new ways of understanding and changing the unjust geographies in which we live. After tracing the evolution of spatial justice and the closely related notion of the right to the city in the influential work of Henri Lefebvre, David Harvey, and others, he demonstrates how these ideas are now being applied through a series of case studies in Los Angeles, the city at the forefront of this movement. Soja focuses on such innovative labor–community coalitions as Justice for Janitors, the Los Angeles Alliance for a New Economy, and the Right to the City Alliance; on struggles for rent control and environmental justice; and on the role that faculty and students in the UCLA Department of Urban Planning have played in both developing the theory of spatial justice and putting it into practice.
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mars 2010
Théorie de l’urbanisme