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As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. "Event-Space" radically re-evaluates the avant garde’s(...)
Event-space: theatre architecture and the historical avant-garde
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As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. "Event-Space" radically re-evaluates the avant garde’s championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of ‘performative architecture’.
Théorie de l’architecture
Rebel video: the video movement of the 1970s amd 1980s. London -- Bern -- Lausanne -- Basel -- Zuric
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"Rebel Video" portrays protagonists of this activist movement in London, Basel, Berne, Lausanne, and Zurich. It documents the topics and concerns these creative rowdies picked up and the lasting effect their work has until today. Richly illustrated and fleshed out with brief essays by expert authors on specific aspects of film documentary and video art, the book(...)
Rebel video: the video movement of the 1970s amd 1980s. London -- Bern -- Lausanne -- Basel -- Zuric
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"Rebel Video" portrays protagonists of this activist movement in London, Basel, Berne, Lausanne, and Zurich. It documents the topics and concerns these creative rowdies picked up and the lasting effect their work has until today. Richly illustrated and fleshed out with brief essays by expert authors on specific aspects of film documentary and video art, the book demonstrates and illuminates the significance and manifold facets of the community media movement.
Théorie de l’art
$59.95
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We usually think of cities as dense and vertical—but in reality most cities extend vast distances in a more horizontal fashion, with less density and lower-rising buildings. This book invites us to rethink the relationship between that center and its periphery, revealing that dispersed condition as a potential asset rather than a limit, offering the possibility of(...)
The horizontal metropolis: a radical project
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We usually think of cities as dense and vertical—but in reality most cities extend vast distances in a more horizontal fashion, with less density and lower-rising buildings. This book invites us to rethink the relationship between that center and its periphery, revealing that dispersed condition as a potential asset rather than a limit, offering the possibility of constructing a sustainable and innovative new urban dimension. Taking up the concept of “desakota,” which describes areas—typically occurring in Asia—situated outside the traditional urban zone, The Horizontal Metropolis investigates such areas alongside examples in the United States, Italy, and Switzerland, highlighting the advantages of the concept and its relevance to economic, ecological, and social questions.
Théorie de l’urbanisme
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In his study of Giedion’s life and work Reto Geiser foregrounds the formative character of Giedion’s extended stays in the United States and their role as an inspiring laboratory to propel his scholarship. By challenging the presentation of a continuous line of developments, and revealing the ruptures and contradictions within Giedion’s work, Geiser questions a heroic(...)
Giedion and America: repositioning the history of modern architecture
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In his study of Giedion’s life and work Reto Geiser foregrounds the formative character of Giedion’s extended stays in the United States and their role as an inspiring laboratory to propel his scholarship. By challenging the presentation of a continuous line of developments, and revealing the ruptures and contradictions within Giedion’s work, Geiser questions a heroic account of modern architecture, turning instead to the less ideological and frequently overlooked facets of Giedion’s oeuvre. The book argues that, although Giedion’s position in between two cultural spheres created discontinuities in his work, it also facilitated a mutual exchange between the architectural impresario and his North American peers and thereby helped to shape the development and reception of the modern project on either side of the Atlantic.
Théorie de l’architecture
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''Legible-Visible'' explores the relationship between print publications and audio-visual documents, two of the most important media in the social and cultural landscape of our time—and two forms that also define the evolution of contemporary art in the twentieth and twenty-first centuries. Mela Dávila and Maite Muñoz here show how the arrival of inexpensive home video(...)
Legible-visible: between the film frame and the page
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''Legible-Visible'' explores the relationship between print publications and audio-visual documents, two of the most important media in the social and cultural landscape of our time—and two forms that also define the evolution of contemporary art in the twentieth and twenty-first centuries. Mela Dávila and Maite Muñoz here show how the arrival of inexpensive home video technologies in the 1970s and then of digital media at the turn of the millennium sparked revolutions in the creation and diffusion of both video artworks and artists' publications. Dávila proposes a theoretical and historical framework for works long dismissed by the market because of their serial nature, while Muñoz shows how artists have taken advantage of the permeability between publications and audovisual elements.
Théorie de l’art
$152.50
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The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of(...)
Guerrilla networks: an anarchaeology of 1970s radical media ecologies
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The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of the forms of media creativity and invention mapped here, such as militant film and video, pirate radio and guerrilla television, fit within conventional definitions of media, others, such as urban guerrilla groups and autonomous movements, do not. Nevertheless what was at stake in all these ventures was the use of available means of expression in order to produce transformative effects, and they were all in different ways responding to ideas and practices of guerrilla struggle and specifically of guerrilla media. This book examines these radical media ecologies as guerrilla networks, emphasising the proximity and inseparability of radical media and political practices.
Théorie de l’art
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In "Cities in the Urban Age", Robert A. Beauregard considers the city as a cauldron for four haunting contradictions. First, cities are equally defined by both their wealth and their poverty. Second, cities are simultaneously environmentally destructive and yet promise sustainability. Third, cities encourage rule by political machines and oligarchies, even as they are(...)
Cities in the urban age: a dissent
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In "Cities in the Urban Age", Robert A. Beauregard considers the city as a cauldron for four haunting contradictions. First, cities are equally defined by both their wealth and their poverty. Second, cities are simultaneously environmentally destructive and yet promise sustainability. Third, cities encourage rule by political machines and oligarchies, even as they are essentially democratic and at least nominally open to all. And fourth, city life promotes tolerance among disparate groups, even as the friction among them often erupts into violence. Beauregard offers no simple solutions or proposed remedies for these contradictions. Without these four tensions, cities wouldn’t be cities. Rather, Beauregard argues that only by recognizing these ambiguities and contradictions can we even begin to understand our moral obligations, as well as the clearest paths toward equality, justice, and peace in urban settings.
Théorie de l’urbanisme
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"Listening to Design" leads readers into the unique world of the creative process. Drawing on his experience as a teacher, psychotherapist and architect, Andrew Levitt breaks down the creative process, from the moment an idea appears through to the final presentation of a project. Using stories, examples and insights, Levitt offers a rarely seen glimpse into the rich and(...)
Listening to design: a guide to the creative process
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"Listening to Design" leads readers into the unique world of the creative process. Drawing on his experience as a teacher, psychotherapist and architect, Andrew Levitt breaks down the creative process, from the moment an idea appears through to the final presentation of a project. Using stories, examples and insights, Levitt offers a rarely seen glimpse into the rich and often turbulent creative process of a working designer. He highlights the importance of active listening and the essential role of empathy in solving problems and overcoming obstacles, revealing how the process of design is a vehicle for personal growth and development.
Théorie du design
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Mirages have long astonished travellers and beguiled thirsty desert voyagers. Chinese and Japanese poetry and images depicted mirages as the exhalations of clam-monsters. Indian sources related them to the ‘thirst of gazelles’, a metaphor for the futility of desire. From the late eighteenth century to the present, mirages became a symbol of ‘Oriental despotism’, a malign,(...)
The waterless sea: a curious history of mirages
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Mirages have long astonished travellers and beguiled thirsty desert voyagers. Chinese and Japanese poetry and images depicted mirages as the exhalations of clam-monsters. Indian sources related them to the ‘thirst of gazelles’, a metaphor for the futility of desire. From the late eighteenth century to the present, mirages became a symbol of ‘Oriental despotism’, a malign, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More commonly it conveys a sense of escape, of fascination, of a desire to be deceived. "The Waterless Sea" is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion, and how we can continue to learn from their sublimity.
Théorie de l’art
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Released as a companion to an eponymous exhibition at MAAT, Lisbon, this book features previously unpublished essays on the ongoing transition from the notion of utopia towards its opposite image of dystopia. It acts as a reader for the curatorial project in which each author reflects on the unsurprising demise of utopian ideals. Yet, as humans, we need positive and(...)
Théorie de l’architecture
août 2017
Utopia / Dystopia: a paradigm shift in art and architecture
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Released as a companion to an eponymous exhibition at MAAT, Lisbon, this book features previously unpublished essays on the ongoing transition from the notion of utopia towards its opposite image of dystopia. It acts as a reader for the curatorial project in which each author reflects on the unsurprising demise of utopian ideals. Yet, as humans, we need positive and idealistic impulses that help us overcome feelings of permanent crisis and disbelief. The dystopia that has come to be accepted and absorbed in human existence can only be combated with a “utopian impulse”. With contributions by Pedro Gadanho, Susana Ventura, Keller Easterling, Franco Berardi, and more.
Théorie de l’architecture