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In 1933, the visionary architect, engineer and designer Buckminster Fuller built a car that was at that time the world's most fuel-efficient car. The Dymaxion Car ran on 35 miles per gallon. Zeppelin-like in appearance, it was streamlined to minimize wind resistance and was capable of carrying six to eight passengers. Fuller designed two more Dymaxion Cars over the(...)
Buckminster Fuller: Dymaxion car
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In 1933, the visionary architect, engineer and designer Buckminster Fuller built a car that was at that time the world's most fuel-efficient car. The Dymaxion Car ran on 35 miles per gallon. Zeppelin-like in appearance, it was streamlined to minimize wind resistance and was capable of carrying six to eight passengers. Fuller designed two more Dymaxion Cars over the following year, though none of the three saw production. Today the Dymaxion Cars look dynamic, beautifully designed and several paradigm shifts ahead of their time, and Norman Foster has taken up their legacy with a new vehicle of his own. This monograph reconstructs the history of Fuller's first three models for the Dymaxion Car through detailed plans and archival photographs, and relates the production process of Dymaxion #4, a new prototype produced by Norman Foster, which was launched on the street in 2010.
Architecture, monographies
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Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are(...)
mars 2011
Home is anywhere: Jewish culture and the architecture of the Sukkah
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Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are visible. Here, Mimi Levy Lipis' photographs record examples of contemporary Sukkah architecture from Europe, Israel and the U.S. These include a Sukkah on a truck parked in front of a restaurant in Manhattan; Sukkot on lonely parking lots in London; a Sukkah built for eternity in Berlin; criss-cross stacked booths in Jerusalem; and Sukkot made of the same fabric in London and Tel Aviv.
Paul Bonatz: 1877-1956
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Spanning Germany's modernist era and its Empire days to the postwar Federal Republic of Germany, the glittering career of Paul Bonatz (1877-1956) is studded with stylistically disparate gems. Bonatz was famed as a designer of industrial and civic architecture; his best known work is the Stuttgart railway station (1911-27). This volume surveys his career.
Paul Bonatz: 1877-1956
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Spanning Germany's modernist era and its Empire days to the postwar Federal Republic of Germany, the glittering career of Paul Bonatz (1877-1956) is studded with stylistically disparate gems. Bonatz was famed as a designer of industrial and civic architecture; his best known work is the Stuttgart railway station (1911-27). This volume surveys his career.
Architecture, monographies
Auer+Weber+Assoziierte
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In the last three decades, Auer + Weber + Assoziierte have devised structures ranging from cultural and research institutions to hotels, residences and larger urban designs - each based on differing conceptions such as sculptural volumetric bodies or structurally open environments. Their ESO hotel in Chile has become particularly celebrated since it was featured in the(...)
Auer+Weber+Assoziierte
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In the last three decades, Auer + Weber + Assoziierte have devised structures ranging from cultural and research institutions to hotels, residences and larger urban designs - each based on differing conceptions such as sculptural volumetric bodies or structurally open environments. Their ESO hotel in Chile has become particularly celebrated since it was featured in the final scene of the James Bond film Quantum of Solace.
Architecture, monographies
$66.00
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Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan(...)
Josef Albers in America: Painting on paper
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Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan library, and with an abundance of previously uncollected works, this volume unveils the full bounty of Albers' works on paper: lithographs, linocuts, woodcuts, screenprints and etchings. Since the prints lack the just-visible brushwork of Albers' paintings, allowing color to emerge without surface blemish, some have argued that they constitute a more effective illustration of his color theory.
Amy Cutler: Turtle fur
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Polite ladies in Victorian costume dancing on tabletops with chairs worn like hats on their heads; young girls with little foals strapped to their backs; a team of women dutifully mending docile tigers with needle and thread--all of these surreal antics depicted on a bare white ground--this is the jauntily disturbing imagery of Amy Cutler. Cutler's gouaches and drawings(...)
Amy Cutler: Turtle fur
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Polite ladies in Victorian costume dancing on tabletops with chairs worn like hats on their heads; young girls with little foals strapped to their backs; a team of women dutifully mending docile tigers with needle and thread--all of these surreal antics depicted on a bare white ground--this is the jauntily disturbing imagery of Amy Cutler. Cutler's gouaches and drawings on paper have won fans and collectors worldwide, and their winning amalgam of rich imagination and skillful execution, which together update lineages as various as Persian miniature painting, Surrealism, children's fairytale books and Japanese woodblock printing, offers satisfactions rarely found in contemporary art.This volume, published for the artist's 2011 exhibition at SITE Sante Fe, is Cutler's second monograph , and draws from private and public collections to offer a thorough survey of her work from the late 1990s to the present.
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Again and again, Levine's works pose questions of aura, authoriality and, perhaps most importantly, value. Pairs and Posses is the first monograph to focus exclusively on the sculptural duos and trios that the artist has been making since 1992. Here, objects found on eBay and in junk or antique shops might be cast in black glass, crystal or bronze. The transposition of(...)
Sherrie Levine: Paris and posses
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Again and again, Levine's works pose questions of aura, authoriality and, perhaps most importantly, value. Pairs and Posses is the first monograph to focus exclusively on the sculptural duos and trios that the artist has been making since 1992. Here, objects found on eBay and in junk or antique shops might be cast in black glass, crystal or bronze. The transposition of these objects into worthier material automatically renders kitsch objects works of "high" art. Where Levine's early work debunked modernism's aura of irrefutability, the pieces in Pairs and Posses perform an opposite inversion of cultural worth.
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What is a photographic image? Can a photograph ever tell the truth? These are some of the questions artist Walid Raad has been investigating for the past 20 years, in a practice that encompasses photography, film and video, sculpture, installation and performance. This publication brings together three major bodies of work, and includes an exchange between the artist and(...)
mars 2011
Walid Raad: Miraculous beginings
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What is a photographic image? Can a photograph ever tell the truth? These are some of the questions artist Walid Raad has been investigating for the past 20 years, in a practice that encompasses photography, film and video, sculpture, installation and performance. This publication brings together three major bodies of work, and includes an exchange between the artist and curator Achim Borchardt-Hume; an essay on conceptions of truth by poet and writer Alan Gilbert; a text on Raad's use of photography and its ties to Beirut by Blake Stimson; and an essay by Hélène Chouteau-Matikian.
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Starting out as a Fluxus-oriented maker of objects and participatory conceptual compositions, Mary Bauermeister (born 1934) had her first solo show at the Stedelijk Museum in 1962. Bauermeister promptly relocated to New York, and began to make works protesting the Vietnam war and critiquing consumer culture. Her "lens boxes"--wooden or aluminum boxes containing layers of(...)
mars 2011
Mary Bauermeister: Worlds in a box
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Starting out as a Fluxus-oriented maker of objects and participatory conceptual compositions, Mary Bauermeister (born 1934) had her first solo show at the Stedelijk Museum in 1962. Bauermeister promptly relocated to New York, and began to make works protesting the Vietnam war and critiquing consumer culture. Her "lens boxes"--wooden or aluminum boxes containing layers of often bubble-like glass with collaged elements--were soon bought up by major American museums, and have become the works for which she is best known today. Here, for the first time, Bauermeister's enigmatic objects are surveyed and contextualized.
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Anselm Kiefer's Die Argonauten series was inspired by a casual dinner with friends. At the end of a meal, the artist noted the table's resemblance to a battlefield, and this quickly led him to delve into the Greek myth of Jason and the Argonauts. Despite the unlikely informality of the original prompt, Kiefer's choice to reinterpret the hero Jason's quest for the golden(...)
Anselm Kiefer: Die Argonauten
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Anselm Kiefer's Die Argonauten series was inspired by a casual dinner with friends. At the end of a meal, the artist noted the table's resemblance to a battlefield, and this quickly led him to delve into the Greek myth of Jason and the Argonauts. Despite the unlikely informality of the original prompt, Kiefer's choice to reinterpret the hero Jason's quest for the golden fleece continues central motifs in his work of violence, chauvinism and systems of power--derived, as ever, from the artist's assiduous study of poetry, mythology and cultural history. The project evolved into an installation composed of various totemic objects and weathered remnants, left over, so it appears, from Jason's quest. Die Argonauten reproduces this ambitious series for the first time, along with a text by the artist.