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Novartis Campus at Basel will be characterized by far-reaching visions of urban space and architecture. The first new building on the Campus – "Forum 3" by Diener, Federle, Wiederin – was finished in 2005, followed by "Fabrikstrasse 6" of Peter Märkli. The third building – "Fabrikstrasse 4" by SANAA – was opened in autumn 2006. The two partners who lead SANAA, Ryue(...)
$61.50
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Novartis Campus at Basel will be characterized by far-reaching visions of urban space and architecture. The first new building on the Campus – "Forum 3" by Diener, Federle, Wiederin – was finished in 2005, followed by "Fabrikstrasse 6" of Peter Märkli. The third building – "Fabrikstrasse 4" by SANAA – was opened in autumn 2006. The two partners who lead SANAA, Ryue(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
novembre 2006, Basel
novembre 2006, Basel
Titre:
Sanaa / Sejima + Nishizawa, works byWalter Niedermayr : Novatis campus- Fabrikstrasse 4
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Novartis Campus at Basel will be characterized by far-reaching visions of urban space and architecture. The first new building on the Campus – "Forum 3" by Diener, Federle, Wiederin – was finished in 2005, followed by "Fabrikstrasse 6" of Peter Märkli. The third building – "Fabrikstrasse 4" by SANAA – was opened in autumn 2006. The two partners who lead SANAA, Ryue Nishizawa and Kazuyo Sejima, have designed a building that disregards all the rules of historical architecture: a rack, without a façade, with no hierarchy in its structure, and not responding in any way to the maxim of the pre-modern city. Essentially there are two materials: a light-coloured structure in in-situ concrete clad with glass. This publication presents works by Walter Niedermayr as well as numerous plans. With an introduction Ulrike by Jehle-Schulte Strathaus, texts by Aaron Betsky, Valerio Olgiati and Moritz Küng. Inventory by SANAA.
Sanaa / Sejima + Nishizawa, works byWalter Niedermayr : Novatis campus- Fabrikstrasse 4
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Novartis Campus at Basel will be characterized by far-reaching visions of urban space and architecture. The first new building on the Campus – "Forum 3" by Diener, Federle, Wiederin – was finished in 2005, followed by "Fabrikstrasse 6" of Peter Märkli. The third building – "Fabrikstrasse 4" by SANAA – was opened in autumn 2006. The two partners who lead SANAA, Ryue Nishizawa and Kazuyo Sejima, have designed a building that disregards all the rules of historical architecture: a rack, without a façade, with no hierarchy in its structure, and not responding in any way to the maxim of the pre-modern city. Essentially there are two materials: a light-coloured structure in in-situ concrete clad with glass. This publication presents works by Walter Niedermayr as well as numerous plans. With an introduction Ulrike by Jehle-Schulte Strathaus, texts by Aaron Betsky, Valerio Olgiati and Moritz Küng. Inventory by SANAA.
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livres
Publication:
novembre 2006, Basel
novembre 2006, Basel
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Architecture, monographies
Architecture, monographies
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livres
Titre:
Rafael Vinoly architects
Rafael Vinoly architects
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This monograph highlights the global works of Vinoly. For nearly half a century Rafael Vinoly has been driven by the belief that the responsibility of architecture is to elevate the public realm. While his early work in Argentina transformed the landscape of his native country, his first major international projects - the John Jay College of Criminal Justice in New York(...)
$110.00
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This monograph highlights the global works of Vinoly. For nearly half a century Rafael Vinoly has been driven by the belief that the responsibility of architecture is to elevate the public realm. While his early work in Argentina transformed the landscape of his native country, his first major international projects - the John Jay College of Criminal Justice in New York(...)
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Rafael Vinoly architects
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$110.00
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This monograph highlights the global works of Vinoly. For nearly half a century Rafael Vinoly has been driven by the belief that the responsibility of architecture is to elevate the public realm. While his early work in Argentina transformed the landscape of his native country, his first major international projects - the John Jay College of Criminal Justice in New York and the International Forum in Tokyo - established Vinoly as a global presence in architecture, whose buildings sustain a structural originality that transcends passing fads. This monograph features a chronological sampling of Vinoly's best work in the United States, Latin America, Europe, Asia, Africa and the Middle East. The large and small-scale projects encompass courthouses, private residences, athletic facilities, performing arts centres, museums and educational buildings. Illustrated with photographs, plans and drawings, and accented by Vinoly's personal reflection on his career, this volume brings together the achievements of one of today's most internationally acclaimed architects.
Rafael Vinoly architects
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$110.00
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This monograph highlights the global works of Vinoly. For nearly half a century Rafael Vinoly has been driven by the belief that the responsibility of architecture is to elevate the public realm. While his early work in Argentina transformed the landscape of his native country, his first major international projects - the John Jay College of Criminal Justice in New York and the International Forum in Tokyo - established Vinoly as a global presence in architecture, whose buildings sustain a structural originality that transcends passing fads. This monograph features a chronological sampling of Vinoly's best work in the United States, Latin America, Europe, Asia, Africa and the Middle East. The large and small-scale projects encompass courthouses, private residences, athletic facilities, performing arts centres, museums and educational buildings. Illustrated with photographs, plans and drawings, and accented by Vinoly's personal reflection on his career, this volume brings together the achievements of one of today's most internationally acclaimed architects.
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livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Architecture, monographies
Architecture, monographies
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livres
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$39.95
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks(...)
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks(...)
Titre:
Michael Graves : images of a grand tour
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks of both ancient and modern architecture. "Michael Graves: Images of A Grand Tour" collects for the first time the stunning artwork produced during this trip. Delicate pencil sketches, striking ink washes, and colourful photographs show the deep connection Graves had to the places he visited, from the Roman Forum to the Grecian Acropolis to Wiltshires Stonehenge. They also tell something of the education of an architect, bringing to light the classical buildings that caused Graves to reexamine his early devotion to modernism. A foreword by Graves reflects on these travels from the distance of forty years, while author Brian Ambroziak puts the tour into the context of Graves's life and work.
Michael Graves : images of a grand tour
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks of both ancient and modern architecture. "Michael Graves: Images of A Grand Tour" collects for the first time the stunning artwork produced during this trip. Delicate pencil sketches, striking ink washes, and colourful photographs show the deep connection Graves had to the places he visited, from the Roman Forum to the Grecian Acropolis to Wiltshires Stonehenge. They also tell something of the education of an architect, bringing to light the classical buildings that caused Graves to reexamine his early devotion to modernism. A foreword by Graves reflects on these travels from the distance of forty years, while author Brian Ambroziak puts the tour into the context of Graves's life and work.
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livres
Publication:
octobre 2005, New York
octobre 2005, New York
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Architecture, monographies
Architecture, monographies
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livres
Titre:
OMA NY: Search term
OMA NY: Search term
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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown(...)
$170.00
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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown(...)
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OMA NY: Search term
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$170.00
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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolving relationship with art, fashion, food, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA’s philosophy even as they expand its portfolio geographically. Featured projects include residential skyscrapers in New York, Miami, and San Francisco, mixed-use developments in cities from Tokyo to Houston, and projects like 11th Street Bridge Park in the public realm, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec’s Musée National des Beaux-Arts, a cultural forum and neighborhood for Faena in Miami, and the expansion of museums such as the Albright-Knox Art Gallery in Buffalo and the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the sculptural installation of soaring concrete columns for An Occupation of Loss. In between projects are dialogues with leading policy makers, museum directors, artists, fashion designers, musicians, chefs, and curators—Christopher Hawthorne, Lisa Phillips and Massimiliano Gioni, Taryn Simon, Iris van Herpen, Virgil Abloh, David Byrne, Alice Waters, and Cecilia Alemani—who provide insight onto areas of the firm’s interests and preoccupations beyond the realm of architecture.
OMA NY: Search term
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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolving relationship with art, fashion, food, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA’s philosophy even as they expand its portfolio geographically. Featured projects include residential skyscrapers in New York, Miami, and San Francisco, mixed-use developments in cities from Tokyo to Houston, and projects like 11th Street Bridge Park in the public realm, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec’s Musée National des Beaux-Arts, a cultural forum and neighborhood for Faena in Miami, and the expansion of museums such as the Albright-Knox Art Gallery in Buffalo and the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the sculptural installation of soaring concrete columns for An Occupation of Loss. In between projects are dialogues with leading policy makers, museum directors, artists, fashion designers, musicians, chefs, and curators—Christopher Hawthorne, Lisa Phillips and Massimiliano Gioni, Taryn Simon, Iris van Herpen, Virgil Abloh, David Byrne, Alice Waters, and Cecilia Alemani—who provide insight onto areas of the firm’s interests and preoccupations beyond the realm of architecture.
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Publication:
novembre 2021
novembre 2021
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
![Five minutes city : architecture and [im]mobility](/img-bookstore/g-8fLW45kD9B9-2F56_gKQO180E=/700x1003/MIG-14543.jpg)
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FiveMinutesCity was an international forum and workshop for young architects organized by the Berlage Institute in collaboration with the Mies van der Rohe Foundation (Barcelona) and the Institut Français d'Architecture (Paris). The organizers invited Winy Maas, architect and partner in MVRDV from Rotterdam, as the workshop master. Winy Maas proposed a provocative and(...)
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FiveMinutesCity was an international forum and workshop for young architects organized by the Berlage Institute in collaboration with the Mies van der Rohe Foundation (Barcelona) and the Institut Français d'Architecture (Paris). The organizers invited Winy Maas, architect and partner in MVRDV from Rotterdam, as the workshop master. Winy Maas proposed a provocative and(...)
Titre:
Five minutes city : architecture and [im]mobility
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FiveMinutesCity was an international forum and workshop for young architects organized by the Berlage Institute in collaboration with the Mies van der Rohe Foundation (Barcelona) and the Institut Français d'Architecture (Paris). The organizers invited Winy Maas, architect and partner in MVRDV from Rotterdam, as the workshop master. Winy Maas proposed a provocative and inspiring brief; he asked participants to redesign the cities of Rotterdam and New York in a way that everything is reachable within five minutes. A series of serious questions arise from the challenging brief: 'What will such a city look like? What happens to such an hypothesis if cars are the only mode of transport? What will such a city look like when it is only accessed by public transport? Or by walking?' How one can extend the knowledge of compact or dense cities? How fast cities can be? Is increased speed an ideal concept for future cities? Is development of new infrastructure sustainable for cities in future? Can Rotterdam become such a city? Is it possible to upscale Manhattan? How does mobility affects the working and living qualities of the cities and how is mobility shaping cities?
Five minutes city : architecture and [im]mobility
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FiveMinutesCity was an international forum and workshop for young architects organized by the Berlage Institute in collaboration with the Mies van der Rohe Foundation (Barcelona) and the Institut Français d'Architecture (Paris). The organizers invited Winy Maas, architect and partner in MVRDV from Rotterdam, as the workshop master. Winy Maas proposed a provocative and inspiring brief; he asked participants to redesign the cities of Rotterdam and New York in a way that everything is reachable within five minutes. A series of serious questions arise from the challenging brief: 'What will such a city look like? What happens to such an hypothesis if cars are the only mode of transport? What will such a city look like when it is only accessed by public transport? Or by walking?' How one can extend the knowledge of compact or dense cities? How fast cities can be? Is increased speed an ideal concept for future cities? Is development of new infrastructure sustainable for cities in future? Can Rotterdam become such a city? Is it possible to upscale Manhattan? How does mobility affects the working and living qualities of the cities and how is mobility shaping cities?
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livres
Publication:
octobre 2003, Rotterdam
octobre 2003, Rotterdam
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Rafael Vinoly
Rafael Vinoly
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Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an(...)
$140.00
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Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an(...)
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Rafael Vinoly
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$140.00
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Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an often conventional nature-conference centers, recital halls, exhibition halls, sports facilities-and transformed them into unconvential works of beauty, notable for their lucidity, and often breathtaking technical prowess. This encyclopedic monograph, designed by Lars Müller in the same spirit as his "Peter Zumthor: Works", is the first on Viñoly, and includes projects in the United States, Argentina, Egypt, Korea, and Japan. Featured are the recently opened Kimmel Performing Arts Center-the new home of the Philaldelphia Orchestra, the Pittsburgh Convention Center, the Climate Prediction Center on the Palisades, the Princeton University Stadium, and the dazzling Tokyo Forum-the gracefully expressive building Muschamp describes as "an absolutist building, perfectly realized." An essay by Joan Ockman, Director of the Buell Center of American Architecture at Columbia University, introduces Viñoly's work, which is copiously documented in more than 500 color images and drawings.
Rafael Vinoly
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$140.00
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Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an often conventional nature-conference centers, recital halls, exhibition halls, sports facilities-and transformed them into unconvential works of beauty, notable for their lucidity, and often breathtaking technical prowess. This encyclopedic monograph, designed by Lars Müller in the same spirit as his "Peter Zumthor: Works", is the first on Viñoly, and includes projects in the United States, Argentina, Egypt, Korea, and Japan. Featured are the recently opened Kimmel Performing Arts Center-the new home of the Philaldelphia Orchestra, the Pittsburgh Convention Center, the Climate Prediction Center on the Palisades, the Princeton University Stadium, and the dazzling Tokyo Forum-the gracefully expressive building Muschamp describes as "an absolutist building, perfectly realized." An essay by Joan Ockman, Director of the Buell Center of American Architecture at Columbia University, introduces Viñoly's work, which is copiously documented in more than 500 color images and drawings.
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livres
livres
Publication:
novembre 2002, New York
novembre 2002, New York
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
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$97.00
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After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi(...)
$97.00
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After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi(...)
Publication:
août 2006, Milano
août 2006, Milano
Titre:
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
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$97.00
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Résumé:
After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi Forum, the book is the first to explore this topic, broadly interpreted to encompass the fields of architecture, cinema, photography, music, performance and video. By selectively focusing on the successive arts movements of those decades (including Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, and Postmodernism ), it highlights the dominant role that American artists have, through their work, played in the art world; these American artists turned New York into a unique place to express themselves as fully as possible, and to become known and established on the international arts scene. The artists, photographers, architects, musicians and filmmakers included in the book: Vito Acconci, Laurie Anderson, Carl Andre, Diane Arbus, Richard Artschwager, Richard Avedon, Matthew Barney, Jean-Michel Basquiat, John Cage, John Chamberlain, Gregory Crewdson, Merce Cunningham, John Currin, Bruce Davidson, Willem de Kooning, Jim Dine, Mark di Suvero, Elliot Erwitt, Richard Estes, Eric Fischl, Dan Flavin, Robert Frank, Helen Frankenthaler, Lee Friedlander, Tom Friedman, Robert Gober, Nan Goldin, Felix Gonzalez-Torres, Eva Hesse, Hans Hoffman, Jenny Holzer, Peter Hujar, Jasper Johns, Donald Judd, Alex Katz, Ellsworth Kelly, Andrés Kertész, Franz Kline, Joseph Kosuth, Barbara Kruger, Annie Leibovitz, Sol LeWitt, Roy Lichtenstein, Robert Longo, Philip-Lorca diCorcia, Morris Louis, Robert Mapplethorpe, Brice Marden, Mary Ellen Mark, Agnes Martin, Susan Meiselas, Joel Meyerowitz, Duane Michals, Joan Mitchell, Robert Morris, Robert Motherwell, Bruce Nauman, Barnet Newman, Claes Oldenburg, Nam June Paik, Irving Penn, Gilles Peress, Sylvia Plachy, Jackson Pollock, Richard Prince, Robert Rauschenberg, Ad Reinhardt, Eugene Richards, James Rosenquist, Mark Rothko, Susan Rothenberg, Robert Ryman, David Salle, Lucas Samaras, Tom Sachs, Andres Serrano, Joel Shapiro, Julian Schnabel, Richard Serra, Cindy Sherman, Laurie Simmons, David Smith, Doug and Mike Starn, Frank Stella, Haim Steinbach, Joel Sternfeld, Clyfford Still, Cy Twombly, Kara Walker, Andy Warhol, Lawrence Weiner, Tom Wesselman, Brian Weil, Sue Williams, Garry Winogrand, David Wojnarowicz, Christopher Wool.
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
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Prix:
$97.00
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After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi Forum, the book is the first to explore this topic, broadly interpreted to encompass the fields of architecture, cinema, photography, music, performance and video. By selectively focusing on the successive arts movements of those decades (including Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, and Postmodernism ), it highlights the dominant role that American artists have, through their work, played in the art world; these American artists turned New York into a unique place to express themselves as fully as possible, and to become known and established on the international arts scene. The artists, photographers, architects, musicians and filmmakers included in the book: Vito Acconci, Laurie Anderson, Carl Andre, Diane Arbus, Richard Artschwager, Richard Avedon, Matthew Barney, Jean-Michel Basquiat, John Cage, John Chamberlain, Gregory Crewdson, Merce Cunningham, John Currin, Bruce Davidson, Willem de Kooning, Jim Dine, Mark di Suvero, Elliot Erwitt, Richard Estes, Eric Fischl, Dan Flavin, Robert Frank, Helen Frankenthaler, Lee Friedlander, Tom Friedman, Robert Gober, Nan Goldin, Felix Gonzalez-Torres, Eva Hesse, Hans Hoffman, Jenny Holzer, Peter Hujar, Jasper Johns, Donald Judd, Alex Katz, Ellsworth Kelly, Andrés Kertész, Franz Kline, Joseph Kosuth, Barbara Kruger, Annie Leibovitz, Sol LeWitt, Roy Lichtenstein, Robert Longo, Philip-Lorca diCorcia, Morris Louis, Robert Mapplethorpe, Brice Marden, Mary Ellen Mark, Agnes Martin, Susan Meiselas, Joel Meyerowitz, Duane Michals, Joan Mitchell, Robert Morris, Robert Motherwell, Bruce Nauman, Barnet Newman, Claes Oldenburg, Nam June Paik, Irving Penn, Gilles Peress, Sylvia Plachy, Jackson Pollock, Richard Prince, Robert Rauschenberg, Ad Reinhardt, Eugene Richards, James Rosenquist, Mark Rothko, Susan Rothenberg, Robert Ryman, David Salle, Lucas Samaras, Tom Sachs, Andres Serrano, Joel Shapiro, Julian Schnabel, Richard Serra, Cindy Sherman, Laurie Simmons, David Smith, Doug and Mike Starn, Frank Stella, Haim Steinbach, Joel Sternfeld, Clyfford Still, Cy Twombly, Kara Walker, Andy Warhol, Lawrence Weiner, Tom Wesselman, Brian Weil, Sue Williams, Garry Winogrand, David Wojnarowicz, Christopher Wool.
Classification:
livres
livres
Publication:
août 2006, Milano
août 2006, Milano
