audio
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1 online resource.
[Place of publication not identified] : The Funambulist, 2020.
PanAfrican Publishing and the Struggle for a Second Liberation.
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1 online resource.
audio
[Place of publication not identified] : The Funambulist, 2020.
livres
Caradt 2019
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Caradt 2019
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OnCurating.org 2020
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OnCurating.org 2020
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of(...)
Käthe Kollwitz: prints, process, politics
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. Fragments of the past and symbols of capitalist modernity underpin the work-banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm's work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. Dein Kampf is Feuerhelm's proposition about how we activate image and ideology in the book form. Includes text by Ulrich Baer.
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After half a century of neoliberalism, a new radical, practice-based ideology is making its way from the margins: commonism, with an o in the middle. It is based on the values of sharing, common (intellectual) ownership and new social co-operations. Commoners assert that social relationships can replace money (contract) relationships. They advocate solidarity and they(...)
Commonism: a new aesthetics of the real
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Résumé:
After half a century of neoliberalism, a new radical, practice-based ideology is making its way from the margins: commonism, with an o in the middle. It is based on the values of sharing, common (intellectual) ownership and new social co-operations. Commoners assert that social relationships can replace money (contract) relationships. They advocate solidarity and they trust in peer-to-peer relationships to develop new ways of production.
Théorie de l’art
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1 online resource (xiv, 339 pages) : color illustrations
[Seattle] : [University of Washington Libraries], [2016], ©2016
Becoming an architect : narratives of architectural education / James Thompson.
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1 online resource (xiv, 339 pages) : color illustrations
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[Seattle] : [University of Washington Libraries], [2016], ©2016
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xiv, 185 pages : illustrations ; 26 cm
London ; New York : Routledge, 2017.
The architecture of Percier and Fontaine and the struggle for sovereignty in Revolutionary France / Iris Moon.
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xiv, 185 pages : illustrations ; 26 cm
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London ; New York : Routledge, 2017.
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Diaphanes 2017
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Diaphanes 2017
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xi, 278 pages : illustrations ; 23 cm.
Ranikhet : Permanent Black, 2010.
Imagining the urban : Sanskrit and the city in early India / Shonaleeka Kaul.
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xi, 278 pages : illustrations ; 23 cm.
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Ranikhet : Permanent Black, 2010.
The exform
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Theorist and art curator Nicolas Bourriaud tackles the excluded, the disposable and the nature of waste by looking to the future of art—the exform. He argues that the great theoretical battles to come will be fought in the realms of ideology, psychoanalysis and art. A “realist” theory and practice must begin by uncovering the mechanisms that create the distinctions(...)
The exform
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Theorist and art curator Nicolas Bourriaud tackles the excluded, the disposable and the nature of waste by looking to the future of art—the exform. He argues that the great theoretical battles to come will be fought in the realms of ideology, psychoanalysis and art. A “realist” theory and practice must begin by uncovering the mechanisms that create the distinctions between the productive and unproductive, product and waste, and the included and excluded.
Théorie/ philosophie