5603 Résultats
Classification:
documents textuels
documents textuels
Titre:
Diverses brochures sur l'art
Diverses brochures sur l'art
Numéro de référence:
ARCH257711
Description:
Brochures d'aquarelles, brochures de harpes (de Londres), incluant des magazines « Exposition Paris 1937 », « Viaggi in Italia », « E.42 Roma», « Italia ».
ARCH257711
Description:
Brochures d'aquarelles, brochures de harpes (de Londres), incluant des magazines « Exposition Paris 1937 », « Viaggi in Italia », « E.42 Roma», « Italia ».
Personnes et institutions:
Date:
1920, 1938
1920, 1938
Titre:
Diverses brochures sur l'art
Actions:
ARCH257711
Description:
Brochures d'aquarelles, brochures de harpes (de Londres), incluant des magazines « Exposition Paris 1937 », « Viaggi in Italia », « E.42 Roma», « Italia ».
Diverses brochures sur l'art
Actions:
ARCH257711
Description:
Brochures d'aquarelles, brochures de harpes (de Londres), incluant des magazines « Exposition Paris 1937 », « Viaggi in Italia », « E.42 Roma», « Italia ».
Classification:
documents textuels
documents textuels
Date:
1920, 1938
1920, 1938
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
Personnes et institutions:
Date:
1992-1996
1992-1996
Titre:
Scarborough Community Complex, Scarborough, Ontario (1993-1996)
Actions:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
Scarborough Community Complex, Scarborough, Ontario (1993-1996)
Actions:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
Niveau de description archivistique:
Project
Project
Date:
1992-1996
1992-1996
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Personnes et institutions:
Date:
1984-2003
1984-2003
Titre:
Fonds Kuwabara Payne Mckenna Blumberg
Actions:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Fonds Kuwabara Payne Mckenna Blumberg
Actions:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1984-2003
1984-2003
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH256703
Description:
general office files from Erickson/Massey office - tender/contract stage procedures, office furniture, office machines, planters, management contracts, newspaper clippings, Mid-Canada development fund, miscellaneous correspondence, construction consultants, conveyors, drape track valance, ecology newsletter, Dharam Kohli/ Erickson Massey agreement, E/M procedures - interiors, invitations, Architecture Canada Magazine, Architectural Institute of B.C. booklet, Art for Architecture, Artists, Building system information clearinghouse, consultants, school construction systems, S.E.F. school, topographics, universities, research material, project management, Erickson/Massey project status summaries, real estate, reference material, Erickson/Massey Vancouver correspondence.
ARCH256703
Description:
general office files from Erickson/Massey office - tender/contract stage procedures, office furniture, office machines, planters, management contracts, newspaper clippings, Mid-Canada development fund, miscellaneous correspondence, construction consultants, conveyors, drape track valance, ecology newsletter, Dharam Kohli/ Erickson Massey agreement, E/M procedures - interiors, invitations, Architecture Canada Magazine, Architectural Institute of B.C. booklet, Art for Architecture, Artists, Building system information clearinghouse, consultants, school construction systems, S.E.F. school, topographics, universities, research material, project management, Erickson/Massey project status summaries, real estate, reference material, Erickson/Massey Vancouver correspondence.
Personnes et institutions:
Date:
1967, 1970-1972, 1975
1967, 1970-1972, 1975
Titre:
General office files from Erickson/Massey office - tender/contract stage procedures
Actions:
ARCH256703
Description:
general office files from Erickson/Massey office - tender/contract stage procedures, office furniture, office machines, planters, management contracts, newspaper clippings, Mid-Canada development fund, miscellaneous correspondence, construction consultants, conveyors, drape track valance, ecology newsletter, Dharam Kohli/ Erickson Massey agreement, E/M procedures - interiors, invitations, Architecture Canada Magazine, Architectural Institute of B.C. booklet, Art for Architecture, Artists, Building system information clearinghouse, consultants, school construction systems, S.E.F. school, topographics, universities, research material, project management, Erickson/Massey project status summaries, real estate, reference material, Erickson/Massey Vancouver correspondence.
General office files from Erickson/Massey office - tender/contract stage procedures
Actions:
ARCH256703
Description:
general office files from Erickson/Massey office - tender/contract stage procedures, office furniture, office machines, planters, management contracts, newspaper clippings, Mid-Canada development fund, miscellaneous correspondence, construction consultants, conveyors, drape track valance, ecology newsletter, Dharam Kohli/ Erickson Massey agreement, E/M procedures - interiors, invitations, Architecture Canada Magazine, Architectural Institute of B.C. booklet, Art for Architecture, Artists, Building system information clearinghouse, consultants, school construction systems, S.E.F. school, topographics, universities, research material, project management, Erickson/Massey project status summaries, real estate, reference material, Erickson/Massey Vancouver correspondence.
Classification:
documents textuels
documents textuels
Date:
1967, 1970-1972, 1975
1967, 1970-1972, 1975
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Personnes et institutions:
Date:
between 1919 and 1920
between 1919 and 1920
Titre:
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Niveau de description archivistique:
series
series
Date:
between 1919 and 1920
between 1919 and 1920
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS1.D23.P16
Description:
views of design development, presentation and publication drawings, and views of drawings (not otherwise present in the project documents), including a sketch axonometric showing an alternative design for the glazing of the stairs of the laboratories tower block, two plan obliques for an early design, and a diagrammatic plan and elevations for the workshop roof; includes views of a caricature of the Leicester University Engineering Building as a ship and a view of a letter from the Vice-Chancellor of the University of Leicester, T. A. F. Noble, to James Stirling, dated 19th February 1964, concerning an article in the magazine 'New Statesman' by Reyner Banham on the Engineering Building
AP140.S2.SS1.D23.P16
Description:
views of design development, presentation and publication drawings, and views of drawings (not otherwise present in the project documents), including a sketch axonometric showing an alternative design for the glazing of the stairs of the laboratories tower block, two plan obliques for an early design, and a diagrammatic plan and elevations for the workshop roof; includes views of a caricature of the Leicester University Engineering Building as a ship and a view of a letter from the Vice-Chancellor of the University of Leicester, T. A. F. Noble, to James Stirling, dated 19th February 1964, concerning an article in the magazine 'New Statesman' by Reyner Banham on the Engineering Building
Personnes et institutions:
Date:
1959 or after and 1964
1959 or after and 1964
Titre:
Views of design development, presentation and publication drawings
Actions:
AP140.S2.SS1.D23.P16
Description:
views of design development, presentation and publication drawings, and views of drawings (not otherwise present in the project documents), including a sketch axonometric showing an alternative design for the glazing of the stairs of the laboratories tower block, two plan obliques for an early design, and a diagrammatic plan and elevations for the workshop roof; includes views of a caricature of the Leicester University Engineering Building as a ship and a view of a letter from the Vice-Chancellor of the University of Leicester, T. A. F. Noble, to James Stirling, dated 19th February 1964, concerning an article in the magazine 'New Statesman' by Reyner Banham on the Engineering Building
Views of design development, presentation and publication drawings
Actions:
AP140.S2.SS1.D23.P16
Description:
views of design development, presentation and publication drawings, and views of drawings (not otherwise present in the project documents), including a sketch axonometric showing an alternative design for the glazing of the stairs of the laboratories tower block, two plan obliques for an early design, and a diagrammatic plan and elevations for the workshop roof; includes views of a caricature of the Leicester University Engineering Building as a ship and a view of a letter from the Vice-Chancellor of the University of Leicester, T. A. F. Noble, to James Stirling, dated 19th February 1964, concerning an article in the magazine 'New Statesman' by Reyner Banham on the Engineering Building
Classification:
photographies
photographies
Date:
1959 or after and 1964
1959 or after and 1964
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
Personnes et institutions:
Date:
1971, 1987-1988
1971, 1987-1988
Titre:
District 4-5 Plan from Borough of North York
Actions:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
District 4-5 Plan from Borough of North York
Actions:
ARCH256925
Description:
15 files - District 4-5 Plan from Borough of North York (1971); Orion Financial Group correspondence; blank forms; technical literature; research on concert halls/theatres; research on earth-sheltered architecture; letter from AEA expressing interest in submitting projects to Architectural Biennale Competition in Sofia, Bulgaria (1987); correspondence concerning computers; project status reports; 4 miscellaneous folders of correspondence concerning: talk with Dr. Hollenberg, office policies and memos, CCA exhibition catalogue (1987), requests for information, magazine clippings, minutes, Canadian Who's Who, King Abdulaziz University, Mundipharma, University of Arizona, Etisalat floor patterns, Town of Markham invoice, requests, press clippings, letters to AE, inter-office memos.
Classification:
documents textuels
documents textuels
Date:
1971, 1987-1988
1971, 1987-1988
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
DR2012:0012:077:001:002
Description:
File containing magazine clippings (in French), film negatives, photographs, and slides of the following: - Le trésor de Trois-Rivières (1 colour slide); - A house in the village of Cavusin (1 gelatin silver print); - Cave exteriors and interiors (5 gelatin silver prints); - 415-419 des Récollets (1 gelatin silver print); - Montreal grain elevator (1 gelatin silver print); - Interior, Connecticut General Insurance Building (1 gelatin silver print); - Street housing of Manduria, Italy, 1960 (1 colour slide); - Maison Hector Brossard (1 gelatin silver print); - Indigenous housing destroyed (1 black-and-white slide); - Unidentified house (1 colour slide); - Unidentified street (1 gelatin silver print).
DR2012:0012:077:001:002
Description:
File containing magazine clippings (in French), film negatives, photographs, and slides of the following: - Le trésor de Trois-Rivières (1 colour slide); - A house in the village of Cavusin (1 gelatin silver print); - Cave exteriors and interiors (5 gelatin silver prints); - 415-419 des Récollets (1 gelatin silver print); - Montreal grain elevator (1 gelatin silver print); - Interior, Connecticut General Insurance Building (1 gelatin silver print); - Street housing of Manduria, Italy, 1960 (1 colour slide); - Maison Hector Brossard (1 gelatin silver print); - Indigenous housing destroyed (1 black-and-white slide); - Unidentified house (1 colour slide); - Unidentified street (1 gelatin silver print).
Personnes et institutions:
Date:
ca. 1975
ca. 1975
Titre:
Press clippings and photographic materials related to projects
Actions:
DR2012:0012:077:001:002
Description:
File containing magazine clippings (in French), film negatives, photographs, and slides of the following: - Le trésor de Trois-Rivières (1 colour slide); - A house in the village of Cavusin (1 gelatin silver print); - Cave exteriors and interiors (5 gelatin silver prints); - 415-419 des Récollets (1 gelatin silver print); - Montreal grain elevator (1 gelatin silver print); - Interior, Connecticut General Insurance Building (1 gelatin silver print); - Street housing of Manduria, Italy, 1960 (1 colour slide); - Maison Hector Brossard (1 gelatin silver print); - Indigenous housing destroyed (1 black-and-white slide); - Unidentified house (1 colour slide); - Unidentified street (1 gelatin silver print).
Press clippings and photographic materials related to projects
Actions:
DR2012:0012:077:001:002
Description:
File containing magazine clippings (in French), film negatives, photographs, and slides of the following: - Le trésor de Trois-Rivières (1 colour slide); - A house in the village of Cavusin (1 gelatin silver print); - Cave exteriors and interiors (5 gelatin silver prints); - 415-419 des Récollets (1 gelatin silver print); - Montreal grain elevator (1 gelatin silver print); - Interior, Connecticut General Insurance Building (1 gelatin silver print); - Street housing of Manduria, Italy, 1960 (1 colour slide); - Maison Hector Brossard (1 gelatin silver print); - Indigenous housing destroyed (1 black-and-white slide); - Unidentified house (1 colour slide); - Unidentified street (1 gelatin silver print).
Classification:
photographies
photographies
Date:
ca. 1975
ca. 1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Niveau de description archivistique:
Project
Project
Date:
1969-1971
1969-1971
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH258805
Description:
Documentation, incluant des notes, des coupures de magazines, et des croquis de la chapelle, la mosaïque, les vitraux, les couleurs et ameublement de Sacristie. Comprend aussi des bleus pliés, des catalogues, des coupures de presse, des soumissions.
ARCH258805
Description:
Documentation, incluant des notes, des coupures de magazines, et des croquis de la chapelle, la mosaïque, les vitraux, les couleurs et ameublement de Sacristie. Comprend aussi des bleus pliés, des catalogues, des coupures de presse, des soumissions.
Personnes et institutions:
Date:
1955-1965
1955-1965
Titre:
Documents de référence, notes et croquis
Actions:
ARCH258805
Description:
Documentation, incluant des notes, des coupures de magazines, et des croquis de la chapelle, la mosaïque, les vitraux, les couleurs et ameublement de Sacristie. Comprend aussi des bleus pliés, des catalogues, des coupures de presse, des soumissions.
Documents de référence, notes et croquis
Actions:
ARCH258805
Description:
Documentation, incluant des notes, des coupures de magazines, et des croquis de la chapelle, la mosaïque, les vitraux, les couleurs et ameublement de Sacristie. Comprend aussi des bleus pliés, des catalogues, des coupures de presse, des soumissions.
Classification:
documents textuels
documents textuels
Date:
1955-1965
1955-1965
Personnes et institutions:
