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Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of(...)
$71.95
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Résumé:
Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of(...)
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Virtual art from illusion to immersion
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Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality beyond the hype. Grau shows how each epoch used the technical means available to produce maximum illusion. He discusses frescoes such as those in the Villa dei Misteri in Pompeii and the gardens of the Villa Livia near Primaporta, Renaissance and Baroque illusion spaces, and panoramas, which were the most developed form of illusion achieved through traditional methods of painting and the mass image medium before film. Through a detailed analysis of perhaps the most important German panorama, Anton von Werner's 1883 The Battle of Sedan, Grau shows how immersion produced emotional responses. He traces immersive cinema through Cinerama, Sensorama, Expanded Cinema, 3-D, Omnimax and IMAX, and the head mounted display with its military origins. He also examines those characteristics of virtual reality that distinguish it from earlier forms of illusionary art. His analysis draws on the work of contemporary artists and groups ART+COM, Maurice Benayoun, Charlotte Davies, Monika Fleischmann, Ken Goldberg, Agnes Hegedues, Eduardo Kac, Knowbotic Research, Laurent Mignonneau, Michael Naimark, Simon Penny, Daniela Plewe, Paul Sermon, Jeffrey Shaw, Karl Sims, Christa Sommerer, and Wolfgang Strauss. Grau offers not just a history of illusionary space but also a theoretical framework for analyzing its phenomenologies, functions, and strategies throughout history and into the future.
Virtual art from illusion to immersion
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$71.95
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Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality beyond the hype. Grau shows how each epoch used the technical means available to produce maximum illusion. He discusses frescoes such as those in the Villa dei Misteri in Pompeii and the gardens of the Villa Livia near Primaporta, Renaissance and Baroque illusion spaces, and panoramas, which were the most developed form of illusion achieved through traditional methods of painting and the mass image medium before film. Through a detailed analysis of perhaps the most important German panorama, Anton von Werner's 1883 The Battle of Sedan, Grau shows how immersion produced emotional responses. He traces immersive cinema through Cinerama, Sensorama, Expanded Cinema, 3-D, Omnimax and IMAX, and the head mounted display with its military origins. He also examines those characteristics of virtual reality that distinguish it from earlier forms of illusionary art. His analysis draws on the work of contemporary artists and groups ART+COM, Maurice Benayoun, Charlotte Davies, Monika Fleischmann, Ken Goldberg, Agnes Hegedues, Eduardo Kac, Knowbotic Research, Laurent Mignonneau, Michael Naimark, Simon Penny, Daniela Plewe, Paul Sermon, Jeffrey Shaw, Karl Sims, Christa Sommerer, and Wolfgang Strauss. Grau offers not just a history of illusionary space but also a theoretical framework for analyzing its phenomenologies, functions, and strategies throughout history and into the future.
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janvier 1900, Cambridge, Mass.
janvier 1900, Cambridge, Mass.
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Épistémologie et réseau
Épistémologie et réseau
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352 pages : illustrations (some color), plans (some color) ; 25 cm
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352 pages : illustrations (some color), plans (some color) ; 25 cm
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London ; New York, New York : Thames & Hudson Ltd, 2020., ©2020
London ; New York, New York : Thames & Hudson Ltd, 2020., ©2020
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Modern architecture and the lifeworld : essays in honor of Kenneth Frampton / edited by Karla Cavarra Britton and Robert McCarter.
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352 pages : illustrations (some color), plans (some color) ; 25 cm
Modern architecture and the lifeworld : essays in honor of Kenneth Frampton / edited by Karla Cavarra Britton and Robert McCarter.
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London ; New York, New York : Thames & Hudson Ltd, 2020., ©2020
London ; New York, New York : Thames & Hudson Ltd, 2020., ©2020
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Modernist estates -- Europe : the buildings and the people who live in them today / by Stefi Orazi.
Modernist estates -- Europe : the buildings and the people who live in them today / by Stefi Orazi.
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191 pages : illustrations (chiefly color) ; 26 cm
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191 pages : illustrations (chiefly color) ; 26 cm
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London : White Lion Publishing, 2019.
London : White Lion Publishing, 2019.
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Modernist estates -- Europe : the buildings and the people who live in them today / by Stefi Orazi.
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191 pages : illustrations (chiefly color) ; 26 cm
Modernist estates -- Europe : the buildings and the people who live in them today / by Stefi Orazi.
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191 pages : illustrations (chiefly color) ; 26 cm
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London : White Lion Publishing, 2019.
London : White Lion Publishing, 2019.
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1 online resource.
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[Place of publication not identified] : Scratching the Surface, 2021.
[Place of publication not identified] : Scratching the Surface, 2021.
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[Place of publication not identified] : Scratching the Surface, 2021.
[Place of publication not identified] : Scratching the Surface, 2021.
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227 pages : illustrations (chiefly color), maps (chiefly color) ; 29 cm
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227 pages : illustrations (chiefly color), maps (chiefly color) ; 29 cm
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New York, NY : Columbia Books on Architecture and the City, [2019]
New York, NY : Columbia Books on Architecture and the City, [2019]
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A moving border : Alpine cartographies of climate change / Marco Ferrari, Elisa Pasqual, Andrea Bagnato.
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227 pages : illustrations (chiefly color), maps (chiefly color) ; 29 cm
A moving border : Alpine cartographies of climate change / Marco Ferrari, Elisa Pasqual, Andrea Bagnato.
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227 pages : illustrations (chiefly color), maps (chiefly color) ; 29 cm
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New York, NY : Columbia Books on Architecture and the City, [2019]
New York, NY : Columbia Books on Architecture and the City, [2019]
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1 online resource
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[Place of publication not identified] : Arthur C. Clarke Center for Human Imagination, 2015.
[Place of publication not identified] : Arthur C. Clarke Center for Human Imagination, 2015.
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[Place of publication not identified] : Arthur C. Clarke Center for Human Imagination, 2015.
[Place of publication not identified] : Arthur C. Clarke Center for Human Imagination, 2015.
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xxx, 479 pages : illustrations (some color) ; 22 cm
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xxx, 479 pages : illustrations (some color) ; 22 cm
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[Ann Arbor, Michigan] : UMI Dissertation Services, [2011].
[Ann Arbor, Michigan] : UMI Dissertation Services, [2011].
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Land of the in-between : modern architecture and the State in socialist Yugoslavia, 1945-65 / by Vladimir Kulić.
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xxx, 479 pages : illustrations (some color) ; 22 cm
Land of the in-between : modern architecture and the State in socialist Yugoslavia, 1945-65 / by Vladimir Kulić.
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[Ann Arbor, Michigan] : UMI Dissertation Services, [2011].
[Ann Arbor, Michigan] : UMI Dissertation Services, [2011].
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473 pages : illustrations (chiefly color) ; 30 cm
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473 pages : illustrations (chiefly color) ; 30 cm
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Berlin ; Boston : Jovis Verlag, an imprint of Walter de Gruyter GmbH, [2024], ©2024
Berlin ; Boston : Jovis Verlag, an imprint of Walter de Gruyter GmbH, [2024], ©2024
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Polylemma / Raumlaborberlin (ed.) ; contributing editors, Andrea Hofmann [with nine others] ; including fifty meta comments by Christopher Dell ; translation by Michael Thomas Taylor [and four others].
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473 pages : illustrations (chiefly color) ; 30 cm
Polylemma / Raumlaborberlin (ed.) ; contributing editors, Andrea Hofmann [with nine others] ; including fifty meta comments by Christopher Dell ; translation by Michael Thomas Taylor [and four others].
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473 pages : illustrations (chiefly color) ; 30 cm
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Berlin ; Boston : Jovis Verlag, an imprint of Walter de Gruyter GmbH, [2024], ©2024
Berlin ; Boston : Jovis Verlag, an imprint of Walter de Gruyter GmbH, [2024], ©2024
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xxiv, 501 p. : ill., maps, plans ; 22 cm.
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xxiv, 501 p. : ill., maps, plans ; 22 cm.
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2009.
2009.
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Lofty visions : the architectural intentions and contrary realities of elevated urban highways in America, 1900-1959 / Amy Debra Finstein.
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xxiv, 501 p. : ill., maps, plans ; 22 cm.
Lofty visions : the architectural intentions and contrary realities of elevated urban highways in America, 1900-1959 / Amy Debra Finstein.
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xxiv, 501 p. : ill., maps, plans ; 22 cm.
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2009.
2009.
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303 pages : chiefly illustrations (chiefly color), plans ; 18 x 25 cm
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303 pages : chiefly illustrations (chiefly color), plans ; 18 x 25 cm
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Zurich : Lars Müller Publishers, [2015]
Zurich : Lars Müller Publishers, [2015]
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A genealogy of modern architecture : comparative critical analysis of built form / Kenneth Frampton ; edited by Ashley Simone.
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303 pages : chiefly illustrations (chiefly color), plans ; 18 x 25 cm
A genealogy of modern architecture : comparative critical analysis of built form / Kenneth Frampton ; edited by Ashley Simone.
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303 pages : chiefly illustrations (chiefly color), plans ; 18 x 25 cm
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Zurich : Lars Müller Publishers, [2015]
Zurich : Lars Müller Publishers, [2015]
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