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Avec ses élèves Zvi Hecker et Eldar Sharon, Alfred Neumann (1900-1968) déploya une architecture polyédrique, notamment mise en œuvre à Tel Aviv pendant les années 60. À l'âge des structures « spatiales » et « tridimensionnelles », Neumann et ses amis se tournent vers la géométrie cristalline trouvée en nature. Partant de processus évoquant la biologie et la(...)
L'architecture de la morphologie
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Avec ses élèves Zvi Hecker et Eldar Sharon, Alfred Neumann (1900-1968) déploya une architecture polyédrique, notamment mise en œuvre à Tel Aviv pendant les années 60. À l'âge des structures « spatiales » et « tridimensionnelles », Neumann et ses amis se tournent vers la géométrie cristalline trouvée en nature. Partant de processus évoquant la biologie et la cristallographie, Neumann conçoit l'espace à travers des assemblages solides, une « grammaire de l'espace » donnant lieu à une « discipline topologique » qu'il enseignera jusqu'à sa mort à l'école d'architecture de l'Université de Laval, à Québec. Augmenté des présentations de Georges Teyssot et Samuel Bernier-Lavigne, le présent essai, dévoilé à Toronto en 1963, précède de peu la mise en chantier de l'Expo 67 à Montréal.
Théorie de l’architecture
In the life of cities
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What is it that gives places their individual qualities and defines the life of a city? Architects and urbanists are accustomed to describing and creating the organizational structures, the layouts and physical attributes of our cities. But what are the relations between the design of a city—its form—and the life engendered by that form? Responding to this question is the(...)
novembre 2012
In the life of cities
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What is it that gives places their individual qualities and defines the life of a city? Architects and urbanists are accustomed to describing and creating the organizational structures, the layouts and physical attributes of our cities. But what are the relations between the design of a city—its form—and the life engendered by that form? Responding to this question is the inspiration for In the Life of Cities. Contributors from a wide range of fields address the role and life of cities as diverse as Baku, Buenos Aires, Cairo, Detroit, Jakarta, Johannesburg, Mumbai, Paris, Quito, St. Petersburg, Tel Aviv, Tirana, and Toronto. Portfolios of contemporary photography present the layered realities of urban life today.
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer a biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the(...)
Cornelia Hahn Oberlander : making the Modern landscape
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer a biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University’s Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal.
livres
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175 meters long, the museum bores like a triangular beam through the Har Hazikaron, or Mount of Remembrance. It juts out from the hillside at either end, allowing visitors to enter and look out. This spectacular architecture is the setting for a lavish and impressive exhibition commemorating the Holocaust. The structure is the culmination of Moshe Safdie’s work in Israel.(...)
Architecture, monographies
avril 2006, Baden
Yad Vashem : Moshe Safdie - the architecture of memory
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175 meters long, the museum bores like a triangular beam through the Har Hazikaron, or Mount of Remembrance. It juts out from the hillside at either end, allowing visitors to enter and look out. This spectacular architecture is the setting for a lavish and impressive exhibition commemorating the Holocaust. The structure is the culmination of Moshe Safdie’s work in Israel. The architect, a student of Louis Kahn who began his career with the sensational residential complex Habitat at the 1967 Montreal World’s Fair, maintains offices in Boston, Toronto, and Jerusalem. The museum, its architecture, and its series of interior spaces with their carefully designed exhibition facilities are documented in an indepth photo essay and are illustrated with texts and plans.
livres
avril 2006, Baden
Architecture, monographies
Facing Black Star
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In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary(...)
Facing Black Star
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In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary photographs that were classified by theme in the agency’s picture library. While the move of the collection from a corporate photo agency to a public cultural institution enables more access, researchers must still face the size of the collection, its structural organization, the materiality of the prints, and the lack of ephemera. ''Facing Black Star'' aims to fruitfully highlight this tension between research expectations and challenges.
Théorie de la photographie
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Jerome Markson’s nearly six-decade-long architectural practice began in a time of profound transformation during the post-war period. His buildings were harbingers of important shifts in sociopolitical attitudes, urban policies, and modes of architectural production. From speculative homes in fledgling suburbs, to bespoke private houses, to social housing in downtown(...)
The architecture of Jerome Markson: Toronto's inclusive modernity
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Jerome Markson’s nearly six-decade-long architectural practice began in a time of profound transformation during the post-war period. His buildings were harbingers of important shifts in sociopolitical attitudes, urban policies, and modes of architectural production. From speculative homes in fledgling suburbs, to bespoke private houses, to social housing in downtown Toronto, to luxury landmarks like the Market Square condominiums, as well as important cultural and institutional buildings, his architecture reflects his pursuit of a more open and inclusive expression of modernity, one that moved past late-Modernism's formal legibility in favour of an increasingly idiosyncratic formal, spatial, and material expression. This book is the first comprehensive critical assessment of Markson's diverse body of work, interwoven with an account of Toronto's emergence as a cosmopolitan city.
Architectes canadiens
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Digital technologies have changed the world, transforming how, where, and when we communicate, love, learn, produce, distribute, and consume. "Digital lives in the global city" examines those changes in the context of urban life, investigating how urban land, governance, and the economy are being remade by advancing communication technologies. Interspersing critical(...)
Théorie de l’urbanisme
novembre 2020
Digital lives in the global city: contesting infrastructures
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Digital technologies have changed the world, transforming how, where, and when we communicate, love, learn, produce, distribute, and consume. "Digital lives in the global city" examines those changes in the context of urban life, investigating how urban land, governance, and the economy are being remade by advancing communication technologies. Interspersing critical scholarship with provocative short works from non-tradtional authors to engage with a wide range of issues wrought by digital infrastructure, the book addresses such topics as struggles over unsafe and illegal buildings in Mumbai, the conditions of migrant work in Singapore, the question of digital debt in Toronto, and targeted policing in New York. This nuanced exploration reveals the profound connections between digital technologies and the social life of global cities.
Théorie de l’urbanisme
Artist-run spaces
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In the 1960s and 70s, as the parameters of art expanded to incorporate architecture and performance and increasingly drew on urban theory and the politics of everyday life, the model of the artist-run gallery space gained enormous relevance. Developed in collaboration with the founders of the leading artist-run spaces of the 1960s and 1970s, this volume compiles the first(...)
Artist-run spaces
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In the 1960s and 70s, as the parameters of art expanded to incorporate architecture and performance and increasingly drew on urban theory and the politics of everyday life, the model of the artist-run gallery space gained enormous relevance. Developed in collaboration with the founders of the leading artist-run spaces of the 1960s and 1970s, this volume compiles the first extensive research on the history of this phenomenon. It introduces spaces such as Art Metropole in Toronto, Artpool in Budapest, Ecart in Geneva, Franklin Furnace in New York, La Mamelle in San Francisco, Printed Matter in New York, Western Front in Vancouver and Zona in Florence, along with their founders, including Carl Andre, John Armleder, AA Bronson, Sol LeWitt, Lucy Lippard, Tom Marioni and Maurizio Nannucci.
Théorie de l’art
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Toronto-based practice Montgomery Sisam Architects has a commitment to design quality that is rooted in the belief that buildings and their environs must play a dignified and lasting role for their occupants and the surrounding community. Implicit in this approach is the desire to createplaces that make a positive contribution to the occupants physical and mental(...)
février 2013
Place and occasion: Montgomery & Sisam architects
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Toronto-based practice Montgomery Sisam Architects has a commitment to design quality that is rooted in the belief that buildings and their environs must play a dignified and lasting role for their occupants and the surrounding community. Implicit in this approach is the desire to createplaces that make a positive contribution to the occupants physical and mental wellbeing. The practice combines a considered, intellectual and highly collaborative approach to design and the composition of space with an intuitive understanding of daylight to produce buildings that engage with the outdoors and strengthen the beneficial relationship between design, health and wellbeing. Beautifully illustrated with full-colour photographs alongside drawings, plans and supporting texts, Place and Occasion is the first comprehensive examination of the work of this Canadian practice.
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In the summer of 1970, the artist Les Levine arrived at the University of Toronto to take part in the installation of site-specific work on the quadrangle in front of the University's Hart House. The intended piece—construction materials hung from high-tension rope between campus buildings—was quickly stymied as Levine encountered a series of bureaucratic impediments on(...)
février 2016
Red tape, a new work by Les Levine, 1970
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In the summer of 1970, the artist Les Levine arrived at the University of Toronto to take part in the installation of site-specific work on the quadrangle in front of the University's Hart House. The intended piece—construction materials hung from high-tension rope between campus buildings—was quickly stymied as Levine encountered a series of bureaucratic impediments on the part of the University staff. What ensued was played into the conceptual conceit the artist had envisioned for the project. By collating the correspondence, telephone transcripts, and visual documentation of the eventual installation process, Levine used the work to demonstrate how the university itself functioned as a system. Red Tape publishes this project, which had existed only as a dossier in the artist's archive, for the first time.