790 Résultats
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livres
livres
Titre:
Shomei Tomatsu
Shomei Tomatsu
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Casting a cold eye on postwar Japan, the raw, grainy and impressionistic photography of Shomei Tomatsu practically defined Japanese photography in the second half of the 20th century, greatly influencing Daido Moriyama, Nobuyoshi Araki and Takuma Nakihara. His best-known images are his portraits of people and street scenes from the 1950s, when the country struggled to(...)
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Casting a cold eye on postwar Japan, the raw, grainy and impressionistic photography of Shomei Tomatsu practically defined Japanese photography in the second half of the 20th century, greatly influencing Daido Moriyama, Nobuyoshi Araki and Takuma Nakihara. His best-known images are his portraits of people and street scenes from the 1950s, when the country struggled to(...)
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Shomei Tomatsu
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Casting a cold eye on postwar Japan, the raw, grainy and impressionistic photography of Shomei Tomatsu practically defined Japanese photography in the second half of the 20th century, greatly influencing Daido Moriyama, Nobuyoshi Araki and Takuma Nakihara. His best-known images are his portraits of people and street scenes from the 1950s, when the country struggled to recover from World War II and US military presence was ubiquitous; his photographs of 1960s Japan; and throughout his career, his images of Okinawa, where he died in 2012. Tomatsu's most famous single photograph is probably Melted Bottle, Nagasaki, 1961, which depicts a beer bottle rendered grotesquely biomorphic by the nuclear blast that devastated Nagasaki on August 9, 1945. The American photographer and writer Leo Rubinfien described Tomatsu's Nagasaki images as "sad, haggard facts," noting that "beneath the surface there was a grief so great that any overt expression of sympathy would have been an insult."
Shomei Tomatsu
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Casting a cold eye on postwar Japan, the raw, grainy and impressionistic photography of Shomei Tomatsu practically defined Japanese photography in the second half of the 20th century, greatly influencing Daido Moriyama, Nobuyoshi Araki and Takuma Nakihara. His best-known images are his portraits of people and street scenes from the 1950s, when the country struggled to recover from World War II and US military presence was ubiquitous; his photographs of 1960s Japan; and throughout his career, his images of Okinawa, where he died in 2012. Tomatsu's most famous single photograph is probably Melted Bottle, Nagasaki, 1961, which depicts a beer bottle rendered grotesquely biomorphic by the nuclear blast that devastated Nagasaki on August 9, 1945. The American photographer and writer Leo Rubinfien described Tomatsu's Nagasaki images as "sad, haggard facts," noting that "beneath the surface there was a grief so great that any overt expression of sympathy would have been an insult."
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livres
livres
Publication:
septembre 2018
septembre 2018
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$63.00
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This volume documents Gerhard Richter's 65-foot-tall, abstract, stained-glass window for Germany's historic Cologne Cathedral, the original of which was destroyed by bombs in World War II, and thereafter replaced with clear glass. Composed of more than 11,000 four-inch squares, or "pixels," in 72 colors, the window is based on Richter's 1974 painting, "4096 Colors," a(...)
$63.00
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This volume documents Gerhard Richter's 65-foot-tall, abstract, stained-glass window for Germany's historic Cologne Cathedral, the original of which was destroyed by bombs in World War II, and thereafter replaced with clear glass. Composed of more than 11,000 four-inch squares, or "pixels," in 72 colors, the window is based on Richter's 1974 painting, "4096 Colors," a(...)
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Gerhard Richter - Zufall, das Kölner Domfenster und 4900 farben the cologne cathedral window, and 4900 colours
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This volume documents Gerhard Richter's 65-foot-tall, abstract, stained-glass window for Germany's historic Cologne Cathedral, the original of which was destroyed by bombs in World War II, and thereafter replaced with clear glass. Composed of more than 11,000 four-inch squares, or "pixels," in 72 colors, the window is based on Richter's 1974 painting, "4096 Colors," a grid of monochromatic squares 64 tall and 64 wide (for a total of 4096 squares) which was organized and designed according to a mathematical formula that systematically mixed red, yellow, blue and gray. Photographs of the work are accompanied by three essays which integrate this important work into the context of Richter's oeuvre, and shed light on the principle of randomness on which it is based. Gerhard Richter was born in Dresden and escaped to West Germany in 1961. He has lived and worked in Cologne, where he was made an honorary citizen last year, since the early 1980s.
Gerhard Richter - Zufall, das Kölner Domfenster und 4900 farben the cologne cathedral window, and 4900 colours
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$63.00
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Résumé:
This volume documents Gerhard Richter's 65-foot-tall, abstract, stained-glass window for Germany's historic Cologne Cathedral, the original of which was destroyed by bombs in World War II, and thereafter replaced with clear glass. Composed of more than 11,000 four-inch squares, or "pixels," in 72 colors, the window is based on Richter's 1974 painting, "4096 Colors," a grid of monochromatic squares 64 tall and 64 wide (for a total of 4096 squares) which was organized and designed according to a mathematical formula that systematically mixed red, yellow, blue and gray. Photographs of the work are accompanied by three essays which integrate this important work into the context of Richter's oeuvre, and shed light on the principle of randomness on which it is based. Gerhard Richter was born in Dresden and escaped to West Germany in 1961. He has lived and worked in Cologne, where he was made an honorary citizen last year, since the early 1980s.
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livres
livres
Publication:
février 2008, Köln
février 2008, Köln
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livres
livres
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Architect, planner, and arts advocate Alfred Preis (1911–1994) dedicated his many creative talents to his beloved, adopted home, Hawai‘i. Born to a Jewish family, raised, and educated in Vienna, Preis became an exile after escaping from Nazi-occupied Austria in 1939 and briefly being interned as an "enemy alien" when the United States entered World War II. Preis emerged(...)
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Architect, planner, and arts advocate Alfred Preis (1911–1994) dedicated his many creative talents to his beloved, adopted home, Hawai‘i. Born to a Jewish family, raised, and educated in Vienna, Preis became an exile after escaping from Nazi-occupied Austria in 1939 and briefly being interned as an "enemy alien" when the United States entered World War II. Preis emerged(...)
Titre:
Alfred Preis Displaced: The topical modernism of the Austrian emigrant and architect
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Architect, planner, and arts advocate Alfred Preis (1911–1994) dedicated his many creative talents to his beloved, adopted home, Hawai‘i. Born to a Jewish family, raised, and educated in Vienna, Preis became an exile after escaping from Nazi-occupied Austria in 1939 and briefly being interned as an "enemy alien" when the United States entered World War II. Preis emerged as one of Hawai‘i’s leading modern architects in the 1950s and 1960s. His new, regionalist vision for architecture and planning were specific to the Hawaiian context, its people, its tropical climate, and its stunning landscape. Preis’s crowning achievement was his design for the famed USS Arizona Memorial at Pearl Harbor in 1962. This is the first publication to examine Alfred Preis’s body of work in architecture, which spans from 1939 to 1963, including not only several acclaimed public projects but also illustrating the transition from a European modern language into a regional modernism, unifying both cultures in distinct and pioneering ways.
Alfred Preis Displaced: The topical modernism of the Austrian emigrant and architect
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Architect, planner, and arts advocate Alfred Preis (1911–1994) dedicated his many creative talents to his beloved, adopted home, Hawai‘i. Born to a Jewish family, raised, and educated in Vienna, Preis became an exile after escaping from Nazi-occupied Austria in 1939 and briefly being interned as an "enemy alien" when the United States entered World War II. Preis emerged as one of Hawai‘i’s leading modern architects in the 1950s and 1960s. His new, regionalist vision for architecture and planning were specific to the Hawaiian context, its people, its tropical climate, and its stunning landscape. Preis’s crowning achievement was his design for the famed USS Arizona Memorial at Pearl Harbor in 1962. This is the first publication to examine Alfred Preis’s body of work in architecture, which spans from 1939 to 1963, including not only several acclaimed public projects but also illustrating the transition from a European modern language into a regional modernism, unifying both cultures in distinct and pioneering ways.
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livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an(...)
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an(...)
Publication:
janvier 2009
janvier 2009
Titre:
John Gutmann: the photographer at work
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider—a Jew in Germany, a naturalized citizen in the United States—informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This book acknowledges Gutmann’s place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy.
John Gutmann: the photographer at work
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider—a Jew in Germany, a naturalized citizen in the United States—informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This book acknowledges Gutmann’s place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy.
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livres
livres
Publication:
janvier 2009
janvier 2009
Classification:
livres
livres
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$30.00
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Résumé:
Nye looks at America's development of its electrical grid, which made large-scale power failures possible; military blackouts before and during World War II ("The silence was the big surprise of the blackout, the darkness discounted," wrote Harold Ross in The New Yorker in 1942); New York City's contrasting 1965 and 1977 blackout experiences (the first characterized by(...)
$30.00
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Nye looks at America's development of its electrical grid, which made large-scale power failures possible; military blackouts before and during World War II ("The silence was the big surprise of the blackout, the darkness discounted," wrote Harold Ross in The New Yorker in 1942); New York City's contrasting 1965 and 1977 blackout experiences (the first characterized by(...)
Titre:
When the lights went out, a history of blackouts in America
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Nye looks at America's development of its electrical grid, which made large-scale power failures possible; military blackouts before and during World War II ("The silence was the big surprise of the blackout, the darkness discounted," wrote Harold Ross in The New Yorker in 1942); New York City's contrasting 1965 and 1977 blackout experiences (the first characterized by cooperation, the second by looting and disorder); the growth in consumer demand that led to rolling blackouts made worse by energy traders' market manipulations; blackouts caused by terrorist attacks and sabotage; and, finally, the "greenout" (exemplified by the new tradition of "Earth Hour"), a voluntary reduction organized by environmental organizations. Blackouts, writes Nye, are breaks in the flow of social time that reveal much about the trajectory of American history. Each time one occurs, Americans confront their essential condition—not as isolated individuals, but as a community that increasingly binds itself together with electrical wires and signals.
When the lights went out, a history of blackouts in America
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Nye looks at America's development of its electrical grid, which made large-scale power failures possible; military blackouts before and during World War II ("The silence was the big surprise of the blackout, the darkness discounted," wrote Harold Ross in The New Yorker in 1942); New York City's contrasting 1965 and 1977 blackout experiences (the first characterized by cooperation, the second by looting and disorder); the growth in consumer demand that led to rolling blackouts made worse by energy traders' market manipulations; blackouts caused by terrorist attacks and sabotage; and, finally, the "greenout" (exemplified by the new tradition of "Earth Hour"), a voluntary reduction organized by environmental organizations. Blackouts, writes Nye, are breaks in the flow of social time that reveal much about the trajectory of American history. Each time one occurs, Americans confront their essential condition—not as isolated individuals, but as a community that increasingly binds itself together with electrical wires and signals.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Prix:
$65.00
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After World War II, the American road trip began appearing prominently in literature, music, movies and photography. As Stephen Shore has written, “Our country is made for long trips. Since the 1940s, the dream of the road trip, and the sense of possibility and freedom that it represents, has taken its own important place within our culture.” Many photographers(...)
$65.00
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After World War II, the American road trip began appearing prominently in literature, music, movies and photography. As Stephen Shore has written, “Our country is made for long trips. Since the 1940s, the dream of the road trip, and the sense of possibility and freedom that it represents, has taken its own important place within our culture.” Many photographers(...)
Titre:
The open road : photography and the American road trip
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After World War II, the American road trip began appearing prominently in literature, music, movies and photography. As Stephen Shore has written, “Our country is made for long trips. Since the 1940s, the dream of the road trip, and the sense of possibility and freedom that it represents, has taken its own important place within our culture.” Many photographers purposefully embarked on journeys across the U.S. in order to create work. Hundreds of them have continued the tradition of the photographic road trip on down to the present, from Stephen Shore to Taiyo Onorato, Nico Krebs, Alec Soth and Ryan McGinley. The Open Road considers the photographic road trip as a genre in and of itself, and presents the story of photographers for whom the American road is muse. The book features David Campany’s introduction to the genre and 18 chapters presented chronologically, each exploring one American road trip in depth through a portfolio of images and informative texts.
The open road : photography and the American road trip
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After World War II, the American road trip began appearing prominently in literature, music, movies and photography. As Stephen Shore has written, “Our country is made for long trips. Since the 1940s, the dream of the road trip, and the sense of possibility and freedom that it represents, has taken its own important place within our culture.” Many photographers purposefully embarked on journeys across the U.S. in order to create work. Hundreds of them have continued the tradition of the photographic road trip on down to the present, from Stephen Shore to Taiyo Onorato, Nico Krebs, Alec Soth and Ryan McGinley. The Open Road considers the photographic road trip as a genre in and of itself, and presents the story of photographers for whom the American road is muse. The book features David Campany’s introduction to the genre and 18 chapters presented chronologically, each exploring one American road trip in depth through a portfolio of images and informative texts.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Photographie par région
Photographie par région
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livres
livres
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$44.00
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What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958(...)
$44.00
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What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
novembre 2001, New York
novembre 2001, New York
Titre:
Frank Lloyd Wright + Lewis Mumford : thirty years of correspondence
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$44.00
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What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958 covered a wide range of topics, including Wright's position in the history of American architecture and contemporary practice, their friends and rivals, the invention and spread of the International Style, and political events in Europe and the US. A fallout over isolationist politics in the early 1940s led to a 10-year gap in their exchange, and when it resumed the two were on an entirely different footing: Wright, the elder dean of American architecture at the height of his creative powers, and Mumford, an established critic in late middle age deeply committed to rebuilding a humanist outlook in the aftermath of World War II. Frank Lloyd Wright & Lewis Mumford offers an intimate look inside the minds and hearts of these two cultural giants, deepening our understanding of the men and the society they helped shape.
Frank Lloyd Wright + Lewis Mumford : thirty years of correspondence
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What began as a simple letter--a mid-career architect's comments to a young writer--turned into a 32-year correspondence, by turns amusing, inflamed, and conciliatory. Frank Lloyd Wright and Lewis Mumford, two pivotal figures in 20th-century American architecture and urbanism, were both passionate writers, keenly aware of world events. Their 150 letters from 1926-1958 covered a wide range of topics, including Wright's position in the history of American architecture and contemporary practice, their friends and rivals, the invention and spread of the International Style, and political events in Europe and the US. A fallout over isolationist politics in the early 1940s led to a 10-year gap in their exchange, and when it resumed the two were on an entirely different footing: Wright, the elder dean of American architecture at the height of his creative powers, and Mumford, an established critic in late middle age deeply committed to rebuilding a humanist outlook in the aftermath of World War II. Frank Lloyd Wright & Lewis Mumford offers an intimate look inside the minds and hearts of these two cultural giants, deepening our understanding of the men and the society they helped shape.
Classification:
livres
livres
Publication:
novembre 2001, New York
novembre 2001, New York
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$29.95
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After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built,(...)
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After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built,(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
novembre 2007, Toronto
novembre 2007, Toronto
Titre:
Concrete Toronto : a guidebook to concrete architecture from the fifties to the seventies
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After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built, including Viljo Revell’s groundbreaking New City Hall, John Andrew’s seminal Scarborough College and the record-smashing CN Tower. Toronto is a city cast in concrete. However, as architectural fashion has shifted from postmodernism to the glass-and-steel neomodernism of today, these concrete structures have been ignored, misunderstood and, in some cases, demolished. Concrete Toronto acts as a guide to the city’s extensive concrete heritage. A diverse group of experts has been assembled to re-examine the uniqueness and value of these buildings. Included are the insights of many of the original concrete architects, university faculty, local practitioners, journalists and industry experts. Together they explore the past and future of Toronto’s concrete buildings. Included is a wealth of new and archival photos, drawings, interviews, articles, as well as case studies of Toronto’s major concrete architecture.
Concrete Toronto : a guidebook to concrete architecture from the fifties to the seventies
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After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built, including Viljo Revell’s groundbreaking New City Hall, John Andrew’s seminal Scarborough College and the record-smashing CN Tower. Toronto is a city cast in concrete. However, as architectural fashion has shifted from postmodernism to the glass-and-steel neomodernism of today, these concrete structures have been ignored, misunderstood and, in some cases, demolished. Concrete Toronto acts as a guide to the city’s extensive concrete heritage. A diverse group of experts has been assembled to re-examine the uniqueness and value of these buildings. Included are the insights of many of the original concrete architects, university faculty, local practitioners, journalists and industry experts. Together they explore the past and future of Toronto’s concrete buildings. Included is a wealth of new and archival photos, drawings, interviews, articles, as well as case studies of Toronto’s major concrete architecture.
Classification:
livres
livres
Publication:
novembre 2007, Toronto
novembre 2007, Toronto
Sujet:
Architecture du Canada
Architecture du Canada
Classification:
livres
livres
Titre:
Volcano: nature and culture
Volcano: nature and culture
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For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a(...)
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For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a(...)
Titre:
Volcano: nature and culture
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For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a few months later, Mount Merapi blew in Indonesia, killing over 350 people and displacing over 350,000 others, awakening people once more to the dangerous potential of these sleeping giants. Though today largely dormant, volcanoes continue to erupt across the world, reminding us of their sheer physical power. In Volcano, James Hamilton explores the cultural history generated by the violence and terrifying beauty of volcanoes. He describes the reverberations of early eruptions of Vesuvius and Etna in Greek and Roman myth. He also examines the depiction of volcanoes in art—from the earliest known wall painting of an erupting volcano in 6200 BCE to the distinctive colors of Andy Warhol and Michael Sandle’s exploding mountains. Surveying a number of twenty-first-century works, Hamilton shows that volcanoes continue to influence the artistic imagination.
Volcano: nature and culture
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For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a few months later, Mount Merapi blew in Indonesia, killing over 350 people and displacing over 350,000 others, awakening people once more to the dangerous potential of these sleeping giants. Though today largely dormant, volcanoes continue to erupt across the world, reminding us of their sheer physical power. In Volcano, James Hamilton explores the cultural history generated by the violence and terrifying beauty of volcanoes. He describes the reverberations of early eruptions of Vesuvius and Etna in Greek and Roman myth. He also examines the depiction of volcanoes in art—from the earliest known wall painting of an erupting volcano in 6200 BCE to the distinctive colors of Andy Warhol and Michael Sandle’s exploding mountains. Surveying a number of twenty-first-century works, Hamilton shows that volcanoes continue to influence the artistic imagination.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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$60.00
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After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous(...)
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After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous(...)
Publication:
juin 1999, Cambridge
juin 1999, Cambridge
Titre:
The Bauhaus and America : first contacts 1919-1936
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After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous 1938 Bauhaus exhibition at the Museum of Modern Art, but in the course of America's early contact with the Bauhaus. In this book Margret Kentgens-Craig shows that the fame of the Bauhaus in America was the result not only of the inherent qualities of its concepts and products, but also of a unique congruence of cultural supply and demand, of a consistent flow of information, and of fine-tuned marketing. Thus the history of the American reception of the Bauhaus in the 1920s and 1930s foreshadows the patterns of fame-making that became typical of the post-World War II art world. The transfer of artistic, intellectual, and pedagogical concepts from one cultural context to another is a process of transformation and integration. In presenting a case study of this process, the book also provides fresh insights into the German-American cultural history of the period from 1919 to 1936.
The Bauhaus and America : first contacts 1919-1936
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Résumé:
After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous 1938 Bauhaus exhibition at the Museum of Modern Art, but in the course of America's early contact with the Bauhaus. In this book Margret Kentgens-Craig shows that the fame of the Bauhaus in America was the result not only of the inherent qualities of its concepts and products, but also of a unique congruence of cultural supply and demand, of a consistent flow of information, and of fine-tuned marketing. Thus the history of the American reception of the Bauhaus in the 1920s and 1930s foreshadows the patterns of fame-making that became typical of the post-World War II art world. The transfer of artistic, intellectual, and pedagogical concepts from one cultural context to another is a process of transformation and integration. In presenting a case study of this process, the book also provides fresh insights into the German-American cultural history of the period from 1919 to 1936.
Classification:
livres
livres
Publication:
juin 1999, Cambridge
juin 1999, Cambridge
