$75.00
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Résumé:
Over the past decade installation art has achieved mainstream status within contemporary visual culture. Its ubiquitous presence has given rise to new terms that redefine the art form and impact not just on art, but also on international fashion shows, movie design, and club culture. This volume surveys how installation has evolved, embracing often unexpected media, and(...)
octobre 2003, London
Installation art in the new millenium : the empire of the senses
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Over the past decade installation art has achieved mainstream status within contemporary visual culture. Its ubiquitous presence has given rise to new terms that redefine the art form and impact not just on art, but also on international fashion shows, movie design, and club culture. This volume surveys how installation has evolved, embracing often unexpected media, and its far-reaching influence worldwide. The new "immersive" installation reflects a desire for sensual pleasure, as the viewer is totally enveloped in a hermetic and narcissistic artwork, as illustrated by the American artist Doug Aitken and the Japanese artist Kazuo Katase, among others. New dynamics have developed between the artist and institutions, and installation is more than ever an open-ended experiment that transforms the museum into a cultural laboratory, as seen in the work of Hans Haacke. Installation refuses to accept fixed boundaries, and practitioners, such as the Mexican Jose Dávila, are now looking to forge relationships on a global level, collaborating with specialists in other non-art areas. In a rapidly changing world, time and memory become key concerns, and artists such as Christian Boltanksi and Damien Hirst prefer to construct their own spaces of memory. The culmination of these processes has made the audience itself the key site of the installation as witnessed in the works of Vanessa Beecroft, Gary Hill, Mariko Mori, and Bill Viola. This astonishing process returns us to the body, to the spectator, a space that is both sentient and active, the "empire of the senses."
livres
Description:
195 pages : chiefly illustrations, portraits ; 23 cm
New York : The Museum of Modern Art, [1938], Garden City, New York : Distributed by Doubleday, [1938], New York : Clarke & Way, Inc., [1938], ©1938
Walker Evans : American photographs / with an essay by Lincoln Kirstein.
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195 pages : chiefly illustrations, portraits ; 23 cm
livres
New York : The Museum of Modern Art, [1938], Garden City, New York : Distributed by Doubleday, [1938], New York : Clarke & Way, Inc., [1938], ©1938
$66.00
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Ever since the first days following the disastrous events that took place in Japan in March 2011, photojournalist Kazuma Obara has been visiting the sites and the people affected. He even visited the Fukushima power plant itself, where he talked to the workers involved. The series of portraits and interviews he produced is published for the first time in this publication.(...)
novembre 2012
Reset: beyond Fukushima, will the nuclear catastrophe bring humanity to its senses?
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Ever since the first days following the disastrous events that took place in Japan in March 2011, photojournalist Kazuma Obara has been visiting the sites and the people affected. He even visited the Fukushima power plant itself, where he talked to the workers involved. The series of portraits and interviews he produced is published for the first time in this publication. Obara's photographs offer touching insights about the consequences of the events surrounding Fukushima. Recollected in this book, they offer a long-term perspective and pose the question of responsibility. They bring to mind just how far-reaching the consequences of this catastrophe are, for the people on site as well as worldwide.
audio
Description:
1 audiocassette (approximately 40 min.) ; in plastic folder 17 x 13 cm + 24 slides (color)
[London, England] : Pidgeon Audio Visual, [2002?]
A tale of two cultures / Kathryn Findlay (Ushida Findlay) ; produced and recorded by PAV.
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1 audiocassette (approximately 40 min.) ; in plastic folder 17 x 13 cm + 24 slides (color)
audio
[London, England] : Pidgeon Audio Visual, [2002?]
$39.95
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The five physical senses of seeing, hearing, smelling, tasting and touching have been held to underpin the complexity of human experience ever since Aristotle first theorised about how they worked. Classical and scholastic philosophy up to the time of the European Enlightenment relegated their operations to its margins, viewing them as at best a distraction from higher(...)
In the realm of the senses: a materialist theory of seeing and feeling
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The five physical senses of seeing, hearing, smelling, tasting and touching have been held to underpin the complexity of human experience ever since Aristotle first theorised about how they worked. Classical and scholastic philosophy up to the time of the European Enlightenment relegated their operations to its margins, viewing them as at best a distraction from higher thinking, and at worst a positive deception. Paradoxically, what one could not objectively know, the products of the mind, were accorded precedence over the concrete. From the Romantic era onwards, the senses moved to the centre of speculative thought, and the various dialectical currents of philosophy after Hegel made them interdependent with the intellectual function, which was held to derive most or all of its authority from them. This tendency has continued down to the sensualist, hedonist and anti-intellectual currents of our own day. In this theoretical consideration of what has been done to the senses in modern experience, Stuart Walton subjects the life of the senses to a further materialist turn, one that refuses a spiritualisation of the material realm, to which contemporary discourses of the body have often fallen prey, while at the same time preserving sensuality from being delivered once again to a sterile idealism.
Théorie/ philosophie
Architecture and the sense in the Italian Renaissance: the varieties of architectural experience
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This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built(...)
Architecture and the sense in the Italian Renaissance: the varieties of architectural experience
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$114.95
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This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding.'' Architecture and the senses in the Italian Renaissance'' offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of ''experiential trigger'' that shaped ways of both thinking and being in the world.
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This publication compiles the winning and the finalist entries of the City Sense competition, organized by the Institute of Advanced Architecture. The competition was open to architects, engineers, planners, designers and artists who wanted to contribute to progress in making the world more habitable by developing proposals capable of responding to emerging challenges in(...)
City sense : shaping our environment with real-time data, 4th Advanced Architecture Contest
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This publication compiles the winning and the finalist entries of the City Sense competition, organized by the Institute of Advanced Architecture. The competition was open to architects, engineers, planners, designers and artists who wanted to contribute to progress in making the world more habitable by developing proposals capable of responding to emerging challenges in areas such as ecology, information technology, architecture, and urban planning, with the purpose of balancing the possible impact of real-time data collection on sensor-driven cities.
Théorie de l’urbanisme
vidéo
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1 videocassette (Mini-DV) (approximately 62 min., 36 sec.) : sound, color ; 1/4 in. master
[2006]
Écouter la ville : voyage sonore à travers les métropoles du monde.
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1 videocassette (Mini-DV) (approximately 62 min., 36 sec.) : sound, color ; 1/4 in. master
vidéo
[2006]
livres
Montreal : the history of a North American city / edited by Dany Fougères and Roderick MacLeod.
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2 volumes : illustrations, maps ; 26 cm
Montreal : McGill-Queen's University Press, [2017]-[2018], ©2018
Montreal : the history of a North American city / edited by Dany Fougères and Roderick MacLeod.
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2 volumes : illustrations, maps ; 26 cm
livres
Montreal : McGill-Queen's University Press, [2017]-[2018], ©2018
vidéo
Description:
1 streaming video file (1 hr., 21 min., 38 sec.) : sound, colour
[Montréal] : CCA, [2013]
Learning from... Johannesburg = L'enseignement de... Johannesburg.
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1 streaming video file (1 hr., 21 min., 38 sec.) : sound, colour
vidéo
[Montréal] : CCA, [2013]