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In 1929, the great Swiss historian and architecture critic Sigfried Giedion (1888–1968)—later the author of the classics "Space, Time and Architecture" (1941) and "Mechanization Takes Command" (1948)—issued Befreites Wohnen (Liberated Dwelling), a small but vocal architecture manifesto and an early expression of modernist housing ideology. From the vision of an(...)
Sigfried Giedion: Liberated dwelling (Befreites Wohnen)
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In 1929, the great Swiss historian and architecture critic Sigfried Giedion (1888–1968)—later the author of the classics "Space, Time and Architecture" (1941) and "Mechanization Takes Command" (1948)—issued Befreites Wohnen (Liberated Dwelling), a small but vocal architecture manifesto and an early expression of modernist housing ideology. From the vision of an international architectural modernism (a mission with which Giedion was involved as the first secretary-general of the International Congresses of Modern Architecture, between 1928 and 1959) to debates on the industrialization of construction processes and their impact on public housing, Liberated Dwelling expresses the dreams and anxieties of early 20th-century modernist architecture.
Théorie de l’architecture
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Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the(...)
Le Corbusier: drawing as process
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Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the manifesto After Cubism. Even after Le Corbusier turned to architecture, he continued to paint and draw. His thousands of drawings, rarely exhibited but meticulously stored in two watch cabinets from his family home, were particularly significant; he considered his work as a draftsman to be fundamental to his creative process.
Architecture, monographies
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Is the present obsession with the icon and the promotion of image over substance symptomatic of a general trend in contemporary architecture? Arup Associates provides the alternative: unified design. This straightforward, critical reflection on contemporary architecture - a manifesto of sorts, polemical in parts, philosophical; and determined to set an honest agenda - is(...)
Unified design Arup associates
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Is the present obsession with the icon and the promotion of image over substance symptomatic of a general trend in contemporary architecture? Arup Associates provides the alternative: unified design. This straightforward, critical reflection on contemporary architecture - a manifesto of sorts, polemical in parts, philosophical; and determined to set an honest agenda - is divided into three sections. First, an explanation of unified design. Next, a demonstration of the sustainable agenda that is a the heart of this practice. Finally, a complementary series of essays by respected commentators outside of the practice place the vision of people-focused design in the context of other critical social thought.
Architecture, monographies
$63.00
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American Surrealist artist Dorothea Tanning worked across painting, sculpture, printmaking, installation and writing over the course of seven decades, producing one of the 20th century’s most enigmatic oeuvres. This fully illustrated catalog highlights Tanning’s works created between the 1950s and ’90s, a particularly fruitful period in the artist’s career, and traces(...)
Dorothea Tanning: Doesn't the paint say it all?
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American Surrealist artist Dorothea Tanning worked across painting, sculpture, printmaking, installation and writing over the course of seven decades, producing one of the 20th century’s most enigmatic oeuvres. This fully illustrated catalog highlights Tanning’s works created between the 1950s and ’90s, a particularly fruitful period in the artist’s career, and traces her stylistic arc through over 20 significant paintings drawn from interrelated phases of the artist’s practice. Scholars Mary Ann Caws, Victoria Carruthers and Kate Conley contribute essays to the volume; additionally, it reproduces Tanning’s 1986 essay "To Paint," a poetic and impassioned manifesto on painting and Surrealism. The catalog takes its title from the last line of this text.
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Didier Fiuza Faustino: misarchitectures brings together for the first time the entire work of Didier Faustino and his office Bureau des Mesarchitectures. Through drawings, diagrams, photographs and essays this part-monograph part-manifesto explores the ideas that drive Faustino’s architectural and artistic works: the political and ethical conditions for constructing sites(...)
Didier Fiuza Faustino: misarchitectures
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Didier Fiuza Faustino: misarchitectures brings together for the first time the entire work of Didier Faustino and his office Bureau des Mesarchitectures. Through drawings, diagrams, photographs and essays this part-monograph part-manifesto explores the ideas that drive Faustino’s architectural and artistic works: the political and ethical conditions for constructing sites and spaces within the socio-cultural layout of the city, and in particular how to critically approach the problem of the body in both private and public space. At the same time, the book revisits Faustino’s projects – from sculptures and installations, to public art, architectures and books – up to his most recent work, offering new insight into the architect’s perspective.
Architecture, monographies
$36.95
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On the occasion of his fifth and final year as Chair of the Department of Architecture at the Harvard University Graduate School of Design, architect and educator Mark Lee strings together five “footnotes”—on history, on cadence, on autonomy, on America, and on point—to assess the relationship between architectural education, research, and professional practice. Evoking a(...)
Five footnotes toward an architecture
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On the occasion of his fifth and final year as Chair of the Department of Architecture at the Harvard University Graduate School of Design, architect and educator Mark Lee strings together five “footnotes”—on history, on cadence, on autonomy, on America, and on point—to assess the relationship between architectural education, research, and professional practice. Evoking a similar position that marked his tenure, Lee delivers a lecture that embraces dialogue, context, and precedent, and rejects the notion of a heroic manifesto in favor of the footnote: “something ancillary, something used for referencing and providing citations for metanarratives that already exist.” And why five? “It’s a ubiquitous number in the culture of architecture. Five orders, five architects, five points.”
Théorie de l’architecture
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century(...)
Montage and the metropolis: architecture, modernity, and the representation of space
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city.
Théorie de l’architecture
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What role can history play in contemporary architecture practice? ''Besides, History: Go Hasegawa, Kersten Geers, David Van Severen'' invites three architects to reread, redraw, translate, and appropriate from the past and from each other in order to construct relationships between and meanings out of a constellation of references. In their conversations, history becomes(...)
Besides, history: Go Hasegawa, Kersten Geers, David Van Severen
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What role can history play in contemporary architecture practice? ''Besides, History: Go Hasegawa, Kersten Geers, David Van Severen'' invites three architects to reread, redraw, translate, and appropriate from the past and from each other in order to construct relationships between and meanings out of a constellation of references. In their conversations, history becomes a tool that can be used in production, rather than just an object of study. The book features newly produced plans, sections, models, and perspectives for projects by Go Hasegawa and OFFICE Kersten Geers David Van Severen, juxtaposed with reference material chosen from the CCA Collection. Introduced and annotated by the architects, these images form a visual manifesto for a unique relationship to history.
Publications du CCA
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A book-manifesto that details the 60-plus year career of Ugo La Pietra in applied arts and design through his research. An unorthodox, humanist and eclectic designer, since the late 1950s, La Pietra has always moved on the outskirts of the system, but in a bravely transdisciplinary perspective. Through his tireless work, Ugo La Pietra has practised with and experienced(...)
Living with art: research and works in the applied arts and in design
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A book-manifesto that details the 60-plus year career of Ugo La Pietra in applied arts and design through his research. An unorthodox, humanist and eclectic designer, since the late 1950s, La Pietra has always moved on the outskirts of the system, but in a bravely transdisciplinary perspective. Through his tireless work, Ugo La Pietra has practised with and experienced all possible languages. Not just architecture and design, but also cinema, painting, sculpture, comics, drawings, music and poetry. Now this volume collects the various moments that, over time, have characterised his involvement in the evolution of the world of design, marked in thematic chapters that examine the problems and theories that have accompanied his research.
Design, monographies
$75.95
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century(...)
Montage and the metropolis: architecture, modernity, and the representation of space
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$75.95
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city.
Théorie de l’architecture