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The topics that Friedman and his interviewees discuss illuminate five overarching themes: the functions and meanings of home; history, tradition, and change in residential architecture; activism, sustainability, and the environment; cities, suburbs, and regions; and technology, innovation, and materials. Friedman frames the interviews with an extended introduction that(...)
The American idea of home: conversations about architecture and design
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The topics that Friedman and his interviewees discuss illuminate five overarching themes: the functions and meanings of home; history, tradition, and change in residential architecture; activism, sustainability, and the environment; cities, suburbs, and regions; and technology, innovation, and materials. Friedman frames the interviews with an extended introduction that highlights these themes and helps readers appreciate the common concerns that underlie projects as disparate as Katrina cottages and Frank Lloyd Wright Usonian houses.
Théorie de l’architecture
Empire, state & building
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This book considers the material basis of building as a key impetus of both urbanization and the energetics of urban life. The otherwise externalized material geographies and thermodynamics of building’s material basis reveal much about the dynamics and efficacy of how we build. This book plots the material history and geography for one plot of land in Manhattan—the(...)
Empire, state & building
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This book considers the material basis of building as a key impetus of both urbanization and the energetics of urban life. The otherwise externalized material geographies and thermodynamics of building’s material basis reveal much about the dynamics and efficacy of how we build. This book plots the material history and geography for one plot of land in Manhattan—the parcel of land under the Empire State Building—over the past two hundred years. Through rich illustrations, it tracks all the building material that have passed through this parcel or remain it in geographic and ecological dynamics: spatially (in terms of their geographic material footprints and industrial processes) and quantitatively (in terms of embodied energy, embodied carbon, and emergy flow). In successive chapters, the book articulates the empire and states that are inherent to building, but remain unconsidered—abstract and unknown—by architects.
Théorie de l’urbanisme
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Werner Blaser is among the most respected architectural critics of recent decades, who has interacted with virtually all of the major architects, including Mies, Foster, Piano, and Calatrava. In Synthesis, he tells the story of his encounters with architects and architecture. In addition, he is also the creator of collages that make apparent aesthetic connections between(...)
Synthesis: texts and collages
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Werner Blaser is among the most respected architectural critics of recent decades, who has interacted with virtually all of the major architects, including Mies, Foster, Piano, and Calatrava. In Synthesis, he tells the story of his encounters with architects and architecture. In addition, he is also the creator of collages that make apparent aesthetic connections between the East and West, and between traditional and contemporary architecture.
Théorie de l’architecture
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With Design is Invisible, Lucius Burckhardt was one of the first to point out that factors that are invisible can be integrated – they determine the use of objects and should be part of the design. What is the use of the most attractive tramway if it does not operate at night? Burckhardt expands on the meaning of design, in this case by including the timetable, which can(...)
Théorie de l’architecture
avril 2017
Design is invisible: planning, education and society
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With Design is Invisible, Lucius Burckhardt was one of the first to point out that factors that are invisible can be integrated – they determine the use of objects and should be part of the design. What is the use of the most attractive tramway if it does not operate at night? Burckhardt expands on the meaning of design, in this case by including the timetable, which can also be optimized. The relevance of these articles dating from between 1965 and 1999 can be appreciated today in the current debate on architecture. Problems arising from social polarization, rural depopulation, and migration can only be resolved on an interdisciplinary basis. The articles, for the first time available in English, finally allow access to key source texts for the purpose of international debate.
Théorie de l’architecture
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In the writing of urban design history of the twentieth century, functionalist and avant-garde models of the dissolution of the city are dominating. In contrast this book presents projects whose goal is the ideal of a dense and urbane city. Drawing on plans, built examples and theories of dense and urban cities and city districts in the twentieth century, modern examples(...)
Urbanity and density in 20th century urban design
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In the writing of urban design history of the twentieth century, functionalist and avant-garde models of the dissolution of the city are dominating. In contrast this book presents projects whose goal is the ideal of a dense and urbane city. Drawing on plans, built examples and theories of dense and urban cities and city districts in the twentieth century, modern examples of urban design are analyzed and highlighted, which until now have been evaluated more as fringe phenomena. These include examples characterized by functional mixture, social openness, spatially defined public spaces, urban architecture, historical reference and a cultural understanding of the city. The book's new evaluation of modern urban design history creates opportunities for current planning by offering best-practice models, which better reflect the striving for urbanity and density.
Théorie de l’urbanisme
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Focusing on German cultural and architectural theorist Walter Benjamin’s “constellation of awakening,” TU Delft’s Footprint 18 investigates Benjamin’s conceptualization of “dialectical images,” his use of montage, his refusal of notions of both progress and decline, and his effort to demonstrate how images belong not only to a particular time but attain legibility only at(...)
Footprint 18: constellation of awakening. Benjamin and architecture
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Focusing on German cultural and architectural theorist Walter Benjamin’s “constellation of awakening,” TU Delft’s Footprint 18 investigates Benjamin’s conceptualization of “dialectical images,” his use of montage, his refusal of notions of both progress and decline, and his effort to demonstrate how images belong not only to a particular time but attain legibility only at a particular time.
Théorie de l’architecture
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Assignments can give instructions, describe an exercise, present a problem, set out rules, propose a game, stimulate a process, or simply throw out questions. "Taking a line for a walk" brings attention to something that is often neglected: the assignment as a pedagogical element and verbal artefact of design education. This book is a compendium of 224 assignments, edited(...)
Taking a line for walk: assignments in design education
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Assignments can give instructions, describe an exercise, present a problem, set out rules, propose a game, stimulate a process, or simply throw out questions. "Taking a line for a walk" brings attention to something that is often neglected: the assignment as a pedagogical element and verbal artefact of design education. This book is a compendium of 224 assignments, edited by Nina Paim and coedited by Emilia Bergmark. A reference book for educators, researchers, and students alike, it includes both contemporary and historical examples and offers a space for different lines of design pedagogy to converge and converse. An accompanying essay by Corinne Gisel takes a closer look at the various forms assignments can take and the educational contexts they exist within. Taking a Line for a Walk derived from an exhibition of the same name at the International Biennial of Graphic Design Brno 2014.
Théorie du design
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"Good space : political, aesthetic and urban Spaces" means first of all opportunities. It is explored in this book accompanying the same-titled exhibition how the demands made on public spaces can be realized. The focus is on surprising utilizations of space and subversive artistic strategies. Questions are raised about the form and significance of public spaces –(...)
Good space: political, aesthetic and urban spaces
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"Good space : political, aesthetic and urban Spaces" means first of all opportunities. It is explored in this book accompanying the same-titled exhibition how the demands made on public spaces can be realized. The focus is on surprising utilizations of space and subversive artistic strategies. Questions are raised about the form and significance of public spaces – regardless of whether these have actually been built or are simply utopian designs or are situated in the digital realm. With »EVERYTHING IS ARCHITECTURE: Bau Magazine from the 60s and 70s«, an exhibition by the ICA London in 2015 has been integrated into this exhibition, focusing on historical preconditions of visionary and utopian architectural and spatial concepts in the 1960s and 1970s. The book is a reader and the sum of the exhibition and the lectures during this summer 2016 at Villa Merkel.
Théorie de l’urbanisme
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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in(...)
Utopia, from Tomas More to Walter Benjamin
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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in its trajectory: first, utopia’s beginning, when Thomas More sought a path for justice through a world in transformation, and second, when utopia faced its greatest danger, the moment that Walter Benjamin called “catastrophe.”
Théorie/ philosophie
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For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and(...)
The man who walked in color: James Turrell
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For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and vision with its foundation deep in history. Didi-Huberman takes the reader on a journey between the impossible limit of the horizon and the arrival into a site of reverie and light, from the story of Exodus to the Pala d’Oro of San Marco’s Basilica in Venice, through art history and the origins of religious worship, finally plunging into Turrell’s cadmium dust and light, into the Painted Desert of his installation Roden Crater. For the esteemed art historian, Turrell’s artistic practice becomes the equivalent of walking along endless pathways in the desert, in “minuscule cathedrals where man discovers himself walking in color.”
Théorie de l’art