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Le bâti moderne et contemporain apparaît aujourd'hui comme le lieu même de l'exercice du métier d'architecte, tant par son ampleur, que par les interrogations théoriques qu'il soulève. Le projet d'architecture au plus près de l'existant se définit comme projet de sauvegarde, c'est-à-dire à la fois en tant que projet de conservation, mais aussi de nouvelle matérialité. Il(...)
Histoire matérielle du bâti et projet de sauvegarde - Devenir de l'architecture moderne et contemporaine
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Le bâti moderne et contemporain apparaît aujourd'hui comme le lieu même de l'exercice du métier d'architecte, tant par son ampleur, que par les interrogations théoriques qu'il soulève. Le projet d'architecture au plus près de l'existant se définit comme projet de sauvegarde, c'est-à-dire à la fois en tant que projet de conservation, mais aussi de nouvelle matérialité. Il requiert un savoir-faire tout particulier quant aux techniques d'entretien raffiné, de conservation, de restauration, voire de "weiterbauen" à mettre en oeuvre.Ce recueil d'essais et de réflexions critiques se propose de participer à la reconnaissance de cette discipline nouvelle que constituent à la fois la connaissance de l'histoire matérielle et celle du projet de sauvegarde.
Théorie de l’architecture
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Architects draw buildings, and the buildings they draw are usually populated by representations of the human figure — drawn, copied, collaged, or inserted — most often to suggest scale. It is impossible to represent architecture without representing the human form. This book collects more than 1,000 scale figures by 250 architects but presents them in a completely(...)
Architecture contemporaine
janvier 2019
An unfinished encyclopedia of scale figures without architecture
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Architects draw buildings, and the buildings they draw are usually populated by representations of the human figure — drawn, copied, collaged, or inserted — most often to suggest scale. It is impossible to represent architecture without representing the human form. This book collects more than 1,000 scale figures by 250 architects but presents them in a completely unexpected way: it removes them from their architectural context, displaying them on the page, buildingless, giving them lives of their own. They are presented not thematically or chronologically but encyclopedically, alphabetically by architect (Aalto to Zumthor). In serendipitous juxtapositions, the autonomous human figures appear and reappear, displaying endless variations of architecturally rendered human forms.
Architecture contemporaine
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Catalogue published for the exhibition (october 2009-february 2010) organised by the international Centre for urbanism, architecture and landscape, in partnership with Espace architecture La Cambre Horta. This book provides the reader with the opportunity to explore avant-garde Chinese architecture, design and urban planning via five separate themes: living architecture,(...)
Heart-made, the cutting edge of chinese contemporary architecture
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Catalogue published for the exhibition (october 2009-february 2010) organised by the international Centre for urbanism, architecture and landscape, in partnership with Espace architecture La Cambre Horta. This book provides the reader with the opportunity to explore avant-garde Chinese architecture, design and urban planning via five separate themes: living architecture, digital architecture, video architecture, installation art and sound art. Influenced in large part by Rem Koolhaas and Steven Holl, contemporary Chinese architects and artists are pioneers in architecture and design in China, actively engaging with the fast-changing society that surrounds them.
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
MIT architecture, the Keller gallery exhibition catalogs 2013-2014
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2013-2014 Volume includes catalogues for: - "Personal Space" by PostlerFerguson - "99 Marginal Street" by Landing Studio - "Space-Time 1964/2014" by Jorge-Otero Pailos with the MIT Edgerton Center and the MIT Museum - "Get to Work" by Room Studio featuring A:LOG - "New Massings for New Masses" by Milliøns: John J. May and Zeina Koreitem Essay contributors include: Andrew Atwood, Martha Buskirk, Kiel Moe, Andrei Pop, Laura Raskin, and Mechtild Widrich.
Architecture contemporaine
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
MIT architecture, the Keller gallery exhibition catalogs 2012-2013
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2012-2013 Volume includes exhibition catalogues for: -"Objects by Architects" curated by Sarah Hirschman -"Feeling Contexts" by C+S Architects: Carlo Cappai and Maria Alessandra Segantini -"Patterning by Heat" by Felicia Davis and Delia Dumitrescu -"Certain Aspects of Architectural Form" by William O'Brien Jr. -"Incremental Change" by Anne Filson and Gary Rohrbacher Essay contributors include: Christianna Bonin, Matthijs Bouw, Silvio Carta, Fulvio Irace, Michael Kubo, Mariel Villere, Nader Tehrani
Architecture contemporaine
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
MIT architecture, the Keller gallery exhibition catalogs 2011-2012
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. Each book in this volume has a distinct accent color used both for the saddle-stitch sewn pamphlet binding and for marginalia inside. The 2011-2012 Volume includes catalogues for: -"Lightweight Concrete" by Timothy Cooke and John E. Fernandez -"The Making of Things" by Ali Tayar -"The New Normal" Justin Lavallee and Nicholas Gelpi, Instructors, -"Walsh Street House: Robin Boyd" -"Waterworks" by Carole Starr Schein Essay contributors include: Shiben Bannerji, Andrew J. Manto, Timothy Cooke, John E. Fernandez, and Daniela Covarrubias.
Architecture contemporaine
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In this book, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot(...)
Tokyoids: the robotic face of architecture
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In this book, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot aesthetics through his photographs of fifty buildings, Blanciak argues that the robot face originated in architecture—before the birth of robotics—and has played a central role in architectural history. Part photographic survey, part theoretical inquiry, the publication upends the usual approach to robotics in architecture by considering not the automation of architectural output but the aesthetic properties of the robot.
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167 pages : illustrations (chiefly color) ; 23 x 25 cm
Montréal : Centre International d'Art Contemporain de Montréal, 2000.
Tout le temps / commissaire Peggy Gale = Every time / curator Peggy Gale.
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167 pages : illustrations (chiefly color) ; 23 x 25 cm
livres
Montréal : Centre International d'Art Contemporain de Montréal, 2000.
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How does one teach architecture and construction in the first year of study, to students with a range of preexisting experience and potential? As a passionate teacher of architecture for many years, Annette Spiro has pondered this question extensively. Her aim has always been to spark students’ enthusiasm and creativity, while at the same time teaching them to cultivate(...)
How to begin? Architecture and construction in Spiro's first year course, ETH Zurich
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How does one teach architecture and construction in the first year of study, to students with a range of preexisting experience and potential? As a passionate teacher of architecture for many years, Annette Spiro has pondered this question extensively. Her aim has always been to spark students’ enthusiasm and creativity, while at the same time teaching them to cultivate expertise and attention to detail in their research and design. In six sections, "How to Begin?" spotlights the various aspects and influences that come into play in students’ first year of coursework. Assembling three of Spiro’s lectures, interviews with students, and weekly exercises, this volume also includes a comprehensive glossary delineating key ideas and theses in architecture, as well as a logbook of supplementary events and publications that contribute to shaping the first year of studies in architecture.
Architecture contemporaine
livres
$70.00
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An important and stimulating architecture book on the momentous urban and town planning project in the city center of Istanbul. The Zorlu Center, a dynamic and impressive gateway being built in Istanbul, will redefine the experience of contemporary downtown urban living. The competition brought in 117 firms, including Arquitectonica from Miami, Mario Botta from(...)
A vision in architecture: projects for the Istanbul Zorlu Center
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An important and stimulating architecture book on the momentous urban and town planning project in the city center of Istanbul. The Zorlu Center, a dynamic and impressive gateway being built in Istanbul, will redefine the experience of contemporary downtown urban living. The competition brought in 117 firms, including Arquitectonica from Miami, Mario Botta from Switzerland, Coop Himmelb(l)au from Austria, and Vittorio Gregotti from Italy.
livres
mai 2013
Architecture contemporaine