16468 Résultats
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1 volume : color illustrations ; 31 cm + 1 leaflet ([8] pages : illustrations ; 28 cm)
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1 volume : color illustrations ; 31 cm + 1 leaflet ([8] pages : illustrations ; 28 cm)
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Milano, Italy : A+m bookstore edizioni, 2006.
Milano, Italy : A+m bookstore edizioni, 2006.
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Taxonomies / [photographer], Stefano Graziani.
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1 volume : color illustrations ; 31 cm + 1 leaflet ([8] pages : illustrations ; 28 cm)
Taxonomies / [photographer], Stefano Graziani.
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1 volume : color illustrations ; 31 cm + 1 leaflet ([8] pages : illustrations ; 28 cm)
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Milano, Italy : A+m bookstore edizioni, 2006.
Milano, Italy : A+m bookstore edizioni, 2006.
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143 pages : chiefly color illustrations ; 24 x 31 cm
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143 pages : chiefly color illustrations ; 24 x 31 cm
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Heidelberg : Kehrer, [2010]
Heidelberg : Kehrer, [2010]
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The last decade / photographs by Julius Shulman, Jürgen Nogai ; [texts by Jürgen Nogai, Thomas Schirmböck ; translations by Jennifer Taylor].
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143 pages : chiefly color illustrations ; 24 x 31 cm
The last decade / photographs by Julius Shulman, Jürgen Nogai ; [texts by Jürgen Nogai, Thomas Schirmböck ; translations by Jennifer Taylor].
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143 pages : chiefly color illustrations ; 24 x 31 cm
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Heidelberg : Kehrer, [2010]
Heidelberg : Kehrer, [2010]
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535 pages : illustrations (chiefly color) ; 26 cm
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535 pages : illustrations (chiefly color) ; 26 cm
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Portland, Oregon : Timber Press, 2018., ©2018
Portland, Oregon : Timber Press, 2018., ©2018
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The history of landscape design in 100 gardens / Linda A. Chisholm ; with photography by Michael D. Garber.
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535 pages : illustrations (chiefly color) ; 26 cm
The history of landscape design in 100 gardens / Linda A. Chisholm ; with photography by Michael D. Garber.
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535 pages : illustrations (chiefly color) ; 26 cm
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Portland, Oregon : Timber Press, 2018., ©2018
Portland, Oregon : Timber Press, 2018., ©2018
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128 pages : illustrations (chiefly color) ; 25 x 30 cm
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128 pages : illustrations (chiefly color) ; 25 x 30 cm
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Ostfildern-Ruit : Hatje Cantz ; New York : D.A.P., Distributed Art Publishers [distributor], ©2005.
Ostfildern-Ruit : Hatje Cantz ; New York : D.A.P., Distributed Art Publishers [distributor], ©2005.
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Supervisions / Andreas Gefeller ; [editor, Roland Nachtigäller].
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128 pages : illustrations (chiefly color) ; 25 x 30 cm
Supervisions / Andreas Gefeller ; [editor, Roland Nachtigäller].
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128 pages : illustrations (chiefly color) ; 25 x 30 cm
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Ostfildern-Ruit : Hatje Cantz ; New York : D.A.P., Distributed Art Publishers [distributor], ©2005.
Ostfildern-Ruit : Hatje Cantz ; New York : D.A.P., Distributed Art Publishers [distributor], ©2005.
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1 v. (unpaged) : chiefly ill. ; 33 cm.
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1 v. (unpaged) : chiefly ill. ; 33 cm.
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Tucson, Ariz., USA : Nazraeli Press, c2004.
Tucson, Ariz., USA : Nazraeli Press, c2004.
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Ratcliffe Power Station / Michael Kenna ; essay by Jeremy Reed.
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1 v. (unpaged) : chiefly ill. ; 33 cm.
Ratcliffe Power Station / Michael Kenna ; essay by Jeremy Reed.
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1 v. (unpaged) : chiefly ill. ; 33 cm.
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Tucson, Ariz., USA : Nazraeli Press, c2004.
Tucson, Ariz., USA : Nazraeli Press, c2004.
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xi, 197 pages : illustrations ; 24 cm
Description:
xi, 197 pages : illustrations ; 24 cm
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[Sainte-Foy] : Archives nationales du Québec, ©1996.
[Sainte-Foy] : Archives nationales du Québec, ©1996.
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Entre campagne et ville, 1940-1950 : Driscoll, photographe ambulant / Paul-Louis Martin.
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xi, 197 pages : illustrations ; 24 cm
Entre campagne et ville, 1940-1950 : Driscoll, photographe ambulant / Paul-Louis Martin.
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xi, 197 pages : illustrations ; 24 cm
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[Sainte-Foy] : Archives nationales du Québec, ©1996.
[Sainte-Foy] : Archives nationales du Québec, ©1996.
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96 pages : illustrations ; 25 cm
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96 pages : illustrations ; 25 cm
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London : H.M.S.O., 1985.
London : H.M.S.O., 1985.
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Industry and the camera / Royal Commission on the Historical Monuments of England.
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96 pages : illustrations ; 25 cm
Industry and the camera / Royal Commission on the Historical Monuments of England.
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96 pages : illustrations ; 25 cm
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London : H.M.S.O., 1985.
London : H.M.S.O., 1985.
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1 volume (unpaged) : chiefly color illustrations ; 35 cm + 1 computer optical disc (color ; 4 3/4 in.)
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1 volume (unpaged) : chiefly color illustrations ; 35 cm + 1 computer optical disc (color ; 4 3/4 in.)
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Teaneck, N.J. : Fairleigh Dickinson University, [1996], ©1996
Teaneck, N.J. : Fairleigh Dickinson University, [1996], ©1996
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Photographs in ink / curated by David A Hanson, Sidney Tillim.
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1 volume (unpaged) : chiefly color illustrations ; 35 cm + 1 computer optical disc (color ; 4 3/4 in.)
Photographs in ink / curated by David A Hanson, Sidney Tillim.
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1 volume (unpaged) : chiefly color illustrations ; 35 cm + 1 computer optical disc (color ; 4 3/4 in.)
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Teaneck, N.J. : Fairleigh Dickinson University, [1996], ©1996
Teaneck, N.J. : Fairleigh Dickinson University, [1996], ©1996
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Gauss PDF 2012
Gauss PDF 2012
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Gauss PDF 2012
Gauss PDF 2012
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$23.95
(disponible sur commande)
Résumé:
Since its invention, photography has always been inextricably tied up with remembrance: photographs recall family, beloved friends, special moments, trips and other events, speaking across time and place to create an emotional bond between subject and viewer. "Forget me not" focuses on this relationship between photography and memory, and explores the curious and(...)
$23.95
(disponible sur commande)
Résumé:
Since its invention, photography has always been inextricably tied up with remembrance: photographs recall family, beloved friends, special moments, trips and other events, speaking across time and place to create an emotional bond between subject and viewer. "Forget me not" focuses on this relationship between photography and memory, and explores the curious and(...)
Titre:
Forget me not : photography and remembrance
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$23.95
(disponible sur commande)
Résumé:
Since its invention, photography has always been inextricably tied up with remembrance: photographs recall family, beloved friends, special moments, trips and other events, speaking across time and place to create an emotional bond between subject and viewer. "Forget me not" focuses on this relationship between photography and memory, and explores the curious and centuries-old practice of strengthening the emotional appeal of photographs by embellishing them—with text, paint, frames, embroidery, fabric, string, hair, flowers, bullets, cigar wrappers, butterfly wings, and more — to create strange and often beautiful hybrid objects. This spellbinding book features color photographs of eighty such objects, extraordinary works of art — part memento, part Joseph Cornell — created by ordinary people from the mid-19th to mid-20th century. In addition, "Forget me not" offers an alternative way to look at the history of photography, a history that effectively excludes most of the photographs — candid views, family snapshots, and the like — taken since the invention of the camera. Photography historian Geoffrey Batchen adopts a different tone in this book — a personal and speculative voice that speaks to the objects rather than about them while offering a visual treasure chest of both mysterious and beautiful images.
Forget me not : photography and remembrance
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$23.95
(disponible sur commande)
Résumé:
Since its invention, photography has always been inextricably tied up with remembrance: photographs recall family, beloved friends, special moments, trips and other events, speaking across time and place to create an emotional bond between subject and viewer. "Forget me not" focuses on this relationship between photography and memory, and explores the curious and centuries-old practice of strengthening the emotional appeal of photographs by embellishing them—with text, paint, frames, embroidery, fabric, string, hair, flowers, bullets, cigar wrappers, butterfly wings, and more — to create strange and often beautiful hybrid objects. This spellbinding book features color photographs of eighty such objects, extraordinary works of art — part memento, part Joseph Cornell — created by ordinary people from the mid-19th to mid-20th century. In addition, "Forget me not" offers an alternative way to look at the history of photography, a history that effectively excludes most of the photographs — candid views, family snapshots, and the like — taken since the invention of the camera. Photography historian Geoffrey Batchen adopts a different tone in this book — a personal and speculative voice that speaks to the objects rather than about them while offering a visual treasure chest of both mysterious and beautiful images.
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livres
livres
Publication:
août 2006, New York
août 2006, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
