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"Urban Margins" explores the complex processes through which citizens produce and negotiate these marginalized landscapes and in turn are informed by them. Focusing on Douala in Cameroon and Dakar in Senegal, one essay discusses how the state's failure to provide for its citizens has led many to turn to informal networks and affiliations--whether kin-based, local,(...)
Urban margins: envisioning the contemporary global south
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"Urban Margins" explores the complex processes through which citizens produce and negotiate these marginalized landscapes and in turn are informed by them. Focusing on Douala in Cameroon and Dakar in Senegal, one essay discusses how the state's failure to provide for its citizens has led many to turn to informal networks and affiliations--whether kin-based, local, translocal, gendered, religious, or secular--for survival. Rendering the urban landscape of these cities in terms of these networks and the ways that they shape a citizen's interaction with the city, the essay considers the political possibilities for African cities where diverse multilingual and ethnic populations face the challenges, pitfalls, and compromises of coexistence.
Théorie de l’urbanisme
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In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They revisit from fresh perspectives key issues regarding modernity and postmodernity, including the relationship between art and broader social and political currents as well as important(...)
Théorie de l’art
décembre 2008, Durham, London
Antinomies of art and culture: modernity, postmodernity, contemporaneity
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In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They revisit from fresh perspectives key issues regarding modernity and postmodernity, including the relationship between art and broader social and political currents as well as important questions about temporality and change. They also reflect on whether or not broad categories and terms such as modernity, postmodernity, globalization, and decolonization are still relevant or useful. Including twenty essays and seventy-seven images, Antinomies of Art and Culture is a wide-ranging yet incisive inquiry into how to understand, describe, and represent what it is to live in the contemporary moment.
Théorie de l’art
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Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts’ dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works(...)
Digital baroque: new media art and cinematic folds
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Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts’ dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer. Murray puts forth an innovative Deleuzian psychophilosophical approach—one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal folds intrinsic to the digital form.
Théorie de l’art
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Literary critics frequently portray early Native American writers either as individuals caught between two worlds or as subjects who, even as they defied the colonial world, struggled to exist within it. In counterpoint to these analyses, Lisa Brooks demonstrates the ways in which Native leaders — including Samson Occom, Joseph Brant, Hendrick Aupaumut, and William Apess(...)
The common pot : the recovery of Native space in the north
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Literary critics frequently portray early Native American writers either as individuals caught between two worlds or as subjects who, even as they defied the colonial world, struggled to exist within it. In counterpoint to these analyses, Lisa Brooks demonstrates the ways in which Native leaders — including Samson Occom, Joseph Brant, Hendrick Aupaumut, and William Apess — adopted writing as a tool to reclaim rights and land in the Native networks of what is now the northeastern United States.
Théorie du paysage
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This is at once a book by Negri and on Negri. It presents, for the first time in English, a major essay by Negri on the “monster” as a political figure in the history of Western thought, engaging with discourses of biopolitics, eugenics, and genetic engineering. More candid and self-critical than ever before, Negri provides his wide audience with a rich and revelatory(...)
Théorie/ philosophie
novembre 2008, Minneapolis
In praise of the common: a conversation on philosophy and politics
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This is at once a book by Negri and on Negri. It presents, for the first time in English, a major essay by Negri on the “monster” as a political figure in the history of Western thought, engaging with discourses of biopolitics, eugenics, and genetic engineering. More candid and self-critical than ever before, Negri provides his wide audience with a rich and revelatory assessment of his controversial, highly influential thought.
Théorie/ philosophie
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Newark's volatile past is infamous. The city has become synonymous with the Black Power movement and urban crisis. Its history reveals a vibrant and contentious political culture punctuated by traditional civic pride and an understudied tradition of protest in the black community. Newark charts this important city's place in the nation, from its founding in 1666 by a(...)
Newark: a history of race, rights, and riots in America
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Newark's volatile past is infamous. The city has become synonymous with the Black Power movement and urban crisis. Its history reveals a vibrant and contentious political culture punctuated by traditional civic pride and an understudied tradition of protest in the black community. Newark charts this important city's place in the nation, from its founding in 1666 by a dissident Puritan as a refuge from intolerance, through the days of Jim Crow and World War II civil rights activism, to the height of postwar integration and the election of its first black mayor. In this broad and balanced history of Newark, Kevin Mumford applies the concept of the public sphere to the problem of race relations, demonstrating how political ideas and print culture were instrumental in shaping African American consciousness. He draws on both public and personal archives, interpreting official documents-such as newspapers, commission testimony, and government records-alongside interviews, political flyers, meeting minutes, and rare photos. From the migration out of the south to the rise of public housing and ethnic conflict, Newark explains the impact of African Americans on the reconstruction of American cities in the twentieth century.
Théorie/ philosophie
Rediscovering aesthetics, transdisciplinary voices from art history, philosphy, and art pratice
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Rediscovering Aesthetics brings together prominent international voices from art history, philosophy, and artistic practice to discuss the current role of aesthetics within and across their disciplines. Following a period in which theories and histories of art, art criticism, and artistic practice seemed to focus exclusively on political, social, or empirical(...)
Théorie de l’art
novembre 2008, Stanford
Rediscovering aesthetics, transdisciplinary voices from art history, philosphy, and art pratice
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Rediscovering Aesthetics brings together prominent international voices from art history, philosophy, and artistic practice to discuss the current role of aesthetics within and across their disciplines. Following a period in which theories and histories of art, art criticism, and artistic practice seemed to focus exclusively on political, social, or empirical interpretations of art, aesthetics is being rediscovered both as a vital arena for discussion and a valid interpretive approach outside its traditional philosophical domain.
Théorie de l’art
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This book is the first publication in English of the second volume of Technics and Time, in which French philosopher engages in a close dialogue with Husserl, Derrida, and other philosophers who have devoted their energies to technics, such as Heidegger and Simondon.
Technics and time, 2 : disorientation
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This book is the first publication in English of the second volume of Technics and Time, in which French philosopher engages in a close dialogue with Husserl, Derrida, and other philosophers who have devoted their energies to technics, such as Heidegger and Simondon.
Théorie/ philosophie
Acting out
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Acting Out is the first appearance in English of two short books published by Bernard Stiegler in 2003. In How I Became a Philosopher, he outlines his transformation during a five-year period of incarceration for armed robbery. Isolated from what had been his world, Stiegler began to conduct a kind of experiment in phenomenological research. Inspired by the Greek stoic(...)
Acting out
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Acting Out is the first appearance in English of two short books published by Bernard Stiegler in 2003. In How I Became a Philosopher, he outlines his transformation during a five-year period of incarceration for armed robbery. Isolated from what had been his world, Stiegler began to conduct a kind of experiment in phenomenological research. Inspired by the Greek stoic Epictetus, Stiegler began to read, write, and discover his vocation, eventually studying philosophy in correspondence with Gérard Granel who was an important influence on a number of French philosophers, including Jacques Derrida, who was later Stiegler's teacher.
Théorie/ philosophie
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In an effort to create a secure urban environment in which residents can work, live, and prosper with minimal disruption, New York and London established a network of laws, policing, and municipal government in the nineteenth century aimed at building the confidence of the citizenry and creating stability for economic growth. At the same time, these two world cities(...)
Triumph of order, democracy and public space in New York and London
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In an effort to create a secure urban environment in which residents can work, live, and prosper with minimal disruption, New York and London established a network of laws, policing, and municipal government in the nineteenth century aimed at building the confidence of the citizenry and creating stability for economic growth. At the same time, these two world cities attempted to maintain an expansive level of free speech and assembly, concepts deeply ingrained in both national cultures. As democracy expanded in tandem with the size of the cities themselves, the two goals clashed, resulting in tensions over their compatibility. The results of this clash continue to resonate in our society today. Treating nineteenth-century London and New York as case studies, Lisa Keller examines the critical development of sanctioned free speech, controlled public assembly, new urban regulations, and the quelling of riots, all in the name of a proper regard for order. Drawing on rich archival sources that include the unpublished correspondence of government officials and ordinary citizens, Keller paints an intimate portrait of daily life in these two cities and the intricacies of their emerging bureaucracies. She finds that New York eventually settled on a policy of preempting disruption before it occurred, while London chose a path of greater tolerance toward street activities.
Théorie de l’urbanisme